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| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| По разделу | 291532 | 2277 | 89 | 178 | 228 | 164 | 191 | 206 | 273 | 187 | 199 | 186 | 163 | 213 | 1 | 4 | 5 | 6 | 6 | 9 | 7 | 5 | 5 | 6 | 5 | 5 | 6 | 4 | 5 | 6 | 4 | 6 | 3 | 5 | 6 | 6 | 5 | 8 | 5 | 4 | 4 | 4 | 7 | 6 | 5 | 8 | 12 | 7 | 5 | 4 | 7 | 5 | 7 | 7 | 7 | 4 | 6 | 4 | 9 | 4 | 8 | 8 | 5 | 13 | 10 | 11 | 9 | 7 | 14 | 11 | 13 | 9 | 5 | 5 | 7 | 6 |
| Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 24671 | 2141 | 74 | 171 | 221 | 158 | 178 | 194 | 272 | 164 | 184 | 162 | 157 | 206 | 0 | 3 | 2 | 6 | 3 | 9 | 7 | 4 | 2 | 5 | 5 | 5 | 6 | 4 | 5 | 6 | 2 | 6 | 3 | 5 | 6 | 6 | 5 | 8 | 5 | 4 | 2 | 4 | 7 | 6 | 5 | 8 | 12 | 7 | 5 | 4 | 7 | 5 | 7 | 7 | 7 | 2 | 6 | 1 | 9 | 4 | 8 | 8 | 4 | 13 | 10 | 11 | 9 | 7 | 14 | 11 | 13 | 9 | 5 | 5 | 7 | 6 |
| Демон против люфтваффе | 17048 | 741 | 26 | 58 | 60 | 58 | 60 | 74 | 50 | 66 | 91 | 62 | 74 | 62 | 0 | 1 | 2 | 3 | 2 | 2 | 0 | 2 | 3 | 2 | 0 | 3 | 2 | 3 | 1 | 0 | 0 | 1 | 2 | 4 | 4 | 2 | 1 | 0 | 1 | 3 | 3 | 1 | 3 | 2 | 3 | 0 | 4 | 2 | 4 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 3 | 1 | 3 | 2 | 0 | 1 | 2 | 4 | 1 | 2 | 2 | 3 | 2 | 2 | 1 | 3 | 2 | 3 | 0 |
| Истории про ментов и обычных людей | 6952 | 676 | 41 | 42 | 53 | 39 | 52 | 51 | 44 | 88 | 77 | 75 | 57 | 57 | 0 | 0 | 0 | 3 | 3 | 3 | 0 | 4 | 5 | 6 | 2 | 4 | 1 | 3 | 2 | 3 | 2 | 2 | 2 | 3 | 6 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 5 | 3 | 2 | 0 | 4 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 2 |
| Израиль глазами нееврея и атеиста | 7125 | 479 | 14 | 43 | 31 | 20 | 46 | 25 | 144 | 28 | 41 | 26 | 32 | 29 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 7 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 1 |
| Сергей Лукьяненко. Разноцветный дозор. Пародия | 4012 | 459 | 26 | 44 | 39 | 40 | 45 | 45 | 25 | 48 | 41 | 42 | 29 | 35 | 0 | 4 | 1 | 4 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 5 | 1 | 2 | 3 | 3 | 4 | 0 | 2 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 2 | 4 | 2 | 4 | 0 | 4 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 |
| Силиконовая женщина доктора Купитмана | 3811 | 438 | 22 | 37 | 44 | 41 | 40 | 37 | 42 | 25 | 29 | 53 | 34 | 34 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 3 | 0 | 3 | 0 | 0 | 2 | 1 | 2 | 5 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 4 | 1 | 2 | 2 | 3 | 0 | 4 | 1 | 0 | 1 | 2 | 0 | 1 |
| Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 6173 | 393 | 21 | 35 | 48 | 34 | 30 | 39 | 20 | 35 | 40 | 28 | 32 | 31 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 5 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 3 | 2 | 4 | 3 | 4 | 1 | 1 | 3 | 0 | 3 | 2 | 0 | 1 |
| Попаданец - Учитель Сталина | 8980 | 384 | 22 | 40 | 46 | 21 | 36 | 27 | 23 | 41 | 48 | 33 | 27 | 20 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 6 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 4 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 4 | 2 | 0 | 3 | 5 | 1 | 3 | 3 | 1 | 4 | 0 | 1 | 3 | 1 | 1 | 2 | 1 |
| С Михаилом Задорновым на Гору Святого Моисея | 3227 | 377 | 21 | 37 | 37 | 32 | 30 | 32 | 26 | 22 | 46 | 39 | 25 | 30 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 4 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 1 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 2 |
| Ахтунг! Микки-маус | 4556 | 371 | 24 | 34 | 37 | 25 | 29 | 41 | 18 | 23 | 36 | 33 | 33 | 38 | 0 | 0 | 5 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 4 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 2 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 5 | 3 | 1 | 1 | 0 | 4 | 4 | 1 | 0 | 0 | 0 | 0 | 0 |
| Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3772 | 371 | 16 | 35 | 26 | 22 | 29 | 39 | 17 | 50 | 42 | 32 | 35 | 28 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 4 | 4 | 4 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 2 | 4 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
| Убейте фюрера, Теодор | 2731 | 367 | 26 | 31 | 40 | 28 | 32 | 30 | 16 | 18 | 36 | 36 | 34 | 40 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 2 | 2 | 3 | 3 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 1 |
| Электрическое бессмертие (фрагмент) | 7597 | 366 | 21 | 36 | 49 | 29 | 36 | 42 | 25 | 21 | 35 | 25 | 24 | 23 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 1 | 4 | 7 | 2 | 4 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 0 | 0 | 1 |
| История Хх века. Новая хронология | 6045 | 359 | 20 | 35 | 39 | 26 | 34 | 30 | 20 | 41 | 35 | 24 | 27 | 28 | 0 | 0 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 3 | 4 | 2 | 0 | 0 | 3 | 4 | 1 | 4 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 0 | 3 | 0 |
| Белорусская литература в средней школе - инструмент убийства национальной культуры | 3250 | 358 | 22 | 32 | 39 | 22 | 39 | 26 | 18 | 40 | 53 | 25 | 19 | 23 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 3 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 6 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 3087 | 355 | 22 | 36 | 29 | 32 | 41 | 33 | 18 | 25 | 35 | 35 | 28 | 21 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 3 | 4 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 4 | 5 | 2 | 0 | 3 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 |
| Небо империи-1. Шпага, честь и любовь | 8870 | 354 | 25 | 32 | 30 | 24 | 30 | 32 | 21 | 37 | 36 | 24 | 36 | 27 | 0 | 2 | 0 | 2 | 6 | 1 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 5 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 |
| Жуткая тайна Кгб | 3592 | 347 | 21 | 32 | 24 | 23 | 37 | 23 | 27 | 38 | 40 | 29 | 21 | 32 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 5 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 4 | 6 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2321 | 344 | 21 | 36 | 40 | 25 | 35 | 28 | 14 | 47 | 33 | 16 | 31 | 18 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 4 | 1 | 2 | 1 | 1 | 3 | 3 | 2 | 1 | 0 | 2 | 0 | 0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Кто есть кто в белорусской фантастике | 3169 | 344 | 20 | 43 | 37 | 25 | 41 | 38 | 15 | 18 | 26 | 28 | 26 | 27 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 2 | 4 | 5 | 4 | 2 | 4 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 3106 | 342 | 18 | 40 | 39 | 25 | 25 | 36 | 24 | 15 | 37 | 27 | 31 | 25 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 4 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 6 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 3 |
| Антарктическая Гиперборея | 4662 | 337 | 27 | 28 | 34 | 30 | 32 | 28 | 23 | 31 | 39 | 21 | 26 | 18 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 4 | 2 | 2 | 0 | 2 | 5 | 0 | 4 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 4 | 2 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
| Дирижабль "Россия" | 2873 | 333 | 23 | 36 | 38 | 31 | 35 | 18 | 16 | 32 | 39 | 24 | 24 | 17 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 2 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 4 | 1 | 6 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 |
| Кровь на броне | 2228 | 331 | 24 | 32 | 30 | 22 | 25 | 25 | 19 | 37 | 29 | 32 | 22 | 34 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 3 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 2 | 3 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
| Второй этаж | 2520 | 327 | 24 | 31 | 40 | 24 | 25 | 32 | 18 | 41 | 31 | 19 | 20 | 22 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 5 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 2 |
| Марсианская гонка | 2746 | 327 | 16 | 35 | 34 | 20 | 32 | 31 | 15 | 35 | 28 | 28 | 26 | 27 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 |
| Жуткая тайна Кгб киносценарий | 2776 | 327 | 24 | 38 | 29 | 21 | 25 | 31 | 17 | 44 | 30 | 22 | 24 | 22 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 4 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 3 | 2 | 3 | 4 | 2 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2662 | 325 | 19 | 39 | 35 | 27 | 36 | 29 | 19 | 18 | 28 | 33 | 20 | 22 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 5 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 4 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 |
| Русские за рубежом | 3007 | 323 | 19 | 33 | 32 | 26 | 37 | 23 | 17 | 38 | 33 | 22 | 24 | 19 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 2 | 3 | 2 | 2 | 4 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 |
| Огневой дракон | 2540 | 322 | 21 | 38 | 42 | 21 | 32 | 34 | 14 | 14 | 36 | 20 | 27 | 23 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 5 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 4 | 5 | 5 | 1 | 2 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2994 | 322 | 17 | 36 | 36 | 27 | 34 | 34 | 18 | 27 | 29 | 22 | 21 | 21 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 5 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2444 | 321 | 21 | 40 | 33 | 28 | 26 | 31 | 14 | 32 | 27 | 27 | 19 | 23 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 3 | 3 | 0 | 3 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 3 | 3 | 2 | 3 | 4 | 2 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 3113 | 319 | 25 | 29 | 40 | 27 | 24 | 23 | 13 | 20 | 27 | 27 | 32 | 32 | 0 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 4 | 4 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 |
| Ваенга эир | 2187 | 317 | 22 | 32 | 35 | 23 | 36 | 30 | 22 | 13 | 27 | 26 | 22 | 29 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 4 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 |
| Тотальный контроль | 2553 | 316 | 22 | 28 | 34 | 20 | 30 | 25 | 12 | 24 | 36 | 31 | 24 | 30 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 3 | 2 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 4 | 0 | 1 | 4 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 |
| Эпоха героев и перегретого пара | 9999 | 315 | 23 | 36 | 36 | 28 | 30 | 32 | 22 | 15 | 23 | 25 | 25 | 20 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 5 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 4 | 2 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 |
| Небо империи 2. Князь без княжества | 5130 | 315 | 16 | 35 | 34 | 21 | 32 | 27 | 20 | 28 | 29 | 26 | 24 | 23 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 1 | 0 | 1 | 0 | 2 | 4 | 4 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 3 | 2 | 3 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
| Письмо редактору | 2247 | 315 | 20 | 35 | 35 | 28 | 33 | 29 | 18 | 29 | 28 | 18 | 23 | 19 | 0 | 0 | 1 | 6 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 4 | 2 | 3 | 2 | 1 | 4 | 0 | 4 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 |
| Поможем Одесской киностудии! | 2028 | 313 | 19 | 37 | 38 | 23 | 27 | 27 | 15 | 36 | 27 | 20 | 23 | 21 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 4 | 2 | 2 | 3 | 3 | 2 | 7 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Ричард Длинные Руки - вицеимператор галактики | 9998 | 311 | 27 | 33 | 34 | 24 | 37 | 24 | 16 | 18 | 24 | 29 | 24 | 21 | 0 | 0 | 3 | 1 | 2 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 5 | 1 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 4 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 1 | 4 | 1 | 5 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2697 | 309 | 18 | 41 | 40 | 23 | 26 | 24 | 15 | 29 | 26 | 22 | 21 | 24 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 4 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 4 | 1 | 2 | 1 | 0 | 3 | 4 | 3 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3275 | 309 | 22 | 33 | 38 | 20 | 30 | 22 | 14 | 14 | 43 | 25 | 21 | 27 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 2 | 2 | 3 | 2 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 5 | 4 | 1 | 4 | 0 | 2 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2470 | 308 | 24 | 32 | 42 | 28 | 29 | 22 | 13 | 14 | 23 | 27 | 27 | 27 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 5 | 1 | 3 | 1 | 1 | 0 | 2 | 2 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 4 | 3 | 6 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 |
| Иномарка | 2862 | 306 | 15 | 27 | 38 | 27 | 29 | 24 | 19 | 19 | 40 | 22 | 25 | 21 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 2 | 4 | 1 | 1 | 1 | 1 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2436 | 304 | 16 | 29 | 32 | 23 | 30 | 23 | 16 | 40 | 30 | 22 | 26 | 17 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 6 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
| Молитва | 2709 | 304 | 21 | 35 | 37 | 22 | 30 | 28 | 13 | 28 | 31 | 18 | 19 | 22 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 6 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 2 |
| Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2816 | 304 | 21 | 25 | 41 | 19 | 34 | 22 | 18 | 28 | 33 | 23 | 20 | 20 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 5 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 5 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3982 | 301 | 18 | 36 | 33 | 19 | 33 | 21 | 12 | 41 | 29 | 21 | 19 | 19 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 4 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
| Ответные санкции | 3762 | 296 | 21 | 35 | 36 | 21 | 30 | 29 | 14 | 18 | 23 | 26 | 19 | 24 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 3 | 0 | 2 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 3 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 4 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 |
| Цена имени | 2181 | 296 | 21 | 25 | 32 | 23 | 25 | 22 | 21 | 38 | 31 | 22 | 18 | 18 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2684 | 293 | 12 | 34 | 41 | 24 | 31 | 21 | 22 | 18 | 25 | 26 | 22 | 17 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 3 | 5 | 1 | 1 | 0 | 1 | 4 | 0 | 3 | 0 | 2 | 0 | 0 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2680 | 292 | 16 | 35 | 35 | 22 | 29 | 21 | 12 | 29 | 27 | 23 | 23 | 20 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 4 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2280 | 292 | 22 | 31 | 33 | 33 | 32 | 20 | 17 | 15 | 26 | 23 | 23 | 17 | 0 | 0 | 1 | 4 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 |
| Утомлённые солнцем - 3 | 3121 | 291 | 16 | 32 | 37 | 22 | 25 | 30 | 19 | 16 | 21 | 28 | 23 | 22 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 5 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 3 | 4 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 |
| Теодор | 2327 | 291 | 27 | 29 | 31 | 23 | 22 | 27 | 12 | 28 | 27 | 21 | 26 | 18 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 3 | 1 | 4 | 2 | 4 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 4 | 1 | 2 | 0 | 5 | 2 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
| Наличные | 2676 | 291 | 22 | 33 | 37 | 26 | 28 | 23 | 14 | 11 | 30 | 23 | 19 | 25 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 5 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 1 |
| Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2704 | 289 | 29 | 31 | 36 | 23 | 28 | 25 | 13 | 19 | 22 | 20 | 18 | 25 | 1 | 0 | 1 | 5 | 0 | 0 | 2 | 1 | 3 | 2 | 4 | 2 | 3 | 2 | 0 | 2 | 1 | 2 | 0 | 4 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 4 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2561 | 286 | 18 | 29 | 36 | 24 | 36 | 23 | 20 | 13 | 31 | 20 | 21 | 15 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 |
| Спираль сингулярности | 2610 | 285 | 16 | 40 | 38 | 27 | 23 | 29 | 17 | 16 | 20 | 19 | 21 | 19 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | |
| Друг, который не предаст | 2532 | 285 | 19 | 21 | 34 | 16 | 25 | 27 | 15 | 29 | 31 | 23 | 21 | 24 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 3 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 |
| Счастье лимитед | 1996 | 285 | 19 | 22 | 38 | 18 | 27 | 29 | 19 | 17 | 22 | 25 | 28 | 21 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 |
| Увлечение доктора Арендта | 2512 | 284 | 15 | 36 | 29 | 29 | 27 | 23 | 16 | 14 | 18 | 28 | 30 | 19 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 5 | 1 | 2 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2598 | 283 | 17 | 24 | 29 | 19 | 28 | 17 | 12 | 45 | 32 | 19 | 25 | 16 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 6 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2530 | 283 | 25 | 35 | 31 | 25 | 29 | 23 | 12 | 14 | 24 | 20 | 23 | 22 | 0 | 0 | 0 | 4 | 3 | 0 | 2 | 2 | 4 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 4 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 0 | 5 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
| Леди-босс и зомби | 2715 | 282 | 22 | 37 | 42 | 21 | 30 | 26 | 16 | 9 | 18 | 18 | 23 | 20 | 0 | 1 | 2 | 3 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 4 | 1 | 2 | 2 | 1 | 0 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 7 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 |
| Информация о владельце раздела | 2534 | 280 | 17 | 25 | 32 | 17 | 25 | 28 | 12 | 23 | 27 | 27 | 19 | 28 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2544 | 278 | 18 | 31 | 31 | 22 | 28 | 17 | 18 | 19 | 23 | 24 | 22 | 25 | 0 | 2 | 2 | 5 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2447 | 278 | 18 | 35 | 32 | 25 | 32 | 26 | 17 | 11 | 21 | 22 | 20 | 19 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 5 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 4 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2838 | 277 | 17 | 31 | 40 | 23 | 29 | 19 | 19 | 19 | 18 | 21 | 17 | 24 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 5 | 4 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 3010 | 256 | 13 | 25 | 40 | 26 | 26 | 23 | 17 | 11 | 24 | 17 | 18 | 16 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 4 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2597 | 256 | 16 | 25 | 35 | 21 | 25 | 25 | 12 | 16 | 26 | 18 | 15 | 22 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 2 | 2 | 4 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 |
| Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2697 | 249 | 17 | 18 | 39 | 19 | 26 | 24 | 13 | 17 | 14 | 24 | 19 | 19 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 3 | 5 | 3 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 |
| Не все мечты сбываются | 2347 | 227 | 11 | 23 | 25 | 16 | 26 | 18 | 12 | 10 | 15 | 28 | 23 | 20 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 4 | 2 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |