| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
По разделу |
522262 | 1575 |
68 |
132 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
1 |
5 |
4 |
3 |
4 |
2 |
6 |
3 |
3 |
5 |
5 |
5 |
4 |
5 |
6 |
7 |
9 |
4 |
6 |
6 |
5 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
4 |
6 |
5 |
4 |
7 |
4 |
2 |
3 |
6 |
3 |
3 |
6 |
5 |
3 |
5 |
5 |
5 |
6 |
5 |
|
7. О символизации насилия. Песочный Человек |
3604 | 725 |
24 |
60 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
7 |
8 |
2 |
5 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
6 |
0 |
1 |
1 |
4 |
0 |
5 |
2 |
4 |
2 |
3 |
|
Художественные описания механизмов психологической защиты |
13412 | 651 |
27 |
49 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
0 |
1 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
4 |
4 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
0 |
2 |
1 |
5 |
0 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4054 | 557 |
23 |
62 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
0 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
4 |
6 |
1 |
6 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
4 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
5 |
2 |
2 |
4 |
1 |
|
1. Расставание брата и сестры |
3933 | 533 |
12 |
38 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1986 | 527 |
31 |
55 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
5 |
2 |
3 |
5 |
3 |
4 |
0 |
6 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
|
7. Интерпретация эпоса об Урал-Батыре |
2136 | 513 |
29 |
64 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
6 |
5 |
8 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
4 |
5 |
1 |
4 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
3 |
2 |
5 |
3 |
6 |
3 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9721 | 455 |
18 |
35 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
0 |
5 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2617 | 453 |
27 |
56 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
0 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
7 |
6 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
3 |
4 |
1 |
2 |
4 |
0 |
|
26. Динамика развития психики по оси Самость-Эго |
2068 | 353 |
12 |
38 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
1 |
4 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
|
Мотив Города |
3427 | 345 |
13 |
40 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
0 |
|
6. Насилие и интеграция психики в архаической сказке |
1545 | 341 |
20 |
30 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
5 |
3 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
|
4. О символизации насилия в эддической поэзии |
2491 | 335 |
17 |
51 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
8 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
2 |
4 |
2 |
|
12. Интеграция и Анимы, и Анимуса |
2020 | 326 |
20 |
38 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
2 |
6 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
|
Психосоматика наизнанку |
5192 | 319 |
7 |
35 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
4 |
1 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
|
Совершая труд |
4910 | 318 |
23 |
37 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
4 |
2 |
1 |
4 |
5 |
3 |
0 |
3 |
6 |
5 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
5. Особенности архаической сказки |
1912 | 312 |
16 |
36 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
|
Графоманские стихи |
3644 | 312 |
13 |
44 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
5 |
6 |
1 |
4 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1817 | 306 |
15 |
34 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
|
Упражнение Бог |
3836 | 305 |
6 |
29 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
14. Мастера и шарлатаны Гофмана |
2222 | 301 |
7 |
33 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
|
8. Запутанная история Джона Ди |
1754 | 300 |
9 |
37 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
4 |
3 |
3 |
3 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
|
Клеменс Брентано. Лоре Лай |
1625 | 295 |
18 |
35 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
5 |
2 |
0 |
2 |
0 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
|
Симбиоз гештальта и символдрамы |
3362 | 295 |
8 |
32 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
5 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
3 |
|
2. Андрогинность в сказке и мифе |
1841 | 294 |
9 |
29 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
16. Список литературы |
1392 | 294 |
10 |
41 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
|
10. Об Аниме женщины |
2043 | 291 |
9 |
29 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
6 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1989 | 286 |
16 |
32 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
3 |
2 |
4 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Эмоциональное выгорание, травма и нарциссизм |
5874 | 285 |
18 |
36 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
4 |
7 |
0 |
2 |
0 |
3 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
|
О книге Матрица и потенциал характера |
1681 | 285 |
20 |
34 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
3 |
2 |
4 |
1 |
4 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
|
3. О символизации насилия в поэзии скальдов |
3393 | 285 |
26 |
35 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
3 |
3 |
1 |
4 |
4 |
2 |
0 |
2 |
2 |
3 |
3 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2372 | 284 |
13 |
49 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2435 | 284 |
12 |
23 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2604 | 282 |
16 |
27 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
|
2. Представления об Анимусе мужчины |
2142 | 281 |
17 |
30 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
6 |
6 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2870 | 280 |
11 |
40 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
4 |
7 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
|
3. Сказочные злодеи: Консолидатор Тени |
1682 | 278 |
16 |
43 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
20 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
5 |
7 |
2 |
2 |
1 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
|
6. О символизации насилия. Значимые персонажи |
2147 | 278 |
16 |
32 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
2 |
|
13. Аида: комментарии к либретто |
1964 | 278 |
7 |
37 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
0 |
4 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
4 |
0 |
|
13. Внутрениие вредители в произведениях Гофмана |
1824 | 275 |
14 |
31 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
3 |
0 |
3 |
0 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
7. Созидающее насилие: подвиги Геракла |
1738 | 262 |
24 |
26 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1825 | 262 |
14 |
32 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
5 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
|
Непрожитая старость |
10480 | 261 |
8 |
35 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
0 |
4 |
3 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
|
Двойные ловушки Плоского мира |
1806 | 261 |
7 |
33 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1648 | 259 |
9 |
31 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
11 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
|
Образ Бога и зрелость личности |
2587 | 259 |
14 |
38 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
9 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
8 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
|
Юные птицы старого русского рока |
1038 | 258 |
17 |
30 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
4 |
4 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
О старости |
2280 | 257 |
16 |
39 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
7 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
2 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3100 | 256 |
14 |
36 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
12 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
2 |
3 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
0 |
|
Из плена профессиональной Персоны? |
1610 | 256 |
24 |
40 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
6 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
7 Заклинатели |
1827 | 256 |
6 |
34 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
|
Больница глазами гештальт-терапевта |
4147 | 255 |
6 |
31 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1718 | 254 |
5 |
35 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
1. Преамбула: феминное и маскулинное |
1907 | 254 |
7 |
30 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
|
9. Психика как пара |
1777 | 254 |
10 |
29 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
12 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
7 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
|
20. О некоторых особенностях структуры фэнтези |
1918 | 253 |
12 |
33 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
|
3. Убежища |
1637 | 253 |
16 |
29 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
3 |
5 |
0 |
|
7. О проекции переживаний травмы на Аниму |
1561 | 252 |
21 |
29 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
1 |
|
22. О героях авторских сказок и фэнтези |
1611 | 252 |
13 |
32 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1662 | 251 |
8 |
33 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
5 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1733 | 251 |
16 |
25 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
|
33. Пространство, время, человек и божество в сказке |
1458 | 251 |
12 |
38 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
|
4. Зловещие магнетизеры |
2352 | 249 |
4 |
30 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
|
2. Конец истории о Крысолове |
2090 | 249 |
9 |
30 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
|
3. Молитвенная мельница |
1610 | 249 |
17 |
22 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
|
8. Тотем, Трикстер, Первопредки |
1598 | 248 |
5 |
30 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
5 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
|
Перстень, яблоко, собор |
1820 | 248 |
12 |
39 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
4 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Роковой треугольник - 1 |
1949 | 248 |
12 |
29 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
|
16. Миры и образы зла, связанные с Темной Башней |
2208 | 247 |
9 |
33 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
|
27. О различении Я и Эго-комплекса |
1379 | 247 |
20 |
31 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
|
2. О преображении в полете |
877 | 247 |
8 |
33 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
|
15. Мир и образ зла в "Темных началах" |
1458 | 246 |
14 |
30 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
|
11. Миры и зло Средиземья и Валинора |
1664 | 246 |
15 |
25 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1452 | 246 |
14 |
28 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
5 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Кошачья подсистема в семье |
1100 | 246 |
10 |
32 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
|
Три бестселлера |
1496 | 245 |
16 |
28 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
|
3 консультации в гештальт-подходе |
2389 | 244 |
7 |
33 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
|
4. Погребальные дроги |
1482 | 243 |
16 |
27 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1778 | 243 |
16 |
31 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
4 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
|
Дворянин Фаланд или владыка альвов? |
1087 | 242 |
11 |
27 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
4 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Звездный ворон и ядовитый волк |
1207 | 242 |
7 |
38 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
|
12. Песочник и его жертва |
1451 | 242 |
14 |
24 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
6 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
|
16. Медведь |
1285 | 242 |
18 |
30 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
3 |
5 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2606 | 241 |
12 |
31 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1180 | 241 |
6 |
29 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
|
7. Верховное полутело |
1144 | 241 |
6 |
32 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
|
8. Как остаться инфантильной |
1428 | 240 |
16 |
23 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
4 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
|
10. Большая женщина. Начало возрождения |
1134 | 239 |
12 |
26 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1345 | 239 |
13 |
34 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
|
1. Тело и мир персонажей Андрея Платонова |
1480 | 239 |
13 |
29 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
|
О способности понять душевнобольного |
2289 | 238 |
9 |
31 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
|
4. Архаичные материнские образы |
1486 | 238 |
17 |
26 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
|
1. Явление Крысолова |
1506 | 237 |
14 |
31 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Г. Гессе. Стихотворение о Степном Волке |
1916 | 237 |
7 |
38 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
|
Шекспир, сонет 146 |
1445 | 237 |
15 |
26 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
|
5. Заместитель |
1460 | 237 |
16 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Телесный симптом в роли символа |
2025 | 237 |
14 |
22 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
5 |
2 |
|
Тум-балалайка |
1982 | 236 |
13 |
29 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Хороший начальник Емеля |
1103 | 236 |
16 |
28 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
6 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
|
12. Мир и зло "Властелина Колец" |
2007 | 236 |
8 |
31 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Роковой треугольник -2 |
1854 | 236 |
14 |
30 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Мы и Они |
1894 | 236 |
12 |
36 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
|
5. Сравнение прогностической ценности разных факторов |
1744 | 236 |
15 |
23 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
|
11. Кое-что об Анимусе женщины |
1601 | 236 |
3 |
38 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Мир на костылях |
1531 | 235 |
18 |
37 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
4 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1671 | 235 |
13 |
32 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
|
Ангел |
1715 | 235 |
13 |
27 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Особенности структуры семьи учащихся техникума |
2149 | 234 |
8 |
30 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
|
4. Ранние пьесы М. Цветаевой |
2017 | 234 |
8 |
30 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
|
3. Произведения молодости М. Цветаевой |
1484 | 234 |
7 |
33 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
|
11. Ничего не кончается |
1128 | 233 |
7 |
26 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
|
11. Пространство лагеря |
1179 | 233 |
6 |
25 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
6 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1646 | 233 |
8 |
36 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
7 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1561 | 233 |
15 |
28 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
|
9. Начало перехода |
1133 | 232 |
22 |
25 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
5 |
4 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
|
Ответ Земли (другой вариант) |
1699 | 232 |
8 |
24 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
|
6. Насколько опасен Анимус мужчины |
1512 | 232 |
12 |
26 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
|
24. Медведь и другие |
1041 | 232 |
21 |
34 |
24 |
26 |
17 |
12 |
13 |
16 |
19 |
25 |
15 |
10 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
|
23. Настя заболела |
1333 | 232 |
13 |
34 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
9 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
|
Из У. Блейка. Ответ Земли |
1887 | 231 |
14 |
30 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
6 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
3 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Венок сонетов Ваське |
1960 | 228 |
7 |
24 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
|
3. Выбор художника - Анима или Анимус? |
1643 | 228 |
11 |
26 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2340 | 228 |
16 |
24 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
|
25. Об особенностях травматической интеграции психики |
1495 | 227 |
15 |
23 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
|
10. Модели интеграции психики в героическом эпосе |
1599 | 227 |
11 |
29 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
|
Юнгианцы и странные научные теории |
832 | 227 |
17 |
36 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
13 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
1 |
4 |
5 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
15. Деревня изнутри. Во дворах |
1146 | 227 |
8 |
25 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
|
4. Блуждания невоплощенного |
1210 | 227 |
13 |
30 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
785 | 227 |
11 |
34 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
|
Из У. Блейка. Ангел |
1614 | 227 |
16 |
29 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
11 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
|
18. Ночные пляски |
1145 | 227 |
11 |
31 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
4 |
4 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
|
Юнгианское стихотворение о сказках |
1551 | 226 |
4 |
27 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
|
1. Маленький рыцарский роман |
1572 | 226 |
14 |
28 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
0 |
|
Бестиарий |
1461 | 226 |
11 |
35 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1278 | 225 |
16 |
23 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
|
14. Мертвая мать и ее дети |
1174 | 225 |
10 |
36 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
5 |
4 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
|
20. Нвстя заболевает |
1202 | 225 |
13 |
26 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
5 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1575 | 225 |
12 |
29 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
6 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Путешествиепо склону |
1583 | 224 |
10 |
33 |
26 |
27 |
20 |
11 |
15 |
15 |
17 |
25 |
17 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
6 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
|
6. Скорбная земля |
1660 | 224 |
11 |
34 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
5 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
7. Мужское и женское в произведениях Т. Манна |
1668 | 219 |
9 |
22 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
2 |
2 |
|
Вариация на тему |
936 | 218 |
10 |
23 |
22 |
25 |
19 |
16 |
12 |
17 |
19 |
26 |
17 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
|
5. Погибшее братство и Лихтенберг |
1067 | 218 |
16 |
23 |
28 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
18 |
11 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
|
Мотив Цветка и регуляция позы |
914 | 218 |
6 |
29 |
24 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
4 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
|
10. Начало контакта |
1118 | 218 |
15 |
25 |
21 |
25 |
20 |
9 |
12 |
28 |
13 |
25 |
14 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Жили-были... |
1698 | 218 |
10 |
27 |
19 |
22 |
21 |
9 |
14 |
27 |
24 |
23 |
15 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
|
Прогнозирование эффективности психологической помощи семьям |
1744 | 218 |
8 |
33 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
13 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
19. Тишина |
1134 | 217 |
17 |
26 |
20 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
16 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
4 |
4 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
7. Индивидуальности котлована |
1188 | 217 |
11 |
25 |
22 |
26 |
18 |
8 |
11 |
17 |
21 |
28 |
15 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
3. На улице |
1151 | 217 |
7 |
36 |
23 |
30 |
14 |
12 |
13 |
13 |
17 |
29 |
13 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
5 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
|
4. Сказка о травме и восстановлении |
1647 | 217 |
18 |
22 |
26 |
24 |
19 |
11 |
19 |
15 |
17 |
20 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
6 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
|
9. Некоторые модели психической интеграции |
1543 | 217 |
8 |
29 |
19 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
14 |
13 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Бумажная Принцесса |
1219 | 217 |
13 |
30 |
24 |
25 |
18 |
8 |
15 |
15 |
22 |
22 |
17 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Визит Аристокла |
1550 | 216 |
7 |
27 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1915 | 216 |
10 |
23 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
|
Проблемы профессионального становления личности: работа со сновидениями |
1779 | 216 |
13 |
25 |
22 |
22 |
18 |
17 |
9 |
16 |
23 |
23 |
16 |
12 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
5 |
4 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
|
Милая жизнь |
1291 | 216 |
6 |
35 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
|
31. Становление символа во времени |
1340 | 215 |
19 |
17 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
10 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
|
12. Люди лагеря |
1075 | 215 |
13 |
31 |
18 |
19 |
18 |
16 |
12 |
17 |
19 |
29 |
15 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
6 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
|
Компьютерная игра вместо визуализации |
1838 | 215 |
10 |
25 |
28 |
28 |
18 |
17 |
12 |
17 |
17 |
22 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |