| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
По разделу |
792110 | 2407 |
281 |
393 |
161 |
180 |
221 |
167 |
176 |
180 |
151 |
133 |
194 |
170 |
1 |
17 |
27 |
28 |
34 |
7 |
5 |
9 |
5 |
6 |
13 |
3 |
5 |
7 |
5 |
6 |
14 |
7 |
9 |
6 |
5 |
3 |
4 |
15 |
3 |
6 |
3 |
24 |
4 |
78 |
54 |
100 |
8 |
5 |
6 |
4 |
7 |
5 |
4 |
4 |
4 |
3 |
4 |
6 |
4 |
13 |
5 |
3 |
3 |
7 |
8 |
4 |
6 |
4 |
4 |
4 |
5 |
15 |
11 |
5 |
5 |
3 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
30499 | 1466 |
153 |
187 |
81 |
112 |
163 |
132 |
122 |
114 |
66 |
93 |
113 |
130 |
0 |
2 |
3 |
12 |
4 |
2 |
3 |
9 |
1 |
5 |
13 |
2 |
5 |
2 |
4 |
4 |
12 |
7 |
7 |
0 |
0 |
2 |
1 |
15 |
1 |
6 |
3 |
24 |
4 |
78 |
3 |
4 |
2 |
4 |
5 |
2 |
3 |
5 |
3 |
3 |
2 |
3 |
3 |
2 |
3 |
13 |
5 |
1 |
2 |
7 |
1 |
4 |
6 |
1 |
3 |
0 |
5 |
3 |
11 |
0 |
5 |
1 |
|
Поэтика абсурда. Часть 1 |
3637 | 908 |
87 |
98 |
61 |
70 |
102 |
82 |
92 |
60 |
58 |
59 |
77 |
62 |
0 |
0 |
4 |
5 |
2 |
2 |
2 |
5 |
3 |
5 |
0 |
2 |
2 |
7 |
5 |
3 |
4 |
2 |
6 |
0 |
1 |
3 |
4 |
5 |
1 |
6 |
1 |
4 |
3 |
4 |
3 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
2 |
4 |
2 |
4 |
0 |
3 |
3 |
6 |
8 |
4 |
2 |
3 |
2 |
4 |
3 |
15 |
3 |
1 |
2 |
2 |
|
Метод приведения к абсурду в школьной классике |
2421 | 836 |
64 |
201 |
38 |
59 |
68 |
57 |
64 |
52 |
51 |
46 |
79 |
57 |
0 |
2 |
3 |
3 |
2 |
7 |
2 |
3 |
4 |
5 |
2 |
3 |
1 |
2 |
4 |
4 |
2 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
54 |
100 |
2 |
4 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
5 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3431 | 813 |
53 |
51 |
49 |
58 |
104 |
67 |
70 |
54 |
57 |
60 |
86 |
104 |
0 |
6 |
3 |
2 |
9 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
7 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
4 |
1 |
4 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
|
Мертвые души: хозяйственная бесхозяйственность |
2533 | 601 |
40 |
42 |
31 |
51 |
70 |
76 |
63 |
42 |
45 |
48 |
40 |
53 |
0 |
3 |
1 |
4 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
|
Гипербола и Гиперборея Маяковского |
1396 | 592 |
48 |
45 |
31 |
38 |
67 |
60 |
71 |
47 |
42 |
43 |
47 |
53 |
0 |
4 |
3 |
5 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
6 |
0 |
3 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
|
Внутренний монолог |
1359 | 578 |
48 |
41 |
31 |
37 |
65 |
66 |
67 |
48 |
47 |
38 |
47 |
43 |
0 |
3 |
3 |
4 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
3 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
2 |
|
Автобиографизм и автопсихологизм |
1114 | 558 |
49 |
40 |
32 |
50 |
60 |
64 |
58 |
36 |
45 |
36 |
44 |
44 |
0 |
0 |
1 |
3 |
2 |
5 |
4 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
0 |
|
В чем философский смысл фильма "Остров проклятых" |
1312 | 453 |
22 |
17 |
29 |
26 |
34 |
31 |
42 |
34 |
44 |
52 |
71 |
51 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
6081 | 453 |
25 |
22 |
12 |
36 |
59 |
47 |
54 |
29 |
21 |
35 |
88 |
25 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
3102 | 426 |
28 |
23 |
11 |
30 |
44 |
41 |
44 |
27 |
29 |
22 |
104 |
23 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2269 | 387 |
24 |
23 |
16 |
34 |
63 |
42 |
43 |
31 |
23 |
30 |
30 |
28 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
Полифония Блока |
1750 | 384 |
34 |
20 |
16 |
34 |
54 |
47 |
47 |
36 |
22 |
16 |
34 |
24 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Энтропия.net |
6319 | 363 |
31 |
10 |
10 |
37 |
52 |
39 |
45 |
24 |
33 |
23 |
32 |
27 |
0 |
4 |
2 |
3 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Интерьер в "Капитанской дочке" |
1620 | 353 |
29 |
13 |
16 |
26 |
42 |
43 |
67 |
25 |
20 |
21 |
26 |
25 |
0 |
1 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Печорин и декабристы - бесславие героев времени |
1586 | 353 |
31 |
24 |
19 |
24 |
45 |
34 |
40 |
27 |
29 |
18 |
32 |
30 |
0 |
0 |
4 |
3 |
4 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Пестрый дятел |
4876 | 353 |
29 |
16 |
14 |
18 |
50 |
45 |
55 |
37 |
22 |
23 |
22 |
22 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Смертная казнь как эротика государственного самоубийства |
7833 | 352 |
29 |
20 |
21 |
40 |
44 |
41 |
39 |
28 |
25 |
21 |
21 |
23 |
0 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Михаил Гарцев. История внутри нас |
4658 | 352 |
25 |
18 |
16 |
28 |
42 |
37 |
40 |
23 |
29 |
42 |
28 |
24 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Медвежонок |
9209 | 351 |
29 |
15 |
16 |
25 |
48 |
45 |
49 |
35 |
25 |
22 |
19 |
23 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11976 | 351 |
32 |
17 |
13 |
20 |
53 |
39 |
46 |
32 |
28 |
21 |
28 |
22 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
5 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1143 | 349 |
37 |
18 |
9 |
33 |
40 |
37 |
37 |
28 |
25 |
25 |
43 |
17 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1277 | 349 |
41 |
25 |
12 |
28 |
51 |
41 |
42 |
33 |
23 |
18 |
19 |
16 |
0 |
1 |
2 |
5 |
2 |
3 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5890 | 343 |
25 |
21 |
15 |
26 |
46 |
42 |
47 |
34 |
29 |
18 |
22 |
18 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Я играю вместе с мамой |
9879 | 339 |
27 |
13 |
12 |
28 |
39 |
46 |
40 |
36 |
25 |
21 |
26 |
26 |
0 |
1 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Дуэль Онегина и Ленского |
1486 | 337 |
25 |
15 |
22 |
31 |
50 |
37 |
37 |
27 |
25 |
14 |
22 |
32 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Кот Васька в своей квартире |
8058 | 329 |
25 |
22 |
12 |
19 |
54 |
37 |
40 |
27 |
27 |
26 |
19 |
21 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
"История Рода Толстых - история России". Фоторепортаж |
5833 | 329 |
23 |
14 |
12 |
28 |
44 |
52 |
42 |
19 |
26 |
21 |
22 |
26 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Каждый знает |
6867 | 327 |
27 |
13 |
12 |
23 |
39 |
35 |
39 |
30 |
28 |
21 |
39 |
21 |
0 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Образ России в арт-среде Интернета |
2799 | 322 |
22 |
27 |
9 |
32 |
38 |
37 |
43 |
27 |
29 |
21 |
17 |
20 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
8 |
2 |
6 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Учимся мыслить логически |
3880 | 319 |
20 |
24 |
14 |
19 |
43 |
43 |
46 |
27 |
29 |
17 |
19 |
18 |
0 |
1 |
3 |
1 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
5 |
3 |
1 |
|
Михаил Гарцев и сетевое письмо |
4679 | 319 |
21 |
21 |
8 |
27 |
43 |
34 |
44 |
32 |
25 |
22 |
22 |
20 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Александр Кушнер. Аполлон в траве |
4772 | 318 |
19 |
20 |
17 |
26 |
44 |
47 |
39 |
26 |
24 |
16 |
25 |
15 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Кто убил старуху процентщицу? |
2234 | 318 |
28 |
14 |
11 |
18 |
38 |
33 |
43 |
23 |
38 |
22 |
29 |
21 |
0 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Самоубийство разума |
3276 | 313 |
27 |
13 |
15 |
24 |
37 |
35 |
45 |
26 |
30 |
22 |
22 |
17 |
0 |
1 |
2 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Потомки "Метрополя" |
5983 | 312 |
33 |
20 |
10 |
19 |
37 |
33 |
43 |
25 |
29 |
26 |
18 |
19 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Ослик |
8546 | 312 |
15 |
18 |
15 |
28 |
44 |
37 |
41 |
25 |
34 |
22 |
18 |
15 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Стихи для детей |
5640 | 310 |
22 |
16 |
11 |
30 |
49 |
38 |
39 |
26 |
28 |
19 |
19 |
13 |
0 |
5 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3700 | 309 |
34 |
25 |
9 |
23 |
34 |
40 |
32 |
25 |
27 |
20 |
24 |
16 |
0 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Древесная лирика Хельги Ольшванг |
3922 | 308 |
29 |
16 |
5 |
28 |
45 |
38 |
39 |
20 |
39 |
20 |
17 |
12 |
0 |
2 |
3 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Кто как кричит |
4675 | 307 |
25 |
14 |
7 |
18 |
51 |
39 |
39 |
21 |
37 |
13 |
18 |
25 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Замятин "Мы". Конспект урока |
1098 | 304 |
24 |
13 |
8 |
18 |
42 |
34 |
38 |
17 |
27 |
36 |
20 |
27 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Антитеза |
728 | 304 |
16 |
14 |
11 |
22 |
34 |
37 |
43 |
32 |
22 |
31 |
26 |
16 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Что на небе |
8270 | 303 |
23 |
13 |
9 |
21 |
46 |
36 |
49 |
30 |
21 |
21 |
16 |
18 |
0 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
План анализа стихотворения |
764 | 302 |
26 |
12 |
10 |
24 |
51 |
40 |
35 |
20 |
22 |
16 |
18 |
28 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ботинок |
4205 | 302 |
26 |
13 |
14 |
26 |
44 |
38 |
39 |
25 |
32 |
11 |
17 |
17 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1238 | 302 |
19 |
13 |
16 |
21 |
30 |
52 |
52 |
26 |
26 |
15 |
18 |
14 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
С кем я познакомилась на Си |
3644 | 301 |
22 |
13 |
10 |
25 |
46 |
39 |
35 |
31 |
32 |
16 |
17 |
15 |
0 |
0 |
2 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
К вопросу о Фрейде и православии |
3273 | 301 |
21 |
14 |
11 |
25 |
40 |
36 |
41 |
25 |
29 |
17 |
22 |
20 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О любви к правителям и поэтам |
1373 | 300 |
28 |
12 |
14 |
21 |
38 |
31 |
36 |
33 |
29 |
27 |
20 |
11 |
0 |
2 |
4 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Рифма к городу |
3711 | 299 |
22 |
12 |
10 |
24 |
40 |
36 |
43 |
31 |
27 |
15 |
18 |
21 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Возвращение |
3492 | 299 |
22 |
19 |
11 |
18 |
41 |
39 |
45 |
24 |
26 |
19 |
17 |
18 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Похождения Чичикова и мертвых душ в Xxi веке |
298 | 298 |
25 |
17 |
11 |
25 |
31 |
37 |
47 |
105 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Средства художественной изобразительности |
1714 | 297 |
17 |
16 |
9 |
19 |
42 |
43 |
38 |
32 |
28 |
15 |
21 |
17 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2567 | 297 |
25 |
10 |
17 |
20 |
41 |
38 |
47 |
29 |
29 |
14 |
15 |
12 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Язык и генетика |
4658 | 297 |
29 |
14 |
12 |
16 |
41 |
38 |
42 |
26 |
21 |
22 |
20 |
16 |
0 |
0 |
3 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
992 | 296 |
22 |
12 |
8 |
15 |
46 |
40 |
36 |
19 |
30 |
29 |
22 |
17 |
0 |
0 |
2 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Возвращение блудного Чацкого |
1035 | 295 |
21 |
18 |
13 |
30 |
44 |
35 |
41 |
25 |
27 |
12 |
15 |
14 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
|
Сказка о гейзере на Стихире |
3145 | 295 |
20 |
21 |
26 |
21 |
36 |
30 |
36 |
16 |
25 |
26 |
24 |
14 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Монтаж у Гоголя и Алексиевич |
920 | 294 |
20 |
14 |
8 |
21 |
40 |
36 |
46 |
31 |
29 |
12 |
17 |
20 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Психология - наука рабов |
6915 | 292 |
26 |
16 |
9 |
30 |
39 |
37 |
28 |
18 |
30 |
20 |
18 |
21 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Где же новая поэзия |
2606 | 291 |
31 |
13 |
14 |
16 |
40 |
39 |
36 |
31 |
26 |
15 |
14 |
16 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Конечный смысл страдания |
2633 | 291 |
19 |
10 |
16 |
27 |
44 |
33 |
36 |
29 |
25 |
25 |
17 |
10 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Утенок |
4698 | 289 |
30 |
17 |
12 |
15 |
40 |
29 |
31 |
28 |
30 |
27 |
15 |
15 |
0 |
0 |
2 |
1 |
4 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ушки, ножки, рожки |
6662 | 288 |
24 |
12 |
8 |
27 |
44 |
38 |
45 |
24 |
24 |
14 |
13 |
15 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Сон как нонсенс в "Войне и мире" |
788 | 288 |
21 |
12 |
11 |
20 |
41 |
35 |
42 |
30 |
29 |
14 |
17 |
16 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
|
Про что поэзия Барто? - да все про то! |
5988 | 288 |
27 |
14 |
8 |
22 |
44 |
36 |
35 |
25 |
20 |
24 |
19 |
14 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3301 | 288 |
26 |
11 |
12 |
20 |
36 |
44 |
38 |
23 |
24 |
18 |
21 |
15 |
0 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Манифест |
2806 | 287 |
31 |
17 |
17 |
22 |
41 |
29 |
32 |
23 |
27 |
20 |
14 |
14 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4181 | 287 |
13 |
17 |
9 |
25 |
29 |
30 |
36 |
34 |
35 |
27 |
18 |
14 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Почему в Прибалтике не проходит русский бунт |
2751 | 287 |
26 |
11 |
11 |
20 |
33 |
32 |
45 |
29 |
23 |
11 |
20 |
26 |
0 |
0 |
2 |
2 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
981 | 286 |
18 |
21 |
10 |
24 |
36 |
31 |
36 |
25 |
29 |
19 |
27 |
10 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Нам много миллионов лет. Каждому |
1015 | 285 |
24 |
13 |
8 |
25 |
32 |
40 |
38 |
22 |
27 |
19 |
20 |
17 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Карнавал и декарнавализация |
4281 | 284 |
19 |
15 |
14 |
27 |
39 |
28 |
42 |
28 |
22 |
14 |
16 |
20 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Избранница народного слова |
2581 | 283 |
27 |
11 |
11 |
17 |
28 |
37 |
35 |
26 |
31 |
23 |
20 |
17 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Волчонок |
4359 | 283 |
24 |
10 |
8 |
24 |
36 |
35 |
34 |
31 |
23 |
18 |
18 |
22 |
0 |
3 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О "Медном всаднике" |
1279 | 282 |
22 |
8 |
13 |
23 |
41 |
34 |
39 |
31 |
18 |
15 |
25 |
13 |
0 |
0 |
4 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Достоевский как оптимальная точка видения |
3132 | 281 |
34 |
8 |
7 |
18 |
36 |
37 |
34 |
32 |
26 |
16 |
21 |
12 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
6 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему поэзия должна быть глуповата |
3294 | 281 |
23 |
15 |
12 |
21 |
36 |
27 |
37 |
25 |
28 |
21 |
20 |
16 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Вмешиваясь в разговор с богом |
3479 | 281 |
27 |
16 |
26 |
23 |
32 |
26 |
34 |
21 |
23 |
14 |
26 |
13 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Клопы от Фейербаха |
3274 | 280 |
28 |
12 |
11 |
19 |
37 |
31 |
36 |
28 |
24 |
21 |
19 |
14 |
0 |
2 |
1 |
2 |
4 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Пейзаж в поэме Лермонтова |
935 | 280 |
22 |
19 |
16 |
16 |
40 |
29 |
39 |
21 |
25 |
20 |
20 |
13 |
0 |
0 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя |
1263 | 280 |
24 |
10 |
10 |
22 |
34 |
34 |
37 |
20 |
25 |
24 |
25 |
15 |
0 |
2 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Маяковский и его философия |
1566 | 279 |
18 |
12 |
10 |
15 |
28 |
41 |
38 |
26 |
28 |
19 |
24 |
20 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Липки |
2967 | 278 |
20 |
13 |
9 |
17 |
40 |
36 |
49 |
26 |
27 |
10 |
14 |
17 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
19 августа 1991 года |
2519 | 277 |
21 |
13 |
18 |
15 |
26 |
33 |
40 |
29 |
26 |
15 |
16 |
25 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Незабудки |
354 | 277 |
23 |
14 |
9 |
18 |
44 |
33 |
35 |
18 |
18 |
11 |
11 |
43 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
В защиту массовой литературы |
5790 | 276 |
23 |
13 |
14 |
26 |
36 |
32 |
37 |
22 |
26 |
23 |
13 |
11 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Островский о романтической ипостаси русской литературы |
1360 | 276 |
20 |
16 |
10 |
19 |
37 |
31 |
36 |
19 |
22 |
19 |
28 |
19 |
0 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
|
Сюжет: событие, действие, мотив |
686 | 276 |
24 |
16 |
9 |
17 |
43 |
40 |
38 |
19 |
21 |
19 |
10 |
20 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Социальные болезни Стихи.ру |
7159 | 275 |
15 |
8 |
8 |
19 |
47 |
42 |
35 |
31 |
20 |
19 |
18 |
13 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Вот и обсудили! |
2796 | 275 |
28 |
20 |
14 |
17 |
27 |
33 |
39 |
28 |
20 |
16 |
19 |
14 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
|
Форум в контексте книги |
3198 | 275 |
28 |
15 |
11 |
20 |
31 |
25 |
36 |
37 |
26 |
16 |
16 |
14 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Демократия как искусство для искусства |
2985 | 275 |
26 |
9 |
12 |
21 |
30 |
40 |
44 |
22 |
24 |
14 |
22 |
11 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Совенок |
3831 | 274 |
28 |
18 |
11 |
23 |
33 |
35 |
35 |
19 |
27 |
16 |
15 |
14 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Введение в чтение Гоголя. Хлестаков |
814 | 273 |
26 |
13 |
11 |
22 |
39 |
38 |
39 |
20 |
21 |
17 |
16 |
11 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Три пальмы |
1425 | 273 |
36 |
11 |
14 |
22 |
33 |
32 |
31 |
20 |
23 |
13 |
20 |
18 |
0 |
3 |
1 |
2 |
2 |
6 |
1 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Фотомастерская Вадима Месяца |
3089 | 273 |
21 |
13 |
9 |
18 |
40 |
35 |
38 |
21 |
25 |
19 |
24 |
10 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Мир как книга |
1116 | 273 |
27 |
7 |
16 |
16 |
37 |
33 |
39 |
33 |
20 |
10 |
19 |
16 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
4 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Зеркало |
3056 | 273 |
14 |
13 |
9 |
18 |
35 |
37 |
36 |
23 |
31 |
12 |
25 |
20 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Алексиевич. Чернобыль |
1271 | 272 |
21 |
10 |
9 |
27 |
33 |
39 |
36 |
19 |
28 |
13 |
23 |
14 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Можно ли назвать Печорина фаталистом |
929 | 272 |
23 |
12 |
7 |
18 |
27 |
29 |
32 |
20 |
24 |
30 |
29 |
21 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Этапы эволюции вируса абсурда в России |
3446 | 272 |
25 |
21 |
10 |
21 |
37 |
28 |
38 |
30 |
21 |
13 |
13 |
15 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Бунт против Гегеля |
3329 | 272 |
21 |
20 |
13 |
16 |
41 |
29 |
41 |
21 |
27 |
12 |
14 |
17 |
0 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
765 | 271 |
21 |
15 |
14 |
15 |
38 |
32 |
34 |
38 |
26 |
8 |
18 |
12 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Художник у Христа за пазухой |
2820 | 271 |
25 |
10 |
12 |
24 |
36 |
29 |
36 |
23 |
20 |
18 |
21 |
17 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Символизм |
630 | 271 |
29 |
16 |
10 |
17 |
36 |
34 |
38 |
17 |
23 |
21 |
17 |
13 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Атрибуты беса |
3232 | 270 |
26 |
9 |
10 |
18 |
44 |
31 |
36 |
26 |
22 |
21 |
13 |
14 |
0 |
1 |
2 |
5 |
3 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1741 | 270 |
17 |
10 |
10 |
23 |
42 |
29 |
35 |
22 |
20 |
23 |
26 |
13 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Мысль изреченная |
2752 | 270 |
19 |
16 |
15 |
14 |
37 |
34 |
42 |
26 |
27 |
17 |
13 |
10 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Государство и общество: свобода и необходимость |
5095 | 269 |
20 |
13 |
8 |
24 |
35 |
34 |
45 |
23 |
17 |
19 |
12 |
19 |
0 |
2 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Страсть и поэзия |
2070 | 269 |
28 |
9 |
10 |
27 |
42 |
31 |
35 |
30 |
19 |
15 |
12 |
11 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Трагический герой |
672 | 269 |
22 |
16 |
12 |
18 |
39 |
31 |
42 |
13 |
24 |
15 |
25 |
12 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
От финских хладных скал... |
3259 | 268 |
26 |
14 |
11 |
18 |
31 |
28 |
41 |
22 |
26 |
19 |
20 |
12 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1093 | 268 |
17 |
13 |
12 |
27 |
35 |
36 |
37 |
13 |
21 |
22 |
26 |
9 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
797 | 268 |
28 |
15 |
11 |
17 |
30 |
35 |
34 |
22 |
25 |
13 |
19 |
19 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Гегельянство в России |
1224 | 268 |
16 |
10 |
8 |
30 |
34 |
32 |
43 |
22 |
22 |
15 |
20 |
16 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Андрей Болконский - Дон Кихот |
836 | 268 |
23 |
12 |
10 |
20 |
31 |
29 |
40 |
22 |
28 |
14 |
19 |
20 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
1059 | 268 |
20 |
15 |
8 |
19 |
37 |
30 |
45 |
26 |
24 |
15 |
17 |
12 |
0 |
1 |
3 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
1041 | 267 |
19 |
12 |
12 |
21 |
33 |
28 |
34 |
26 |
24 |
17 |
19 |
22 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лисенок в курятнике Стихи.ру |
6140 | 267 |
23 |
10 |
12 |
24 |
36 |
31 |
30 |
20 |
23 |
19 |
23 |
16 |
0 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4242 | 267 |
24 |
16 |
13 |
22 |
39 |
32 |
33 |
17 |
28 |
15 |
15 |
13 |
0 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Информация о владельце раздела |
3444 | 267 |
23 |
12 |
9 |
17 |
27 |
38 |
32 |
18 |
30 |
20 |
22 |
19 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Премия "Поэзия" что хотят жюри |
1516 | 266 |
30 |
10 |
7 |
17 |
39 |
34 |
36 |
26 |
22 |
18 |
13 |
14 |
0 |
1 |
2 |
2 |
2 |
4 |
2 |
4 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Ленин как поэт Серебряного века |
1484 | 266 |
21 |
8 |
12 |
17 |
36 |
35 |
47 |
24 |
22 |
13 |
18 |
13 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
716 | 265 |
20 |
16 |
10 |
18 |
26 |
25 |
32 |
19 |
35 |
33 |
18 |
13 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Паломничество убогой |
2865 | 265 |
21 |
7 |
10 |
19 |
38 |
33 |
37 |
28 |
23 |
15 |
14 |
20 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Какой плод у дерева |
3173 | 265 |
22 |
8 |
13 |
19 |
40 |
33 |
29 |
23 |
28 |
16 |
17 |
17 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Как работает поэтика абсурда |
4571 | 265 |
26 |
12 |
8 |
22 |
33 |
34 |
41 |
26 |
22 |
13 |
15 |
13 |
0 |
1 |
2 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3433 | 264 |
28 |
13 |
12 |
17 |
35 |
33 |
33 |
19 |
24 |
14 |
11 |
25 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Между прошлым и будущим |
770 | 264 |
22 |
10 |
8 |
15 |
33 |
35 |
39 |
27 |
22 |
21 |
19 |
13 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3536 | 264 |
21 |
12 |
8 |
19 |
42 |
27 |
42 |
24 |
27 |
17 |
14 |
11 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Анализ прозы |
626 | 264 |
21 |
22 |
17 |
24 |
34 |
24 |
28 |
15 |
25 |
19 |
14 |
21 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3559 | 263 |
27 |
12 |
10 |
24 |
36 |
33 |
39 |
19 |
22 |
12 |
13 |
16 |
0 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Двуединство добра |
2963 | 263 |
22 |
17 |
10 |
24 |
34 |
28 |
40 |
21 |
19 |
15 |
17 |
16 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Пьер и Андрей |
1316 | 263 |
21 |
13 |
10 |
14 |
35 |
34 |
32 |
24 |
25 |
14 |
26 |
15 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Проклятое место, проклятые вопросы |
3263 | 263 |
19 |
12 |
7 |
23 |
36 |
30 |
31 |
23 |
24 |
16 |
29 |
13 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Кто в окошке. Сказочные звери |
3956 | 262 |
24 |
11 |
8 |
16 |
39 |
34 |
33 |
24 |
25 |
22 |
14 |
12 |
0 |
2 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Автопортрет, оксюморон |
872 | 262 |
20 |
14 |
14 |
12 |
34 |
30 |
34 |
19 |
25 |
30 |
13 |
17 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
989 | 262 |
24 |
11 |
13 |
23 |
42 |
31 |
39 |
16 |
18 |
14 |
16 |
15 |
0 |
2 |
4 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Достоевский и конец истории |
3638 | 262 |
26 |
12 |
9 |
30 |
29 |
31 |
30 |
21 |
20 |
21 |
14 |
19 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Юрий Поляков. Грибной царь |
3773 | 262 |
19 |
11 |
11 |
19 |
32 |
35 |
32 |
18 |
28 |
18 |
20 |
19 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Anti-Dan |
3364 | 262 |
26 |
15 |
8 |
21 |
31 |
37 |
32 |
16 |
23 |
17 |
17 |
19 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2511 | 262 |
24 |
11 |
14 |
23 |
31 |
30 |
32 |
27 |
24 |
13 |
22 |
11 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
О романе "Обратная Перспектива А.Столярова |
1522 | 260 |
24 |
9 |
9 |
18 |
30 |
33 |
44 |
24 |
21 |
17 |
19 |
12 |
0 |
1 |
2 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сеть и чудаки |
3074 | 260 |
23 |
13 |
11 |
19 |
42 |
36 |
34 |
20 |
24 |
9 |
15 |
14 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Ведьмостиший больше не будет |
3123 | 259 |
22 |
12 |
10 |
21 |
32 |
32 |
39 |
16 |
24 |
19 |
16 |
16 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3440 | 259 |
22 |
12 |
14 |
22 |
27 |
28 |
32 |
32 |
21 |
17 |
18 |
14 |
0 |
2 |
3 |
5 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Байрон - предтеча русского реализма |
913 | 259 |
22 |
15 |
9 |
15 |
39 |
36 |
35 |
19 |
19 |
12 |
20 |
18 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Памятник Румянцеву в "Капитанской дочке" |
951 | 259 |
26 |
11 |
7 |
15 |
41 |
30 |
36 |
21 |
23 |
8 |
25 |
16 |
0 |
0 |
2 |
3 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1520 | 259 |
29 |
16 |
9 |
28 |
33 |
27 |
31 |
25 |
19 |
12 |
14 |
16 |
0 |
0 |
2 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Мастер и Маргарита. Кто написал притчу? |
1236 | 258 |
22 |
14 |
10 |
18 |
29 |
32 |
39 |
26 |
25 |
15 |
16 |
12 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"Коршун" Тютчева - материализм и идеализм |
787 | 258 |
20 |
8 |
8 |
17 |
32 |
30 |
45 |
18 |
26 |
16 |
25 |
13 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Об одном фильме |
1517 | 257 |
24 |
9 |
12 |
25 |
31 |
34 |
40 |
20 |
19 |
11 |
19 |
13 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Бегемотик |
3470 | 257 |
20 |
9 |
16 |
27 |
39 |
26 |
35 |
19 |
18 |
20 |
19 |
9 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1776 | 257 |
19 |
13 |
8 |
18 |
30 |
35 |
33 |
16 |
25 |
25 |
21 |
14 |
0 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Гоголя. Нос |
824 | 257 |
27 |
11 |
9 |
17 |
30 |
32 |
31 |
38 |
23 |
13 |
20 |
6 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Быков и Навальный |
783 | 257 |
20 |
15 |
9 |
17 |
34 |
31 |
33 |
19 |
23 |
12 |
18 |
26 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лирика |
3304 | 257 |
23 |
18 |
10 |
17 |
30 |
29 |
32 |
25 |
26 |
15 |
22 |
10 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1289 | 256 |
30 |
9 |
8 |
16 |
32 |
32 |
34 |
21 |
21 |
18 |
21 |
14 |
0 |
2 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Отчуждение |
1310 | 256 |
19 |
9 |
10 |
30 |
32 |
29 |
34 |
27 |
23 |
10 |
19 |
14 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Диалектика пути |
2879 | 256 |
23 |
10 |
7 |
24 |
38 |
33 |
37 |
23 |
26 |
13 |
17 |
5 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
"Хлыстовская богородица" Маяковского |
1461 | 256 |
24 |
9 |
12 |
21 |
32 |
27 |
40 |
23 |
25 |
12 |
14 |
17 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Снова по поводу "Тихого Дона" |
1273 | 256 |
23 |
17 |
14 |
15 |
25 |
26 |
35 |
19 |
22 |
15 |
33 |
12 |
0 |
0 |
6 |
4 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Реформы Путина и моя им гегельянская поддержка |
2885 | 256 |
16 |
16 |
8 |
9 |
36 |
37 |
36 |
27 |
25 |
12 |
19 |
15 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Онегин - лицеист? |
795 | 256 |
23 |
12 |
6 |
19 |
35 |
25 |
34 |
28 |
27 |
20 |
15 |
12 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Воинство Сергия Радонежского |
4519 | 256 |
31 |
8 |
8 |
23 |
29 |
24 |
39 |
31 |
20 |
21 |
9 |
13 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Образы русской природы в лирике Рубцова |
796 | 256 |
22 |
9 |
10 |
21 |
31 |
31 |
38 |
21 |
23 |
15 |
22 |
13 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
"Шиповник цветет" - не сжигай |
797 | 255 |
18 |
9 |
6 |
26 |
32 |
39 |
32 |
25 |
27 |
13 |
16 |
12 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Горе от ума или ум от горя. Перевертыши |
996 | 255 |
21 |
12 |
11 |
22 |
35 |
25 |
33 |
21 |
24 |
22 |
17 |
12 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
1087 | 255 |
26 |
8 |
15 |
19 |
37 |
36 |
37 |
20 |
19 |
11 |
13 |
14 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
3 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
788 | 255 |
23 |
12 |
8 |
17 |
27 |
33 |
36 |
19 |
26 |
16 |
17 |
21 |
0 |
1 |
3 |
3 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
В поисках смысла сетевой литературы |
2810 | 255 |
14 |
9 |
13 |
18 |
26 |
30 |
40 |
23 |
24 |
23 |
21 |
14 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
1041 | 255 |
22 |
13 |
9 |
17 |
36 |
30 |
35 |
22 |
21 |
15 |
20 |
15 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Ницше, ценности и Гегель |
3234 | 254 |
24 |
9 |
8 |
18 |
31 |
31 |
43 |
24 |
25 |
16 |
16 |
9 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Автометафора |
762 | 254 |
13 |
17 |
11 |
17 |
41 |
24 |
29 |
19 |
23 |
24 |
18 |
18 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Самосознание сетевой литературы |
4126 | 254 |
20 |
11 |
12 |
22 |
36 |
34 |
36 |
16 |
19 |
17 |
14 |
17 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Необходимое или цель - искусство? |
832 | 254 |
22 |
9 |
12 |
15 |
35 |
33 |
37 |
25 |
23 |
16 |
17 |
10 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Киев старый и новый |
2443 | 253 |
21 |
14 |
18 |
17 |
36 |
36 |
34 |
16 |
21 |
17 |
12 |
11 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Интервью с Игорем Панариным |
2651 | 253 |
16 |
9 |
10 |
18 |
32 |
24 |
43 |
24 |
19 |
12 |
23 |
23 |
0 |
1 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Буддистский колобок |
2902 | 253 |
16 |
12 |
10 |
23 |
32 |
28 |
37 |
25 |
23 |
15 |
15 |
17 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Ирония и автоирония |
606 | 252 |
20 |
13 |
6 |
17 |
34 |
30 |
35 |
19 |
25 |
24 |
17 |
12 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
835 | 252 |
19 |
15 |
13 |
25 |
36 |
29 |
33 |
18 |
18 |
11 |
18 |
17 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Галич и Мандельштам вокруг образа вождя |
618 | 251 |
15 |
13 |
8 |
16 |
39 |
33 |
37 |
26 |
25 |
13 |
13 |
13 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
+7 |
2298 | 251 |
19 |
9 |
14 |
20 |
27 |
27 |
37 |
22 |
25 |
18 |
22 |
11 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1740 | 251 |
22 |
12 |
10 |
16 |
33 |
26 |
34 |
26 |
20 |
13 |
23 |
16 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Удача и капуста |
2520 | 251 |
20 |
11 |
7 |
20 |
27 |
28 |
43 |
27 |
22 |
16 |
21 |
9 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
О курсе реформ и курсе литературы |
1114 | 250 |
17 |
10 |
9 |
18 |
34 |
34 |
41 |
28 |
22 |
10 |
14 |
13 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Дан прислал |
1066 | 250 |
23 |
13 |
13 |
13 |
34 |
30 |
37 |
20 |
20 |
17 |
14 |
16 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Технические болезни Стихиры |
2685 | 250 |
15 |
13 |
15 |
23 |
26 |
31 |
44 |
20 |
22 |
11 |
13 |
17 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
О чем поют сферы Гоголя |
1034 | 250 |
24 |
7 |
15 |
20 |
32 |
31 |
33 |
25 |
17 |
15 |
23 |
8 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
"Добрый Филя" и проекция собеседника |
847 | 250 |
21 |
10 |
8 |
20 |
30 |
29 |
38 |
19 |
22 |
20 |
19 |
14 |
0 |
0 |
3 |
4 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Короля делает свита |
2403 | 249 |
22 |
9 |
9 |
18 |
29 |
35 |
37 |
24 |
22 |
16 |
11 |
17 |
0 |
3 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Вирус абсурда в истории человеческой культуры |
2447 | 249 |
22 |
13 |
12 |
17 |
33 |
29 |
34 |
21 |
20 |
16 |
18 |
14 |
0 |
3 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
О времени |
1289 | 249 |
24 |
13 |
7 |
24 |
28 |
32 |
36 |
22 |
21 |
13 |
17 |
12 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Постновогодний синдром |
749 | 249 |
24 |
13 |
7 |
15 |
37 |
36 |
31 |
23 |
21 |
14 |
11 |
17 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Рванет-не рванет |
779 | 248 |
22 |
12 |
9 |
15 |
27 |
36 |
40 |
23 |
19 |
11 |
20 |
14 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Что в имени мне твоем |
3100 | 248 |
25 |
13 |
9 |
18 |
30 |
28 |
37 |
22 |
22 |
17 |
14 |
13 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Искушение как психологический прием |
3004 | 248 |
20 |
16 |
10 |
25 |
42 |
30 |
36 |
19 |
18 |
11 |
9 |
12 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Шаров и его теодицея |
790 | 248 |
22 |
13 |
9 |
21 |
31 |
33 |
33 |
19 |
25 |
16 |
15 |
11 |
0 |
4 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Эпос |
2326 | 247 |
19 |
20 |
18 |
25 |
30 |
25 |
31 |
17 |
21 |
14 |
19 |
8 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Преодоление расы |
1530 | 247 |
30 |
15 |
10 |
19 |
34 |
28 |
36 |
12 |
19 |
12 |
16 |
16 |
0 |
0 |
2 |
1 |
2 |
4 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Национальность биографа |
3028 | 246 |
27 |
11 |
5 |
18 |
32 |
35 |
27 |
24 |
21 |
16 |
15 |
15 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Легенда о великом инквизиторе |
1168 | 246 |
20 |
12 |
13 |
16 |
31 |
26 |
37 |
22 |
18 |
11 |
19 |
21 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Монтажная композиция |
669 | 245 |
25 |
17 |
11 |
20 |
31 |
22 |
39 |
16 |
22 |
13 |
19 |
10 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Каким должен быть правитель |
640 | 245 |
25 |
11 |
9 |
15 |
34 |
33 |
35 |
17 |
24 |
12 |
16 |
14 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Романтизм |
618 | 245 |
16 |
11 |
7 |
19 |
31 |
36 |
40 |
27 |
18 |
16 |
11 |
13 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Почему Путин заинтересован в развитии гражданского общества |
2722 | 245 |
22 |
11 |
7 |
20 |
34 |
26 |
34 |
19 |
22 |
11 |
18 |
21 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Печорин как писатель |
1111 | 245 |
25 |
12 |
11 |
24 |
34 |
21 |
31 |
24 |
20 |
13 |
16 |
14 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Вирус абсурда в рамках боровской Дополнительности |
2245 | 244 |
18 |
14 |
14 |
23 |
31 |
27 |
38 |
16 |
21 |
15 |
14 |
13 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
596 | 244 |
23 |
5 |
7 |
22 |
41 |
18 |
40 |
18 |
22 |
11 |
17 |
20 |
0 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Хлестаков и Печорин |
1460 | 244 |
20 |
6 |
9 |
21 |
32 |
32 |
36 |
17 |
27 |
12 |
15 |
17 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Доказательство несовершенства Бога |
2745 | 244 |
21 |
9 |
8 |
21 |
35 |
25 |
36 |
17 |
25 |
15 |
16 |
16 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Все по Салтыкову-Щедрину! |
4417 | 243 |
17 |
9 |
9 |
23 |
28 |
28 |
36 |
23 |
23 |
13 |
15 |
19 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Собрание обратных цитат о любви |
3103 | 243 |
24 |
10 |
11 |
21 |
30 |
28 |
35 |
21 |
23 |
16 |
14 |
10 |
0 |
3 |
3 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Письмо Татьяны. Общие места - романтизмы |
776 | 243 |
18 |
10 |
13 |
21 |
37 |
29 |
33 |
21 |
20 |
11 |
18 |
12 |
0 |
0 |
4 |
1 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
По поводу некоторых неточностей Евгения Клюева |
2512 | 243 |
24 |
12 |
6 |
21 |
29 |
27 |
32 |
31 |
22 |
8 |
19 |
12 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Теория диссоциаций и Булгаков |
1402 | 242 |
18 |
12 |
8 |
20 |
30 |
30 |
42 |
16 |
24 |
10 |
20 |
12 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Суздаль |
1946 | 242 |
30 |
12 |
9 |
19 |
26 |
27 |
32 |
14 |
24 |
22 |
15 |
12 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
615 | 242 |
22 |
14 |
7 |
20 |
29 |
25 |
35 |
21 |
21 |
17 |
20 |
11 |
0 |
0 |
3 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Сексуальность Гоголя |
842 | 242 |
22 |
9 |
3 |
18 |
28 |
29 |
32 |
14 |
34 |
24 |
17 |
12 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Модель романа-эпопеи |
1078 | 242 |
22 |
12 |
8 |
15 |
33 |
29 |
34 |
19 |
22 |
17 |
16 |
15 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3143 | 242 |
21 |
13 |
9 |
13 |
35 |
21 |
35 |
11 |
28 |
23 |
19 |
14 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Методология работы критика над текстом |
2593 | 242 |
17 |
10 |
9 |
16 |
33 |
32 |
33 |
24 |
22 |
18 |
15 |
13 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1340 | 242 |
24 |
13 |
8 |
16 |
29 |
31 |
33 |
23 |
22 |
14 |
16 |
13 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Ноосфера |
726 | 242 |
16 |
11 |
7 |
14 |
32 |
37 |
30 |
20 |
21 |
17 |
24 |
13 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Миф о запахе |
2534 | 242 |
17 |
9 |
12 |
27 |
29 |
31 |
30 |
22 |
19 |
13 |
21 |
12 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1557 | 241 |
18 |
11 |
7 |
22 |
35 |
31 |
31 |
22 |
22 |
15 |
13 |
14 |
0 |
2 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Честь как главная жизненная ценность у Достоевского |
699 | 241 |
16 |
11 |
9 |
17 |
43 |
28 |
34 |
25 |
22 |
11 |
13 |
12 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Чужая сказка |
2613 | 241 |
19 |
11 |
9 |
13 |
38 |
28 |
34 |
20 |
23 |
22 |
16 |
8 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ведение в чтение Гоголя |
986 | 241 |
19 |
7 |
6 |
19 |
30 |
26 |
33 |
23 |
27 |
22 |
17 |
12 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
969 | 241 |
23 |
11 |
5 |
22 |
28 |
30 |
36 |
21 |
22 |
16 |
11 |
16 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Паломничество убогой (2 редакция) |
633 | 241 |
27 |
5 |
10 |
22 |
38 |
25 |
36 |
21 |
19 |
14 |
12 |
12 |
0 |
0 |
2 |
3 |
1 |
3 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Недоросль в меняющемся мире |
763 | 241 |
18 |
8 |
9 |
19 |
23 |
32 |
39 |
28 |
20 |
13 |
18 |
14 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Инструкция создателям искусственного разума |
2591 | 241 |
21 |
13 |
11 |
17 |
31 |
37 |
37 |
18 |
18 |
14 |
11 |
13 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Введение в философию сказок |
798 | 241 |
18 |
13 |
11 |
16 |
29 |
34 |
38 |
19 |
22 |
16 |
15 |
10 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Советы |
2508 | 240 |
18 |
10 |
11 |
20 |
39 |
25 |
36 |
19 |
23 |
10 |
16 |
13 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ферапонтово. Коллекция |
2101 | 240 |
23 |
7 |
8 |
14 |
32 |
35 |
32 |
20 |
23 |
14 |
17 |
15 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
633 | 240 |
16 |
7 |
9 |
20 |
34 |
27 |
29 |
31 |
21 |
16 |
19 |
11 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Литературоведение, рабство и пенсионная реформа |
1176 | 240 |
16 |
9 |
7 |
19 |
33 |
34 |
38 |
13 |
24 |
10 |
16 |
21 |
0 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Компьютер и сексуальная революция писателя |
2952 | 239 |
25 |
10 |
12 |
21 |
32 |
28 |
33 |
17 |
17 |
13 |
19 |
12 |
0 |
0 |
1 |
2 |
5 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
866 | 239 |
22 |
10 |
5 |
23 |
25 |
31 |
37 |
20 |
21 |
15 |
14 |
16 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Базаров |
1074 | 239 |
18 |
12 |
10 |
13 |
34 |
31 |
31 |
25 |
20 |
17 |
20 |
8 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Рубцов и формальный метод |
2723 | 239 |
19 |
10 |
8 |
18 |
41 |
31 |
36 |
19 |
18 |
14 |
14 |
11 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Кто виноват и что делать? Проклятые вопросы в |
567 | 238 |
24 |
12 |
7 |
23 |
36 |
25 |
31 |
17 |
22 |
13 |
18 |
10 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
К проблеме Израиля |
1447 | 238 |
16 |
12 |
9 |
19 |
30 |
30 |
36 |
21 |
21 |
12 |
17 |
15 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2281 | 238 |
24 |
12 |
8 |
18 |
29 |
24 |
41 |
20 |
24 |
14 |
10 |
14 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О Мастере и деле врачей |
1245 | 238 |
20 |
16 |
11 |
14 |
40 |
25 |
35 |
19 |
19 |
11 |
16 |
12 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Пушкин |
6131 | 238 |
22 |
13 |
9 |
15 |
38 |
27 |
27 |
20 |
21 |
17 |
15 |
14 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Совет- не любовь |
2746 | 238 |
22 |
13 |
12 |
20 |
26 |
33 |
38 |
15 |
20 |
11 |
19 |
9 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Инструкция создателям искусственного разума |
3184 | 237 |
17 |
13 |
9 |
14 |
34 |
30 |
36 |
15 |
24 |
16 |
12 |
17 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Символика цвета |
504 | 237 |
25 |
16 |
16 |
24 |
37 |
24 |
23 |
16 |
15 |
17 |
12 |
12 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Пушкинский пленник |
790 | 237 |
24 |
10 |
8 |
20 |
31 |
27 |
33 |
27 |
18 |
13 |
15 |
11 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лимерик |
2424 | 237 |
12 |
16 |
14 |
21 |
36 |
29 |
29 |
15 |
24 |
14 |
16 |
11 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Молодежь и общество потребления |
3834 | 237 |
19 |
11 |
10 |
22 |
25 |
35 |
32 |
20 |
23 |
15 |
13 |
12 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Убийственная преданность. Введение в чтение Пушкина |
839 | 237 |
20 |
19 |
11 |
24 |
25 |
30 |
33 |
23 |
16 |
12 |
15 |
9 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Бессмертие и спасение |
2750 | 236 |
17 |
13 |
5 |
18 |
36 |
30 |
42 |
17 |
21 |
12 |
14 |
11 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Абсурдизм |
3827 | 236 |
17 |
13 |
4 |
23 |
31 |
31 |
28 |
19 |
20 |
16 |
18 |
16 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Поэтика абсурда при свете совести |
2876 | 236 |
19 |
8 |
9 |
15 |
32 |
28 |
31 |
27 |
22 |
15 |
15 |
15 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 |
|
Форма абсолютной сути созидаемого |
921 | 231 |
22 |
7 |
10 |
15 |
28 |
30 |
30 |
27 |
20 |
13 |
19 |
10 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Смысл и убеждение |
2365 | 231 |
23 |
8 |
14 |
23 |
25 |
27 |
33 |
16 |
23 |
12 |
18 |
9 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Эмоции |
1175 | 231 |
17 |
10 |
12 |
20 |
28 |
31 |
30 |
17 |
19 |
16 |
14 |
17 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Блок и его мэоническая легенда |
838 | 231 |
22 |
11 |
9 |
13 |
35 |
25 |
33 |
23 |
19 |
13 |
17 |
11 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
О Бродском - Имперский поэт? |
962 | 230 |
19 |
10 |
8 |
18 |
31 |
29 |
33 |
22 |
20 |
11 |
16 |
13 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Воспитание гениев |
1103 | 229 |
15 |
9 |
12 |
17 |
39 |
30 |
33 |
13 |
16 |
16 |
15 |
14 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Обломов и реализм |
735 | 229 |
21 |
10 |
7 |
17 |
24 |
28 |
31 |
25 |
17 |
14 |
22 |
13 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Молчание - литературная преемственность |
803 | 229 |
20 |
13 |
12 |
14 |
24 |
24 |
34 |
14 |
20 |
20 |
23 |
11 |
0 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Становление гения |
2541 | 228 |
22 |
8 |
11 |
12 |
36 |
22 |
31 |
23 |
19 |
19 |
13 |
12 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Пушкину миллиарды лет |
1019 | 228 |
25 |
9 |
10 |
20 |
34 |
24 |
33 |
20 |
17 |
9 |
18 |
9 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Что есть человек |
1388 | 227 |
16 |
8 |
8 |
19 |
32 |
31 |
30 |
14 |
22 |
16 |
16 |
15 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Бог как конечное воплощение жажды славы |
2217 | 227 |
21 |
8 |
5 |
15 |
30 |
26 |
42 |
21 |
17 |
14 |
17 |
11 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Крочечка Хаврошечка |
838 | 227 |
20 |
7 |
7 |
12 |
25 |
29 |
32 |
28 |
26 |
13 |
15 |
13 |
0 |
0 |
4 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
То было двух бесов изображенье |
624 | 226 |
19 |
11 |
5 |
23 |
29 |
25 |
30 |
17 |
19 |
17 |
16 |
15 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Пространство в живописи текста у Гоголя |
849 | 226 |
18 |
9 |
7 |
21 |
24 |
27 |
33 |
14 |
19 |
15 |
20 |
19 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
582 | 226 |
26 |
7 |
6 |
21 |
24 |
26 |
34 |
19 |
20 |
15 |
15 |
13 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Введение в чтение Лермонтова. Система отражений |
667 | 226 |
18 |
11 |
9 |
21 |
31 |
30 |
31 |
16 |
21 |
15 |
10 |
13 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Поэтика абсурда Маяковского |
1621 | 226 |
18 |
13 |
6 |
18 |
20 |
28 |
29 |
13 |
21 |
21 |
21 |
18 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3262 | 226 |
19 |
7 |
8 |
18 |
31 |
23 |
37 |
18 |
23 |
17 |
14 |
11 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сальери как образец |
1301 | 226 |
21 |
12 |
13 |
22 |
34 |
22 |
25 |
13 |
21 |
17 |
16 |
10 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |