| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
По разделу |
676223 | 1392 |
5 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
146 |
124 |
1 |
4 |
11 |
11 |
5 |
7 |
6 |
4 |
4 |
6 |
7 |
10 |
6 |
3 |
4 |
5 |
5 |
8 |
6 |
12 |
6 |
4 |
6 |
9 |
7 |
10 |
6 |
4 |
7 |
5 |
4 |
6 |
2 |
3 |
6 |
4 |
4 |
4 |
4 |
12 |
5 |
6 |
3 |
5 |
5 |
5 |
9 |
7 |
12 |
5 |
3 |
3 |
6 |
7 |
7 |
7 |
8 |
2 |
3 |
8 |
12 |
7 |
Поэтика абсурда в аспекте литературно-художественной методологии |
28657 | 812 |
3 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
76 |
62 |
0 |
3 |
3 |
5 |
2 |
3 |
3 |
0 |
2 |
6 |
6 |
3 |
5 |
3 |
4 |
1 |
5 |
0 |
6 |
3 |
2 |
2 |
6 |
3 |
7 |
10 |
6 |
4 |
7 |
4 |
2 |
1 |
2 |
1 |
6 |
4 |
2 |
3 |
3 |
2 |
1 |
0 |
3 |
5 |
1 |
4 |
5 |
2 |
6 |
1 |
3 |
1 |
1 |
3 |
5 |
4 |
8 |
1 |
2 |
1 |
4 |
1 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2171 | 714 |
1 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
50 |
54 |
0 |
1 |
11 |
11 |
5 |
7 |
6 |
3 |
4 |
3 |
7 |
9 |
6 |
2 |
2 |
2 |
4 |
8 |
4 |
12 |
6 |
4 |
2 |
3 |
3 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
4 |
12 |
2 |
6 |
3 |
2 |
5 |
5 |
9 |
7 |
12 |
5 |
1 |
3 |
6 |
7 |
7 |
7 |
4 |
1 |
2 |
8 |
12 |
7 |
Метод приведения к абсурду в школьной классике |
1432 | 377 |
1 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
38 |
45 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
4 |
10 |
2 |
0 |
0 |
4 |
1 |
1 |
5 |
1 |
3 |
2 |
1 |
9 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
4 |
0 |
3 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
Гипербола и Гиперборея Маяковского |
673 | 344 |
0 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
30 |
24 |
0 |
0 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
6 |
3 |
1 |
1 |
5 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
Интерьер в "Капитанской дочке" |
1170 | 333 |
0 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
40 |
42 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
5 |
3 |
0 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
3 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
6 |
0 |
0 |
1 |
1 |
1 |
0 |
Поэтика абсурда. Часть 1 |
2554 | 309 |
0 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
32 |
26 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
6 |
4 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
Внутренний монолог |
659 | 302 |
2 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
31 |
18 |
0 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
Мертвые души: хозяйственная бесхозяйственность |
1785 | 292 |
0 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
34 |
16 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
Печорин и декабристы - бесславие героев времени |
1095 | 275 |
0 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
24 |
33 |
0 |
0 |
7 |
3 |
5 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
6 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
5 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
В чем философский смысл фильма "Остров проклятых" |
694 | 268 |
1 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
18 |
22 |
1 |
0 |
3 |
5 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
4 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
План анализа стихотворения |
388 | 257 |
0 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
18 |
14 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
Полифония Блока |
1257 | 245 |
0 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
28 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
5 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
2 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
692 | 240 |
0 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
21 |
17 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кто убил старуху процентщицу? |
1822 | 238 |
1 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
21 |
15 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
Шукшин ли "Хозяин бани и огорода"? |
1779 | 236 |
0 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
47 |
28 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Смертная казнь как эротика государственного самоубийства |
7377 | 235 |
1 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
24 |
14 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
5 |
2 |
0 |
0 |
1 |
1 |
4 |
4 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
Сюжет: событие, действие, мотив |
348 | 233 |
1 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
25 |
22 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
Елена Чудинова. Мечеть Парижской Богоматери |
11529 | 233 |
0 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
17 |
14 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
Три пальмы |
1092 | 226 |
0 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
19 |
14 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Антитеза |
311 | 225 |
0 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
20 |
28 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Дуэль Онегина и Ленского |
1037 | 217 |
2 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
22 |
11 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
3 |
2 |
3 |
2 |
1 |
5 |
0 |
4 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
Михаил Гарцев. История внутри нас |
4223 | 210 |
0 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
20 |
11 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
4 |
1 |
3 |
1 |
4 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Учимся мыслить логически |
3493 | 209 |
0 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
12 |
8 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Ведение в чтение Гоголя |
924 | 208 |
1 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
16 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Энтропия.net |
5875 | 207 |
0 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
11 |
16 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
"История Рода Толстых - история России". Фоторепортаж |
5430 | 203 |
0 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
20 |
10 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Пестрый дятел |
4446 | 199 |
0 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
23 |
20 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
754 | 193 |
0 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
24 |
16 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
5 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5526 | 189 |
1 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
16 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
5 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Кто как кричит |
4287 | 187 |
1 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
21 |
16 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Анализ прозы |
305 | 187 |
0 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
21 |
13 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
Я играю вместе с мамой |
9455 | 187 |
4 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
16 |
9 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
Древесная лирика Хельги Ольшванг |
3529 | 185 |
3 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
20 |
13 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
Можно ли назвать Печорина фаталистом |
560 | 181 |
1 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
20 |
19 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
Кот Васька в своей квартире |
7650 | 180 |
1 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
13 |
11 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
629 | 179 |
0 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
42 |
7 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Автобиографизм и автопсихологизм |
453 | 177 |
1 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
21 |
10 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
5 |
0 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
Александр Кушнер. Аполлон в траве |
4379 | 175 |
0 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
23 |
22 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Медвежонок |
8789 | 171 |
0 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
11 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2597 | 171 |
2 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
16 |
9 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
6 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Ослик |
8170 | 171 |
1 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
12 |
5 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
К вопросу о Фрейде и православии |
2909 | 168 |
1 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
10 |
7 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Поэтика абсурда Маяковского |
1330 | 166 |
3 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
12 |
10 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Сальери как образец |
1018 | 166 |
0 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
21 |
9 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Волчонок |
4013 | 163 |
0 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
18 |
9 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Поэтика абсурда и образ Святой Земли |
3324 | 163 |
1 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
11 |
13 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Образ России в арт-среде Интернета |
2370 | 163 |
0 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
13 |
13 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Сказка о гейзере на Стихире |
2784 | 161 |
0 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
12 |
10 |
0 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
Маяковский и его философия |
1218 | 161 |
2 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
15 |
9 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Язык и генетика |
4295 | 160 |
1 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
13 |
11 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
Что на небе |
7887 | 159 |
1 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
17 |
9 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
464 | 159 |
0 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
35 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
Юрий Поляков. Грибной царь |
3452 | 158 |
2 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
7 |
11 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Вмешиваясь в разговор с богом |
3133 | 157 |
1 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
9 |
24 |
21 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Натюрморт (Гоголь, Бродский, Есенин) |
719 | 157 |
0 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
12 |
11 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5476 | 155 |
0 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
13 |
11 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Комментариии к статье А.Виноградова о сетевой литературе |
3821 | 155 |
0 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
12 |
11 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Почему поэзия должна быть глуповата |
2953 | 155 |
0 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
20 |
9 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
559 | 155 |
1 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
14 |
9 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Психология - наука рабов |
6549 | 154 |
1 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
18 |
13 |
14 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Самосознание сетевой литературы |
3793 | 154 |
0 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
18 |
9 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Карнавал и декарнавализация |
3908 | 152 |
0 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
13 |
9 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Потомки "Метрополя" |
5609 | 152 |
0 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
13 |
13 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Каждый знает |
6480 | 152 |
1 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
20 |
11 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
О "Медном всаднике" |
936 | 151 |
0 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
22 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
Расширит ли виртуальная реальность возможности познания истины |
3107 | 151 |
0 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
17 |
13 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Реминисценция |
375 | 150 |
0 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
15 |
8 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Михаил Гарцев и сетевое письмо |
4300 | 150 |
1 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
13 |
8 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Достоевский и конец истории |
3289 | 150 |
1 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
10 |
10 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Anti-Dan |
3038 | 150 |
0 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
19 |
12 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Об одном фильме |
1175 | 149 |
0 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
21 |
10 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Зеркало |
2718 | 149 |
0 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
14 |
8 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1247 | 148 |
0 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
9 |
9 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1400 | 148 |
2 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
22 |
11 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Замятин "Мы". Конспект урока |
732 | 148 |
0 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
12 |
8 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
Пушкинские и лермонтовские мотивы у Некрасова |
630 | 147 |
0 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
14 |
15 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
528 | 146 |
0 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
13 |
12 |
10 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Ботинок |
3842 | 146 |
1 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
12 |
5 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Фотомастерская Вадима Месяца |
2751 | 146 |
2 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
15 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Пейзаж в поэме Лермонтова |
589 | 146 |
0 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
13 |
6 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
О любви к правителям и поэтам |
1011 | 146 |
1 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
15 |
13 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Монтажная композиция |
364 | 144 |
0 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
14 |
21 |
9 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
В защиту массовой литературы |
5435 | 144 |
1 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
12 |
9 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Письмо Ольги Пушкину |
1012 | 144 |
0 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
16 |
10 |
10 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
699 | 143 |
0 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
17 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Абсурдизм |
3526 | 143 |
0 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
14 |
16 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Пьер и Андрей |
992 | 143 |
0 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
14 |
12 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
В поисках смысла сетевой литературы |
2497 | 143 |
1 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
10 |
9 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
Информация о владельце раздела |
3111 | 142 |
1 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
15 |
10 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
То было двух бесов изображенье |
337 | 141 |
0 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
12 |
14 |
8 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Автометафора |
446 | 141 |
1 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
14 |
16 |
14 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Гегельянство в России |
877 | 141 |
0 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
11 |
11 |
12 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Стихи для детей |
5255 | 141 |
0 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
21 |
12 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Рифма к городу |
3353 | 140 |
1 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
19 |
13 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Эмоции |
877 | 140 |
1 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
14 |
12 |
7 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Иду, а к ногам моим падает вдруг кипятильник |
2189 | 140 |
0 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
17 |
15 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Евгений Водолазкин и поэтика абсурда |
1034 | 140 |
0 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
10 |
11 |
10 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
Воспитание гениев |
806 | 139 |
0 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
18 |
9 |
10 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
С кем я познакомилась на Си |
3282 | 139 |
0 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
10 |
12 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Дискуссия о гениальности, Достоевском и социальном запросе |
868 | 139 |
0 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
9 |
8 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Самоубийство разума |
2912 | 139 |
1 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
13 |
7 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Поэтика абсурда при свете совести |
2567 | 138 |
0 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
12 |
9 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Возвращение |
3133 | 138 |
0 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
14 |
15 |
6 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Кто в окошке. Сказочные звери |
3643 | 138 |
0 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
18 |
9 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
Достоевский как оптимальная точка видения |
2793 | 137 |
1 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
12 |
12 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Памятник Румянцеву в "Капитанской дочке" |
623 | 137 |
0 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
11 |
15 |
9 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Образы русской природы в лирике Рубцова |
478 | 137 |
0 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
13 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
467 | 137 |
0 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
18 |
4 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
430 | 135 |
0 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
11 |
6 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
Вирус абсурда в истории человеческой культуры |
2133 | 135 |
0 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
9 |
7 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
5 |
3 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Этапы эволюции вируса абсурда в России |
3114 | 135 |
0 |
30 |
18 |
17 |
8 |
6 |
2 |
8 |
16 |
13 |
11 |
6 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Чудачество и донкихотство. Шукшин и Сервантес |
1202 | 135 |
0 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
14 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1461 | 134 |
0 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
13 |
14 |
16 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Про что поэзия Барто? - да все про то! |
5626 | 134 |
1 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
11 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Что в имени мне твоем |
2783 | 134 |
1 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
10 |
12 |
14 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
Лирика |
2994 | 134 |
1 |
27 |
24 |
16 |
8 |
2 |
6 |
8 |
9 |
13 |
11 |
9 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Художник у Христа за пазухой |
2501 | 133 |
0 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
14 |
9 |
10 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Ирония и автоирония |
275 | 132 |
0 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
11 |
9 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
3912 | 132 |
1 |
23 |
18 |
19 |
14 |
7 |
3 |
7 |
9 |
14 |
5 |
12 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Сон как нонсенс в "Войне и мире" |
434 | 126 |
0 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
10 |
14 |
7 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
Лампа Мафусаила |
1445 | 126 |
0 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
13 |
13 |
7 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Киев старый и новый |
2135 | 125 |
0 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
7 |
14 |
12 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Избранница народного слова |
2238 | 125 |
0 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
13 |
12 |
6 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
867 | 125 |
0 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
9 |
5 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Компьютер и сексуальная революция писателя |
2655 | 125 |
0 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
5 |
14 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Белая ворона |
2193 | 125 |
0 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
14 |
6 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Как в "Превращении" Кафки выражена идея торжества разума |
671 | 125 |
0 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
11 |
14 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
401 | 125 |
0 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
11 |
7 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
Искушение как психологический прием |
2691 | 125 |
0 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
11 |
5 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Вот и обсудили! |
2462 | 124 |
0 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
9 |
8 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Ленин как поэт Серебряного века |
1166 | 124 |
0 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
15 |
9 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Маркетинг науки, или Научный маркетинг |
2846 | 124 |
0 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
12 |
13 |
8 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Печорин как писатель |
802 | 124 |
0 |
27 |
12 |
14 |
10 |
6 |
4 |
10 |
11 |
10 |
15 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Советы |
2218 | 123 |
0 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
10 |
14 |
8 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Ведьмостиший больше не будет |
2800 | 122 |
2 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
12 |
9 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
295 | 122 |
0 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
15 |
14 |
6 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Утенок |
4361 | 122 |
0 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
13 |
11 |
6 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Все по Салтыкову-Щедрину! |
4114 | 122 |
0 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
15 |
7 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Ушки, ножки, рожки |
6305 | 121 |
1 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
10 |
5 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
979 | 121 |
1 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
13 |
6 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Горе от ума или ум от горя. Перевертыши |
676 | 121 |
0 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
10 |
5 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Дан прислал |
754 | 121 |
0 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
11 |
8 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Социальные болезни Стихи.ру |
6834 | 121 |
1 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
10 |
4 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Хлестаков и Печорин |
1152 | 121 |
0 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
14 |
18 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Пушкин |
5838 | 121 |
0 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
14 |
11 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Теория диссоциаций и Булгаков |
1095 | 120 |
0 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
8 |
12 |
0 |
0 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Атрибуты беса |
2911 | 120 |
1 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
15 |
8 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Пространство в живописи текста у Гоголя |
566 | 120 |
0 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
10 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Мир как книга |
784 | 120 |
0 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
9 |
8 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Исход |
2016 | 119 |
0 |
24 |
10 |
16 |
12 |
4 |
3 |
10 |
8 |
11 |
9 |
12 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Темное вещество, абсолютный дух и человеческая цивилизация |
773 | 119 |
0 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
9 |
9 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Введение в чтение Гоголя. Хлестаков |
475 | 119 |
1 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
10 |
4 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Средства художественной изобразительности |
1355 | 119 |
0 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
13 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Символика цвета |
201 | 119 |
0 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
10 |
9 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Крочечка Хаврошечка |
562 | 119 |
0 |
31 |
12 |
17 |
8 |
3 |
3 |
6 |
8 |
10 |
10 |
11 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Андрей Болконский - Дон Кихот |
511 | 119 |
0 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
8 |
6 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
Отражение. Две рецензии на стихи Феликса Когана |
3218 | 119 |
0 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
14 |
8 |
11 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Совет- не любовь |
2461 | 119 |
0 |
24 |
12 |
19 |
5 |
5 |
6 |
10 |
7 |
12 |
11 |
8 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сексуальность Гоголя |
551 | 118 |
0 |
20 |
14 |
19 |
7 |
5 |
2 |
8 |
9 |
14 |
12 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Буддистский колобок |
2582 | 118 |
0 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
10 |
11 |
6 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2211 | 118 |
0 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
11 |
10 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Как работает поэтика абсурда |
4250 | 118 |
0 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
9 |
7 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Письмо Татьяны. Общие места - романтизмы |
485 | 117 |
0 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
13 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Возвращение блудного Чацкого |
678 | 117 |
0 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
7 |
8 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Лисенок в курятнике Стихи.ру |
5818 | 117 |
0 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
15 |
7 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Снова по поводу "Тихого Дона" |
950 | 117 |
0 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
9 |
9 |
0 |
0 |
4 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
О чем поют сферы Гоголя |
723 | 117 |
0 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
11 |
6 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Легенда о великом инквизиторе |
870 | 117 |
1 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
10 |
15 |
7 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2209 | 117 |
1 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
7 |
8 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3243 | 116 |
0 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
12 |
8 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Достоевский и риторические вопросы (диатриба) |
464 | 116 |
1 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
13 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
Галич и Мандельштам вокруг образа вождя |
293 | 116 |
0 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
9 |
6 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Каким должен быть правитель |
348 | 116 |
0 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
7 |
6 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Паломничество убогой (2 редакция) |
337 | 116 |
1 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
9 |
14 |
6 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Методология работы критика над текстом |
2294 | 116 |
0 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
12 |
11 |
5 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
О чем умолчал в своем докладе доктор Борменталь |
497 | 115 |
0 |
18 |
13 |
19 |
7 |
7 |
5 |
7 |
10 |
12 |
12 |
5 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
+7 |
1987 | 115 |
1 |
19 |
11 |
18 |
9 |
8 |
3 |
5 |
6 |
11 |
13 |
11 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
675 | 115 |
1 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
7 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Государство и общество: свобода и необходимость |
4769 | 114 |
1 |
22 |
9 |
14 |
9 |
3 |
2 |
10 |
9 |
12 |
8 |
15 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Заголовок |
217 | 112 |
1 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
12 |
10 |
7 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Проклятое место, проклятые вопросы |
2939 | 112 |
0 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
14 |
10 |
8 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Убийственная преданность. Введение в чтение Пушкина |
549 | 112 |
0 |
27 |
13 |
14 |
6 |
6 |
2 |
9 |
6 |
11 |
8 |
10 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кто виноват и что делать? Проклятые вопросы в |
276 | 111 |
0 |
27 |
12 |
18 |
6 |
5 |
5 |
6 |
6 |
14 |
7 |
5 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Инструкция создателям искусственного разума |
2898 | 111 |
0 |
22 |
11 |
18 |
8 |
5 |
2 |
3 |
10 |
11 |
15 |
6 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Ведение в чтение Гоголя |
697 | 111 |
1 |
29 |
14 |
16 |
7 |
3 |
3 |
9 |
3 |
13 |
9 |
4 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Проблематика произведений. Богатство и бедность |
412 | 111 |
0 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
10 |
5 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Неравный брак (лунное) |
682 | 111 |
1 |
27 |
9 |
18 |
3 |
2 |
5 |
5 |
7 |
17 |
10 |
7 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Инструкция создателям искусственного разума |
2287 | 111 |
0 |
24 |
9 |
15 |
5 |
3 |
3 |
4 |
18 |
13 |
10 |
7 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Аллегория как эпитет |
1202 | 110 |
0 |
25 |
12 |
17 |
8 |
9 |
1 |
7 |
6 |
11 |
12 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Конек-горбунок |
816 | 110 |
1 |
27 |
16 |
16 |
9 |
3 |
4 |
5 |
5 |
13 |
6 |
5 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Введение в чтение Лермонтова. Система отражений |
391 | 110 |
1 |
24 |
19 |
12 |
8 |
4 |
1 |
7 |
6 |
11 |
12 |
5 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Бессмертие и спасение |
2441 | 110 |
2 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
13 |
9 |
7 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
293 | 110 |
0 |
22 |
16 |
14 |
7 |
7 |
1 |
9 |
4 |
14 |
13 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
Введение в чтение Гоголя. Нос |
515 | 110 |
0 |
28 |
16 |
16 |
7 |
5 |
0 |
6 |
6 |
11 |
9 |
6 |
0 |
0 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Демократия как искусство для искусства |
2643 | 110 |
1 |
25 |
9 |
20 |
3 |
8 |
3 |
6 |
7 |
17 |
6 |
5 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Постновогодний синдром |
439 | 110 |
0 |
25 |
13 |
16 |
7 |
3 |
3 |
4 |
8 |
12 |
12 |
7 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Ноосфера |
432 | 110 |
0 |
29 |
10 |
12 |
6 |
3 |
6 |
6 |
7 |
12 |
13 |
6 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Отчуждение. стадия Ад |
1076 | 110 |
0 |
24 |
9 |
17 |
6 |
4 |
2 |
6 |
10 |
13 |
10 |
9 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
От финских хладных скал... |
2940 | 109 |
0 |
22 |
12 |
18 |
5 |
7 |
3 |
10 |
5 |
12 |
7 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Молодежь и общество потребления |
3540 | 104 |
0 |
25 |
5 |
16 |
6 |
9 |
3 |
9 |
6 |
10 |
11 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Короля делает свита |
2086 | 103 |
1 |
25 |
16 |
12 |
8 |
3 |
3 |
9 |
3 |
13 |
8 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
399 | 103 |
0 |
25 |
17 |
10 |
5 |
5 |
3 |
6 |
7 |
12 |
9 |
4 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Честь как главная жизненная ценность у Достоевского |
408 | 103 |
0 |
21 |
15 |
15 |
3 |
5 |
5 |
4 |
7 |
11 |
11 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Проклятые вопросы в |
278 | 103 |
0 |
26 |
16 |
15 |
6 |
4 |
3 |
5 |
4 |
11 |
9 |
4 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Литературные пейзажи Толстого |
1060 | 103 |
0 |
21 |
18 |
12 |
5 |
8 |
0 |
9 |
5 |
10 |
9 |
6 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Бог как конечное воплощение жажды славы |
1937 | 103 |
0 |
25 |
12 |
16 |
5 |
1 |
3 |
10 |
5 |
10 |
11 |
5 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Байрон - предтеча русского реализма |
596 | 103 |
0 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
12 |
7 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Быков и Навальный |
478 | 103 |
0 |
21 |
11 |
16 |
5 |
6 |
4 |
4 |
11 |
11 |
8 |
6 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Грамматика абсурдиста |
2002 | 102 |
1 |
18 |
11 |
19 |
5 |
4 |
1 |
10 |
8 |
6 |
12 |
7 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Долой ыгэ! |
456 | 102 |
0 |
20 |
19 |
12 |
3 |
4 |
3 |
6 |
8 |
14 |
7 |
6 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Где же новая поэзия |
2258 | 102 |
0 |
22 |
14 |
17 |
6 |
3 |
1 |
5 |
10 |
10 |
10 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Премия "Поэзия" что хотят жюри |
1195 | 102 |
1 |
23 |
9 |
16 |
7 |
5 |
0 |
4 |
5 |
13 |
15 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
"Добрый Филя" и проекция собеседника |
551 | 102 |
1 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
11 |
9 |
7 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Преодоление расы |
1242 | 102 |
0 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
13 |
10 |
5 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Суздаль |
1655 | 101 |
1 |
20 |
15 |
16 |
7 |
5 |
2 |
5 |
5 |
11 |
9 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
318 | 101 |
0 |
22 |
17 |
12 |
4 |
5 |
1 |
8 |
8 |
12 |
8 |
4 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Категории добра и зла |
250 | 101 |
0 |
21 |
11 |
17 |
8 |
4 |
1 |
7 |
5 |
9 |
11 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Почему Путин заинтересован в развитии гражданского общества |
2428 | 101 |
0 |
25 |
11 |
13 |
5 |
4 |
3 |
9 |
9 |
9 |
9 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Эпос |
2030 | 100 |
0 |
25 |
8 |
11 |
9 |
4 |
2 |
7 |
7 |
12 |
9 |
6 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Деление на невозможность |
1905 | 100 |
0 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
11 |
12 |
6 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
1995 | 100 |
1 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
7 |
13 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Недоросль в меняющемся мире |
473 | 100 |
1 |
23 |
15 |
16 |
6 |
2 |
4 |
7 |
8 |
10 |
4 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2212 | 100 |
0 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
16 |
8 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
О Бродском - Имперский поэт? |
683 | 100 |
0 |
22 |
10 |
14 |
9 |
4 |
3 |
8 |
5 |
14 |
6 |
5 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Возможен ли герой нашего времени? |
457 | 99 |
1 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
10 |
6 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Велика ли дань Пушкина мифологии |
3016 | 99 |
0 |
23 |
9 |
14 |
7 |
8 |
0 |
9 |
9 |
9 |
7 |
4 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Нам много миллионов лет. Каждому |
679 | 99 |
1 |
22 |
13 |
18 |
5 |
4 |
0 |
6 |
8 |
9 |
9 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Ангел в круге десятом |
581 | 99 |
0 |
23 |
12 |
14 |
4 |
3 |
4 |
6 |
8 |
9 |
10 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
"Детство" и уход из Ясной поляны |
235 | 99 |
0 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
16 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
1952 | 99 |
0 |
27 |
11 |
15 |
6 |
4 |
1 |
4 |
8 |
11 |
8 |
4 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Ну и реклама сейчас у Проханова |
1898 | 98 |
0 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
7 |
8 |
5 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Национальность биографа |
2721 | 98 |
0 |
19 |
10 |
16 |
5 |
8 |
2 |
8 |
5 |
9 |
8 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
О романе "Обратная Перспектива А.Столярова |
1209 | 98 |
0 |
25 |
11 |
16 |
6 |
4 |
1 |
6 |
6 |
10 |
8 |
5 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
К проблеме Израиля |
1168 | 98 |
2 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
8 |
3 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Форма абсолютной сути созидаемого |
637 | 97 |
1 |
20 |
9 |
18 |
3 |
5 |
3 |
4 |
6 |
13 |
9 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Удача и капуста |
2226 | 97 |
1 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
9 |
8 |
8 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
"Шиповник цветет" - не сжигай |
495 | 96 |
1 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
9 |
10 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
Рванет-не рванет |
481 | 96 |
0 |
25 |
8 |
17 |
9 |
5 |
2 |
4 |
5 |
9 |
8 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Необходимое или цель - искусство? |
510 | 96 |
0 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
7 |
12 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Введение в чтение Гоголя |
685 | 95 |
0 |
18 |
15 |
13 |
4 |
5 |
5 |
8 |
8 |
8 |
6 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Технические болезни Стихиры |
2374 | 95 |
0 |
21 |
14 |
13 |
6 |
5 |
1 |
6 |
6 |
8 |
12 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
Пушкину миллиарды лет |
740 | 94 |
0 |
18 |
12 |
13 |
4 |
4 |
4 |
5 |
7 |
14 |
9 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Пушкинский пленник |
501 | 94 |
0 |
23 |
15 |
14 |
7 |
5 |
2 |
4 |
5 |
7 |
9 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Между прошлым и будущим |
448 | 94 |
0 |
22 |
16 |
11 |
6 |
3 |
3 |
7 |
6 |
10 |
8 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Онтологическое обоснование гения эпохи |
1051 | 94 |
0 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
9 |
5 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
О курсе реформ и курсе литературы |
779 | 93 |
1 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
9 |
6 |
8 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
День 7 ноября |
747 | 93 |
1 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
10 |
5 |
8 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Онегин - лицеист? |
479 | 93 |
0 |
18 |
13 |
11 |
4 |
5 |
2 |
8 |
5 |
13 |
10 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Молчание - литературная преемственность |
500 | 93 |
0 |
19 |
11 |
15 |
4 |
6 |
3 |
7 |
6 |
10 |
9 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
"Сретенье " Бродского как трансляция |
374 | 91 |
0 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
8 |
8 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
Рубцов и формальный метод |
2415 | 90 |
0 |
26 |
8 |
12 |
7 |
3 |
1 |
7 |
4 |
10 |
7 |
5 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Время и правители |
1019 | 89 |
0 |
21 |
13 |
11 |
6 |
3 |
2 |
6 |
8 |
8 |
8 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Государыня Россия |
2150 | 89 |
0 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
10 |
9 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Бы да кабы |
670 | 88 |
0 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
12 |
5 |
6 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Менеджеры и профессионалы |
2076 | 84 |
1 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
6 |
11 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2258 | 83 |
0 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
12 |
6 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Литературоведение, рабство и пенсионная реформа |
885 | 83 |
0 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
13 |
5 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |