| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 |
|
По разделу |
94749 | 1054 |
92 |
114 |
90 |
77 |
77 |
82 |
94 |
101 |
83 |
112 |
66 |
66 |
0 |
3 |
6 |
4 |
3 |
5 |
3 |
3 |
3 |
4 |
4 |
4 |
2 |
2 |
2 |
2 |
3 |
2 |
6 |
3 |
3 |
5 |
3 |
5 |
8 |
4 |
2 |
6 |
5 |
3 |
3 |
3 |
3 |
5 |
6 |
3 |
3 |
4 |
5 |
5 |
3 |
6 |
5 |
4 |
4 |
2 |
5 |
3 |
4 |
3 |
3 |
3 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
2 |
|
Ломоносов, "Письмо о правилах российского стихотворства" |
7764 | 614 |
74 |
80 |
39 |
33 |
30 |
35 |
53 |
71 |
52 |
75 |
38 |
34 |
0 |
1 |
4 |
4 |
3 |
4 |
3 |
3 |
1 |
4 |
0 |
4 |
1 |
2 |
2 |
2 |
3 |
2 |
6 |
3 |
2 |
3 |
3 |
4 |
8 |
2 |
2 |
6 |
5 |
3 |
3 |
3 |
3 |
5 |
6 |
3 |
2 |
4 |
5 |
1 |
1 |
4 |
2 |
1 |
4 |
2 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
|
"Анализ поэтического текста", Ю. М. Лотман. Рецензия |
4195 | 396 |
36 |
33 |
38 |
31 |
27 |
31 |
38 |
33 |
29 |
39 |
29 |
32 |
0 |
0 |
5 |
1 |
3 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
3 |
4 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
3 |
3 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
|
М. Цветаева. "Поэт о критике". Рецензия |
4624 | 371 |
25 |
37 |
30 |
33 |
24 |
28 |
40 |
39 |
39 |
40 |
17 |
19 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
6 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
|
Претензии к Маяковскому |
3155 | 305 |
33 |
18 |
22 |
23 |
29 |
20 |
22 |
38 |
23 |
49 |
12 |
16 |
0 |
0 |
3 |
3 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
|
Итоги месяца. Ответы на вопросы к Либерманну |
2459 | 303 |
28 |
21 |
37 |
31 |
14 |
19 |
25 |
32 |
18 |
29 |
22 |
27 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
|
Маяковский. "Как делать стихи?" Рецензия |
4002 | 281 |
22 |
29 |
26 |
26 |
22 |
19 |
25 |
30 |
20 |
25 |
16 |
21 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Здесь -- все стихи |
3865 | 278 |
36 |
36 |
29 |
33 |
14 |
13 |
25 |
25 |
19 |
23 |
14 |
11 |
0 |
2 |
2 |
3 |
2 |
3 |
0 |
3 |
3 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
1 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
|
О модерации на Самиздате |
3896 | 267 |
23 |
28 |
24 |
19 |
13 |
25 |
25 |
34 |
19 |
21 |
15 |
21 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
|
Самиздат. Поэтический процесс в разрезе |
3313 | 261 |
30 |
24 |
26 |
23 |
18 |
16 |
26 |
18 |
17 |
29 |
15 |
19 |
0 |
2 |
6 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
|
Зощенко, "Грустные глаза". Просто рассказ |
3871 | 261 |
22 |
23 |
28 |
22 |
20 |
19 |
21 |
23 |
27 |
30 |
12 |
14 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
|
Самиздат. Война графоманам? |
2469 | 259 |
26 |
19 |
27 |
21 |
16 |
13 |
21 |
26 |
17 |
44 |
15 |
14 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
|
Маяковский, "Поэты на фугасах" |
2324 | 256 |
29 |
15 |
27 |
31 |
16 |
13 |
21 |
24 |
19 |
28 |
18 |
15 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
|
Самиздат. Питекантропы поэзии |
2686 | 254 |
26 |
31 |
35 |
17 |
14 |
21 |
26 |
22 |
13 |
22 |
12 |
15 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
3 |
0 |
0 |
|
Маршак, "О мастерстве". Рецензия |
2767 | 248 |
19 |
16 |
34 |
27 |
15 |
15 |
32 |
22 |
20 |
22 |
14 |
12 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
|
Алан Эббот - "поэт" и "гражданин" |
3837 | 247 |
29 |
16 |
26 |
19 |
18 |
13 |
28 |
24 |
15 |
26 |
12 |
21 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
|
Принципы раскрутки |
2673 | 247 |
19 |
18 |
29 |
25 |
16 |
21 |
29 |
23 |
19 |
24 |
8 |
16 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
|
Хомут Лермана |
2601 | 242 |
29 |
21 |
29 |
20 |
10 |
19 |
21 |
19 |
23 |
26 |
10 |
15 |
0 |
0 |
5 |
1 |
2 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
|
"Убогий гений" Д. Папеты. Рецензия |
3143 | 241 |
25 |
18 |
31 |
19 |
16 |
15 |
22 |
26 |
11 |
23 |
17 |
18 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
|
Два месяца на С И. Вопросы-ответы |
2508 | 236 |
22 |
9 |
33 |
17 |
15 |
14 |
28 |
20 |
19 |
22 |
16 |
21 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |