| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
По разделу |
548528 | 1507 |
125 |
99 |
105 |
122 |
127 |
126 |
132 |
129 |
140 |
113 |
155 |
134 |
0 |
4 |
3 |
3 |
5 |
3 |
3 |
2 |
3 |
5 |
4 |
4 |
6 |
9 |
4 |
4 |
3 |
3 |
3 |
7 |
6 |
4 |
7 |
4 |
6 |
3 |
4 |
5 |
5 |
3 |
4 |
3 |
4 |
3 |
3 |
3 |
3 |
2 |
3 |
3 |
3 |
2 |
3 |
3 |
2 |
3 |
4 |
5 |
3 |
3 |
3 |
4 |
3 |
3 |
4 |
5 |
2 |
3 |
3 |
4 |
3 |
4 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4324 | 637 |
62 |
48 |
26 |
48 |
60 |
49 |
62 |
48 |
70 |
62 |
47 |
55 |
0 |
3 |
0 |
2 |
5 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
4 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
7 |
4 |
0 |
2 |
4 |
0 |
5 |
1 |
4 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
5 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
2 |
1 |
|
7. О символизации насилия. Песочный Человек |
3867 | 618 |
51 |
32 |
48 |
51 |
52 |
53 |
60 |
56 |
46 |
40 |
55 |
74 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
4 |
1 |
2 |
3 |
1 |
2 |
1 |
4 |
3 |
4 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
|
1. Расставание брата и сестры |
4186 | 575 |
40 |
66 |
46 |
50 |
35 |
28 |
38 |
31 |
44 |
37 |
113 |
47 |
0 |
1 |
3 |
3 |
5 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
3 |
3 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
5 |
3 |
0 |
1 |
3 |
2 |
1 |
4 |
5 |
1 |
3 |
0 |
4 |
1 |
4 |
|
7. Интерпретация эпоса об Урал-Батыре |
2354 | 574 |
40 |
36 |
35 |
38 |
47 |
51 |
64 |
62 |
54 |
50 |
42 |
55 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
7 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
2223 | 571 |
50 |
37 |
32 |
41 |
54 |
54 |
55 |
46 |
55 |
47 |
50 |
50 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
9 |
0 |
4 |
2 |
3 |
1 |
0 |
6 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
|
Художественные описания механизмов психологической защиты |
13584 | 469 |
22 |
29 |
30 |
38 |
33 |
47 |
49 |
42 |
49 |
39 |
44 |
47 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2818 | 463 |
47 |
28 |
24 |
35 |
41 |
53 |
56 |
57 |
30 |
30 |
33 |
29 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
3 |
1 |
1 |
5 |
4 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9880 | 447 |
25 |
30 |
16 |
26 |
36 |
44 |
35 |
35 |
48 |
23 |
93 |
36 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
4 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
3028 | 321 |
38 |
33 |
26 |
23 |
24 |
25 |
40 |
31 |
26 |
22 |
14 |
19 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
|
Графоманские стихи |
3774 | 320 |
14 |
15 |
17 |
22 |
38 |
37 |
44 |
33 |
32 |
23 |
22 |
23 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Мотив Города |
3552 | 319 |
19 |
16 |
13 |
33 |
27 |
30 |
40 |
30 |
38 |
22 |
22 |
29 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
12. Интеграция и Анимы, и Анимуса |
2146 | 316 |
15 |
24 |
28 |
17 |
30 |
32 |
38 |
29 |
34 |
25 |
24 |
20 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1945 | 310 |
29 |
14 |
18 |
24 |
30 |
28 |
34 |
32 |
32 |
26 |
21 |
22 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
|
Совершая труд |
5043 | 307 |
23 |
20 |
18 |
19 |
27 |
49 |
37 |
33 |
22 |
24 |
18 |
17 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
О книге Матрица и потенциал характера |
1809 | 298 |
17 |
19 |
16 |
24 |
39 |
33 |
34 |
30 |
34 |
18 |
13 |
21 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
26. Динамика развития психики по оси Самость-Эго |
2172 | 293 |
20 |
19 |
14 |
17 |
23 |
23 |
38 |
29 |
29 |
29 |
25 |
27 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
|
5. Особенности архаической сказки |
2022 | 293 |
23 |
17 |
18 |
26 |
16 |
26 |
36 |
32 |
33 |
29 |
18 |
19 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
2111 | 293 |
21 |
17 |
19 |
15 |
31 |
35 |
32 |
24 |
34 |
23 |
21 |
21 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
3. О символизации насилия в поэзии скальдов |
3496 | 292 |
21 |
14 |
14 |
19 |
23 |
38 |
35 |
26 |
26 |
18 |
21 |
37 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
4. О символизации насилия в эддической поэзии |
2590 | 287 |
20 |
10 |
16 |
11 |
28 |
31 |
51 |
35 |
24 |
21 |
21 |
19 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
5 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
|
7 Заклинатели |
1956 | 281 |
17 |
19 |
21 |
25 |
28 |
25 |
34 |
28 |
36 |
14 |
20 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
|
10. Об Аниме женщины |
2151 | 277 |
18 |
11 |
13 |
18 |
33 |
24 |
29 |
19 |
40 |
25 |
27 |
20 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2434 | 276 |
28 |
12 |
13 |
17 |
38 |
28 |
36 |
23 |
28 |
21 |
19 |
13 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Из плена профессиональной Персоны? |
1723 | 276 |
17 |
19 |
18 |
26 |
19 |
38 |
40 |
24 |
32 |
16 |
12 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
|
8. Запутанная история Джона Ди |
1859 | 276 |
14 |
15 |
12 |
16 |
31 |
26 |
37 |
28 |
25 |
20 |
24 |
28 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Упражнение Бог |
3943 | 274 |
18 |
18 |
14 |
21 |
24 |
18 |
29 |
25 |
34 |
27 |
27 |
19 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Перстень, яблоко, собор |
1936 | 274 |
19 |
16 |
24 |
22 |
23 |
24 |
39 |
27 |
28 |
24 |
12 |
16 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
13. Аида: комментарии к либретто |
2071 | 272 |
13 |
11 |
16 |
25 |
26 |
23 |
37 |
29 |
24 |
24 |
30 |
14 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
3. Как мужчины обращаются с Анимой |
3665 | 271 |
20 |
15 |
16 |
16 |
28 |
21 |
34 |
25 |
33 |
34 |
13 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
9. Персона и Тень |
1936 | 268 |
21 |
20 |
15 |
22 |
26 |
29 |
32 |
25 |
22 |
21 |
19 |
16 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
6. О символизации насилия. Значимые персонажи |
2246 | 268 |
16 |
12 |
16 |
24 |
18 |
29 |
32 |
25 |
30 |
24 |
24 |
18 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1618 | 268 |
22 |
11 |
13 |
17 |
25 |
36 |
35 |
41 |
20 |
17 |
17 |
14 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
13. Внутрениие вредители в произведениях Гофмана |
1930 | 267 |
19 |
10 |
12 |
24 |
25 |
30 |
31 |
26 |
27 |
17 |
24 |
22 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
14. Мастера и шарлатаны Гофмана |
2322 | 267 |
22 |
13 |
11 |
23 |
24 |
14 |
33 |
28 |
22 |
24 |
38 |
15 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
3. Убежища |
1757 | 266 |
16 |
17 |
19 |
39 |
16 |
29 |
29 |
31 |
27 |
21 |
11 |
11 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Оценка эффективности работы психолога с клиентами |
3144 | 265 |
23 |
18 |
18 |
13 |
21 |
26 |
35 |
23 |
23 |
26 |
19 |
20 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
|
Эмоциональное выгорание, травма и нарциссизм |
5976 | 262 |
21 |
12 |
11 |
20 |
26 |
30 |
36 |
28 |
25 |
21 |
16 |
16 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
|
Графоманские стихи |
2650 | 262 |
15 |
14 |
23 |
16 |
29 |
19 |
29 |
25 |
31 |
24 |
15 |
22 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Симбиоз гештальта и символдрамы |
3458 | 261 |
18 |
12 |
6 |
23 |
20 |
25 |
32 |
35 |
25 |
23 |
17 |
25 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
Звездный ворон и ядовитый волк |
1314 | 261 |
12 |
12 |
14 |
30 |
27 |
19 |
38 |
25 |
29 |
31 |
13 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
1. Преамбула: феминное и маскулинное |
2022 | 261 |
25 |
13 |
15 |
20 |
30 |
19 |
30 |
26 |
28 |
20 |
20 |
15 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
|
15. Мир и образ зла в "Темных началах" |
1570 | 260 |
20 |
15 |
14 |
25 |
29 |
23 |
30 |
30 |
28 |
18 |
14 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Образ Бога и зрелость личности |
2689 | 260 |
15 |
14 |
11 |
23 |
25 |
28 |
38 |
29 |
25 |
24 |
18 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Психосоматика наизнанку |
5283 | 260 |
16 |
9 |
11 |
21 |
20 |
21 |
35 |
31 |
28 |
29 |
20 |
19 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
2. Представления об Анимусе мужчины |
2246 | 260 |
23 |
19 |
15 |
16 |
18 |
30 |
30 |
29 |
30 |
20 |
14 |
16 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
О старости |
2362 | 259 |
5 |
12 |
12 |
21 |
19 |
29 |
39 |
29 |
30 |
15 |
16 |
32 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Непрожитая старость |
10582 | 258 |
18 |
11 |
13 |
25 |
23 |
20 |
35 |
27 |
25 |
25 |
18 |
18 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1903 | 258 |
21 |
11 |
10 |
19 |
22 |
29 |
42 |
18 |
28 |
22 |
23 |
13 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1858 | 258 |
23 |
11 |
9 |
16 |
26 |
19 |
39 |
28 |
31 |
30 |
10 |
16 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Мы и Они |
2001 | 258 |
9 |
20 |
15 |
23 |
25 |
27 |
36 |
32 |
21 |
21 |
16 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
|
16. Список литературы |
1487 | 257 |
13 |
9 |
13 |
22 |
25 |
23 |
41 |
29 |
29 |
25 |
12 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1558 | 255 |
23 |
14 |
16 |
18 |
25 |
33 |
30 |
19 |
35 |
24 |
8 |
10 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
|
2. Андрогинность в сказке и мифе |
1945 | 255 |
13 |
20 |
15 |
21 |
20 |
24 |
29 |
19 |
26 |
30 |
18 |
20 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
30. Сказочный персонаж: форма и содержимое |
1553 | 254 |
24 |
16 |
16 |
18 |
22 |
24 |
36 |
24 |
21 |
18 |
21 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
|
4. Зловещие магнетизеры |
2445 | 254 |
19 |
10 |
12 |
18 |
23 |
15 |
30 |
29 |
35 |
31 |
19 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
|
6. Насилие и интеграция психики в архаической сказке |
1633 | 253 |
19 |
11 |
11 |
18 |
21 |
28 |
30 |
25 |
21 |
23 |
27 |
19 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
|
8. Поглощенное время |
1660 | 253 |
16 |
17 |
13 |
28 |
25 |
26 |
29 |
22 |
26 |
21 |
10 |
20 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2464 | 252 |
19 |
11 |
9 |
20 |
22 |
24 |
49 |
20 |
23 |
23 |
16 |
16 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
7. О проекции переживаний травмы на Аниму |
1661 | 252 |
21 |
13 |
13 |
18 |
25 |
31 |
29 |
25 |
34 |
17 |
11 |
15 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1918 | 250 |
20 |
11 |
15 |
17 |
23 |
21 |
32 |
30 |
24 |
18 |
16 |
23 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Отношения врача и пациента с точки зрения созависимости |
6715 | 250 |
20 |
15 |
7 |
18 |
17 |
24 |
27 |
27 |
27 |
24 |
21 |
23 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
3 консультации в гештальт-подходе |
2509 | 250 |
23 |
17 |
13 |
24 |
34 |
16 |
33 |
25 |
24 |
17 |
10 |
14 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
33. Пространство, время, человек и божество в сказке |
1569 | 249 |
25 |
10 |
14 |
23 |
26 |
25 |
38 |
20 |
25 |
20 |
9 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
4. Ад без жала |
1821 | 249 |
19 |
11 |
17 |
21 |
25 |
21 |
38 |
20 |
25 |
18 |
16 |
18 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
2. О преображении в полете |
971 | 249 |
17 |
12 |
12 |
17 |
26 |
18 |
33 |
32 |
22 |
20 |
26 |
14 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2228 | 248 |
16 |
11 |
9 |
17 |
27 |
31 |
28 |
22 |
35 |
24 |
13 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Клеменс Брентано. Лоре Лай |
1716 | 247 |
17 |
16 |
13 |
10 |
23 |
30 |
35 |
28 |
26 |
16 |
17 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
22. О героях авторских сказок и фэнтези |
1704 | 247 |
21 |
10 |
9 |
23 |
22 |
21 |
32 |
37 |
27 |
23 |
12 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
|
28. О символике эволюции |
1475 | 247 |
18 |
12 |
13 |
34 |
22 |
21 |
25 |
31 |
23 |
22 |
14 |
12 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1770 | 247 |
22 |
15 |
20 |
15 |
16 |
24 |
28 |
19 |
32 |
22 |
15 |
19 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
|
3. Сказочные злодеи: Консолидатор Тени |
1771 | 246 |
23 |
11 |
10 |
18 |
17 |
26 |
43 |
20 |
29 |
19 |
13 |
17 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
9. Лихтенберг - мыслящее тело |
1340 | 246 |
12 |
14 |
11 |
17 |
21 |
21 |
33 |
23 |
28 |
29 |
21 |
16 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
7. Верховное полутело |
1250 | 246 |
8 |
17 |
21 |
22 |
25 |
19 |
32 |
31 |
22 |
21 |
13 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2686 | 246 |
19 |
9 |
11 |
16 |
19 |
24 |
27 |
21 |
26 |
27 |
26 |
21 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
4. Архаичные материнские образы |
1586 | 245 |
10 |
21 |
20 |
17 |
24 |
25 |
26 |
26 |
25 |
23 |
14 |
14 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1827 | 245 |
19 |
12 |
11 |
20 |
22 |
26 |
25 |
24 |
23 |
23 |
20 |
20 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
2. Конец истории о Крысолове |
2192 | 245 |
16 |
12 |
10 |
25 |
27 |
21 |
30 |
30 |
35 |
16 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
15. Николай Ставрогин и его адепты |
2084 | 245 |
21 |
14 |
12 |
13 |
22 |
19 |
33 |
25 |
23 |
33 |
15 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
|
5. Сказка о Персоне, что учится самосознанию |
1908 | 244 |
14 |
18 |
18 |
11 |
18 |
25 |
28 |
27 |
27 |
24 |
17 |
17 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
Юные птицы старого русского рока |
1132 | 244 |
18 |
9 |
14 |
19 |
24 |
27 |
30 |
30 |
28 |
21 |
11 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Г. Гессе. Стихотворение о Степном Волке |
2024 | 243 |
24 |
19 |
14 |
24 |
18 |
16 |
38 |
23 |
20 |
14 |
16 |
17 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
|
Дворянин Фаланд или владыка альвов? |
1182 | 241 |
24 |
16 |
11 |
13 |
23 |
19 |
27 |
30 |
26 |
20 |
16 |
16 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1814 | 241 |
18 |
12 |
16 |
17 |
17 |
21 |
35 |
20 |
30 |
20 |
19 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
4 сонета Шекспира |
2009 | 241 |
13 |
18 |
20 |
26 |
27 |
21 |
26 |
20 |
29 |
20 |
9 |
12 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1761 | 240 |
20 |
16 |
12 |
16 |
24 |
19 |
33 |
26 |
26 |
21 |
11 |
16 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
|
27. О различении Я и Эго-комплекса |
1465 | 240 |
16 |
11 |
12 |
19 |
18 |
30 |
31 |
30 |
22 |
25 |
12 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
24. Медведь и другие |
1134 | 240 |
14 |
12 |
15 |
21 |
20 |
32 |
34 |
24 |
26 |
17 |
12 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
7. Созидающее насилие: подвиги Геракла |
1828 | 240 |
21 |
14 |
10 |
13 |
23 |
33 |
26 |
26 |
25 |
20 |
18 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
1. Тело и мир персонажей Андрея Платонова |
1583 | 240 |
24 |
18 |
15 |
15 |
22 |
22 |
29 |
20 |
23 |
21 |
14 |
17 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
5 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
|
Больной Крысолов |
1665 | 239 |
11 |
14 |
9 |
18 |
23 |
32 |
33 |
22 |
25 |
24 |
13 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
О способности понять душевнобольного |
2395 | 239 |
16 |
15 |
23 |
18 |
18 |
25 |
31 |
30 |
20 |
21 |
10 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
3 |
|
Три бестселлера |
1584 | 239 |
10 |
10 |
13 |
20 |
22 |
29 |
28 |
32 |
27 |
18 |
14 |
16 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Бестиарий |
1555 | 239 |
12 |
11 |
15 |
25 |
18 |
24 |
35 |
25 |
23 |
21 |
15 |
15 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1883 | 237 |
19 |
11 |
12 |
14 |
16 |
27 |
31 |
21 |
23 |
24 |
14 |
25 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
20. О некоторых особенностях структуры фэнтези |
2013 | 237 |
19 |
15 |
12 |
19 |
17 |
25 |
33 |
26 |
19 |
20 |
17 |
15 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
|
4. Сказка о травме и восстановлении |
1745 | 237 |
23 |
10 |
15 |
13 |
22 |
33 |
22 |
26 |
24 |
19 |
11 |
19 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Бумажная Принцесса |
1323 | 237 |
19 |
9 |
11 |
27 |
26 |
25 |
30 |
24 |
25 |
18 |
8 |
15 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
1. Явление Крысолова |
1595 | 236 |
14 |
10 |
13 |
19 |
23 |
24 |
31 |
25 |
31 |
18 |
14 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
881 | 236 |
18 |
12 |
11 |
14 |
28 |
24 |
34 |
29 |
25 |
15 |
14 |
12 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3254 | 236 |
21 |
12 |
16 |
11 |
22 |
25 |
31 |
18 |
29 |
21 |
12 |
18 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
|
Юнгианцы и странные научные теории |
931 | 235 |
20 |
13 |
11 |
21 |
24 |
27 |
36 |
16 |
21 |
22 |
12 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Роковой треугольник -2 |
1956 | 235 |
25 |
12 |
20 |
17 |
19 |
23 |
30 |
24 |
26 |
16 |
8 |
15 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
16. Миры и образы зла, связанные с Темной Башней |
2302 | 234 |
20 |
10 |
13 |
17 |
24 |
19 |
33 |
26 |
20 |
17 |
18 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Из У. Блейка. Ответ Земли |
1982 | 233 |
16 |
9 |
17 |
17 |
22 |
28 |
30 |
30 |
20 |
22 |
10 |
12 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
10. Модели интеграции психики в героическом эпосе |
1696 | 233 |
17 |
11 |
15 |
19 |
22 |
24 |
29 |
31 |
17 |
21 |
15 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1743 | 233 |
18 |
12 |
10 |
12 |
28 |
24 |
31 |
21 |
25 |
23 |
11 |
18 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Путешествиепо склону |
1673 | 232 |
15 |
12 |
8 |
20 |
20 |
25 |
33 |
26 |
27 |
20 |
11 |
15 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
5. Идущий следом |
1647 | 232 |
22 |
11 |
8 |
20 |
25 |
21 |
29 |
27 |
26 |
14 |
16 |
13 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
12. Песочник и его жертва |
1535 | 232 |
11 |
8 |
14 |
14 |
23 |
28 |
24 |
37 |
18 |
20 |
19 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Двойные ловушки Плоского мира |
1892 | 231 |
22 |
9 |
9 |
12 |
19 |
22 |
33 |
26 |
33 |
17 |
16 |
13 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
5. Заместитель |
1553 | 231 |
14 |
17 |
20 |
12 |
20 |
26 |
26 |
22 |
24 |
25 |
11 |
14 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
|
Милая жизнь |
1385 | 231 |
19 |
13 |
11 |
18 |
23 |
16 |
35 |
22 |
30 |
17 |
17 |
10 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1854 | 231 |
15 |
10 |
5 |
18 |
21 |
23 |
31 |
26 |
24 |
20 |
21 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
15. Типичные протагонисты произведений Гофмана |
1648 | 230 |
23 |
11 |
16 |
16 |
20 |
25 |
28 |
23 |
21 |
19 |
11 |
17 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
10. Большая женщина. Начало возрождения |
1229 | 230 |
18 |
13 |
14 |
22 |
15 |
25 |
26 |
20 |
27 |
22 |
17 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1856 | 230 |
17 |
12 |
7 |
30 |
22 |
20 |
27 |
17 |
24 |
18 |
19 |
17 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Больница глазами гештальт-терапевта |
4240 | 230 |
21 |
9 |
10 |
13 |
22 |
24 |
31 |
22 |
30 |
20 |
17 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
|
16. Медведь |
1369 | 230 |
11 |
11 |
12 |
18 |
20 |
30 |
30 |
32 |
24 |
20 |
10 |
12 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1280 | 230 |
22 |
17 |
17 |
21 |
14 |
15 |
29 |
22 |
18 |
25 |
19 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3176 | 229 |
24 |
8 |
10 |
9 |
17 |
22 |
36 |
26 |
24 |
25 |
11 |
17 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
8. Тотем, Трикстер, Первопредки |
1690 | 229 |
15 |
16 |
13 |
15 |
20 |
18 |
30 |
22 |
26 |
25 |
15 |
14 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
|
11. Пространство лагеря |
1270 | 229 |
17 |
12 |
11 |
13 |
26 |
18 |
25 |
21 |
33 |
17 |
18 |
18 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
|
26. Настина смерть |
1257 | 229 |
15 |
16 |
11 |
17 |
19 |
25 |
30 |
26 |
30 |
18 |
10 |
12 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1537 | 229 |
15 |
10 |
11 |
18 |
21 |
24 |
28 |
24 |
22 |
24 |
14 |
18 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
|
Из Цурэна. Как лист увядший падает на душу... |
1874 | 228 |
7 |
16 |
13 |
20 |
29 |
28 |
23 |
19 |
27 |
17 |
18 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Огонь |
1820 | 228 |
17 |
10 |
13 |
19 |
23 |
27 |
28 |
27 |
23 |
14 |
15 |
12 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2699 | 228 |
19 |
11 |
15 |
19 |
20 |
21 |
31 |
18 |
26 |
18 |
14 |
16 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
13. Колхоз идет навстречу |
1217 | 228 |
11 |
16 |
14 |
23 |
21 |
22 |
28 |
24 |
23 |
14 |
16 |
16 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
|
11. Кое-что об Анимусе женщины |
1695 | 228 |
21 |
14 |
10 |
14 |
24 |
14 |
38 |
22 |
28 |
23 |
10 |
10 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1809 | 227 |
16 |
12 |
8 |
27 |
21 |
15 |
41 |
18 |
21 |
19 |
16 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
15. Ненаучное животное в мусорном ветре |
1290 | 227 |
16 |
10 |
11 |
19 |
23 |
24 |
31 |
21 |
25 |
24 |
10 |
13 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1649 | 227 |
18 |
12 |
18 |
14 |
17 |
24 |
28 |
29 |
19 |
24 |
11 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
4. Погребальные дроги |
1569 | 227 |
12 |
13 |
11 |
15 |
21 |
31 |
27 |
27 |
25 |
19 |
12 |
14 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
18. Ночные пляски |
1233 | 227 |
12 |
11 |
13 |
24 |
19 |
20 |
31 |
31 |
26 |
16 |
14 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Хороший начальник Емеля |
1185 | 226 |
12 |
11 |
11 |
17 |
21 |
26 |
28 |
28 |
27 |
20 |
10 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
8. Как остаться инфантильной |
1505 | 226 |
10 |
15 |
7 |
19 |
15 |
27 |
23 |
24 |
26 |
28 |
20 |
12 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Особенности структуры семьи учащихся техникума |
2235 | 226 |
20 |
11 |
8 |
14 |
20 |
21 |
30 |
19 |
26 |
23 |
23 |
11 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1665 | 226 |
19 |
13 |
14 |
16 |
18 |
22 |
29 |
21 |
21 |
17 |
21 |
15 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
3. Произведения молодости М. Цветаевой |
1572 | 226 |
18 |
10 |
16 |
14 |
22 |
15 |
33 |
29 |
31 |
14 |
13 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
31. Становление символа во времени |
1436 | 225 |
10 |
15 |
18 |
26 |
19 |
27 |
17 |
28 |
22 |
21 |
11 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
|
14. Мертвая мать и ее дети |
1257 | 225 |
13 |
11 |
9 |
21 |
19 |
20 |
36 |
26 |
23 |
20 |
13 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1432 | 224 |
19 |
10 |
13 |
13 |
23 |
22 |
34 |
23 |
18 |
23 |
12 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Из У. Блейка. Ангел |
1696 | 224 |
12 |
13 |
8 |
21 |
20 |
24 |
29 |
27 |
28 |
21 |
10 |
11 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Роковой треугольник - 1 |
2039 | 224 |
16 |
15 |
14 |
15 |
22 |
20 |
29 |
25 |
25 |
17 |
12 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
25. Об особенностях травматической интеграции психики |
1583 | 223 |
22 |
13 |
12 |
14 |
21 |
21 |
23 |
24 |
24 |
20 |
16 |
13 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
|
9. Начало перехода |
1225 | 223 |
18 |
12 |
14 |
16 |
25 |
29 |
25 |
24 |
18 |
16 |
11 |
15 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
Мир на костылях |
1609 | 223 |
12 |
15 |
11 |
16 |
16 |
26 |
37 |
22 |
26 |
18 |
9 |
15 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
|
7. Мужское и женское в произведениях Т. Манна |
1762 | 223 |
19 |
10 |
17 |
12 |
27 |
18 |
22 |
25 |
22 |
20 |
11 |
20 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
23. Настя заболела |
1418 | 223 |
15 |
12 |
10 |
19 |
23 |
19 |
34 |
17 |
30 |
17 |
16 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
1. Введение |
1742 | 222 |
10 |
8 |
13 |
13 |
19 |
26 |
33 |
26 |
29 |
19 |
15 |
11 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Гулял молодец |
1452 | 222 |
15 |
16 |
20 |
25 |
22 |
15 |
28 |
21 |
19 |
22 |
9 |
10 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1760 | 222 |
17 |
12 |
11 |
17 |
23 |
21 |
27 |
23 |
24 |
22 |
11 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Телесный симптом в роли символа |
2109 | 222 |
15 |
13 |
13 |
19 |
17 |
21 |
22 |
24 |
24 |
21 |
13 |
20 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Пьяный двор |
1732 | 222 |
12 |
21 |
17 |
20 |
20 |
20 |
32 |
22 |
21 |
17 |
9 |
11 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
4. Ранние пьесы М. Цветаевой |
2105 | 222 |
15 |
17 |
13 |
11 |
23 |
17 |
30 |
22 |
22 |
22 |
16 |
14 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1728 | 221 |
16 |
11 |
13 |
13 |
16 |
25 |
27 |
26 |
25 |
17 |
15 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Информация о владельце раздела |
1572 | 221 |
13 |
12 |
18 |
17 |
13 |
21 |
32 |
27 |
24 |
20 |
11 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
6. Скорбная земля |
1747 | 221 |
9 |
13 |
15 |
20 |
21 |
20 |
34 |
20 |
23 |
17 |
13 |
16 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
10 охламонов |
1918 | 221 |
13 |
12 |
16 |
17 |
31 |
19 |
31 |
22 |
22 |
20 |
11 |
7 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
Шекспир, сонет 146 |
1528 | 220 |
12 |
18 |
11 |
17 |
15 |
25 |
26 |
27 |
23 |
21 |
14 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
12. Мир и зло "Властелина Колец" |
2078 | 220 |
11 |
11 |
11 |
12 |
17 |
17 |
31 |
25 |
28 |
24 |
14 |
19 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2516 | 220 |
19 |
13 |
13 |
9 |
14 |
25 |
23 |
25 |
24 |
20 |
12 |
23 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
3. О смысле телесности в повести А. Платонова "Котлован" |
1275 | 219 |
24 |
12 |
11 |
17 |
17 |
17 |
31 |
24 |
25 |
17 |
12 |
12 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
|
5. Женщина в плаще цвета Времени |
1468 | 219 |
16 |
12 |
14 |
13 |
20 |
15 |
31 |
21 |
28 |
26 |
13 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
13. Женщина перед расстрелом |
1428 | 219 |
8 |
11 |
11 |
14 |
14 |
26 |
25 |
24 |
24 |
19 |
25 |
18 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
7. Индивидуальности котлована |
1285 | 218 |
17 |
15 |
16 |
16 |
19 |
25 |
25 |
22 |
26 |
18 |
8 |
11 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
|
3. Молитвенная мельница |
1701 | 218 |
16 |
13 |
12 |
18 |
25 |
24 |
22 |
19 |
23 |
17 |
14 |
15 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
11. Ничего не кончается |
1208 | 218 |
11 |
13 |
9 |
21 |
18 |
15 |
26 |
29 |
22 |
31 |
11 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Кости |
1185 | 218 |
12 |
12 |
9 |
21 |
13 |
25 |
29 |
27 |
22 |
21 |
14 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Кошачья подсистема в семье |
1179 | 218 |
15 |
13 |
9 |
19 |
16 |
17 |
32 |
19 |
28 |
21 |
14 |
15 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Вскрытие |
1797 | 217 |
15 |
13 |
11 |
12 |
17 |
23 |
31 |
30 |
26 |
17 |
12 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Королева |
1963 | 217 |
14 |
12 |
13 |
18 |
18 |
17 |
37 |
25 |
25 |
19 |
10 |
9 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Типы семей, получающих помощь в социальном центре |
1828 | 217 |
23 |
7 |
14 |
16 |
22 |
19 |
27 |
21 |
20 |
23 |
13 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Компьютерная игра вместо визуализации |
1917 | 217 |
20 |
9 |
11 |
11 |
14 |
24 |
25 |
28 |
28 |
18 |
17 |
12 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2423 | 217 |
19 |
9 |
10 |
11 |
25 |
25 |
24 |
24 |
28 |
16 |
14 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
|
Король |
1648 | 215 |
13 |
11 |
11 |
15 |
21 |
23 |
27 |
28 |
22 |
23 |
10 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Для чего нужны джинны? |
1143 | 215 |
17 |
16 |
8 |
19 |
25 |
25 |
25 |
28 |
23 |
14 |
5 |
10 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
11. Миры и зло Средиземья и Валинора |
1740 | 215 |
19 |
11 |
10 |
8 |
20 |
23 |
25 |
23 |
22 |
20 |
15 |
19 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
4. Блуждания невоплощенного |
1290 | 215 |
8 |
17 |
14 |
13 |
17 |
24 |
30 |
27 |
21 |
19 |
10 |
15 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 |
|
3. На улице |
1231 | 215 |
13 |
11 |
13 |
18 |
14 |
18 |
36 |
23 |
30 |
14 |
12 |
13 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
|
1. Маленький рыцарский роман |
1648 | 215 |
10 |
14 |
14 |
14 |
17 |
21 |
28 |
22 |
30 |
18 |
17 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
10. Начало контакта |
1206 | 215 |
15 |
13 |
14 |
22 |
17 |
22 |
25 |
21 |
25 |
20 |
9 |
12 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Дорога длиною в тысячу ли |
1741 | 215 |
20 |
13 |
21 |
19 |
13 |
19 |
24 |
21 |
24 |
19 |
13 |
9 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
9. Психика как пара |
1856 | 215 |
14 |
13 |
9 |
14 |
17 |
22 |
29 |
19 |
27 |
20 |
18 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
21. Властные хитрецы |
1538 | 214 |
21 |
13 |
14 |
13 |
21 |
18 |
26 |
19 |
22 |
18 |
13 |
16 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Ангел |
1800 | 214 |
11 |
12 |
13 |
14 |
21 |
27 |
27 |
25 |
22 |
18 |
13 |
11 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1728 | 214 |
17 |
7 |
9 |
21 |
21 |
15 |
36 |
23 |
24 |
17 |
13 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1537 | 214 |
20 |
12 |
10 |
15 |
15 |
22 |
27 |
21 |
19 |
26 |
13 |
14 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Г. Гессе. Ступени |
1863 | 213 |
16 |
12 |
11 |
18 |
19 |
19 |
26 |
24 |
25 |
15 |
18 |
10 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
6. Насколько опасен Анимус мужчины |
1600 | 213 |
18 |
11 |
13 |
21 |
15 |
22 |
26 |
27 |
19 |
19 |
11 |
11 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1999 | 213 |
17 |
13 |
11 |
13 |
19 |
21 |
23 |
25 |
29 |
19 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
6 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
|
Мотив Цветка и регуляция позы |
1007 | 213 |
22 |
15 |
11 |
18 |
17 |
16 |
29 |
24 |
23 |
16 |
14 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Реквием Ваське |
1734 | 213 |
13 |
10 |
11 |
17 |
17 |
29 |
27 |
25 |
28 |
17 |
9 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Юнгианское стихотворение о сказках |
1631 | 213 |
22 |
10 |
8 |
16 |
14 |
14 |
27 |
20 |
34 |
22 |
11 |
15 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1754 | 213 |
19 |
11 |
10 |
13 |
22 |
21 |
32 |
22 |
16 |
21 |
13 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
9. Некоторые модели психической интеграции |
1630 | 213 |
16 |
12 |
9 |
11 |
28 |
19 |
29 |
19 |
25 |
22 |
9 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Прогнозирование эффективности психологической помощи семьям |
1828 | 213 |
20 |
10 |
13 |
14 |
16 |
19 |
33 |
21 |
22 |
19 |
10 |
16 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
|
Ответ Земли (другой вариант) |
1778 | 212 |
19 |
12 |
8 |
17 |
13 |
18 |
24 |
25 |
28 |
22 |
13 |
13 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Алгоритм сортировки клиентов социального центра |
2206 | 212 |
17 |
12 |
7 |
19 |
19 |
18 |
24 |
25 |
24 |
19 |
16 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |