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| Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | |
| По разделу | 203081 | 2267 | 103 | 163 | 193 | 155 | 202 | 187 | 224 | 251 | 137 | 179 | 218 | 255 | 0 | 4 | 5 | 4 | 7 | 5 | 4 | 5 | 4 | 10 | 7 | 11 | 7 | 3 | 5 | 9 | 8 | 5 | 6 | 5 | 4 | 4 | 7 | 6 | 2 | 5 | 4 | 5 | 5 | 4 | 3 | 4 | 5 | 6 | 5 | 7 | 8 | 5 | 6 | 8 | 4 | 3 | 6 | 5 | 4 | 8 | 7 | 8 | 4 | 4 | 8 | 3 | 4 | 3 | 5 | 4 | 4 | 5 | 10 | 5 | 8 | 5 |
| Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы | 24067 | 1606 | 52 | 86 | 80 | 108 | 139 | 138 | 192 | 204 | 103 | 141 | 156 | 207 | 0 | 0 | 4 | 3 | 2 | 5 | 1 | 5 | 1 | 4 | 2 | 2 | 7 | 2 | 4 | 1 | 8 | 1 | 1 | 3 | 0 | 3 | 2 | 5 | 1 | 0 | 3 | 2 | 2 | 4 | 1 | 4 | 0 | 6 | 1 | 0 | 8 | 3 | 2 | 8 | 1 | 2 | 1 | 1 | 2 | 1 | 7 | 8 | 4 | 1 | 8 | 2 | 4 | 3 | 2 | 2 | 3 | 3 | 10 | 3 | 1 | 2 |
| Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 12041 | 959 | 37 | 77 | 63 | 68 | 89 | 69 | 90 | 73 | 69 | 77 | 106 | 141 | 0 | 1 | 4 | 1 | 3 | 0 | 3 | 1 | 4 | 1 | 7 | 0 | 0 | 3 | 1 | 4 | 2 | 2 | 1 | 1 | 3 | 1 | 7 | 2 | 0 | 4 | 0 | 1 | 3 | 3 | 2 | 3 | 5 | 1 | 2 | 2 | 4 | 5 | 5 | 0 | 2 | 3 | 0 | 5 | 0 | 8 | 0 | 1 | 3 | 1 | 6 | 3 | 3 | 2 | 2 | 3 | 2 | 0 | 3 | 1 | 6 | 1 |
| Полемика - искусство спора | 8698 | 933 | 42 | 69 | 56 | 71 | 132 | 93 | 82 | 63 | 63 | 68 | 75 | 119 | 0 | 1 | 3 | 1 | 4 | 3 | 4 | 0 | 3 | 1 | 0 | 4 | 2 | 2 | 2 | 9 | 3 | 0 | 6 | 1 | 2 | 3 | 2 | 3 | 1 | 5 | 3 | 1 | 5 | 0 | 3 | 0 | 0 | 4 | 0 | 2 | 2 | 0 | 6 | 1 | 4 | 0 | 6 | 2 | 4 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 2 | 1 | 3 | 2 | 4 | 1 | 3 | 0 | 8 | 3 |
| Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 12966 | 922 | 39 | 57 | 39 | 65 | 101 | 97 | 85 | 78 | 72 | 70 | 97 | 122 | 0 | 4 | 0 | 4 | 1 | 4 | 1 | 3 | 1 | 2 | 2 | 1 | 2 | 0 | 3 | 5 | 4 | 2 | 1 | 5 | 3 | 2 | 0 | 3 | 2 | 2 | 0 | 5 | 0 | 3 | 1 | 3 | 0 | 3 | 2 | 4 | 4 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 3 | 0 | 4 | 0 | 3 | 1 | 1 | 3 | 1 | 5 | 0 | 1 | 2 | 0 | 2 | 1 | 1 |
| Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 7175 | 914 | 40 | 51 | 47 | 68 | 95 | 101 | 80 | 79 | 69 | 77 | 98 | 109 | 0 | 4 | 0 | 3 | 3 | 5 | 1 | 0 | 4 | 0 | 2 | 2 | 3 | 2 | 3 | 0 | 7 | 1 | 2 | 2 | 4 | 4 | 0 | 6 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 5 | 1 | 0 | 2 | 2 | 2 | 0 | 4 | 0 | 1 | 2 | 0 | 2 | 3 | 3 | 1 | 1 | 3 | 1 | 4 | 1 | 2 | 2 | 2 | 6 | 0 |
| Жанр баллады в русской романтической поэзии | 15507 | 891 | 35 | 49 | 57 | 56 | 104 | 89 | 103 | 56 | 55 | 66 | 79 | 142 | 0 | 2 | 0 | 2 | 3 | 4 | 0 | 3 | 4 | 2 | 0 | 0 | 3 | 1 | 2 | 3 | 1 | 5 | 1 | 2 | 0 | 2 | 3 | 3 | 0 | 1 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 3 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 5 | 4 | 0 | 2 | 1 | 2 | 3 | 3 | 3 | 1 | 5 | 0 | 3 | 1 | 1 |
| Гротеск в литературе | 7444 | 850 | 26 | 55 | 53 | 63 | 83 | 77 | 73 | 55 | 61 | 78 | 106 | 120 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 3 | 1 | 2 | 1 | 0 | 3 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 4 | 0 | 2 | 2 | 3 | 1 | 1 | 2 | 1 | 7 | 2 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 3 | 3 | 4 | 1 | 2 | 0 | 5 | 3 | 0 |
| Пресса Франции. 1949-1989 гг | 10514 | 829 | 27 | 52 | 112 | 47 | 89 | 78 | 65 | 48 | 53 | 68 | 76 | 114 | 0 | 3 | 5 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 8 | 1 | 3 | 1 | 3 | 1 | 4 | 0 | 3 | 1 | 4 | 0 | 2 | 0 | 0 | 4 | 3 | 2 | 1 | 0 | 4 | 3 | 5 |
| Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 7560 | 799 | 29 | 55 | 51 | 65 | 89 | 71 | 77 | 108 | 48 | 49 | 64 | 93 | 0 | 0 | 4 | 2 | 0 | 3 | 3 | 2 | 1 | 3 | 0 | 3 | 0 | 2 | 3 | 1 | 2 | 0 | 5 | 5 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 3 | 0 | 1 | 5 | 0 | 3 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 4 | 1 | 5 | 3 | 5 | 2 |
| Творчество Мольера | 9207 | 710 | 29 | 50 | 37 | 53 | 74 | 69 | 82 | 39 | 54 | 61 | 60 | 102 | 0 | 0 | 2 | 2 | 6 | 0 | 1 | 2 | 0 | 3 | 0 | 3 | 2 | 0 | 5 | 1 | 2 | 0 | 3 | 0 | 0 | 3 | 0 | 3 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 0 | 4 | 0 | 0 | 3 | 3 | 4 | 0 | 3 | 0 | 2 | 2 | 2 | 1 | 1 | 4 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 4 | 0 | 3 | 1 | 2 | 1 |
| Романтические новеллы Вашингтона Ирвинга | 5271 | 558 | 25 | 47 | 26 | 33 | 61 | 52 | 53 | 39 | 48 | 49 | 44 | 81 | 0 | 2 | 0 | 3 | 3 | 2 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 2 | 3 | 3 | 0 | 3 | 2 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 4 | 2 | 2 | 0 | 2 | 1 | 2 | 2 | 3 | 2 | 0 | 0 | 3 | 0 | 3 | 0 | 3 | 0 | 2 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 4 | 0 | 0 | 2 | 1 | 2 | 1 |
| Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 4395 | 542 | 22 | 36 | 33 | 29 | 64 | 58 | 59 | 48 | 38 | 56 | 46 | 53 | 0 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 4 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 4 | 0 | 0 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 0 | 4 | 0 | 2 | 1 | 2 | 1 | 2 |
| Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 7082 | 394 | 9 | 20 | 19 | 23 | 53 | 32 | 48 | 22 | 26 | 45 | 40 | 57 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 |
| Публицистика 80х годов. В.Песков | 5426 | 388 | 34 | 24 | 16 | 34 | 50 | 37 | 37 | 23 | 28 | 27 | 33 | 45 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 10 | 0 | 11 | 0 | 1 | 1 | 1 | 4 | 3 | 3 | 3 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 |
| Стресс - понятие, характеристика, стадии развития | 18389 | 358 | 12 | 17 | 19 | 25 | 44 | 52 | 34 | 28 | 27 | 33 | 21 | 46 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 4 | 0 |
| В шелесте ангельских крыл | 2571 | 322 | 8 | 12 | 7 | 20 | 35 | 38 | 38 | 18 | 22 | 23 | 48 | 53 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 |
| О "черном романтизме" в литературе | 4324 | 311 | 18 | 13 | 14 | 22 | 34 | 37 | 25 | 14 | 26 | 33 | 18 | 57 | 0 | 1 | 1 | 3 | 7 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
| 300 лет литературной традиции российской журналистики | 2121 | 287 | 11 | 10 | 11 | 24 | 34 | 40 | 33 | 24 | 24 | 17 | 18 | 41 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 0 |
| Счастливчик Джесс | 2298 | 280 | 7 | 8 | 7 | 23 | 31 | 42 | 29 | 19 | 24 | 29 | 18 | 43 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | |
| Еще одна история, рассказанная в Диканьке | 1926 | 268 | 7 | 10 | 11 | 14 | 32 | 36 | 26 | 28 | 24 | 25 | 13 | 42 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 |
| Тайна старого поместья | 2192 | 267 | 9 | 7 | 5 | 17 | 27 | 34 | 21 | 19 | 26 | 26 | 21 | 55 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Плесень | 1684 | 264 | 7 | 9 | 9 | 21 | 36 | 37 | 28 | 20 | 21 | 19 | 15 | 42 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 |
| Приемы плетения интриг в "Повести о Бове-королевиче" | 1959 | 262 | 10 | 10 | 6 | 20 | 30 | 29 | 23 | 12 | 23 | 23 | 21 | 55 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 |
| Мотивы путешествия на чёрте в литературе первой трети Xix века | 2930 | 262 | 8 | 12 | 7 | 13 | 26 | 35 | 21 | 25 | 24 | 27 | 10 | 54 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
| "Последнее плавание "Морскoй ведьмы" | 3389 | 257 | 8 | 9 | 11 | 19 | 38 | 26 | 31 | 21 | 21 | 21 | 12 | 40 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 |
| Так не бывает | 2310 | 251 | 8 | 9 | 11 | 25 | 30 | 29 | 26 | 19 | 23 | 20 | 11 | 40 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 |
| Ты помнишь, как все начиналось?... | 2406 | 250 | 12 | 12 | 7 | 16 | 30 | 38 | 28 | 24 | 23 | 17 | 16 | 27 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Информация о владельце раздела | 1778 | 249 | 9 | 5 | 3 | 10 | 33 | 35 | 31 | 12 | 25 | 40 | 12 | 34 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
| Битва Титанов. Сон Сэма Уортингтона | 1806 | 241 | 5 | 8 | 6 | 15 | 50 | 24 | 30 | 20 | 24 | 24 | 10 | 25 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
| Утро главного редактора | 1475 | 238 | 10 | 5 | 7 | 15 | 32 | 24 | 31 | 16 | 23 | 24 | 13 | 38 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 |
| Категория таинственного в романтическом произведении | 1752 | 235 | 8 | 7 | 7 | 13 | 31 | 33 | 20 | 16 | 15 | 24 | 20 | 41 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
| "Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2679 | 234 | 7 | 5 | 9 | 17 | 32 | 21 | 24 | 15 | 22 | 21 | 11 | 50 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 |
| Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2798 | 234 | 6 | 10 | 8 | 18 | 23 | 29 | 27 | 11 | 22 | 24 | 16 | 40 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
| Как Кур Лисице мстил | 1849 | 233 | 7 | 8 | 11 | 15 | 33 | 27 | 19 | 15 | 19 | 20 | 15 | 44 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
| Встреча | 1600 | 228 | 11 | 13 | 9 | 13 | 31 | 33 | 24 | 16 | 18 | 22 | 18 | 20 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 |
| Ангельское пение | 1492 | 226 | 4 | 9 | 7 | 17 | 22 | 33 | 27 | 18 | 14 | 25 | 13 | 37 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |