| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
|
По разделу |
219580 | 1278 |
67 |
94 |
80 |
102 |
127 |
104 |
116 |
98 |
102 |
101 |
159 |
128 |
0 |
3 |
3 |
4 |
4 |
4 |
2 |
4 |
3 |
5 |
7 |
5 |
4 |
4 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
4 |
3 |
3 |
2 |
4 |
4 |
2 |
3 |
2 |
3 |
3 |
2 |
2 |
1 |
3 |
2 |
7 |
2 |
3 |
3 |
2 |
5 |
3 |
3 |
4 |
3 |
4 |
2 |
3 |
2 |
3 |
1 |
2 |
2 |
3 |
4 |
3 |
3 |
3 |
4 |
4 |
|
Почему Ференц Шанта назвал роман "пятая печать"? |
9200 | 656 |
25 |
41 |
31 |
50 |
64 |
57 |
46 |
41 |
39 |
66 |
138 |
58 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Мировоззрение Достоевского |
12483 | 619 |
35 |
50 |
41 |
50 |
67 |
55 |
67 |
43 |
50 |
53 |
53 |
55 |
0 |
0 |
3 |
3 |
4 |
1 |
0 |
3 |
1 |
4 |
0 |
4 |
2 |
1 |
3 |
0 |
3 |
0 |
3 |
1 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
4 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
4 |
0 |
3 |
1 |
4 |
0 |
|
Человек рессентимента как социальный тип. Проблема рессентимента |
12431 | 580 |
37 |
53 |
43 |
55 |
72 |
51 |
48 |
47 |
42 |
46 |
41 |
45 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
2 |
3 |
4 |
4 |
4 |
0 |
0 |
3 |
0 |
2 |
0 |
4 |
2 |
1 |
3 |
0 |
2 |
0 |
4 |
2 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
3 |
1 |
3 |
2 |
0 |
4 |
1 |
3 |
1 |
3 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
2 |
|
Достоевский и Ницше |
10710 | 519 |
30 |
47 |
28 |
48 |
54 |
47 |
54 |
40 |
36 |
45 |
53 |
37 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
7 |
3 |
3 |
0 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
3 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
5 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
|
Будущее одной иллюзии Фрейда |
18694 | 493 |
19 |
30 |
29 |
33 |
56 |
32 |
41 |
26 |
41 |
47 |
43 |
96 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
7 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
|
Воля к Власти |
13859 | 457 |
21 |
32 |
25 |
37 |
49 |
43 |
53 |
42 |
35 |
39 |
35 |
46 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
|
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
4065 | 436 |
24 |
37 |
26 |
31 |
48 |
40 |
51 |
43 |
32 |
33 |
39 |
32 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
|
Почему глючат программы? |
6060 | 262 |
13 |
11 |
11 |
18 |
30 |
28 |
33 |
30 |
35 |
19 |
14 |
20 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Гарри Поттер - принц - полудурок. кризис Роулинг |
4429 | 261 |
21 |
8 |
23 |
15 |
37 |
26 |
36 |
32 |
20 |
12 |
8 |
23 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
5 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Эстетические искания А. Куприна (на примере Ямы) |
3686 | 261 |
12 |
21 |
23 |
24 |
31 |
29 |
40 |
17 |
18 |
21 |
13 |
12 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
|
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
5207 | 260 |
14 |
17 |
13 |
25 |
25 |
26 |
37 |
37 |
18 |
18 |
18 |
12 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Достоевский-философ |
9964 | 253 |
10 |
11 |
14 |
24 |
30 |
23 |
33 |
27 |
22 |
22 |
15 |
22 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Этика Достоевского |
10180 | 247 |
6 |
10 |
11 |
20 |
32 |
23 |
30 |
19 |
22 |
29 |
16 |
29 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
|
Викторианская мораль в Новейшее Время |
6193 | 236 |
21 |
6 |
9 |
20 |
30 |
17 |
37 |
29 |
17 |
16 |
19 |
15 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
|
Мой Шен Би Де Бао |
2612 | 231 |
7 |
12 |
10 |
22 |
23 |
21 |
26 |
24 |
30 |
23 |
18 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
Опыт человеческой интроспекции: Ингмар Бергман |
3978 | 231 |
9 |
15 |
15 |
20 |
25 |
21 |
29 |
13 |
19 |
27 |
18 |
20 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Петербург 2 |
2318 | 223 |
9 |
9 |
14 |
22 |
30 |
22 |
36 |
29 |
16 |
20 |
8 |
8 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
|
Сценарий лучшего игрового фильма на сегодня |
2635 | 221 |
13 |
14 |
11 |
21 |
27 |
15 |
33 |
22 |
26 |
12 |
14 |
13 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Проблематика образов человека у Достоевского |
4849 | 218 |
18 |
12 |
8 |
25 |
30 |
20 |
38 |
25 |
13 |
13 |
5 |
11 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
|
Развитие философии от Декарта к Спинозе |
3803 | 214 |
19 |
10 |
11 |
21 |
30 |
16 |
28 |
17 |
19 |
23 |
10 |
10 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Мертвый постмодернист |
2537 | 214 |
7 |
15 |
21 |
27 |
30 |
16 |
24 |
22 |
19 |
16 |
7 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Будущее одной иллюзии по ту сторону Добра и Зла |
5112 | 212 |
16 |
10 |
9 |
16 |
42 |
16 |
35 |
21 |
12 |
11 |
8 |
16 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Вечное возвращение Великого |
5113 | 211 |
12 |
9 |
9 |
25 |
27 |
23 |
26 |
22 |
22 |
15 |
10 |
11 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Актуальность Достоевского |
4566 | 209 |
13 |
5 |
10 |
19 |
27 |
22 |
32 |
17 |
21 |
15 |
12 |
16 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Ницше и прагматисты |
3223 | 209 |
4 |
11 |
11 |
19 |
21 |
26 |
28 |
21 |
19 |
14 |
16 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
|
Сценарий лучшего игрового кино. Русская версия |
2641 | 202 |
14 |
12 |
12 |
13 |
22 |
20 |
32 |
22 |
13 |
19 |
10 |
13 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
6 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Герой поколения плееров Apple ipod |
2973 | 200 |
16 |
13 |
16 |
25 |
24 |
15 |
28 |
15 |
16 |
14 |
9 |
9 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Оракул информационного общества |
3226 | 198 |
13 |
13 |
10 |
11 |
25 |
13 |
30 |
20 |
18 |
16 |
15 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Романтическая иллюзия |
2392 | 196 |
12 |
8 |
13 |
13 |
25 |
24 |
37 |
21 |
11 |
14 |
11 |
7 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Techi И Geek - Герои Нашего Времени |
2225 | 194 |
15 |
10 |
14 |
17 |
30 |
23 |
22 |
15 |
15 |
11 |
7 |
15 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Олигархи всех стран, объединяйтесь! |
2205 | 192 |
18 |
13 |
12 |
21 |
25 |
13 |
26 |
20 |
15 |
9 |
9 |
11 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
6 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Новая наука логики Или Как философствуют тупым предметом |
2844 | 191 |
13 |
15 |
8 |
17 |
30 |
14 |
24 |
20 |
15 |
13 |
12 |
10 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Вебмани партнерская программа Bxod.Com |
1934 | 181 |
17 |
7 |
10 |
16 |
32 |
14 |
21 |
22 |
11 |
8 |
13 |
10 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Развитие философии от Декарта к Спинозе |
2763 | 180 |
14 |
14 |
16 |
16 |
20 |
16 |
26 |
17 |
14 |
14 |
8 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Троя - протест или предтеча глобализации |
2161 | 180 |
12 |
11 |
6 |
24 |
20 |
15 |
23 |
25 |
17 |
13 |
6 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2855 | 179 |
15 |
9 |
6 |
11 |
22 |
16 |
22 |
23 |
14 |
16 |
15 |
10 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Разговор в метро |
2324 | 178 |
4 |
11 |
10 |
14 |
24 |
22 |
23 |
16 |
19 |
15 |
11 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Сумерки себя |
2313 | 178 |
1 |
9 |
15 |
19 |
34 |
18 |
21 |
16 |
14 |
13 |
11 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Романтическая иллюзия |
2308 | 177 |
4 |
8 |
7 |
16 |
22 |
22 |
26 |
18 |
20 |
14 |
10 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |