| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
По разделу |
516138 | 1566 |
103 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
88 |
1 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
4 |
6 |
5 |
4 |
7 |
4 |
2 |
3 |
6 |
3 |
3 |
6 |
5 |
3 |
5 |
5 |
5 |
6 |
5 |
4 |
6 |
5 |
5 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
3 |
3 |
4 |
3 |
5 |
4 |
4 |
4 |
4 |
|
7. О символизации насилия. Песочный Человек |
3561 | 718 |
41 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
36 |
0 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
6 |
0 |
1 |
1 |
4 |
0 |
5 |
2 |
4 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
|
Художественные описания механизмов психологической защиты |
13377 | 649 |
41 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
33 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4015 | 546 |
46 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
28 |
0 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
4 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
5 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
3 |
1 |
5 |
2 |
0 |
3 |
1 |
|
1. Расставание брата и сестры |
3909 | 535 |
26 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
26 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1942 | 515 |
42 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
32 |
0 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
0 |
4 |
3 |
3 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
|
7. Интерпретация эпоса об Урал-Батыре |
2091 | 484 |
48 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
16 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
4 |
5 |
1 |
4 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
3 |
2 |
5 |
3 |
6 |
3 |
4 |
0 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
3 |
2 |
0 |
3 |
0 |
3 |
1 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9693 | 452 |
25 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
25 |
0 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2577 | 431 |
43 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
18 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
3 |
4 |
1 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Мотив Города |
3397 | 348 |
23 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
33 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
|
26. Динамика развития психики по оси Самость-Эго |
2041 | 346 |
23 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
20 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
6. Насилие и интеграция психики в архаической сказке |
1516 | 324 |
21 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
12 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
4. О символизации насилия в эддической поэзии |
2458 | 319 |
35 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
17 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Психосоматика наизнанку |
5172 | 317 |
22 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
18 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
|
12. Интеграция и Анимы, и Анимуса |
1986 | 311 |
24 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
19 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
1 |
|
5. Особенности архаической сказки |
1889 | 304 |
29 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
15 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
|
14. Мастера и шарлатаны Гофмана |
2206 | 302 |
24 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
17 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Графоманские стихи |
3617 | 298 |
30 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
13 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
|
Совершая труд |
4870 | 296 |
20 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
18 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
|
Упражнение Бог |
3819 | 294 |
18 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
2. Андрогинность в сказке и мифе |
1821 | 293 |
18 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
19 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
|
8. Запутанная история Джона Ди |
1730 | 292 |
22 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
16 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1792 | 291 |
24 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
10 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Симбиоз гештальта и символдрамы |
3342 | 290 |
20 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
15 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
|
10. Об Аниме женщины |
2021 | 285 |
16 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
16 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Клеменс Брентано. Лоре Лай |
1599 | 281 |
27 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
12 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2415 | 278 |
15 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
14 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1964 | 277 |
23 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
16 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
16. Список литературы |
1365 | 277 |
24 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2345 | 275 |
35 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
18 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2578 | 275 |
17 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
19 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
13. Аида: комментарии к либретто |
1944 | 274 |
24 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
16 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
|
Эмоциональное выгорание, травма и нарциссизм |
5844 | 273 |
24 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
18 |
0 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2844 | 273 |
25 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
19 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
|
4. Ад без жала |
1694 | 272 |
25 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
21 |
25 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
|
2. Представления об Анимусе мужчины |
2114 | 272 |
19 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
19 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
|
13. Внутрениие вредители в произведениях Гофмана |
1800 | 270 |
21 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
13 |
19 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
О книге Матрица и потенциал характера |
1649 | 268 |
22 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
15 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
|
6. О символизации насилия. Значимые персонажи |
2122 | 268 |
23 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
15 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1776 | 267 |
27 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
15 |
22 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
3. О символизации насилия в поэзии скальдов |
3358 | 266 |
26 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
16 |
0 |
3 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
5 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
5. Сказка о Персоне, что учится самосознанию |
1794 | 265 |
18 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
19 |
15 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
|
Оценка эффективности работы психолога с клиентами |
3015 | 264 |
25 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
10 |
15 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Отношения врача и пациента с точки зрения созависимости |
6604 | 263 |
17 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
15 |
11 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
|
3. Как мужчины обращаются с Анимой |
3535 | 261 |
20 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
17 |
16 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2106 | 260 |
17 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
21 |
24 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Графоманские стихи |
2523 | 260 |
18 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
10 |
11 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Двойные ловушки Плоского мира |
1787 | 259 |
21 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
10 |
17 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
|
3. Сказочные злодеи: Консолидатор Тени |
1651 | 258 |
28 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
20 |
11 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1738 | 258 |
23 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
13 |
11 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
13. Женщина перед расстрелом |
1336 | 258 |
17 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
11 |
15 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Непрожитая старость |
10458 | 256 |
21 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
17 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1649 | 256 |
19 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
18 |
16 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
|
15. Николай Ставрогин и его адепты |
1969 | 255 |
19 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
19 |
15 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1774 | 254 |
21 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
14 |
11 |
0 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
9. Лихтенберг - мыслящее тело |
1231 | 254 |
20 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
8 |
15 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
9. Персона и Тень |
1796 | 253 |
25 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
14 |
10 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
4 |
3 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1702 | 252 |
24 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
13 |
14 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
|
7 Заклинатели |
1810 | 252 |
23 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
13 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1799 | 252 |
20 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
16 |
16 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
4 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
Перстень, яблоко, собор |
1796 | 240 |
27 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
16 |
0 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
|
3. Убежища |
1614 | 240 |
22 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
12 |
10 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
3 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1710 | 239 |
18 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Из плена профессиональной Персоны? |
1579 | 239 |
33 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
14 |
0 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
|
3. Молитвенная мельница |
1585 | 239 |
14 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
12. Песочник и его жертва |
1432 | 239 |
19 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
16 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
6 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
|
2. О преображении в полете |
857 | 239 |
21 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
12 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
|
О старости |
2251 | 239 |
26 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
11 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
4 |
0 |
|
15. Мир и образ зла в "Темных началах" |
1437 | 238 |
23 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
13 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
|
2. Конец истории о Крысолове |
2068 | 238 |
17 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
11 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
|
Роковой треугольник - 1 |
1929 | 238 |
21 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
10 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
|
11. Миры и зло Средиземья и Валинора |
1642 | 237 |
18 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
13 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Кошачья подсистема в семье |
1076 | 237 |
18 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
15 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
|
16. Миры и образы зла, связанные с Темной Башней |
2186 | 236 |
20 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
11 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
7. Верховное полутело |
1125 | 236 |
19 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
14 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
|
7. О проекции переживаний травмы на Аниму |
1534 | 235 |
23 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
10 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
|
Дворянин Фаланд или владыка альвов? |
1065 | 234 |
16 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
14 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
|
11. Пространство лагеря |
1166 | 234 |
18 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
14 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
6 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
|
27. О различении Я и Эго-комплекса |
1350 | 233 |
22 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
15 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Три бестселлера |
1474 | 233 |
22 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
10 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
6. Насколько опасен Анимус мужчины |
1494 | 232 |
20 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
18 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2586 | 232 |
23 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
11 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
|
Особенности структуры семьи учащихся техникума |
2131 | 232 |
20 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
16 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
|
11. Кое-что об Анимусе женщины |
1586 | 232 |
26 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
11 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
|
10. Большая женщина. Начало возрождения |
1114 | 231 |
18 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
12 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
|
3 консультации в гештальт-подходе |
2370 | 231 |
21 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
6 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1161 | 231 |
16 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
9 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Звездный ворон и ядовитый волк |
1188 | 230 |
26 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
7 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1651 | 230 |
25 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
15 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
4. Погребальные дроги |
1461 | 230 |
22 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
8 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
|
4. Архаичные материнские образы |
1462 | 229 |
19 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
15 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Г. Гессе. Стихотворение о Степном Волке |
1898 | 229 |
27 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
10 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1702 | 229 |
33 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
11 |
13 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
5 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
8. Как остаться инфантильной |
1404 | 229 |
15 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
13 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Начальство развлекается |
1470 | 229 |
15 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
10 |
16 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Телесный симптом в роли символа |
2003 | 229 |
14 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
14 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
4. Ранние пьесы М. Цветаевой |
1997 | 229 |
18 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
15 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
12. Мир и зло "Властелина Колец" |
1989 | 228 |
21 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
10 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
|
11. Ничего не кончается |
1113 | 228 |
18 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
10 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
|
3. Произведения молодости М. Цветаевой |
1466 | 228 |
22 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
12 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
5. Заместитель |
1441 | 227 |
23 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
9 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
28. О символике эволюции |
1347 | 227 |
17 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
10 |
16 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1754 | 227 |
23 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
8 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
15. Типичные протагонисты произведений Гофмана |
1524 | 226 |
15 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
11 |
23 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1325 | 226 |
27 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
7 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
|
5. Идущий следом |
1533 | 226 |
22 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
13 |
13 |
0 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
|
3. Выбор художника - Анима или Анимус? |
1625 | 226 |
19 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
16 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
|
1. Тело и мир персонажей Андрея Платонова |
1458 | 226 |
20 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
9 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
|
Роковой треугольник -2 |
1831 | 225 |
21 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
12 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
|
5. Сравнение прогностической ценности разных факторов |
1724 | 225 |
18 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
9 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
|
О способности понять душевнобольного |
2269 | 224 |
20 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
6 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
|
Тум-балалайка |
1959 | 224 |
19 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
11 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
1. Явление Крысолова |
1481 | 224 |
20 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
12 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
|
Хороший начальник Емеля |
1079 | 223 |
20 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
11 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Шекспир, сонет 146 |
1421 | 223 |
17 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
10 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
|
15. Деревня изнутри. Во дворах |
1129 | 223 |
16 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
13 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1622 | 223 |
15 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
15 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1743 | 223 |
22 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
9 |
14 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
|
Ангел |
1694 | 223 |
19 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
9 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
|
Ответ Земли (другой вариант) |
1683 | 222 |
16 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
6 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
16. Медведь |
1257 | 222 |
20 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
8 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1538 | 222 |
20 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
12 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Senex - Puer |
1372 | 221 |
19 |
23 |
24 |
17 |
19 |
10 |
19 |
17 |
24 |
20 |
11 |
18 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
5. Женщина в плаще цвета Времени |
1362 | 221 |
15 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
12 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
767 | 221 |
27 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
12 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1647 | 221 |
15 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
15 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Мы и Они |
1871 | 221 |
25 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
11 |
8 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
|
23. Настя заболела |
1307 | 221 |
21 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
15 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Мир на костылях |
1505 | 220 |
29 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
11 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1727 | 220 |
18 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
12 |
12 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Алгоритм сортировки клиентов социального центра |
2107 | 220 |
17 |
25 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
19 |
11 |
13 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
|
1. Введение |
1641 | 220 |
21 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
12 |
13 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
|
Юнгианское стихотворение о сказках |
1538 | 220 |
18 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
7 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
|
8. Поглощенное время |
1526 | 220 |
20 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
10 |
12 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
1. Маленький рыцарский роман |
1550 | 220 |
20 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
|
9. Начало перехода |
1106 | 219 |
20 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
14 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
30. Сказочный персонаж: форма и содержимое |
1418 | 219 |
21 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
14 |
13 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2115 | 219 |
16 |
20 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
17 |
13 |
17 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
|
2. Шаманское странствие |
1311 | 219 |
16 |
21 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
16 |
8 |
14 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Мотив Цветка и регуляция позы |
898 | 219 |
19 |
24 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
11 |
17 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
10. Модели интеграции психики в героическом эпосе |
1579 | 218 |
20 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
11 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
26. Настина смерть |
1146 | 218 |
22 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
12 |
16 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2319 | 218 |
19 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
11 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Г. Гессе. Ступени |
1758 | 217 |
16 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
14 |
7 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Типы семей, получающих помощь в социальном центре |
1716 | 217 |
16 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
8 |
8 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
4. Блуждания невоплощенного |
1187 | 217 |
20 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
13 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
|
Венок сонетов Ваське |
1943 | 217 |
14 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1622 | 217 |
20 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
8 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
18. Ночные пляски |
1123 | 217 |
20 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
12 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1353 | 216 |
16 |
24 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
14 |
15 |
16 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
1 Дитя в мирах Психеи и Ананке |
1774 | 216 |
17 |
25 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
16 |
13 |
12 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Бестиарий |
1439 | 216 |
24 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
12 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Из У. Блейка. Ответ Земли |
1862 | 215 |
19 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Реквием Ваське |
1629 | 215 |
19 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
14 |
13 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1671 | 215 |
16 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
11 |
8 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
13. Колхоз идет навстречу |
1099 | 215 |
17 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
12 |
13 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
|
25. Об особенностях травматической интеграции психики |
1472 | 214 |
15 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
10 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1253 | 214 |
14 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
14 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Как растет Бог |
1734 | 214 |
19 |
26 |
16 |
16 |
25 |
11 |
21 |
14 |
24 |
20 |
9 |
13 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
14. Мертвая мать и ее дети |
1151 | 214 |
23 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
12 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
20. Нвстя заболевает |
1181 | 214 |
18 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
27. Безвременье котлована |
1103 | 214 |
18 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
15 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
|
21. Властные хитрецы |
1428 | 214 |
16 |
19 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
18 |
12 |
12 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
|
15. Ненаучное животное в мусорном ветре |
1178 | 214 |
22 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
11 |
10 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
6. Скорбная земля |
1638 | 214 |
23 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
12 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1900 | 213 |
18 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
15 |
12 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2248 | 213 |
15 |
34 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
15 |
11 |
8 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
7 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
|
Информация о владельце раздела |
1464 | 213 |
18 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
7 |
13 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
4 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
|
7. Мужское и женское в произведениях Т. Манна |
1651 | 213 |
14 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
11 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Милая жизнь |
1277 | 213 |
27 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
14 |
11 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
|
9. Расщепление Эго и Персоны в отношениях с Анимой |
1404 | 213 |
17 |
25 |
22 |
19 |
13 |
15 |
20 |
17 |
27 |
14 |
11 |
13 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1554 | 213 |
20 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
9 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1435 | 213 |
19 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
13 |
7 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Королева |
1861 | 212 |
27 |
25 |
25 |
19 |
10 |
9 |
15 |
15 |
26 |
20 |
11 |
10 |
0 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
|
5. Рядом с общим телом |
1230 | 212 |
16 |
25 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
20 |
12 |
12 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
|
Визит Аристокла |
1536 | 212 |
20 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
10 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1497 | 212 |
21 |
19 |
16 |
22 |
15 |
11 |
18 |
26 |
22 |
14 |
12 |
16 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Кости |
1085 | 212 |
21 |
27 |
22 |
21 |
14 |
13 |
15 |
17 |
25 |
15 |
10 |
12 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
|
Из У. Блейка. Ангел |
1592 | 212 |
23 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
11 |
11 |
7 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
|
32. Для чего нужен символ? |
1280 | 212 |
15 |
21 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
13 |
16 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |