| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
По разделу |
482766 | 1242 |
23 |
138 |
148 |
128 |
192 |
98 |
88 |
90 |
87 |
74 |
91 |
85 |
1 |
5 |
4 |
4 |
5 |
4 |
4 |
5 |
4 |
4 |
3 |
5 |
5 |
9 |
3 |
4 |
3 |
3 |
5 |
4 |
6 |
5 |
3 |
6 |
2 |
5 |
5 |
5 |
3 |
7 |
12 |
3 |
5 |
3 |
4 |
3 |
5 |
4 |
4 |
3 |
3 |
5 |
5 |
5 |
5 |
2 |
2 |
3 |
4 |
13 |
10 |
4 |
5 |
4 |
5 |
7 |
5 |
6 |
3 |
3 |
4 |
4 |
7. О символизации насилия. Песочный Человек |
3265 | 591 |
16 |
60 |
96 |
82 |
76 |
56 |
36 |
44 |
43 |
22 |
25 |
35 |
0 |
3 |
1 |
4 |
5 |
3 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
4 |
3 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
4 |
2 |
3 |
1 |
3 |
5 |
1 |
1 |
2 |
2 |
4 |
4 |
1 |
3 |
4 |
1 |
5 |
5 |
0 |
1 |
3 |
4 |
3 |
1 |
4 |
2 |
1 |
5 |
7 |
2 |
3 |
2 |
1 |
3 |
3 |
Художественные описания механизмов психологической защиты |
13123 | 589 |
8 |
75 |
93 |
73 |
51 |
62 |
33 |
33 |
45 |
38 |
44 |
34 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
5 |
3 |
4 |
0 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
6 |
2 |
0 |
6 |
2 |
5 |
5 |
2 |
0 |
2 |
6 |
2 |
5 |
3 |
4 |
1 |
3 |
3 |
1 |
3 |
3 |
3 |
5 |
5 |
2 |
1 |
2 |
2 |
0 |
3 |
6 |
3 |
5 |
3 |
4 |
3 |
4 |
6 |
1 |
1 |
4 |
4 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3694 | 361 |
7 |
46 |
43 |
38 |
38 |
25 |
28 |
27 |
29 |
19 |
37 |
24 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
1 |
2 |
0 |
4 |
1 |
0 |
3 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
5 |
2 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2360 | 357 |
5 |
31 |
42 |
50 |
46 |
22 |
18 |
24 |
29 |
38 |
23 |
29 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1. Расставание брата и сестры |
3617 | 354 |
6 |
38 |
41 |
54 |
42 |
36 |
26 |
32 |
19 |
14 |
14 |
32 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
5 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1659 | 327 |
7 |
59 |
43 |
38 |
26 |
27 |
32 |
19 |
19 |
18 |
22 |
17 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
3 |
1 |
5 |
2 |
9 |
0 |
4 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
Ритуал и выгорание в субкультуре скорой помощи |
9440 | 276 |
7 |
38 |
41 |
30 |
37 |
21 |
25 |
25 |
16 |
11 |
15 |
10 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
4 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
Мотив Города |
3240 | 270 |
7 |
24 |
33 |
41 |
34 |
19 |
33 |
11 |
21 |
13 |
18 |
16 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
26. Динамика развития психики по оси Самость-Эго |
1885 | 264 |
6 |
39 |
41 |
34 |
27 |
23 |
20 |
15 |
12 |
15 |
9 |
23 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
4 |
7 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
7. Интерпретация эпоса об Урал-Батыре |
1791 | 234 |
11 |
41 |
37 |
34 |
27 |
18 |
16 |
10 |
13 |
6 |
7 |
14 |
0 |
0 |
3 |
2 |
3 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
5 |
0 |
4 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
психосоматика наизнанку |
5024 | 233 |
1 |
39 |
30 |
39 |
23 |
19 |
18 |
7 |
12 |
9 |
19 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2. Андрогинность в сказке и мифе |
1695 | 231 |
5 |
16 |
34 |
41 |
33 |
19 |
19 |
10 |
14 |
9 |
17 |
14 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
3 |
6. Насилие и интеграция психики в архаической сказке |
1382 | 227 |
2 |
21 |
24 |
24 |
85 |
22 |
12 |
10 |
11 |
6 |
6 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4. О символизации насилия в эддической поэзии |
2306 | 225 |
3 |
23 |
34 |
46 |
28 |
16 |
17 |
17 |
12 |
10 |
14 |
5 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
Совершая труд |
4742 | 216 |
6 |
21 |
24 |
31 |
52 |
16 |
18 |
10 |
5 |
9 |
12 |
12 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
12. Интеграция и Анимы, и Анимуса |
1835 | 216 |
5 |
33 |
37 |
29 |
20 |
17 |
19 |
19 |
10 |
10 |
11 |
6 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
Клеменс Брентано. Лоре Лай |
1472 | 211 |
3 |
17 |
32 |
40 |
26 |
24 |
12 |
9 |
10 |
11 |
14 |
13 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
14. Мастера и шарлатаны Гофмана |
2058 | 210 |
3 |
22 |
31 |
45 |
21 |
15 |
17 |
7 |
9 |
9 |
15 |
16 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
4. Ад без жала |
1576 | 207 |
4 |
23 |
21 |
28 |
32 |
21 |
25 |
8 |
17 |
8 |
12 |
8 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
3. Как мужчины обращаются с Анимой |
3399 | 182 |
5 |
18 |
23 |
24 |
22 |
17 |
16 |
7 |
13 |
11 |
16 |
10 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
24. Травмирующие архетипические персонажи Х. Мураками |
1637 | 181 |
2 |
22 |
29 |
28 |
21 |
24 |
10 |
6 |
8 |
8 |
9 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
16. Список литературы |
1233 | 181 |
3 |
21 |
37 |
32 |
31 |
11 |
10 |
8 |
9 |
6 |
7 |
6 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
2. Неюнгианские механизмы интеграции психики в сказке |
1530 | 180 |
7 |
23 |
23 |
35 |
15 |
18 |
16 |
3 |
12 |
6 |
10 |
12 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
Запрет на идентификацию с больным и эмоциональное выгорание |
2948 | 178 |
1 |
18 |
23 |
32 |
18 |
12 |
13 |
23 |
6 |
8 |
15 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
О книге Матрица и потенциал характера |
1517 | 178 |
6 |
20 |
21 |
36 |
20 |
18 |
15 |
4 |
15 |
7 |
9 |
7 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
10. Об Аниме женщины |
1880 | 178 |
6 |
28 |
23 |
41 |
17 |
13 |
16 |
7 |
9 |
8 |
4 |
6 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
11. Миры и зло Средиземья и Валинора |
1530 | 177 |
5 |
21 |
23 |
28 |
20 |
15 |
13 |
8 |
10 |
7 |
13 |
14 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
9. Психика как пара |
1644 | 174 |
3 |
20 |
20 |
34 |
32 |
12 |
16 |
7 |
7 |
4 |
7 |
12 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Дворянин Фаланд или владыка альвов? |
943 | 173 |
2 |
16 |
21 |
30 |
19 |
10 |
14 |
10 |
9 |
10 |
17 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2160 | 173 |
2 |
25 |
28 |
25 |
20 |
15 |
13 |
4 |
12 |
7 |
12 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1. Преамбула: феминное и маскулинное |
1765 | 173 |
4 |
17 |
22 |
33 |
20 |
16 |
14 |
6 |
8 |
7 |
17 |
9 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
9. Персона и Тень |
1670 | 173 |
2 |
30 |
22 |
28 |
21 |
14 |
10 |
9 |
8 |
9 |
10 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
10 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
7. Созидающее насилие: подвиги Геракла |
1590 | 173 |
2 |
31 |
25 |
22 |
15 |
19 |
15 |
9 |
16 |
8 |
8 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
9 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
отношения врача и пациента с точки зрения созависимости |
6469 | 173 |
4 |
21 |
24 |
36 |
17 |
15 |
11 |
8 |
8 |
7 |
7 |
15 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
Тум-балалайка |
1859 | 172 |
3 |
28 |
22 |
27 |
23 |
10 |
11 |
4 |
9 |
6 |
11 |
18 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
6 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2442 | 172 |
2 |
22 |
35 |
30 |
17 |
14 |
19 |
10 |
6 |
4 |
6 |
7 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
9 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
Больной Крысолов |
1428 | 170 |
2 |
17 |
24 |
30 |
27 |
14 |
13 |
9 |
6 |
5 |
13 |
10 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
13. Женщина перед расстрелом |
1213 | 170 |
4 |
29 |
23 |
30 |
23 |
11 |
15 |
11 |
10 |
2 |
7 |
5 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
5 |
9 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
15. Типичные протагонисты произведений Гофмана |
1424 | 168 |
6 |
19 |
24 |
27 |
16 |
11 |
23 |
10 |
10 |
3 |
9 |
10 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
15. Николай Ставрогин и его адепты |
1841 | 168 |
2 |
19 |
18 |
32 |
22 |
19 |
15 |
5 |
11 |
3 |
14 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2. Персонажи "Котлована" строят новый мир и новое тело |
1051 | 168 |
1 |
34 |
23 |
26 |
16 |
12 |
9 |
6 |
11 |
8 |
12 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
10 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3. Сказочные злодеи: Консолидатор Тени |
1528 | 167 |
3 |
16 |
25 |
33 |
27 |
20 |
11 |
5 |
8 |
7 |
5 |
7 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
Больница глазами гештальт-терапевта |
4011 | 167 |
1 |
20 |
27 |
35 |
23 |
13 |
10 |
5 |
6 |
11 |
7 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1311 | 166 |
3 |
18 |
30 |
23 |
14 |
17 |
20 |
6 |
10 |
7 |
12 |
6 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
Двойные ловушки Плоского мира |
1662 | 164 |
1 |
17 |
28 |
32 |
29 |
10 |
17 |
5 |
8 |
3 |
6 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
3. Молитвенная мельница |
1485 | 164 |
2 |
27 |
29 |
32 |
22 |
12 |
15 |
4 |
7 |
4 |
4 |
6 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
5 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
6. Сходство и различия сюжетов о Переодетой сестре |
1678 | 164 |
10 |
17 |
21 |
35 |
16 |
16 |
16 |
8 |
7 |
5 |
8 |
5 |
0 |
3 |
0 |
1 |
5 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1575 | 163 |
2 |
30 |
21 |
27 |
18 |
13 |
14 |
7 |
6 |
6 |
11 |
8 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
4 |
8 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
16. Миры и образы зла, связанные с Темной Башней |
2074 | 162 |
6 |
17 |
25 |
27 |
22 |
16 |
11 |
6 |
7 |
7 |
8 |
10 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
33. Пространство, время, человек и божество в сказке |
1323 | 162 |
3 |
30 |
22 |
28 |
16 |
17 |
15 |
5 |
8 |
5 |
8 |
5 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
7 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
6. О символизации насилия. Значимые персонажи |
1980 | 161 |
2 |
19 |
24 |
27 |
28 |
11 |
15 |
9 |
6 |
3 |
6 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
Кошачья подсистема в семье |
964 | 161 |
3 |
23 |
20 |
31 |
25 |
8 |
15 |
5 |
7 |
7 |
8 |
9 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Роковой треугольник - 1 |
1818 | 161 |
3 |
20 |
21 |
28 |
33 |
12 |
10 |
5 |
6 |
7 |
7 |
9 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1543 | 160 |
2 |
18 |
26 |
33 |
13 |
15 |
15 |
5 |
7 |
7 |
12 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
непрожитая старость |
10327 | 159 |
3 |
14 |
31 |
24 |
20 |
16 |
17 |
9 |
6 |
4 |
6 |
9 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
Г. Гессе. Стихотворение о Степном Волке |
1786 | 159 |
5 |
19 |
24 |
27 |
19 |
13 |
10 |
7 |
12 |
8 |
10 |
5 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
5. Мужчина выбирает между Анимусом и Анимой |
1304 | 159 |
1 |
21 |
24 |
46 |
14 |
14 |
10 |
6 |
7 |
4 |
6 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3. О символизации насилия в поэзии скальдов |
3207 | 159 |
3 |
14 |
24 |
25 |
19 |
14 |
16 |
4 |
11 |
9 |
10 |
10 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1648 | 158 |
2 |
21 |
31 |
21 |
28 |
14 |
11 |
7 |
4 |
5 |
7 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
4. Ранние пьесы М. Цветаевой |
1886 | 158 |
3 |
17 |
18 |
31 |
22 |
12 |
15 |
5 |
9 |
6 |
9 |
11 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
8. Тотем, Трикстер, Первопредки |
1465 | 157 |
4 |
20 |
28 |
28 |
25 |
10 |
17 |
6 |
7 |
6 |
3 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
5 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
11. Кое-что об Анимусе женщины |
1469 | 157 |
2 |
26 |
22 |
25 |
14 |
15 |
11 |
6 |
7 |
6 |
14 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
23. Настя заболела |
1198 | 156 |
3 |
14 |
22 |
24 |
19 |
15 |
15 |
5 |
10 |
9 |
12 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
14. Мир и образ зла в эпопее о Гарри Поттере |
1527 | 155 |
6 |
22 |
30 |
29 |
16 |
13 |
11 |
6 |
6 |
4 |
8 |
4 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
5 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3. Сказка о феминном и маскулинном состояниях Эго |
1510 | 155 |
3 |
14 |
18 |
25 |
19 |
15 |
17 |
11 |
13 |
8 |
9 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
7 Заклинатели |
1678 | 155 |
3 |
19 |
20 |
35 |
18 |
12 |
13 |
7 |
7 |
6 |
5 |
10 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3. Произведения молодости М. Цветаевой |
1351 | 155 |
5 |
17 |
21 |
26 |
17 |
15 |
12 |
9 |
8 |
6 |
12 |
7 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3. Выбор художника - Анима или Анимус? |
1522 | 154 |
4 |
20 |
28 |
22 |
19 |
14 |
16 |
6 |
9 |
3 |
6 |
7 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
20. О некоторых особенностях структуры фэнтези |
1778 | 152 |
2 |
20 |
22 |
35 |
22 |
12 |
13 |
7 |
4 |
5 |
5 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2009 | 151 |
1 |
23 |
17 |
25 |
17 |
13 |
17 |
6 |
9 |
7 |
9 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1351 | 151 |
1 |
19 |
19 |
27 |
20 |
15 |
12 |
11 |
7 |
7 |
9 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 консультации в гештальт-подходе |
2261 | 151 |
2 |
32 |
24 |
27 |
21 |
10 |
6 |
5 |
7 |
6 |
8 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Типы семей, получающих помощь в социальном центре |
1612 | 150 |
1 |
22 |
24 |
28 |
22 |
8 |
8 |
6 |
5 |
6 |
9 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
Мотив Цветка и регуляция позы |
796 | 150 |
2 |
24 |
17 |
27 |
19 |
11 |
17 |
1 |
6 |
6 |
11 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
27. О различении Я и Эго-комплекса |
1227 | 150 |
2 |
16 |
22 |
27 |
12 |
16 |
15 |
7 |
8 |
5 |
9 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
Образ Бога и зрелость личности |
2432 | 150 |
3 |
28 |
23 |
19 |
22 |
9 |
14 |
2 |
7 |
7 |
9 |
7 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
12 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2. Сказка о становлении гендерных различий и женского Эго |
1543 | 150 |
5 |
18 |
26 |
21 |
17 |
15 |
15 |
7 |
8 |
2 |
8 |
8 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
Юные птицы старого русского рока |
890 | 150 |
2 |
26 |
21 |
33 |
17 |
11 |
13 |
3 |
5 |
3 |
11 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
Особенности структуры семьи учащихся техникума |
2010 | 150 |
1 |
19 |
19 |
25 |
21 |
10 |
16 |
7 |
10 |
2 |
12 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
1. Тело и мир персонажей Андрея Платонова |
1344 | 150 |
1 |
20 |
25 |
25 |
17 |
15 |
9 |
9 |
10 |
4 |
8 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1603 | 149 |
3 |
35 |
19 |
26 |
16 |
13 |
11 |
2 |
4 |
4 |
9 |
7 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
6 |
9 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
21. Властные хитрецы |
1329 | 148 |
5 |
18 |
23 |
27 |
18 |
12 |
12 |
6 |
10 |
6 |
3 |
8 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
9. Лихтенберг - мыслящее тело |
1098 | 148 |
4 |
33 |
17 |
27 |
17 |
8 |
15 |
5 |
8 |
2 |
4 |
8 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
5 |
10 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1630 | 148 |
4 |
14 |
32 |
21 |
16 |
9 |
14 |
4 |
12 |
7 |
8 |
7 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
10 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
телесный симптом в роли символа |
1891 | 148 |
4 |
23 |
19 |
33 |
14 |
10 |
14 |
6 |
8 |
2 |
10 |
5 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
о способности понять душевнобольного |
2158 | 147 |
2 |
30 |
19 |
28 |
14 |
14 |
6 |
7 |
7 |
6 |
7 |
7 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
5. Женщина в плаще цвета Времени |
1255 | 147 |
6 |
19 |
18 |
27 |
17 |
12 |
15 |
4 |
9 |
4 |
8 |
8 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
10. Самозванцы: Пепсер и Крошка Цахес |
2473 | 147 |
2 |
16 |
27 |
32 |
20 |
11 |
11 |
4 |
6 |
7 |
7 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1. Телесные трансформации в рассказе "Мусорный ветер" |
1014 | 147 |
2 |
16 |
20 |
24 |
17 |
13 |
12 |
10 |
8 |
6 |
10 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
Проблемы профессионального становления личности: работа со сновидениями |
1656 | 147 |
3 |
16 |
23 |
23 |
16 |
12 |
14 |
6 |
8 |
7 |
11 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4. Погребальные дроги |
1346 | 147 |
4 |
12 |
26 |
26 |
28 |
11 |
8 |
5 |
9 |
7 |
5 |
6 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
10 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
9. Начало перехода |
1005 | 146 |
3 |
29 |
17 |
30 |
15 |
10 |
14 |
7 |
5 |
2 |
7 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
6. Насколько опасен Анимус мужчины |
1388 | 146 |
1 |
19 |
23 |
33 |
18 |
14 |
18 |
3 |
6 |
1 |
5 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
20. Нвстя заболевает |
1086 | 146 |
6 |
12 |
26 |
30 |
22 |
13 |
10 |
8 |
5 |
5 |
7 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2.Почему же произведения Гофмана популярны до сих пор? |
1209 | 146 |
1 |
31 |
16 |
29 |
14 |
12 |
7 |
10 |
10 |
2 |
6 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
9 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
Роковой треугольник -2 |
1723 | 146 |
2 |
14 |
24 |
34 |
22 |
9 |
12 |
5 |
7 |
3 |
5 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3. Убежища |
1496 | 146 |
5 |
15 |
23 |
32 |
25 |
12 |
10 |
6 |
4 |
4 |
4 |
6 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
Венок сонетов Ваське |
1847 | 146 |
2 |
16 |
38 |
24 |
24 |
11 |
6 |
2 |
5 |
5 |
9 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
13 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5. Мужчина выбирает между Анимусом и Анимой |
1583 | 145 |
1 |
25 |
22 |
25 |
16 |
12 |
11 |
6 |
8 |
6 |
7 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
32. Для чего нужен символ? |
1183 | 145 |
6 |
16 |
18 |
29 |
17 |
13 |
16 |
3 |
7 |
5 |
9 |
6 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
4. Архаичные материнские образы |
1342 | 144 |
1 |
21 |
19 |
26 |
16 |
11 |
15 |
5 |
7 |
5 |
9 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
15. Деревня изнутри. Во дворах |
1019 | 144 |
2 |
19 |
22 |
28 |
17 |
12 |
13 |
6 |
7 |
3 |
8 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2. Конец истории о Крысолове |
1950 | 144 |
3 |
22 |
28 |
25 |
19 |
12 |
11 |
4 |
5 |
4 |
6 |
5 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
5. Заместитель |
1325 | 144 |
3 |
19 |
19 |
27 |
20 |
14 |
9 |
7 |
8 |
7 |
6 |
5 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
34. Ошибка психики: чрезмерная ее консолидация |
1396 | 144 |
3 |
18 |
26 |
22 |
14 |
12 |
16 |
4 |
9 |
4 |
9 |
7 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
12. Мир и зло "Властелина Колец" |
1863 | 143 |
5 |
20 |
20 |
25 |
13 |
9 |
10 |
10 |
6 |
7 |
11 |
7 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1584 | 143 |
2 |
23 |
25 |
23 |
14 |
11 |
13 |
4 |
8 |
5 |
8 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
8. Избыток сознания и общее тело |
1033 | 142 |
4 |
21 |
15 |
26 |
11 |
14 |
15 |
5 |
11 |
6 |
9 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1560 | 142 |
1 |
19 |
20 |
27 |
18 |
11 |
8 |
6 |
7 |
7 |
8 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
ангел |
1589 | 142 |
3 |
28 |
25 |
24 |
17 |
12 |
9 |
3 |
6 |
5 |
6 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
8 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
17. Плот |
1069 | 141 |
2 |
34 |
17 |
27 |
14 |
11 |
10 |
6 |
6 |
2 |
5 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
10 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
12. Песочник и его жертва |
1304 | 141 |
1 |
21 |
22 |
23 |
17 |
11 |
16 |
4 |
9 |
4 |
8 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
16. Медведь |
1141 | 141 |
2 |
19 |
21 |
26 |
17 |
13 |
8 |
7 |
8 |
7 |
7 |
6 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1425 | 141 |
3 |
19 |
19 |
25 |
18 |
13 |
12 |
7 |
6 |
4 |
5 |
10 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Алгоритм сортировки клиентов социального центра |
1995 | 140 |
1 |
21 |
16 |
27 |
19 |
11 |
13 |
7 |
10 |
4 |
6 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
15. Мир и образ зла в "Темных началах" |
1312 | 140 |
2 |
17 |
21 |
28 |
18 |
14 |
13 |
5 |
7 |
4 |
4 |
7 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
19. Множественные и парные миры авторской сказки и фэнтези |
1246 | 140 |
1 |
17 |
19 |
27 |
14 |
15 |
16 |
6 |
6 |
7 |
7 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
7. О проекции переживаний травмы на Аниму |
1413 | 140 |
4 |
17 |
30 |
29 |
11 |
13 |
10 |
7 |
7 |
4 |
4 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Перстень, яблоко, собор |
1665 | 140 |
3 |
17 |
20 |
23 |
18 |
12 |
16 |
7 |
6 |
2 |
7 |
9 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
5. Идущий следом |
1418 | 140 |
3 |
15 |
22 |
25 |
20 |
13 |
13 |
6 |
4 |
8 |
4 |
7 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
25. Об особенностях травматической интеграции психики |
1362 | 139 |
2 |
19 |
18 |
25 |
16 |
14 |
10 |
4 |
7 |
9 |
9 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1614 | 139 |
5 |
18 |
22 |
24 |
14 |
12 |
12 |
4 |
9 |
3 |
10 |
6 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
5. Рядом с общим телом |
1132 | 139 |
4 |
21 |
18 |
27 |
20 |
12 |
12 |
3 |
7 |
2 |
6 |
7 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2139 | 139 |
4 |
21 |
21 |
24 |
15 |
11 |
8 |
5 |
9 |
6 |
6 |
9 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
27. Безвременье котлована |
1001 | 139 |
1 |
21 |
22 |
23 |
20 |
15 |
10 |
8 |
4 |
4 |
4 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
Начальство развлекается |
1359 | 139 |
2 |
25 |
22 |
28 |
15 |
10 |
16 |
1 |
6 |
3 |
8 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
28. О символике эволюции |
1230 | 139 |
2 |
23 |
15 |
29 |
15 |
10 |
16 |
6 |
7 |
3 |
8 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
7. Индивидуальности котлована |
1068 | 138 |
1 |
17 |
21 |
28 |
15 |
15 |
14 |
5 |
5 |
5 |
5 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
4. Блуждания невоплощенного |
1079 | 138 |
4 |
15 |
24 |
23 |
15 |
15 |
13 |
4 |
6 |
4 |
8 |
7 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
Из плена профессиональной Персоны? |
1448 | 138 |
1 |
18 |
22 |
23 |
16 |
14 |
14 |
4 |
8 |
4 |
8 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2. Пробуждение |
1051 | 138 |
4 |
17 |
24 |
26 |
16 |
12 |
14 |
5 |
5 |
4 |
6 |
5 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
6. Скорбная земля |
1531 | 138 |
5 |
14 |
24 |
23 |
18 |
11 |
12 |
7 |
5 |
2 |
6 |
11 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
21. Радость молотобойца |
1054 | 138 |
2 |
17 |
23 |
22 |
19 |
13 |
9 |
7 |
5 |
9 |
8 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
648 | 137 |
3 |
21 |
20 |
21 |
14 |
11 |
12 |
5 |
7 |
5 |
9 |
9 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
22. О героях авторских сказок и фэнтези |
1458 | 137 |
1 |
22 |
19 |
26 |
20 |
11 |
12 |
7 |
4 |
3 |
5 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1324 | 137 |
1 |
16 |
22 |
28 |
15 |
13 |
7 |
6 |
7 |
8 |
6 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
Senex - Puer |
1262 | 136 |
2 |
19 |
17 |
24 |
20 |
11 |
18 |
3 |
5 |
3 |
4 |
10 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
22. Девушки и Прушевский |
1068 | 136 |
3 |
18 |
17 |
25 |
14 |
12 |
12 |
8 |
7 |
7 |
6 |
7 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
Хрупкие миры |
485 | 136 |
5 |
19 |
17 |
23 |
21 |
12 |
13 |
7 |
6 |
3 |
3 |
7 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
2. Усталость |
1700 | 133 |
6 |
16 |
27 |
21 |
17 |
12 |
12 |
4 |
6 |
4 |
4 |
4 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
10 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2210 | 133 |
4 |
27 |
19 |
26 |
10 |
12 |
11 |
4 |
5 |
3 |
6 |
6 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
Г. Гессе. Ступени |
1651 | 132 |
1 |
15 |
25 |
29 |
19 |
14 |
7 |
6 |
5 |
4 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
30. Сказочный персонаж: форма и содержимое |
1302 | 132 |
3 |
20 |
18 |
20 |
15 |
14 |
13 |
4 |
10 |
6 |
3 |
6 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
12. Новое пространство |
953 | 132 |
3 |
18 |
19 |
26 |
16 |
11 |
13 |
4 |
5 |
3 |
3 |
11 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
11. Ничего не кончается |
994 | 132 |
4 |
19 |
19 |
29 |
12 |
16 |
10 |
5 |
5 |
4 |
6 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1517 | 132 |
3 |
29 |
25 |
26 |
12 |
9 |
8 |
1 |
4 |
2 |
6 |
7 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
9 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
Вариация на тему |
813 | 131 |
4 |
17 |
19 |
26 |
17 |
12 |
8 |
4 |
7 |
2 |
8 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
5. Погибшее братство и Лихтенберг |
940 | 131 |
1 |
17 |
19 |
25 |
18 |
11 |
15 |
6 |
4 |
4 |
6 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
Реквием Ваське |
1523 | 131 |
2 |
16 |
23 |
25 |
16 |
14 |
13 |
3 |
5 |
3 |
6 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1. Маленький рыцарский роман |
1437 | 131 |
4 |
18 |
17 |
24 |
15 |
13 |
16 |
4 |
8 |
7 |
2 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
7. Мужское и женское в произведениях Т. Манна |
1542 | 131 |
3 |
14 |
20 |
24 |
17 |
15 |
11 |
7 |
6 |
3 |
6 |
5 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
жили-были... |
1580 | 131 |
4 |
27 |
24 |
23 |
15 |
7 |
11 |
1 |
6 |
2 |
4 |
7 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
11 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
18. Диспозиция и динамика некоторых авторских сказок |
1144 | 130 |
1 |
17 |
22 |
21 |
18 |
12 |
14 |
5 |
5 |
4 |
5 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
10. Модели интеграции психики в героическом эпосе |
1465 | 130 |
2 |
18 |
20 |
29 |
12 |
12 |
11 |
4 |
5 |
4 |
7 |
6 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
Информация о владельце раздела |
1352 | 130 |
1 |
16 |
20 |
26 |
18 |
7 |
13 |
2 |
6 |
6 |
9 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
Для кота |
1656 | 130 |
2 |
17 |
26 |
25 |
16 |
8 |
9 |
5 |
5 |
3 |
10 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2. О преображении в полете |
726 | 130 |
4 |
15 |
19 |
29 |
21 |
8 |
12 |
3 |
5 |
3 |
2 |
9 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 Дитя в мирах Психеи и Ананке |
1663 | 130 |
2 |
19 |
22 |
21 |
16 |
13 |
12 |
4 |
7 |
5 |
1 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Прогнозирование эффективности психологической помощи семьям |
1617 | 130 |
2 |
19 |
23 |
24 |
13 |
10 |
10 |
4 |
10 |
3 |
7 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1442 | 130 |
3 |
16 |
20 |
28 |
15 |
10 |
9 |
7 |
5 |
5 |
6 |
6 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
Шекспир, сонет 144 |
1433 | 129 |
2 |
30 |
18 |
27 |
14 |
10 |
10 |
3 |
5 |
2 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
Кто это входит в мои мозги? |
1672 | 129 |
3 |
20 |
15 |
28 |
17 |
10 |
12 |
4 |
8 |
2 |
7 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
10. Начало контакта |
993 | 129 |
2 |
28 |
13 |
25 |
14 |
11 |
11 |
6 |
5 |
3 |
5 |
6 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1627 | 129 |
4 |
14 |
18 |
28 |
16 |
12 |
8 |
7 |
4 |
5 |
6 |
7 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
вскрытие |
1584 | 128 |
4 |
15 |
15 |
26 |
17 |
11 |
11 |
4 |
5 |
5 |
8 |
7 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Мир на костылях |
1390 | 128 |
4 |
20 |
18 |
27 |
16 |
9 |
11 |
8 |
4 |
3 |
5 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
гулял молодец |
1232 | 128 |
2 |
12 |
21 |
21 |
21 |
8 |
16 |
3 |
8 |
5 |
7 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
8. Как остаться инфантильной |
1281 | 128 |
2 |
17 |
23 |
26 |
15 |
10 |
13 |
5 |
4 |
3 |
5 |
5 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
6 Тело и труд |
999 | 128 |
2 |
18 |
20 |
20 |
16 |
12 |
14 |
2 |
5 |
2 |
6 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
4. Зловещие магнетизеры |
2193 | 127 |
2 |
17 |
18 |
26 |
15 |
12 |
14 |
4 |
4 |
3 |
9 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
юнгианское стихотворение о сказках |
1419 | 127 |
1 |
19 |
22 |
25 |
15 |
12 |
7 |
5 |
6 |
6 |
3 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Человек, Которого Не Было Дома |
1711 | 127 |
1 |
17 |
16 |
28 |
13 |
10 |
14 |
8 |
3 |
4 |
5 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
Звездный ворон и ядовитый волк |
1056 | 127 |
3 |
15 |
23 |
23 |
17 |
10 |
7 |
4 |
5 |
8 |
8 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Огонь |
1595 | 127 |
3 |
25 |
17 |
27 |
15 |
7 |
9 |
5 |
6 |
3 |
8 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
12. Люди лагеря |
952 | 127 |
4 |
17 |
19 |
29 |
15 |
8 |
10 |
3 |
5 |
4 |
7 |
6 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Ответ Земли (другой вариант) |
1567 | 126 |
1 |
26 |
23 |
23 |
12 |
15 |
6 |
2 |
4 |
4 |
5 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
из Цурэна. Как лист увядший падает на душу... |
1648 | 126 |
2 |
16 |
28 |
22 |
13 |
10 |
11 |
2 |
5 |
4 |
7 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
9 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3. На улице |
1025 | 126 |
9 |
13 |
17 |
29 |
13 |
10 |
10 |
7 |
4 |
2 |
8 |
4 |
0 |
0 |
0 |
1 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
26. Настина смерть |
1032 | 126 |
4 |
13 |
18 |
25 |
16 |
12 |
16 |
4 |
3 |
7 |
4 |
4 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
10 охламонов |
1699 | 126 |
2 |
15 |
23 |
26 |
18 |
8 |
8 |
6 |
9 |
2 |
7 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1542 | 125 |
2 |
13 |
16 |
26 |
15 |
12 |
11 |
5 |
9 |
5 |
10 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
14. Мертвая мать и ее дети |
1035 | 125 |
3 |
13 |
20 |
22 |
15 |
13 |
12 |
8 |
5 |
3 |
3 |
8 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
4. Расчлененное и воссозданное тело толпы |
1070 | 125 |
1 |
14 |
26 |
21 |
16 |
14 |
12 |
6 |
3 |
2 |
7 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
9 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Пустоты |
1447 | 125 |
1 |
17 |
19 |
23 |
19 |
9 |
11 |
7 |
4 |
2 |
6 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
возвращение |
1648 | 125 |
4 |
14 |
17 |
24 |
15 |
11 |
14 |
4 |
8 |
5 |
4 |
5 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Из У. Блейка. Ответ Земли |
1754 | 124 |
5 |
14 |
28 |
27 |
12 |
12 |
9 |
3 |
5 |
2 |
3 |
4 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
как растет Бог |
1622 | 124 |
1 |
21 |
14 |
24 |
20 |
9 |
13 |
6 |
4 |
3 |
4 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
Визит Аристокла |
1420 | 124 |
1 |
16 |
21 |
25 |
16 |
7 |
10 |
7 |
5 |
5 |
5 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
Плач на реках Вавилонских |
1409 | 124 |
3 |
13 |
17 |
23 |
13 |
12 |
12 |
4 |
6 |
4 |
9 |
8 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
обряд изгнания чужого в субкультуре скорой помощи |
2074 | 124 |
3 |
12 |
18 |
27 |
13 |
10 |
12 |
6 |
8 |
4 |
5 |
6 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
15. Ненаучное животное в мусорном ветре |
1064 | 124 |
1 |
17 |
21 |
26 |
14 |
11 |
10 |
5 |
5 |
4 |
7 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1787 | 123 |
1 |
15 |
17 |
27 |
13 |
15 |
12 |
3 |
7 |
3 |
6 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
29. Как экономят мышление с помощью мифических образов |
1166 | 123 |
3 |
18 |
21 |
29 |
10 |
15 |
10 |
1 |
7 |
3 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
3. Ничтожные |
1484 | 123 |
3 |
15 |
16 |
19 |
16 |
9 |
8 |
7 |
6 |
7 |
6 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Слоненок учится мыслить |
467 | 123 |
2 |
18 |
17 |
29 |
18 |
8 |
12 |
2 |
5 |
2 |
5 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
королева |
1748 | 122 |
2 |
15 |
15 |
26 |
20 |
11 |
10 |
6 |
3 |
3 |
7 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Компьютерная игра вместо визуализации |
1703 | 122 |
3 |
17 |
17 |
22 |
12 |
9 |
12 |
4 |
11 |
4 |
7 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
Кости |
972 | 122 |
5 |
15 |
17 |
25 |
15 |
10 |
12 |
6 |
4 |
4 |
5 |
4 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Сначала была деперсонализация |
1860 | 122 |
1 |
20 |
17 |
25 |
16 |
11 |
9 |
2 |
6 |
3 |
5 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |