| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
По разделу |
170176 | 4175 |
402 |
647 |
408 |
420 |
422 |
355 |
383 |
366 |
200 |
199 |
167 |
206 |
1 |
11 |
13 |
17 |
8 |
15 |
9 |
6 |
15 |
17 |
19 |
27 |
15 |
8 |
7 |
14 |
20 |
13 |
33 |
13 |
19 |
8 |
24 |
11 |
20 |
21 |
18 |
6 |
5 |
28 |
44 |
23 |
32 |
19 |
7 |
11 |
22 |
18 |
31 |
25 |
31 |
19 |
9 |
29 |
29 |
27 |
21 |
15 |
13 |
7 |
4 |
18 |
28 |
37 |
50 |
12 |
5 |
22 |
34 |
47 |
36 |
31 |
Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы. |
19658 | 2844 |
113 |
118 |
162 |
379 |
405 |
344 |
359 |
327 |
186 |
166 |
109 |
176 |
1 |
4 |
8 |
5 |
3 |
5 |
6 |
6 |
12 |
3 |
7 |
7 |
7 |
2 |
1 |
2 |
4 |
0 |
3 |
1 |
8 |
2 |
0 |
6 |
3 |
4 |
3 |
5 |
3 |
5 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
5 |
3 |
4 |
5 |
4 |
3 |
5 |
6 |
5 |
6 |
8 |
7 |
0 |
4 |
3 |
7 |
6 |
5 |
1 |
4 |
3 |
9 |
7 |
7 |
8 |
Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" |
9895 | 1760 |
400 |
642 |
354 |
104 |
45 |
58 |
23 |
28 |
13 |
21 |
33 |
39 |
0 |
11 |
13 |
17 |
8 |
15 |
9 |
6 |
15 |
17 |
19 |
27 |
15 |
7 |
7 |
14 |
20 |
13 |
33 |
13 |
19 |
8 |
24 |
11 |
20 |
21 |
18 |
2 |
5 |
28 |
44 |
23 |
32 |
19 |
7 |
11 |
22 |
18 |
31 |
25 |
31 |
19 |
9 |
29 |
29 |
27 |
21 |
15 |
13 |
7 |
3 |
18 |
28 |
37 |
50 |
12 |
5 |
22 |
34 |
47 |
36 |
31 |
Жанр баллады в русской романтической поэзии |
13501 | 1081 |
68 |
60 |
43 |
63 |
110 |
116 |
172 |
194 |
61 |
57 |
55 |
82 |
0 |
4 |
0 |
3 |
1 |
4 |
1 |
3 |
5 |
0 |
0 |
2 |
7 |
1 |
2 |
1 |
5 |
2 |
1 |
2 |
2 |
3 |
4 |
6 |
1 |
0 |
8 |
2 |
2 |
3 |
2 |
3 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
2 |
4 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
4 |
2 |
2 |
8 |
2 |
2 |
1 |
Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" |
5465 | 775 |
53 |
47 |
47 |
63 |
78 |
67 |
59 |
85 |
89 |
59 |
54 |
74 |
0 |
3 |
2 |
1 |
4 |
4 |
2 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
5 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
3 |
2 |
6 |
2 |
5 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
Гротеск в литературе |
5873 | 760 |
44 |
36 |
23 |
49 |
107 |
72 |
90 |
99 |
31 |
40 |
69 |
100 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
7 |
2 |
3 |
2 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
Пресса Франции. 1949-1989 гг. |
8884 | 720 |
49 |
84 |
46 |
66 |
87 |
108 |
45 |
59 |
33 |
48 |
45 |
50 |
0 |
6 |
4 |
0 |
2 |
2 |
2 |
2 |
2 |
3 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
4 |
2 |
6 |
2 |
4 |
1 |
4 |
1 |
0 |
6 |
5 |
2 |
2 |
2 |
3 |
3 |
1 |
6 |
3 |
3 |
3 |
2 |
1 |
2 |
0 |
6 |
4 |
3 |
2 |
1 |
3 |
1 |
1 |
4 |
Полемика - искусство спора |
6987 | 715 |
82 |
57 |
27 |
36 |
90 |
76 |
58 |
96 |
69 |
34 |
46 |
44 |
0 |
3 |
2 |
3 |
5 |
2 |
5 |
0 |
1 |
5 |
2 |
3 |
3 |
3 |
2 |
7 |
1 |
3 |
4 |
4 |
4 |
5 |
2 |
5 |
5 |
2 |
1 |
3 |
3 |
3 |
0 |
2 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
4 |
3 |
4 |
0 |
1 |
2 |
3 |
3 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
0 |
Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении |
11231 | 691 |
81 |
63 |
26 |
48 |
66 |
63 |
58 |
78 |
38 |
23 |
61 |
86 |
0 |
4 |
1 |
4 |
0 |
1 |
1 |
4 |
5 |
4 |
4 |
2 |
9 |
8 |
3 |
1 |
3 |
4 |
4 |
2 |
2 |
0 |
4 |
3 |
3 |
3 |
2 |
2 |
4 |
5 |
2 |
2 |
2 |
4 |
4 |
2 |
4 |
4 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" |
6045 | 584 |
40 |
40 |
31 |
56 |
98 |
36 |
55 |
102 |
31 |
22 |
50 |
23 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
4 |
3 |
1 |
2 |
Стресс - понятие, характеристика, стадии развития |
17527 | 578 |
36 |
28 |
28 |
44 |
89 |
51 |
45 |
56 |
43 |
38 |
67 |
53 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
5 |
2 |
3 |
1 |
Творчество Мольера |
7970 | 461 |
43 |
72 |
33 |
26 |
64 |
45 |
42 |
38 |
39 |
20 |
19 |
20 |
0 |
0 |
2 |
5 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
1 |
4 |
4 |
1 |
3 |
3 |
2 |
0 |
2 |
0 |
1 |
5 |
3 |
4 |
1 |
1 |
2 |
2 |
4 |
2 |
3 |
2 |
2 |
4 |
0 |
5 |
5 |
4 |
4 |
4 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
5 |
2 |
1 |
2 |
Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" |
6379 | 275 |
25 |
26 |
13 |
19 |
25 |
35 |
23 |
34 |
16 |
13 |
33 |
13 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
5 |
3 |
3 |
2 |
0 |
Публицистика 80х годов. В.Песков |
4700 | 239 |
23 |
13 |
6 |
16 |
25 |
33 |
18 |
32 |
6 |
2 |
33 |
32 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
Романтические новеллы Вашингтона Ирвинга |
4360 | 197 |
20 |
29 |
18 |
24 |
26 |
13 |
8 |
6 |
3 |
4 |
24 |
22 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" |
3495 | 168 |
11 |
14 |
11 |
20 |
17 |
22 |
13 |
17 |
11 |
8 |
9 |
15 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
О "черном романтизме" в литературе |
3767 | 163 |
24 |
18 |
10 |
9 |
20 |
10 |
14 |
12 |
12 |
15 |
8 |
11 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
"Счастливчик Джесс" |
1821 | 155 |
11 |
5 |
8 |
11 |
15 |
18 |
22 |
13 |
12 |
12 |
11 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
"В шелесте ангельских крыл" |
2033 | 136 |
10 |
5 |
6 |
16 |
22 |
25 |
11 |
7 |
3 |
8 |
18 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
"Так не бывает" |
1888 | 110 |
6 |
7 |
7 |
6 |
10 |
15 |
16 |
5 |
4 |
9 |
14 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
"Ты помнишь, как все начиналось?..." |
1985 | 109 |
9 |
4 |
5 |
8 |
23 |
12 |
9 |
7 |
6 |
7 |
7 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
"Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии |
2263 | 109 |
3 |
13 |
9 |
7 |
19 |
6 |
8 |
3 |
6 |
5 |
24 |
6 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
Категория таинственного в романтическом произведении |
1337 | 106 |
5 |
9 |
9 |
8 |
8 |
10 |
11 |
12 |
3 |
4 |
19 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
"Плесень" |
1255 | 105 |
12 |
4 |
8 |
8 |
14 |
16 |
8 |
6 |
12 |
4 |
11 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
"Еще одна история, рассказанная в Диканьке" |
1479 | 100 |
5 |
4 |
6 |
9 |
19 |
11 |
11 |
2 |
10 |
4 |
12 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
Мотивы путешествия на чёрте в литературе первой трети Xix века |
2465 | 99 |
12 |
11 |
7 |
7 |
14 |
13 |
5 |
6 |
4 |
2 |
11 |
7 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
"Тайна старого поместья" |
1743 | 97 |
8 |
9 |
7 |
10 |
12 |
8 |
14 |
6 |
5 |
4 |
9 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
"Последнее плавание "Морскoй ведьмы" |
2965 | 91 |
6 |
7 |
9 |
10 |
12 |
6 |
8 |
7 |
3 |
12 |
7 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
"Как Кур Лисице мстил" |
1451 | 90 |
6 |
6 |
3 |
12 |
13 |
15 |
5 |
4 |
8 |
4 |
8 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Сюрреализм Л.Петрушевской."Конфеты с ликером" |
2394 | 89 |
13 |
10 |
7 |
4 |
6 |
7 |
9 |
7 |
4 |
2 |
8 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
Приемы плетения интриг в "Повести о Бове-королевиче" |
1514 | 85 |
11 |
6 |
7 |
10 |
9 |
14 |
7 |
3 |
5 |
2 |
7 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
"Ангельское пение" |
1107 | 83 |
9 |
3 |
5 |
6 |
11 |
7 |
12 |
6 |
2 |
6 |
8 |
8 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
300 лет литературной традиции российской журналистики |
1656 | 79 |
8 |
6 |
8 |
8 |
14 |
10 |
5 |
4 |
1 |
0 |
9 |
6 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
"Встреча" |
1220 | 78 |
6 |
3 |
7 |
6 |
2 |
10 |
9 |
10 |
2 |
5 |
11 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
"Утро главного редактора" |
1089 | 73 |
4 |
11 |
5 |
4 |
6 |
10 |
8 |
2 |
3 |
3 |
10 |
7 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
Информация о владельце раздела |
1376 | 70 |
5 |
5 |
4 |
5 |
9 |
3 |
4 |
4 |
5 |
9 |
11 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Битва Титанов. Сон Сэма Уортингтона |
1398 | 65 |
7 |
4 |
8 |
4 |
6 |
8 |
6 |
2 |
7 |
2 |
9 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |