| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 |
|
По разделу |
213645 | 1280 |
92 |
98 |
102 |
101 |
159 |
128 |
139 |
97 |
107 |
101 |
78 |
78 |
1 |
3 |
4 |
4 |
3 |
4 |
5 |
3 |
4 |
4 |
2 |
2 |
3 |
4 |
3 |
4 |
3 |
3 |
3 |
4 |
4 |
3 |
4 |
6 |
5 |
4 |
3 |
3 |
3 |
2 |
3 |
7 |
3 |
3 |
4 |
4 |
3 |
5 |
4 |
4 |
4 |
4 |
3 |
2 |
2 |
2 |
3 |
3 |
3 |
4 |
3 |
2 |
2 |
3 |
3 |
4 |
3 |
6 |
3 |
2 |
4 |
5 |
|
Почему Ференц Шанта назвал роман "пятая печать"? |
8922 | 726 |
36 |
41 |
39 |
66 |
138 |
58 |
71 |
67 |
73 |
66 |
39 |
32 |
0 |
1 |
3 |
4 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
5 |
0 |
1 |
3 |
2 |
0 |
0 |
7 |
2 |
2 |
4 |
3 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
5 |
3 |
2 |
1 |
5 |
|
Человек рессентимента как социальный тип. Проблема рессентимента |
12109 | 543 |
37 |
47 |
42 |
46 |
41 |
45 |
48 |
46 |
49 |
61 |
38 |
43 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
4 |
1 |
0 |
3 |
2 |
3 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
|
Мировоззрение Достоевского |
12170 | 543 |
52 |
43 |
50 |
53 |
53 |
55 |
54 |
32 |
38 |
46 |
36 |
31 |
0 |
1 |
4 |
2 |
2 |
3 |
2 |
3 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
5 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
4 |
0 |
|
Будущее одной иллюзии Фрейда |
18485 | 514 |
31 |
26 |
41 |
47 |
43 |
96 |
75 |
46 |
31 |
39 |
18 |
21 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Воля к Власти |
13639 | 424 |
40 |
42 |
35 |
39 |
35 |
46 |
55 |
30 |
25 |
31 |
23 |
23 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
4 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
3 |
4 |
6 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
5 |
2 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
|
Достоевский и Ницше |
10442 | 417 |
40 |
40 |
36 |
45 |
53 |
37 |
40 |
25 |
23 |
31 |
26 |
21 |
0 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
4 |
2 |
1 |
3 |
2 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
|
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3844 | 410 |
36 |
43 |
32 |
33 |
39 |
32 |
53 |
26 |
31 |
36 |
28 |
21 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
|
Этика Достоевского |
10071 | 303 |
23 |
19 |
22 |
29 |
16 |
29 |
41 |
35 |
25 |
30 |
14 |
20 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
|
Почему глючат программы? |
5939 | 254 |
23 |
30 |
35 |
19 |
14 |
20 |
19 |
31 |
20 |
23 |
6 |
14 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
6 |
3 |
1 |
0 |
0 |
|
Достоевский-философ |
9841 | 254 |
22 |
27 |
22 |
22 |
15 |
22 |
36 |
22 |
21 |
23 |
9 |
13 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5078 | 253 |
28 |
37 |
18 |
18 |
18 |
12 |
19 |
25 |
18 |
27 |
18 |
15 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
|
Викторианская мораль в Новейшее Время |
6077 | 250 |
24 |
29 |
17 |
16 |
19 |
15 |
17 |
24 |
20 |
22 |
25 |
22 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Опыт человеческой интроспекции: Ингмар Бергман |
3861 | 249 |
17 |
13 |
19 |
27 |
18 |
20 |
45 |
19 |
32 |
15 |
15 |
9 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Актуальность Достоевского |
4462 | 248 |
24 |
17 |
21 |
15 |
12 |
16 |
41 |
25 |
24 |
27 |
15 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Гарри Поттер - принц - полудурок. кризис Роулинг |
4291 | 243 |
28 |
32 |
20 |
12 |
8 |
23 |
22 |
28 |
20 |
27 |
11 |
12 |
0 |
1 |
1 |
1 |
0 |
3 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
|
Оракул информационного общества |
3135 | 239 |
24 |
20 |
18 |
16 |
15 |
14 |
35 |
20 |
25 |
23 |
18 |
11 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Ницше и прагматисты |
3124 | 237 |
21 |
21 |
19 |
14 |
16 |
19 |
39 |
19 |
21 |
25 |
17 |
6 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
|
Мой Шен Би Де Бао |
2509 | 235 |
18 |
24 |
30 |
23 |
18 |
15 |
25 |
18 |
19 |
20 |
15 |
10 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Эстетические искания А. Куприна (на примере Ямы) |
3540 | 228 |
34 |
17 |
18 |
21 |
13 |
12 |
27 |
19 |
12 |
25 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
3 |
1 |
2 |
4 |
1 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 |
|
Будущее одной иллюзии по ту сторону Добра и Зла |
4995 | 216 |
27 |
21 |
12 |
11 |
8 |
16 |
25 |
24 |
15 |
26 |
12 |
19 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Романтическая иллюзия |
2289 | 212 |
29 |
21 |
11 |
14 |
11 |
7 |
34 |
24 |
9 |
27 |
12 |
13 |
0 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Сценарий лучшего игрового фильма на сегодня |
2523 | 211 |
22 |
22 |
26 |
12 |
14 |
13 |
31 |
19 |
17 |
17 |
13 |
5 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
|
Петербург 2 |
2201 | 209 |
25 |
29 |
16 |
20 |
8 |
8 |
36 |
18 |
16 |
15 |
6 |
12 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
4 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Сценарий лучшего игрового кино. Русская версия |
2540 | 208 |
24 |
22 |
13 |
19 |
10 |
13 |
33 |
18 |
22 |
19 |
8 |
7 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
3 |
0 |
1 |
0 |
0 |
|
Вечное возвращение Великого |
5002 | 208 |
20 |
22 |
22 |
15 |
10 |
11 |
35 |
18 |
17 |
17 |
11 |
10 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Развитие философии от Декарта к Спинозе |
3685 | 202 |
17 |
17 |
19 |
23 |
10 |
10 |
18 |
24 |
18 |
23 |
12 |
11 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Новая наука логики Или Как философствуют тупым предметом |
2738 | 199 |
15 |
20 |
15 |
13 |
12 |
10 |
36 |
17 |
18 |
24 |
10 |
9 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Мертвый постмодернист |
2410 | 196 |
13 |
22 |
19 |
16 |
7 |
10 |
33 |
12 |
22 |
16 |
13 |
13 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2769 | 183 |
15 |
23 |
14 |
16 |
15 |
10 |
30 |
16 |
15 |
15 |
7 |
7 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Проблематика образов человека у Достоевского |
4723 | 181 |
25 |
25 |
13 |
13 |
5 |
11 |
14 |
21 |
17 |
16 |
13 |
8 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
3 |
4 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Романтическая иллюзия |
2220 | 180 |
17 |
18 |
20 |
14 |
10 |
10 |
25 |
15 |
13 |
15 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
|
Боже, храни дуче Викторию |
2975 | 177 |
18 |
16 |
19 |
16 |
7 |
6 |
30 |
18 |
9 |
20 |
10 |
8 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Разговор в метро |
2232 | 177 |
16 |
16 |
19 |
15 |
11 |
9 |
26 |
17 |
11 |
18 |
9 |
10 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
|
Лекция профессора Фредерика Тчертовски |
2406 | 176 |
15 |
20 |
12 |
17 |
10 |
7 |
31 |
11 |
16 |
17 |
9 |
11 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Олигархи всех стран, объединяйтесь! |
2096 | 176 |
19 |
20 |
15 |
9 |
9 |
11 |
30 |
15 |
11 |
18 |
11 |
8 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Информация о владельце раздела |
2284 | 170 |
16 |
25 |
21 |
8 |
9 |
7 |
28 |
16 |
11 |
15 |
9 |
5 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
|
Сумерки себя |
2210 | 168 |
14 |
16 |
14 |
13 |
11 |
7 |
27 |
21 |
13 |
16 |
10 |
6 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Троя - протест или предтеча глобализации |
2066 | 166 |
16 |
25 |
17 |
13 |
6 |
8 |
29 |
13 |
10 |
14 |
10 |
5 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Герой поколения плееров Apple ipod |
2855 | 165 |
19 |
15 |
16 |
14 |
9 |
9 |
15 |
18 |
14 |
15 |
11 |
10 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |