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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
По разделу | 284885 | 2161 | 22 | 164 | 191 | 206 | 273 | 187 | 199 | 186 | 163 | 213 | 173 | 184 | 1 | 5 | 9 | 7 | 13 | 3 | 6 | 3 | 5 | 4 | 8 | 3 | 5 | 3 | 5 | 5 | 5 | 8 | 4 | 4 | 5 | 4 | 5 | 4 | 5 | 6 | 8 | 6 | 5 | 9 | 3 | 8 | 7 | 5 | 9 | 3 | 4 | 6 | 8 | 4 | 3 | 3 | 5 | 8 | 11 | 6 | 4 | 5 | 4 | 5 | 9 | 6 | 7 | 6 | 5 | 8 | 4 | 6 | 8 | 10 | 5 | 6 |
Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 24226 | 2032 | 21 | 158 | 178 | 194 | 272 | 164 | 184 | 162 | 157 | 206 | 156 | 180 | 0 | 5 | 9 | 7 | 13 | 3 | 6 | 3 | 5 | 4 | 8 | 3 | 5 | 2 | 5 | 4 | 5 | 8 | 4 | 4 | 5 | 4 | 5 | 4 | 2 | 6 | 8 | 6 | 5 | 9 | 3 | 8 | 7 | 4 | 9 | 3 | 3 | 6 | 8 | 4 | 3 | 1 | 4 | 8 | 11 | 6 | 3 | 5 | 3 | 5 | 9 | 4 | 7 | 6 | 5 | 8 | 4 | 6 | 8 | 10 | 5 | 3 |
Демон против люфтваффе | 16911 | 706 | 7 | 58 | 60 | 74 | 50 | 66 | 91 | 62 | 74 | 62 | 57 | 45 | 0 | 2 | 4 | 1 | 2 | 3 | 2 | 1 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 5 | 3 | 4 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 4 | 3 | 3 | 2 | 0 | 1 | 1 | 5 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 4 | 4 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 4 | 6 | 1 | 3 | 2 |
Истории про ментов и обычных людей | 6821 | 603 | 5 | 39 | 52 | 51 | 44 | 88 | 77 | 75 | 57 | 57 | 23 | 35 | 0 | 1 | 3 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 5 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 4 | 0 | 0 | 0 | 1 | 2 | 4 | 2 | 0 | 2 | 0 | 4 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 3 | 3 | 4 | 2 | 0 | 1 | 2 | 3 | 1 | 2 | 2 | 3 |
Израиль глазами нееврея и атеиста | 7042 | 447 | 5 | 20 | 46 | 25 | 144 | 28 | 41 | 26 | 32 | 29 | 30 | 21 | 0 | 0 | 5 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 3 | 1 | 1 | 4 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 1 | 3 |
Силиконовая женщина доктора Купитмана | 3716 | 388 | 8 | 41 | 40 | 37 | 42 | 25 | 29 | 53 | 34 | 34 | 34 | 11 | 0 | 2 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 4 | 1 | 4 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 2 |
Сергей Лукьяненко. Разноцветный дозор. Пародия | 3905 | 388 | 2 | 40 | 45 | 45 | 25 | 48 | 41 | 42 | 29 | 35 | 16 | 20 | 0 | 1 | 1 | 0 | 4 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 0 | 4 | 0 | 5 | 3 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 2 | 3 | 2 | 5 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 |
Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3696 | 330 | 1 | 22 | 29 | 39 | 17 | 50 | 42 | 32 | 35 | 28 | 15 | 20 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 |
Попаданец - Учитель Сталина | 8877 | 325 | 5 | 21 | 36 | 27 | 23 | 41 | 48 | 33 | 27 | 20 | 24 | 20 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 5 | 1 | 2 | 2 | 1 | 1 | 2 |
Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 6073 | 319 | 4 | 34 | 30 | 39 | 20 | 35 | 40 | 28 | 32 | 31 | 13 | 13 | 0 | 1 | 2 | 1 | 4 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 |
Убейте фюрера, Теодор | 2641 | 313 | 7 | 28 | 32 | 30 | 16 | 18 | 36 | 36 | 34 | 40 | 19 | 17 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 5 |
С Михаилом Задорновым на Гору Святого Моисея | 3138 | 313 | 6 | 32 | 30 | 32 | 26 | 22 | 46 | 39 | 25 | 30 | 16 | 9 | 0 | 1 | 4 | 1 | 4 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 |
Ахтунг! Микки-маус | 4465 | 312 | 4 | 25 | 29 | 41 | 18 | 23 | 36 | 33 | 33 | 38 | 16 | 16 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 |
Небо империи-1. Шпага, честь и любовь | 8785 | 305 | 2 | 24 | 30 | 32 | 21 | 37 | 36 | 24 | 36 | 27 | 21 | 15 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 |
Жуткая тайна Кгб | 3517 | 305 | 2 | 23 | 37 | 23 | 27 | 38 | 40 | 29 | 21 | 32 | 19 | 14 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 6 |
Электрическое бессмертие (фрагмент) | 7494 | 297 | 3 | 29 | 36 | 42 | 25 | 21 | 35 | 25 | 24 | 23 | 17 | 17 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 5 | 1 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 3003 | 294 | 3 | 32 | 41 | 33 | 18 | 25 | 35 | 35 | 28 | 21 | 13 | 10 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 3 |
Белорусская литература в средней школе - инструмент убийства национальной культуры | 3162 | 290 | 5 | 22 | 39 | 26 | 18 | 40 | 53 | 25 | 19 | 23 | 11 | 9 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 |
История Хх века. Новая хронология | 5953 | 288 | 2 | 26 | 34 | 30 | 20 | 41 | 35 | 24 | 27 | 28 | 11 | 10 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 |
Антарктическая Гиперборея | 4576 | 280 | 3 | 30 | 32 | 28 | 23 | 31 | 39 | 21 | 26 | 18 | 16 | 13 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 2 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 3014 | 279 | 5 | 25 | 25 | 36 | 24 | 15 | 37 | 27 | 31 | 25 | 13 | 16 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 4 |
Марсианская гонка | 2665 | 273 | 4 | 20 | 32 | 31 | 15 | 35 | 28 | 28 | 26 | 27 | 12 | 15 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 4 | 1 | 0 | 1 | 3 |
Кровь на броне | 2145 | 271 | 3 | 22 | 25 | 25 | 19 | 37 | 29 | 32 | 22 | 34 | 12 | 11 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 3 |
Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2229 | 270 | 5 | 25 | 35 | 28 | 14 | 47 | 33 | 16 | 31 | 18 | 9 | 9 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 2 | 2 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2914 | 270 | 9 | 27 | 34 | 34 | 18 | 27 | 29 | 22 | 21 | 21 | 15 | 13 | 0 | 1 | 5 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 6 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 3 | 1 |
Кто есть кто в белорусской фантастике | 3071 | 270 | 2 | 25 | 41 | 38 | 15 | 18 | 26 | 28 | 26 | 27 | 15 | 9 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 6 |
Второй этаж | 2430 | 262 | 5 | 24 | 25 | 32 | 18 | 41 | 31 | 19 | 20 | 22 | 10 | 15 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 |
Дирижабль "Россия" | 2778 | 261 | 2 | 31 | 35 | 18 | 16 | 32 | 39 | 24 | 24 | 17 | 10 | 13 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 3 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 4 |
Небо империи 2. Князь без княжества | 5048 | 260 | 3 | 21 | 32 | 27 | 20 | 28 | 29 | 26 | 24 | 23 | 13 | 14 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 |
Тотальный контроль | 2476 | 258 | 7 | 20 | 30 | 25 | 12 | 24 | 36 | 31 | 24 | 30 | 6 | 13 | 0 | 3 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 4 |
Жуткая тайна Кгб киносценарий | 2688 | 258 | 3 | 21 | 25 | 31 | 17 | 44 | 30 | 22 | 24 | 22 | 9 | 10 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2362 | 257 | 3 | 23 | 30 | 23 | 16 | 40 | 30 | 22 | 26 | 17 | 17 | 10 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 2 | 2 |
Русские за рубежом | 2926 | 256 | 3 | 26 | 37 | 23 | 17 | 38 | 33 | 22 | 24 | 19 | 10 | 4 | 0 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 7 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2573 | 256 | 4 | 27 | 36 | 29 | 19 | 18 | 28 | 33 | 20 | 22 | 11 | 9 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 4 |
Ваенга эир | 2102 | 255 | 4 | 23 | 36 | 30 | 22 | 13 | 27 | 26 | 22 | 29 | 14 | 9 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 7 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 |
Иномарка | 2789 | 254 | 7 | 27 | 29 | 24 | 19 | 19 | 40 | 22 | 25 | 21 | 11 | 10 | 0 | 4 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 5 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 3 |
Эпоха героев и перегретого пара | 9907 | 253 | 3 | 28 | 30 | 32 | 22 | 15 | 23 | 25 | 25 | 20 | 10 | 20 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 3023 | 250 | 4 | 27 | 24 | 23 | 13 | 20 | 27 | 27 | 32 | 32 | 8 | 13 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 6 |
Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2352 | 250 | 2 | 28 | 26 | 31 | 14 | 32 | 27 | 27 | 19 | 23 | 8 | 13 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 |
Огневой дракон | 2443 | 249 | 4 | 21 | 32 | 34 | 14 | 14 | 36 | 20 | 27 | 23 | 13 | 11 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 3 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Письмо редактору | 2161 | 247 | 4 | 28 | 33 | 29 | 18 | 29 | 28 | 18 | 23 | 19 | 9 | 9 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 4 |
Ричард Длинные Руки - вицеимператор галактики | 9910 | 244 | 6 | 24 | 37 | 24 | 16 | 18 | 24 | 29 | 24 | 21 | 11 | 10 | 0 | 3 | 0 | 3 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 4 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2737 | 244 | 8 | 19 | 34 | 22 | 18 | 28 | 33 | 23 | 20 | 20 | 12 | 7 | 1 | 5 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3899 | 242 | 4 | 19 | 33 | 21 | 12 | 41 | 29 | 21 | 19 | 19 | 11 | 13 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 4 |
Поможем Одесской киностудии! | 1938 | 242 | 4 | 23 | 27 | 27 | 15 | 36 | 27 | 20 | 23 | 21 | 7 | 12 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2532 | 239 | 4 | 19 | 28 | 17 | 12 | 45 | 32 | 19 | 25 | 16 | 14 | 8 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 |
Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3185 | 239 | 3 | 20 | 30 | 22 | 14 | 14 | 43 | 25 | 21 | 27 | 8 | 12 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 |
Цена имени | 2107 | 239 | 4 | 23 | 25 | 22 | 21 | 38 | 31 | 22 | 18 | 18 | 8 | 9 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2602 | 237 | 4 | 23 | 26 | 24 | 15 | 29 | 26 | 22 | 21 | 24 | 13 | 10 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 4 |
Увлечение доктора Арендта | 2436 | 234 | 4 | 29 | 27 | 23 | 16 | 14 | 18 | 28 | 30 | 19 | 11 | 15 | 0 | 4 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2377 | 234 | 5 | 28 | 29 | 22 | 13 | 14 | 23 | 27 | 27 | 27 | 9 | 10 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 4 |
Молитва | 2619 | 234 | 3 | 22 | 30 | 28 | 13 | 28 | 31 | 18 | 19 | 22 | 9 | 11 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2481 | 233 | 3 | 24 | 36 | 23 | 20 | 13 | 31 | 20 | 21 | 15 | 20 | 7 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 4 |
Друг, который не предаст | 2463 | 233 | 5 | 16 | 25 | 27 | 15 | 29 | 31 | 23 | 21 | 24 | 5 | 12 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 |
Счастье лимитед | 1925 | 232 | 8 | 18 | 27 | 29 | 19 | 17 | 22 | 25 | 28 | 21 | 9 | 9 | 0 | 4 | 2 | 2 | 3 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2601 | 229 | 4 | 24 | 31 | 21 | 22 | 18 | 25 | 26 | 22 | 17 | 10 | 9 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 |
Утомлённые солнцем - 3 | 3041 | 228 | 5 | 22 | 25 | 30 | 19 | 16 | 21 | 28 | 23 | 22 | 9 | 8 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 0 |
Ответные санкции | 3673 | 228 | 3 | 21 | 30 | 29 | 14 | 18 | 23 | 26 | 19 | 24 | 9 | 12 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 2 |
Теодор | 2245 | 228 | 5 | 23 | 22 | 27 | 12 | 28 | 27 | 21 | 26 | 18 | 10 | 9 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
Информация о владельце раздела | 2464 | 228 | 4 | 17 | 25 | 28 | 12 | 23 | 27 | 27 | 19 | 28 | 12 | 6 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 4 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2596 | 227 | 2 | 22 | 29 | 21 | 12 | 29 | 27 | 23 | 23 | 20 | 10 | 9 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 4 |
Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2198 | 226 | 4 | 33 | 32 | 20 | 17 | 15 | 26 | 23 | 23 | 17 | 10 | 6 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 6 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 2 | 5 | 2 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2468 | 225 | 4 | 22 | 28 | 17 | 18 | 19 | 23 | 24 | 22 | 25 | 10 | 13 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Наличные | 2589 | 224 | 5 | 26 | 28 | 23 | 14 | 11 | 30 | 23 | 19 | 25 | 10 | 10 | 0 | 3 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2369 | 222 | 7 | 25 | 32 | 26 | 17 | 11 | 21 | 22 | 20 | 19 | 12 | 10 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 6 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2444 | 219 | 5 | 25 | 29 | 23 | 12 | 14 | 24 | 20 | 23 | 22 | 14 | 8 | 0 | 1 | 4 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 3 |
Спираль сингулярности | 2521 | 218 | 5 | 27 | 23 | 29 | 17 | 16 | 20 | 19 | 21 | 19 | 10 | 12 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 |
Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2615 | 217 | 7 | 23 | 28 | 25 | 13 | 19 | 22 | 20 | 18 | 25 | 8 | 9 | 0 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2753 | 209 | 3 | 23 | 29 | 19 | 19 | 19 | 18 | 21 | 17 | 24 | 8 | 9 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 2936 | 206 | 4 | 26 | 26 | 23 | 17 | 11 | 24 | 17 | 18 | 16 | 13 | 11 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 4 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2629 | 203 | 6 | 19 | 26 | 24 | 13 | 17 | 14 | 24 | 19 | 19 | 8 | 14 | 0 | 4 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2525 | 202 | 4 | 21 | 25 | 25 | 12 | 16 | 26 | 18 | 15 | 22 | 9 | 9 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 |
Леди-босс и зомби | 2619 | 201 | 5 | 21 | 30 | 26 | 16 | 9 | 18 | 18 | 23 | 20 | 6 | 9 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 4 |
Не все мечты сбываются | 2291 | 189 | 3 | 16 | 26 | 18 | 12 | 10 | 15 | 28 | 23 | 20 | 10 | 8 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 2 | 2 | 0 | 3 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"