A sneakiness in Russial politics is artistically presented through the prism of state cinema money. On the screening of the film "Dear Comrades" by Andrey Konchalovsky and Alisher Usmanov at the Venice Film Festival. The note
Аннотация: A sneakiness in Russial politics is artistically presented through the prism of state cinema money. On the screening of the film "Dear Comrades" by Andrey Konchalovsky and Alisher Usmanov at the Venice Film Festival. The note.
A sneakiness in Russial politics is artistically presented through the prism of state cinema money. On the screening of the film "Dear Comrades" by Andrey Konchalovsky and Alisher Usmanov at the Venice Film Festival. The note.
Today, September 7, 2020, the film "Dear Comrades" was shown at the Venice Film Festival.
Initially, it was planned to allocate 150 million rubles for the film "Dear Comrades".
Why is this film so valuable?
1962 is not only the year of the Novocherkassk events. This is the year of active actions of the USSR in the Western Hemisphere, in general in the Western World.
These actions had their consequences. For example, tens of thousands of Portuguese were forced to flee from overseas territories. Not only the Portuguese suffered, but also other peoples of Europe ...
But this did not end the matter. The year 1991 has come ...
The actions of Khrushchev and his entourage were complex, camouflaged and sneaky in relation to Europe.
The Novocherkassk events are interesting in that they lifted the veil over the depths of Khrushchev's sneaky politics.
Now is the time to shoot this film and show it at the Venice Film Festival.
The show took place during events in Belarus. The modern political system of Russia has expressed its support for Lukashenko.
One of the leaders of the Belarusian opposition, Maria Kolesnikova, has been kidnapped today.
Political terrorists can say "thanks" ...
[MDCXCII. Novocherkassk - Belarus - Konchalovsky. The note. - September 5, 2020]
September 7, 2020 22:50
Translation from Russian into English: September 7, 2020 23:29.
Владимир Владимирович Залесский 'Подлость в российской политике художественно представлена через призму государственных киноденег. О показе фильма Андрея Кончаловского и Алишера Усманова "Дорогие товарищи" на Венецианском кинофестивале. Заметка'.