| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 |
|
По разделу |
77687 | 960 |
80 |
83 |
71 |
78 |
70 |
70 |
76 |
85 |
105 |
86 |
76 |
80 |
0 |
3 |
1 |
2 |
4 |
2 |
4 |
4 |
4 |
4 |
2 |
3 |
2 |
3 |
3 |
4 |
2 |
4 |
3 |
2 |
2 |
2 |
3 |
2 |
4 |
3 |
4 |
4 |
6 |
2 |
5 |
3 |
4 |
3 |
2 |
3 |
3 |
2 |
4 |
1 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
6 |
3 |
4 |
4 |
2 |
2 |
1 |
2 |
|
Вдогонку |
11574 | 582 |
40 |
45 |
32 |
28 |
27 |
52 |
43 |
63 |
72 |
69 |
48 |
63 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
4 |
1 |
4 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
|
Сопрано, рок и верность мечте |
5614 | 352 |
34 |
39 |
34 |
33 |
37 |
16 |
18 |
30 |
30 |
38 |
27 |
16 |
0 |
2 |
1 |
1 |
4 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
|
Несколько глав из книги Джорджа Майкса "Как быть чужим" : 1.Как стать лицемером. 2.Секс. 3.Душа и преуменьшение. 4.Погода |
7429 | 293 |
38 |
33 |
23 |
29 |
20 |
16 |
27 |
18 |
30 |
28 |
22 |
9 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
|
Интервью с Кейтом Муном. Журнал The Rolling Stone |
2997 | 261 |
22 |
31 |
27 |
30 |
16 |
16 |
16 |
16 |
27 |
20 |
25 |
15 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
0 |
2 |
0 |
0 |
|
Strawberry Fields Revisited |
1847 | 229 |
22 |
23 |
25 |
30 |
27 |
10 |
10 |
12 |
27 |
16 |
20 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
|
Как правильно п(е)редать джаз в кино |
1603 | 222 |
20 |
23 |
13 |
23 |
18 |
19 |
25 |
14 |
22 |
18 |
18 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Стена. Пинк Флойд |
5720 | 219 |
22 |
24 |
21 |
22 |
18 |
11 |
18 |
17 |
23 |
16 |
20 |
7 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
|
Интервью с Джимом Моррисоном |
5558 | 210 |
23 |
28 |
16 |
19 |
14 |
10 |
14 |
21 |
16 |
19 |
20 |
10 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
0 |
5 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
|
Oh Well (Fleetwood Mac) |
1312 | 207 |
26 |
16 |
18 |
24 |
12 |
13 |
24 |
13 |
21 |
14 |
19 |
7 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Пригласим Риту Райт в Америку! |
2488 | 201 |
16 |
27 |
17 |
14 |
18 |
13 |
13 |
19 |
19 |
16 |
17 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
|
Да, с нирванами у нас туговато |
4100 | 198 |
23 |
25 |
16 |
24 |
22 |
8 |
11 |
15 |
16 |
12 |
17 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
|
Abbey Road - Конец Пути |
3579 | 196 |
24 |
19 |
22 |
14 |
12 |
15 |
8 |
13 |
28 |
12 |
23 |
6 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
6 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
|
При Дворе Алого Короля |
2429 | 196 |
27 |
18 |
19 |
18 |
15 |
13 |
11 |
13 |
19 |
16 |
19 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
3 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Singing The Dolphin Through |
1547 | 195 |
18 |
15 |
19 |
23 |
14 |
15 |
14 |
15 |
21 |
16 |
17 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Ловкость Хвоста (Как Зверь обвел нас вокруг...) |
1311 | 195 |
19 |
21 |
15 |
22 |
14 |
16 |
14 |
16 |
22 |
10 |
19 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
|
Conquistador |
1168 | 194 |
23 |
17 |
19 |
19 |
15 |
16 |
13 |
19 |
16 |
17 |
16 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Поэт |
1165 | 193 |
33 |
21 |
28 |
16 |
13 |
4 |
10 |
14 |
22 |
12 |
17 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Пол Маккартни и Хезэр Миллз - оригинал |
2288 | 190 |
17 |
22 |
18 |
18 |
15 |
15 |
9 |
17 |
19 |
13 |
18 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Повесть о Зайце, посеявшем Очки |
2439 | 189 |
14 |
20 |
17 |
19 |
12 |
11 |
20 |
19 |
15 |
14 |
12 |
16 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |