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| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | |
| По разделу | 26459 | 1916 | 41 | 198 | 147 | 111 | 92 | 137 | 237 | 232 | 274 | 137 | 209 | 101 | 0 | 3 | 4 | 7 | 2 | 5 | 8 | 5 | 7 | 4 | 5 | 8 | 12 | 19 | 13 | 4 | 3 | 5 | 5 | 4 | 6 | 5 | 3 | 2 | 3 | 4 | 7 | 2 | 4 | 3 | 2 | 5 | 6 | 9 | 11 | 22 | 15 | 4 | 3 | 5 | 2 | 5 | 3 | 7 | 5 | 4 | 6 | 5 | 3 | 4 | 2 | 2 | 3 | 2 | 6 | 3 | 3 | 4 | 8 | 8 | 10 | 3 |
| "Подробности жизни Никиты Воронцова" С. Ярославцева (Аркадия Стругацкого) - первый и последний советский исекай (до исекая)? | 580 | 580 | 11 | 35 | 45 | 46 | 46 | 26 | 139 | 73 | 44 | 34 | 81 | 0 | 0 | 0 | 4 | 3 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 1 | 3 | 0 | 2 | 2 | 2 | 3 | 3 | 3 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 |
| Идея фильма по роману Станислава Лема "Непобедимый" | 542 | 443 | 15 | 44 | 41 | 24 | 37 | 34 | 27 | 62 | 41 | 43 | 40 | 35 | 0 | 1 | 4 | 3 | 0 | 3 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 6 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 3 | 3 | 3 | 2 | 2 | 1 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 |
| Меркурий и 3 дом у писателей: Рэй Брэдбери и Станислав Лем | 412 | 412 | 9 | 31 | 32 | 30 | 21 | 33 | 27 | 51 | 25 | 63 | 90 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 4 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 |
| Б.Е.Штерн "Ковчег 47 Либра" (рецензия) | 1058 | 391 | 6 | 41 | 44 | 18 | 34 | 41 | 31 | 51 | 39 | 33 | 30 | 23 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 3 | 2 | 2 | 2 | 3 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 1 | 2 | 3 | 1 | 4 | 1 | 1 | 2 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
| Тим Бернерс-Ли. Создатель Всемирной паутины | 465 | 367 | 6 | 33 | 33 | 16 | 29 | 25 | 22 | 43 | 41 | 37 | 36 | 46 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 3 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 |
| Обзор кинофантастики, часть 3. Фантастика с философским "замахом" | 511 | 355 | 10 | 34 | 35 | 22 | 26 | 36 | 29 | 55 | 35 | 27 | 23 | 23 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 2 | 2 | 5 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 5 | 2 | 2 | 0 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
| А есть ли старшие... Ещё одно размышление о жизни во Вселенной | 887 | 348 | 7 | 33 | 40 | 24 | 24 | 38 | 22 | 54 | 25 | 26 | 28 | 27 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 7 | 0 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 3 | 0 |
| Астроразбор романа "Отцы и дети". Евгений Базаров и Павел Кирсанов - главные персонажи | 343 | 343 | 6 | 29 | 30 | 12 | 19 | 25 | 16 | 57 | 32 | 22 | 95 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 4 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Три предыстории мира Полудня | 1017 | 335 | 10 | 41 | 39 | 25 | 28 | 32 | 19 | 43 | 27 | 20 | 30 | 21 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 3 | 4 | 2 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 5 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 |
| Никлаус Вирт. Не признанный до конца гений айти | 427 | 324 | 6 | 42 | 34 | 12 | 22 | 27 | 23 | 33 | 29 | 35 | 30 | 31 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 3 | 0 | 4 | 3 | 4 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 |
| Рецензия на фильм "Мастер и Маргарита" 2024 года | 481 | 321 | 9 | 32 | 32 | 18 | 18 | 43 | 19 | 50 | 31 | 29 | 18 | 22 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 5 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 |
| Суперлюди в советской фантастике | 1039 | 320 | 4 | 34 | 29 | 16 | 30 | 33 | 20 | 44 | 30 | 24 | 33 | 23 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 5 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 4 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 |
| Старая новая гипотеза барионной природы скрытой материи - многокомпонентный состав | 560 | 318 | 8 | 30 | 32 | 23 | 23 | 23 | 22 | 55 | 27 | 28 | 27 | 20 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 5 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 |
| Оценивание доли обитаемых систем по данным, полученным в ходе основной миссии телескопа "Кеплер" | 805 | 310 | 3 | 34 | 37 | 24 | 20 | 23 | 21 | 41 | 26 | 25 | 25 | 31 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 4 | 3 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 |
| Ницше и Достоевский | 666 | 309 | 9 | 35 | 37 | 22 | 17 | 25 | 15 | 44 | 38 | 22 | 23 | 22 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 2 | 2 | 2 | 3 | 5 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 2 | 3 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 |
| Люди науки среди писателей-фантастов | 629 | 305 | 9 | 28 | 27 | 12 | 22 | 24 | 15 | 37 | 27 | 40 | 30 | 34 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 3 | 0 | 3 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 4 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 |
| Исповедь Пур Хисса | 700 | 302 | 6 | 23 | 31 | 23 | 23 | 24 | 13 | 63 | 25 | 19 | 27 | 25 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 3 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
| Новая версия старого решения парадокса Ферми | 807 | 300 | 5 | 30 | 31 | 19 | 18 | 30 | 17 | 46 | 27 | 30 | 25 | 22 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 4 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
| Против концепции технологической сингулярности | 793 | 298 | 9 | 32 | 33 | 8 | 27 | 26 | 21 | 36 | 32 | 25 | 29 | 20 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | |
| Меркурий и 3 дом гороскопа у писателей. Харлан Эллисон | 295 | 295 | 10 | 23 | 22 | 14 | 20 | 22 | 12 | 36 | 31 | 15 | 90 | 0 | 0 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Против концепции технологической сингулярности. Продолжение | 290 | 290 | 7 | 29 | 43 | 13 | 17 | 21 | 14 | 54 | 59 | 33 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 6 | 0 | 0 | 3 | 0 | 1 | 0 | 2 |
| Предсказания в фильмах от Квартета И | 401 | 288 | 5 | 32 | 35 | 16 | 21 | 21 | 18 | 46 | 21 | 27 | 19 | 27 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 3 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 5 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 |
| Прогноз на поиск внеземной жизни и иного разума | 283 | 283 | 5 | 27 | 26 | 12 | 21 | 19 | 8 | 30 | 135 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 |
| Неупокоенная душа | 680 | 281 | 8 | 32 | 29 | 23 | 20 | 20 | 12 | 48 | 22 | 20 | 26 | 21 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 4 | 2 | 2 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 |
| New version of old Fermi Paradox solution: extraterrestrial intelligence can exist in internal sectors of the Galactic disk and think that the Solar neighborhood is empty | 740 | 281 | 7 | 35 | 40 | 19 | 18 | 32 | 17 | 31 | 26 | 20 | 15 | 21 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 4 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 3 | 1 | 5 | 1 | 4 | 1 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Про мир "Дивергента" | 377 | 276 | 8 | 35 | 37 | 19 | 21 | 24 | 12 | 32 | 21 | 22 | 26 | 19 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 |
| Прогнозы на развитие технологий и влияния на общество: сборник размышлений | 700 | 270 | 9 | 30 | 33 | 16 | 15 | 26 | 12 | 45 | 23 | 22 | 26 | 13 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 3 | 3 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 |
| Обзор кинофантастики - будущее, роботы и виртуальная реальность | 572 | 269 | 10 | 29 | 27 | 14 | 20 | 24 | 14 | 33 | 21 | 23 | 24 | 30 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
| Миражи (иных миров) | 701 | 267 | 5 | 33 | 33 | 14 | 25 | 21 | 17 | 33 | 24 | 20 | 25 | 17 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 4 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 |
| Реактивная кастрюля | 573 | 263 | 8 | 25 | 24 | 10 | 22 | 23 | 18 | 39 | 23 | 29 | 26 | 16 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 4 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
| Мысли о войне в космосе. Ближайшая перспектива - околоземная орбита | 262 | 262 | 4 | 26 | 33 | 9 | 19 | 16 | 9 | 29 | 117 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 4 | 0 | 3 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 |
| О Wow!-сигнале | 262 | 262 | 5 | 32 | 25 | 11 | 22 | 25 | 19 | 123 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 2 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 |
| Дополнение к "гипотезе галактической Ладоги" | 260 | 260 | 8 | 27 | 25 | 23 | 19 | 23 | 13 | 37 | 85 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 |
| Скорлупа | 741 | 258 | 11 | 30 | 26 | 12 | 26 | 21 | 12 | 32 | 20 | 23 | 26 | 19 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 0 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 |
| История демаркационных линий Солнечной системы | 445 | 256 | 10 | 26 | 25 | 17 | 19 | 20 | 12 | 32 | 25 | 22 | 24 | 24 | 0 | 0 | 3 | 4 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 3 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
| Последнее аналоговое поколение | 706 | 255 | 10 | 31 | 32 | 24 | 13 | 21 | 12 | 29 | 18 | 26 | 23 | 16 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Про электронные деньги и цифровизацию | 254 | 254 | 9 | 30 | 27 | 9 | 22 | 26 | 131 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 |
| Обзор кинофантастики, часть 2 | 408 | 244 | 6 | 30 | 25 | 13 | 20 | 20 | 15 | 25 | 25 | 27 | 18 | 20 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
| Битва при Весте | 808 | 241 | 9 | 26 | 26 | 14 | 16 | 25 | 11 | 24 | 24 | 28 | 24 | 14 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 4 | 1 | 3 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | |
| Медная гора | 805 | 241 | 10 | 26 | 30 | 16 | 21 | 21 | 6 | 33 | 21 | 24 | 15 | 18 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 |
| Дрон Ingenuity: марсианская хроника. Основная миссия | 579 | 240 | 5 | 24 | 25 | 13 | 17 | 23 | 13 | 32 | 27 | 16 | 25 | 20 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 |
| Информация о владельце раздела | 566 | 240 | 3 | 25 | 23 | 16 | 17 | 23 | 12 | 40 | 22 | 20 | 21 | 18 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
| Под соседней звездой | 731 | 229 | 6 | 23 | 32 | 12 | 18 | 24 | 14 | 30 | 16 | 18 | 21 | 15 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 |
| Про фильм "Пророк. История Александра Пушкина" | 216 | 216 | 7 | 28 | 33 | 19 | 23 | 46 | 60 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 4 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Про фильм "Денискины рассказы" (2025) | 190 | 190 | 8 | 35 | 25 | 27 | 31 | 64 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 3 | 2 | 4 | 2 | 2 | 2 | 0 | 3 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| О науке (личное) и доверии специалистам (общие принципы для руководства) | 184 | 184 | 6 | 29 | 29 | 23 | 14 | 23 | 24 | 36 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 4 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 4 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 |
| Мультипликационный фильм "Стеклодув" ("The Glassworker"): история не для детей | 146 | 146 | 26 | 56 | 34 | 30 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 4 | 2 | 5 | 1 | 3 | 5 | 2 | 2 | 3 | 4 | 4 | 1 | 4 | 1 | 2 | 1 | 2 | 5 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 4 | 2 | 3 | 2 | 2 | 1 | 3 | 3 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 |
| Три сюжета из долгого ящика | 143 | 143 | 16 | 32 | 52 | 43 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 3 | 3 | 3 | 2 | 5 | 1 | 1 | 2 | 0 | 3 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 2 | 5 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 |
| Против трансгуманизма | 125 | 125 | 12 | 113 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 2 | 0 | 4 | 3 | 4 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 2 | 4 | 7 | 1 | 1 | 2 | 2 | 5 | 6 | 9 | 11 | 22 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ещё раз о "гипотезе галактической Ладоги" | 103 | 103 | 6 | 30 | 67 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 3 | 2 | 6 | 5 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 3 | 3 | 3 | 8 | 8 | 10 | 0 |
| В защиту Ивана Антоновича. Рассмотрение изображения Земли будущего из "Туманности Андромеды" и "Часа Быка" | 100 | 100 | 9 | 32 | 59 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 3 |
| Интерпретации "За миллиард лет до конца света" братьев Стругацких: суть запрещённых технологий | 91 | 91 | 33 | 58 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 7 | 1 | 3 | 8 | 5 | 7 | 2 | 4 | 8 | 12 | 19 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |