| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
По разделу |
750166 | 2094 |
80 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
1 |
7 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
5 |
8 |
4 |
3 |
5 |
7 |
8 |
6 |
4 |
6 |
6 |
4 |
7 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
6 |
6 |
6 |
7 |
7 |
11 |
5 |
5 |
5 |
4 |
3 |
6 |
8 |
5 |
8 |
7 |
11 |
5 |
6 |
5 |
7 |
6 |
7 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29736 | 1292 |
65 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
0 |
5 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
2 |
7 |
4 |
2 |
4 |
6 |
8 |
4 |
4 |
4 |
2 |
4 |
7 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
5 |
3 |
6 |
4 |
5 |
5 |
4 |
0 |
5 |
5 |
2 |
1 |
6 |
8 |
4 |
8 |
7 |
11 |
4 |
6 |
3 |
7 |
1 |
3 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3077 | 1202 |
28 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
0 |
4 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
3 |
5 |
2 |
2 |
2 |
5 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
3 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
4 |
|
Поэтика абсурда. Часть 1 |
3175 | 702 |
38 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
0 |
2 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
0 |
6 |
3 |
1 |
5 |
2 |
1 |
5 |
4 |
2 |
2 |
0 |
6 |
0 |
3 |
2 |
4 |
3 |
5 |
1 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
5 |
2 |
5 |
5 |
2 |
4 |
0 |
1 |
|
Метод приведения к абсурду в школьной классике |
1961 | 643 |
27 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
0 |
1 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
2 |
3 |
4 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
7 |
5 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
|
Гипербола и Гиперборея Маяковского |
1140 | 565 |
33 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
0 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
4 |
1 |
1 |
3 |
1 |
7 |
2 |
5 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
1 |
3 |
3 |
5 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
4 |
0 |
4 |
1 |
2 |
2 |
3 |
0 |
|
Мертвые души: хозяйственная бесхозяйственность |
2259 | 551 |
36 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
0 |
5 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
0 |
3 |
2 |
2 |
4 |
4 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
3 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
1 |
|
В чем философский смысл фильма "Остров проклятых" |
1164 | 544 |
11 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
|
Внутренний монолог |
1104 | 530 |
33 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
0 |
6 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
1 |
6 |
3 |
2 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
4 |
2 |
2 |
1 |
4 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
0 |
|
Автобиографизм и автопсихологизм |
847 | 455 |
28 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
0 |
3 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
4 |
4 |
0 |
2 |
4 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
2 |
0 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5903 | 427 |
23 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
0 |
4 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
4 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
3 |
1 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
|
Печорин и декабристы - бесславие героев времени |
1426 | 425 |
17 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
0 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
|
Интерьер в "Капитанской дочке" |
1470 | 399 |
19 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
4 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
5 |
5 |
4 |
1 |
0 |
0 |
4 |
5 |
2 |
2 |
4 |
1 |
0 |
2 |
5 |
1 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2945 | 397 |
20 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
0 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
|
Полифония Блока |
1567 | 383 |
22 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
|
Антитеза |
613 | 370 |
19 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
5 |
2 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
|
Дуэль Онегина и Ленского |
1321 | 364 |
15 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
|
Кто убил старуху процентщицу? |
2106 | 358 |
14 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
3 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2087 | 357 |
20 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
0 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
1 |
|
Михаил Гарцев. История внутри нас |
4505 | 356 |
13 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Смертная казнь как эротика государственного самоубийства |
7653 | 352 |
15 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
1 |
3 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
984 | 345 |
15 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11816 | 340 |
14 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
0 |
|
Энтропия.net |
6162 | 337 |
22 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
0 |
5 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
2 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
|
Образ России в арт-среде Интернета |
2655 | 336 |
21 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
0 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
|
Я играю вместе с мамой |
9733 | 333 |
19 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
0 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
6 |
1 |
2 |
3 |
0 |
|
Можно ли назвать Печорина фаталистом |
828 | 325 |
15 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
|
Древесная лирика Хельги Ольшванг |
3777 | 319 |
16 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
|
Пестрый дятел |
4726 | 317 |
22 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
0 |
6 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
7 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
1 |
3 |
2 |
2 |
0 |
1 |
|
Медвежонок |
9050 | 312 |
19 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
0 |
3 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5736 | 312 |
21 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
5 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
6 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
|
Кот Васька в своей квартире |
7909 | 305 |
20 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
0 |
5 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
|
Каждый знает |
6735 | 303 |
17 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
4 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
0 |
|
"История Рода Толстых - история России". Фоторепортаж |
5682 | 302 |
22 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
0 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
|
Что на небе |
8139 | 300 |
17 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
|
Кто как кричит |
4540 | 298 |
19 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
5 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
|
Александр Кушнер. Аполлон в траве |
4629 | 296 |
30 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
0 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
|
План анализа стихотворения |
621 | 295 |
20 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
1 |
6 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4073 | 293 |
15 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
|
Замятин "Мы". Конспект урока |
972 | 293 |
13 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
0 |
3 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Михаил Гарцев и сетевое письмо |
4541 | 291 |
16 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
|
Учимся мыслить логически |
3740 | 290 |
23 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
0 |
4 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
0 |
5 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
5 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
|
Карнавал и декарнавализация |
4154 | 287 |
15 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
|
Почему в Прибалтике не проходит русский бунт |
2640 | 286 |
22 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
0 |
6 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
6 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
|
К вопросу о Фрейде и православии |
3143 | 286 |
17 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
6 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
1 |
|
Ослик |
8407 | 285 |
18 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
0 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
4 |
3 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
|
Маяковский и его философия |
1458 | 285 |
16 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
|
Поэтика абсурда и образ Святой Земли |
3557 | 284 |
22 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
0 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
|
Потомки "Метрополя" |
5845 | 282 |
14 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
946 | 282 |
16 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
0 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
866 | 281 |
17 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
968 | 280 |
15 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1112 | 280 |
25 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
0 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
0 |
8 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
|
Сказка о гейзере на Стихире |
3005 | 280 |
14 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Зеркало |
2948 | 279 |
18 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
929 | 278 |
13 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
5 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
|
Избранница народного слова |
2472 | 277 |
22 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
|
Ирония и автоирония |
500 | 277 |
14 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
|
Волчонок |
4238 | 277 |
16 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
0 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
5 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
|
Стихи для детей |
5497 | 276 |
23 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
0 |
5 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Язык и генетика |
4524 | 276 |
16 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
6 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
|
Липки |
2852 | 275 |
20 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
0 |
5 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
|
Гегельянство в России |
1111 | 275 |
17 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
0 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
3 |
2 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
|
В защиту массовой литературы |
5667 | 274 |
21 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
0 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Средства художественной изобразительности |
1589 | 274 |
21 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
13 |
0 |
7 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
6 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1097 | 273 |
18 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
|
О любви к правителям и поэтам |
1246 | 273 |
17 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
2 |
|
Сон как нонсенс в "Войне и мире" |
663 | 272 |
15 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
|
Психология - наука рабов |
6779 | 272 |
21 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
|
Почему поэзия должна быть глуповата |
3171 | 272 |
11 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
|
Возвращение |
3360 | 272 |
18 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Островский о романтической ипостаси русской литературы |
1245 | 271 |
18 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
|
Ведение в чтение Гоголя |
1142 | 271 |
13 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
857 | 269 |
16 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Рифма к городу |
3582 | 269 |
15 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
|
Достоевский и конец истории |
3516 | 269 |
15 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
|
Самоубийство разума |
3140 | 268 |
15 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
|
В поисках смысла сетевой литературы |
2717 | 268 |
17 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
0 |
6 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
6 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Про что поэзия Барто? - да все про то! |
5853 | 267 |
16 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
646 | 266 |
16 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Об одном фильме |
1401 | 266 |
19 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1626 | 266 |
16 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Ботинок |
4064 | 265 |
20 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
5 |
3 |
0 |
|
Сюжет: событие, действие, мотив |
555 | 265 |
18 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
|
Пейзаж в поэме Лермонтова |
806 | 265 |
13 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
|
О "Медном всаднике" |
1156 | 264 |
18 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3332 | 264 |
17 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
|
Автопортрет, оксюморон |
761 | 264 |
13 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
|
Фотомастерская Вадима Месяца |
2973 | 264 |
20 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
0 |
3 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
3 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
|
Информация о владельце раздела |
3330 | 264 |
12 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2433 | 263 |
17 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Введение в чтение Гоголя. Хлестаков |
687 | 262 |
22 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
19 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
3 |
3 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
0 |
|
Монтаж у Гоголя и Алексиевич |
797 | 262 |
16 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
13 |
0 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
|
Интервью с Игорем Панариным |
2553 | 261 |
11 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
|
О курсе реформ и курсе литературы |
1008 | 261 |
16 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
7 |
0 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
|
Ницше, ценности и Гегель |
3125 | 261 |
12 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
1 |
6 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
|
Галич и Мандельштам вокруг образа вождя |
511 | 260 |
17 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
0 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
1 |
1 |
0 |
|
Поэтика абсурда Маяковского |
1537 | 260 |
19 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Бунт против Гегеля |
3208 | 260 |
19 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
6 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3169 | 260 |
17 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
1 |
1 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
686 | 260 |
18 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
7 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
|
Алексиевич. Чернобыль |
1147 | 259 |
15 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
0 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
|
Вирус абсурда в истории человеческой культуры |
2338 | 259 |
17 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Андрей Болконский - Дон Кихот |
723 | 259 |
12 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1240 | 259 |
21 |
33 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
5 |
1 |
0 |
1 |
0 |
4 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
|
Пьер и Андрей |
1204 | 259 |
15 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
|
Между прошлым и будущим |
669 | 259 |
22 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
16 |
0 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
0 |
|
Ушки, ножки, рожки |
6524 | 258 |
15 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
10 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
4 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
5 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
|
Достоевский как оптимальная точка видения |
3008 | 258 |
16 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
|
Юрий Поляков. Грибной царь |
3662 | 258 |
16 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
|
Поэтика абсурда при свете совести |
2778 | 258 |
13 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
2 |
|
Короля делает свита |
2301 | 257 |
20 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
16 |
0 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
|
Какой плод у дерева |
3055 | 257 |
17 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
|
Буддистский колобок |
2795 | 257 |
14 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
1 |
0 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
613 | 256 |
12 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
|
Демократия как искусство для искусства |
2864 | 256 |
17 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
|
"Коршун" Тютчева - материализм и идеализм |
686 | 256 |
14 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
|
С кем я познакомилась на Си |
3503 | 255 |
14 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
|
Образы русской природы в лирике Рубцова |
688 | 255 |
16 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
19 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
|
Лирика |
3197 | 255 |
20 |
32 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
24 |
0 |
6 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
6 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
673 | 254 |
12 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
|
Снова по поводу "Тихого Дона" |
1167 | 253 |
14 |
35 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
|
Утенок |
4572 | 253 |
17 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
|
Необходимое или цель - искусство? |
727 | 253 |
21 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
15 |
0 |
5 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
|
Трагический герой |
550 | 252 |
16 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
15 |
0 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
764 | 252 |
14 |
37 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
|
Этапы эволюции вируса абсурда в России |
3318 | 252 |
14 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
18 |
0 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
4 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
|
19 августа 1991 года |
2410 | 252 |
17 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
14 |
0 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
|
Ленин как поэт Серебряного века |
1378 | 252 |
23 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
13 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
3 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
1 |
|
Мир как книга |
997 | 251 |
17 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
10 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
2 |
6 |
3 |
0 |
|
Anti-Dan |
3245 | 251 |
19 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
17 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
|
Эмоции |
1072 | 251 |
15 |
30 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
|
Конечный смысл страдания |
2500 | 250 |
16 |
36 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
14 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1635 | 250 |
14 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
|
Форум в контексте книги |
3084 | 250 |
16 |
36 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
14 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
|
Ведьмостиший больше не будет |
3010 | 249 |
16 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
6 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
|
Нам много миллионов лет. Каждому |
892 | 249 |
19 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
|
Автометафора |
650 | 249 |
11 |
29 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1668 | 249 |
15 |
33 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
17 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
|
Самосознание сетевой литературы |
4007 | 249 |
16 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
11 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Что в имени мне твоем |
2992 | 249 |
15 |
37 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
15 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
4 |
0 |
0 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2391 | 249 |
13 |
32 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
927 | 249 |
13 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
|
Памятник Румянцеву в "Капитанской дочке" |
832 | 248 |
11 |
36 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1447 | 247 |
14 |
31 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
14 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
|
Три пальмы |
1292 | 247 |
15 |
31 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
20 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
|
Вот и обсудили! |
2674 | 247 |
17 |
39 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
14 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
3 |
|
Двуединство добра |
2840 | 246 |
12 |
40 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
11 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
|
Вмешиваясь в разговор с богом |
3343 | 246 |
14 |
34 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
14 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
5 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
|
Государство и общество: свобода и необходимость |
4982 | 245 |
21 |
45 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
9 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
2 |
6 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
|
Где же новая поэзия |
2467 | 245 |
14 |
36 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
14 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
|
Бессмертие и спасение |
2645 | 245 |
14 |
42 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
8 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
6 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
1 |
|
Мастер и Маргарита. Кто написал притчу? |
1129 | 245 |
18 |
39 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
14 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
3 |
3 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
|
Проклятое место, проклятые вопросы |
3154 | 245 |
18 |
31 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
8 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Страсть и поэзия |
1942 | 244 |
19 |
35 |
30 |
19 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
15 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
|
Мысль изреченная |
2633 | 244 |
16 |
42 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
14 |
0 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
1 |
0 |
3 |
3 |
4 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
4 |
0 |
0 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3422 | 244 |
15 |
42 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
17 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
0 |
|
О романе "Обратная Перспектива А.Столярова |
1416 | 243 |
17 |
44 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
11 |
0 |
6 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
|
Дан прислал |
960 | 243 |
20 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
17 |
0 |
5 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
|
Чужая сказка |
2508 | 243 |
13 |
34 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Реформы Путина и моя им гегельянская поддержка |
2783 | 243 |
20 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
8 |
0 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
|
Хлестаков и Печорин |
1356 | 243 |
16 |
36 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
14 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
5 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Символизм |
507 | 243 |
19 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
12 |
0 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
|
Кто в окошке. Сказочные звери |
3841 | 242 |
17 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
|
Манифест |
2657 | 242 |
8 |
32 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
3 |
0 |
|
Горе от ума или ум от горя. Перевертыши |
881 | 242 |
11 |
33 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
15 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
2 |
3 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Введение в чтение Гоголя. Нос |
713 | 242 |
15 |
31 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
0 |
|
Отчуждение |
1192 | 241 |
11 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
10 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
|
Художник у Христа за пазухой |
2698 | 241 |
14 |
36 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
|
Ферапонтово. Коллекция |
1998 | 241 |
16 |
32 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Воинство Сергия Радонежского |
4409 | 241 |
13 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
3 |
|
Достоевский и риторические вопросы (диатриба) |
660 | 240 |
13 |
35 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
18 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
|
+7 |
2196 | 240 |
14 |
37 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
11 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4110 | 240 |
14 |
33 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
|
Онегин - лицеист? |
688 | 240 |
13 |
34 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3040 | 240 |
9 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
19 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Как работает поэтика абсурда |
4452 | 240 |
16 |
41 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
16 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
6 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
|
Теория диссоциаций и Булгаков |
1296 | 239 |
12 |
42 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
15 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
4 |
1 |
0 |
0 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
|
Джулиан Барнс в защиту критики |
2675 | 239 |
17 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
10 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
|
От финских хладных скал... |
3145 | 239 |
14 |
41 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
12 |
0 |
5 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
"Хлыстовская богородица" Маяковского |
1352 | 239 |
16 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
4 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
|
Базаров |
971 | 239 |
15 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
18 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
0 |
|
Ведение в чтение Гоголя |
892 | 239 |
13 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
530 | 239 |
10 |
29 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
17 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
6 |
2 |
3 |
2 |
0 |
|
По поводу некоторых неточностей Евгения Клюева |
2405 | 239 |
12 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
3 |
0 |
0 |
|
Клопы от Фейербаха |
3152 | 239 |
16 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
5 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
|
Молчание - литературная преемственность |
709 | 239 |
13 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
11 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3311 | 238 |
16 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
8 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
|
Романтизм |
515 | 238 |
17 |
40 |
27 |
18 |
16 |
11 |
13 |
21 |
15 |
20 |
26 |
14 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
|
Социальные болезни Стихи.ру |
7036 | 238 |
16 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
9 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
|
Все по Салтыкову-Щедрину! |
4319 | 238 |
16 |
36 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
7 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
4 |
1 |
0 |
|
Возвращение блудного Чацкого |
886 | 237 |
12 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
10 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
|
Недоросль в меняющемся мире |
671 | 237 |
17 |
39 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
15 |
0 |
5 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
|
То было двух бесов изображенье |
524 | 236 |
12 |
30 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
18 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Диалектика пути |
2765 | 236 |
21 |
37 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
9 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
491 | 236 |
11 |
40 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
16 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
4 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
|
Абсурдизм |
3728 | 235 |
20 |
28 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
|
Модель романа-эпопеи |
971 | 235 |
12 |
34 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1175 | 234 |
13 |
34 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
15 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
|
Пространство в живописи текста у Гоголя |
754 | 234 |
11 |
33 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
20 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Национальность биографа |
2923 | 231 |
23 |
27 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
10 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
482 | 231 |
10 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
14 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
|
О чем поют сферы Гоголя |
919 | 231 |
14 |
33 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
9 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
|
Доказательство несовершенства Бога |
2640 | 231 |
14 |
36 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
8 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
|
Заголовок |
404 | 231 |
16 |
33 |
22 |
16 |
10 |
16 |
14 |
20 |
22 |
19 |
28 |
15 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Рванет-не рванет |
678 | 230 |
20 |
40 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
8 |
0 |
5 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
|
Премия "Поэзия" что хотят жюри |
1392 | 230 |
13 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
9 |
0 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3434 | 229 |
17 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
10 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
|
Воспитание гениев |
994 | 229 |
13 |
33 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
12 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
Долой ыгэ! |
646 | 229 |
18 |
37 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
0 |
5 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
5 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
|
Государство Платона и Акунина |
930 | 229 |
13 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
11 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
|
Ноосфера |
622 | 229 |
13 |
30 |
20 |
21 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
10 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
|
Невозможность гения эпохи |
579 | 229 |
11 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
17 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1358 | 229 |
14 |
33 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
13 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
|
Реминисценция |
559 | 228 |
14 |
29 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
13 |
0 |
4 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
|
Обломов и реализм |
643 | 228 |
15 |
31 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
0 |
3 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
0 |
|
Смысл и убеждение |
2257 | 228 |
12 |
33 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
9 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
|
"Добрый Филя" и проекция собеседника |
742 | 228 |
13 |
38 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
14 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
|
Быков и Навальный |
674 | 228 |
17 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
11 |
0 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Рубцов и формальный метод |
2609 | 228 |
13 |
36 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Дурное общество |
979 | 227 |
16 |
30 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
16 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
710 | 227 |
12 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
|
Проклятые вопросы в |
463 | 227 |
13 |
36 |
16 |
17 |
20 |
15 |
12 |
21 |
17 |
18 |
26 |
16 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
962 | 227 |
16 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1392 | 227 |
14 |
31 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
|
Бог как конечное воплощение жажды славы |
2126 | 226 |
14 |
42 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
857 | 226 |
12 |
39 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
19 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
5 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
|
Лимерик |
2308 | 226 |
12 |
29 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
14 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
|
Инструкция создателям искусственного разума |
2480 | 226 |
19 |
37 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
|
Совенок |
3697 | 226 |
14 |
35 |
19 |
27 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
7 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
4 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
|
Отчуждение. стадия Ад |
1269 | 226 |
15 |
33 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
9 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
|
Введение в философию сказок |
694 | 226 |
17 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
13 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
865 | 225 |
15 |
36 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
13 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
1 |
3 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
|
Популярные стили в изображении Гоголя |
424 | 225 |
13 |
31 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
14 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Почему Путин заинтересован в развитии гражданского общества |
2616 | 224 |
14 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
11 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
|
Удача и капуста |
2422 | 224 |
15 |
43 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
8 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
1 |
0 |
5 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
|
О времени |
1177 | 224 |
16 |
36 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
13 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
|
Шаров и его теодицея |
675 | 224 |
14 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
12 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
|
Введение в чтение Гоголя |
875 | 223 |
15 |
32 |
18 |
21 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
15 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
|
Миф о времени |
2407 | 223 |
11 |
31 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
9 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Литературоведение - наука или "Humanities and Arts"... |
2451 | 223 |
10 |
33 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
9 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
5 |
1 |
0 |
|
Киев старый и новый |
2319 | 222 |
18 |
34 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
10 |
0 |
5 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
|
Категории добра и зла |
440 | 222 |
11 |
39 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
11 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
|
Проблематика произведений. Богатство и бедность |
591 | 222 |
12 |
39 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
|
Пушкинский пленник |
685 | 222 |
15 |
33 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
15 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
|
Молодежь и общество потребления |
3732 | 222 |
20 |
32 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
5 |
0 |
5 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
|
"Шиповник цветет" - не сжигай |
683 | 221 |
16 |
32 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
15 |
0 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
|
Советы |
2400 | 221 |
15 |
36 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
14 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
|
Каким должен быть правитель |
535 | 221 |
22 |
35 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
0 |
6 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
1 |
2 |
5 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
|
Конек-горбунок |
993 | 221 |
12 |
27 |
21 |
17 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
16 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
|
Письмо Татьяны. Общие места - романтизмы |
663 | 220 |
15 |
33 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
17 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
|
Неравный брак (лунное) |
865 | 220 |
12 |
32 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
9 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
5 |
2 |
0 |
|
Сила детской публицистики |
1381 | 220 |
15 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
11 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
|
Блок и его мэоническая легенда |
739 | 220 |
16 |
33 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
0 |
6 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Искушение как психологический прием |
2878 | 220 |
17 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
|
Теософия и поэзия |
1054 | 219 |
13 |
35 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
|
Компьютер и сексуальная революция писателя |
2836 | 219 |
12 |
33 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
11 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
|
Литературоведение, рабство и пенсионная реформа |
1077 | 219 |
19 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
10 |
0 |
4 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
|
Миф о запахе |
2419 | 219 |
10 |
30 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
13 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
2 |
0 |
0 |
|
Пушкин |
6020 | 219 |
13 |
27 |
20 |
21 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
15 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
Аллегория как эпитет |
1383 | 218 |
18 |
30 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
12 |
0 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
|
Миф о числах |
2595 | 218 |
18 |
28 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
12 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Паломничество убогой (2 редакция) |
521 | 218 |
15 |
36 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2180 | 218 |
14 |
41 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
9 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
|
Белая ворона |
2372 | 218 |
18 |
33 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
11 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
|
Убийственная преданность. Введение в чтение Пушкина |
727 | 218 |
17 |
33 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
0 |
4 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
|
Онтологическое обоснование гения эпохи |
1236 | 218 |
13 |
32 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
13 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
|
Сеть и чудаки |
2944 | 218 |
14 |
34 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
12 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
|
Честь как главная жизненная ценность у Достоевского |
589 | 217 |
14 |
34 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
15 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
|
К проблеме Израиля |
1347 | 217 |
16 |
36 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
11 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
|
История одной столицы |
583 | 217 |
10 |
29 |
24 |
15 |
17 |
20 |
15 |
20 |
17 |
17 |
20 |
13 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
4 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
|
Вирус абсурда в рамках боровской Дополнительности |
2131 | 217 |
13 |
38 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
11 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
|
Введение в чтение Лермонтова. Система отражений |
563 | 216 |
16 |
31 |
16 |
21 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
|
Эпилог |
393 | 216 |
13 |
31 |
16 |
23 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Я начинаю обретать себя |
2410 | 216 |
15 |
33 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
9 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
|
Сальери как образец |
1190 | 216 |
13 |
25 |
13 |
21 |
17 |
16 |
10 |
25 |
19 |
13 |
27 |
17 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Кто виноват и что делать? Проклятые вопросы в |
452 | 215 |
12 |
31 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
12 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
|
Что есть человек |
1290 | 215 |
16 |
30 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
|
Форма абсолютной сути созидаемого |
822 | 215 |
13 |
30 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
9 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
|
Инструкция создателям искусственного разума |
3080 | 215 |
13 |
36 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
0 |
4 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |