| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
683928 | 1492 |
23 |
206 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
146 |
1 |
10 |
5 |
7 |
7 |
7 |
10 |
12 |
7 |
6 |
5 |
6 |
7 |
9 |
7 |
7 |
11 |
5 |
8 |
6 |
9 |
7 |
9 |
5 |
9 |
5 |
6 |
10 |
10 |
6 |
6 |
4 |
11 |
11 |
5 |
7 |
6 |
4 |
4 |
6 |
7 |
10 |
6 |
3 |
4 |
5 |
5 |
8 |
6 |
12 |
6 |
4 |
6 |
9 |
7 |
10 |
6 |
4 |
7 |
5 |
4 |
6 |
Поэтика абсурда в аспекте литературно-художественной методологии |
28811 | 904 |
19 |
138 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
76 |
0 |
10 |
3 |
6 |
6 |
7 |
7 |
7 |
2 |
4 |
3 |
2 |
7 |
6 |
7 |
7 |
4 |
2 |
8 |
4 |
7 |
6 |
4 |
5 |
6 |
4 |
3 |
3 |
4 |
4 |
6 |
3 |
3 |
5 |
2 |
3 |
3 |
0 |
2 |
6 |
6 |
3 |
5 |
3 |
4 |
1 |
5 |
0 |
6 |
3 |
2 |
2 |
6 |
3 |
7 |
10 |
6 |
4 |
7 |
4 |
2 |
1 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2358 | 847 |
14 |
174 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
50 |
1 |
9 |
2 |
2 |
7 |
5 |
10 |
12 |
7 |
3 |
4 |
6 |
1 |
9 |
5 |
3 |
11 |
2 |
5 |
6 |
9 |
7 |
9 |
2 |
9 |
5 |
4 |
10 |
10 |
6 |
6 |
1 |
11 |
11 |
5 |
7 |
6 |
3 |
4 |
3 |
7 |
9 |
6 |
2 |
2 |
2 |
4 |
8 |
4 |
12 |
6 |
4 |
2 |
3 |
3 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
Метод приведения к абсурду в школьной классике |
1476 | 376 |
8 |
37 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
38 |
0 |
2 |
5 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
4 |
10 |
2 |
0 |
0 |
4 |
1 |
1 |
5 |
1 |
3 |
2 |
1 |
9 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
Гипербола и Гиперборея Маяковского |
721 | 368 |
5 |
43 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
30 |
0 |
3 |
0 |
2 |
2 |
2 |
3 |
5 |
4 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
0 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
6 |
3 |
1 |
1 |
5 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
Поэтика абсурда. Часть 1 |
2599 | 328 |
5 |
40 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
32 |
0 |
3 |
0 |
2 |
0 |
3 |
4 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
6 |
4 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
Интерьер в "Капитанской дочке" |
1204 | 325 |
2 |
32 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
40 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
5 |
3 |
0 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
3 |
3 |
1 |
2 |
0 |
3 |
Внутренний монолог |
700 | 325 |
3 |
40 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
31 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
Мертвые души: хозяйственная бесхозяйственность |
1831 | 322 |
5 |
41 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
34 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
0 |
5 |
0 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
4 |
В чем философский смысл фильма "Остров проклятых" |
751 | 303 |
9 |
49 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
18 |
0 |
3 |
2 |
4 |
4 |
4 |
2 |
3 |
4 |
4 |
3 |
1 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
5 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
4 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
Печорин и декабристы - бесславие героев времени |
1145 | 292 |
3 |
47 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
24 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
6 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
0 |
7 |
3 |
5 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
6 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
План анализа стихотворения |
416 | 271 |
5 |
23 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
18 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
Полифония Блока |
1298 | 271 |
3 |
38 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
28 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
6 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
5 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
Смертная казнь как эротика государственного самоубийства |
7417 | 261 |
5 |
36 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
24 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
5 |
2 |
0 |
0 |
1 |
1 |
4 |
4 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
724 | 255 |
4 |
28 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
21 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
4 |
Дуэль Онегина и Ленского |
1085 | 254 |
11 |
39 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
22 |
0 |
4 |
3 |
4 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
3 |
2 |
3 |
2 |
1 |
5 |
0 |
4 |
2 |
1 |
3 |
1 |
3 |
Кто убил старуху процентщицу? |
1853 | 254 |
3 |
29 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
21 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
Елена Чудинова. Мечеть Парижской Богоматери |
11554 | 244 |
6 |
19 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
17 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
Антитеза |
356 | 242 |
10 |
35 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
20 |
0 |
1 |
2 |
7 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
Сюжет: событие, действие, мотив |
373 | 236 |
2 |
24 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
25 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Шукшин ли "Хозяин бани и огорода"? |
1805 | 234 |
3 |
23 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
47 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
Три пальмы |
1114 | 234 |
3 |
19 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
19 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
Михаил Гарцев. История внутри нас |
4257 | 233 |
7 |
27 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
20 |
0 |
1 |
5 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
4 |
1 |
3 |
1 |
4 |
2 |
2 |
1 |
3 |
Учимся мыслить логически |
3517 | 225 |
3 |
21 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
12 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
"История Рода Толстых - история России". Фоторепортаж |
5457 | 220 |
6 |
21 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
20 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
2 |
Энтропия.net |
5903 | 219 |
5 |
23 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
11 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
2 |
Я играю вместе с мамой |
9493 | 216 |
4 |
38 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
16 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
Ведение в чтение Гоголя |
946 | 215 |
6 |
17 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
16 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5559 | 209 |
2 |
32 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
16 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
5 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
Древесная лирика Хельги Ольшванг |
3563 | 206 |
7 |
30 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
20 |
0 |
1 |
3 |
3 |
0 |
3 |
0 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
0 |
1 |
0 |
3 |
Пестрый дятел |
4472 | 205 |
4 |
22 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
23 |
0 |
3 |
1 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Автобиографизм и автопсихологизм |
489 | 203 |
7 |
30 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
21 |
0 |
1 |
3 |
3 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
779 | 202 |
7 |
18 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
24 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
5 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
4 |
2 |
Можно ли назвать Печорина фаталистом |
598 | 200 |
5 |
34 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
20 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Кто как кричит |
4315 | 199 |
3 |
26 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
21 |
0 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
Кот Васька в своей квартире |
7676 | 195 |
2 |
25 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
13 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
3 |
Анализ прозы |
325 | 194 |
4 |
16 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
21 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
649 | 192 |
3 |
17 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
42 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2624 | 189 |
3 |
26 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
16 |
0 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
6 |
Ослик |
8193 | 189 |
2 |
22 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
12 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Медвежонок |
8816 | 185 |
2 |
25 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
11 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
Александр Кушнер. Аполлон в траве |
4411 | 185 |
5 |
27 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
23 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Что на небе |
7921 | 184 |
4 |
31 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
17 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
К вопросу о Фрейде и православии |
2931 | 183 |
5 |
18 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
10 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
Образ России в арт-среде Интернета |
2402 | 182 |
8 |
24 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
13 |
0 |
1 |
3 |
4 |
1 |
2 |
6 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
Волчонок |
4038 | 179 |
3 |
22 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
18 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
Поэтика абсурда Маяковского |
1350 | 176 |
3 |
20 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
12 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
Поэтика абсурда и образ Святой Земли |
3350 | 176 |
5 |
22 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
11 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Сказка о гейзере на Стихире |
2808 | 175 |
4 |
20 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
12 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
2 |
2 |
Карнавал и декарнавализация |
3939 | 174 |
6 |
25 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
13 |
0 |
2 |
2 |
2 |
3 |
5 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Сальери как образец |
1035 | 174 |
4 |
13 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
21 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
Почему поэзия должна быть глуповата |
2979 | 172 |
7 |
19 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
20 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
Язык и генетика |
4318 | 172 |
5 |
19 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
13 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
Маяковский и его философия |
1237 | 171 |
3 |
18 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
15 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
О "Медном всаднике" |
963 | 170 |
3 |
24 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
22 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
583 | 170 |
3 |
22 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
Самосознание сетевой литературы |
3818 | 170 |
3 |
22 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
18 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
Натюрморт (Гоголь, Бродский, Есенин) |
743 | 170 |
3 |
21 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
Комментариии к статье А.Виноградова о сетевой литературе |
3846 | 169 |
4 |
21 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
12 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
484 | 169 |
5 |
15 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
35 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Михаил Гарцев и сетевое письмо |
4324 | 166 |
5 |
20 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
13 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
Зеркало |
2743 | 166 |
2 |
23 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
14 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1428 | 165 |
9 |
21 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
22 |
0 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Юрий Поляков. Грибной царь |
3470 | 165 |
6 |
14 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
7 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
Потомки "Метрополя" |
5634 | 164 |
6 |
19 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
13 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5495 | 163 |
4 |
15 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
13 |
0 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
2 |
Ботинок |
3864 | 163 |
2 |
21 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
12 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
6 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
Достоевский и конец истории |
3312 | 163 |
5 |
19 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
10 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
Пейзаж в поэме Лермонтова |
612 | 163 |
2 |
21 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
13 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
Замятин "Мы". Конспект урока |
755 | 163 |
4 |
19 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3131 | 162 |
5 |
19 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
17 |
0 |
3 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
В защиту массовой литературы |
5461 | 161 |
10 |
17 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
12 |
0 |
4 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
Каждый знает |
6500 | 161 |
5 |
16 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
20 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1268 | 160 |
4 |
17 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
9 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
723 | 160 |
3 |
21 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
17 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
Об одном фильме |
1196 | 160 |
2 |
19 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
21 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
Anti-Dan |
3060 | 160 |
3 |
19 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
19 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
Информация о владельце раздела |
3139 | 160 |
4 |
25 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
15 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
Дискуссия о гениальности, Достоевском и социальном запросе |
896 | 159 |
4 |
24 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
9 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
Фотомастерская Вадима Месяца |
2774 | 159 |
4 |
21 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
15 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
488 | 154 |
5 |
16 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
18 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
5 |
В поисках смысла сетевой литературы |
2517 | 154 |
5 |
16 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
10 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
Какой плод у дерева |
2861 | 152 |
4 |
22 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
14 |
17 |
0 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
Поэтика абсурда при свете совести |
2590 | 152 |
2 |
21 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
12 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
Достоевский как оптимальная точка видения |
2819 | 151 |
6 |
21 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
12 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
Про что поэзия Барто? - да все про то! |
5651 | 151 |
5 |
21 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
11 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
Манифест |
2484 | 150 |
6 |
21 |
27 |
15 |
18 |
8 |
7 |
6 |
8 |
9 |
14 |
11 |
0 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Ирония и автоирония |
302 | 150 |
3 |
24 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
11 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
Кирилл Юрьевич отбывает в Канаду |
2972 | 150 |
3 |
22 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
10 |
17 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
Чудачество и донкихотство. Шукшин и Сервантес |
1225 | 150 |
4 |
19 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
14 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
Кто в окошке. Сказочные звери |
3664 | 150 |
3 |
18 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
18 |
0 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
Этапы эволюции вируса абсурда в России |
3134 | 149 |
3 |
17 |
30 |
18 |
17 |
8 |
6 |
2 |
8 |
16 |
13 |
11 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
449 | 148 |
1 |
18 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
11 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
Пушкинские и лермонтовские мотивы у Некрасова |
645 | 147 |
3 |
12 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
Ницше, ценности и Гегель |
2931 | 147 |
6 |
14 |
36 |
11 |
17 |
5 |
9 |
5 |
10 |
11 |
11 |
12 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
Самоубийство разума |
2927 | 147 |
2 |
14 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
Образы русской природы в лирике Рубцова |
498 | 147 |
3 |
17 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
13 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
Вирус абсурда в истории человеческой культуры |
2151 | 146 |
3 |
15 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
9 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
5 |
3 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
Паломничество убогой |
2569 | 146 |
8 |
14 |
24 |
9 |
15 |
5 |
2 |
22 |
13 |
11 |
11 |
12 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Автопортрет, оксюморон |
571 | 146 |
6 |
24 |
24 |
20 |
22 |
5 |
4 |
4 |
7 |
4 |
12 |
14 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Символизм |
326 | 146 |
5 |
15 |
30 |
12 |
20 |
12 |
15 |
4 |
8 |
3 |
14 |
8 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
С кем я познакомилась на Си |
3300 | 145 |
3 |
15 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
10 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
3937 | 145 |
8 |
18 |
23 |
18 |
19 |
14 |
7 |
3 |
7 |
9 |
14 |
5 |
0 |
2 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
Трагический герой |
359 | 145 |
3 |
15 |
28 |
15 |
18 |
7 |
9 |
6 |
12 |
11 |
13 |
8 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
Печорин как писатель |
827 | 144 |
4 |
21 |
27 |
12 |
14 |
10 |
6 |
4 |
10 |
11 |
10 |
15 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
Сон как нонсенс в "Войне и мире" |
458 | 143 |
7 |
17 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
10 |
14 |
0 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
Избранница народного слова |
2262 | 143 |
7 |
17 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
13 |
12 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
Ферапонтово. Коллекция |
1823 | 143 |
4 |
17 |
28 |
17 |
22 |
5 |
4 |
6 |
5 |
13 |
15 |
7 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Лирика |
3012 | 143 |
4 |
15 |
27 |
24 |
16 |
8 |
2 |
6 |
8 |
9 |
13 |
11 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
Алексиевич. Чернобыль |
950 | 142 |
5 |
19 |
23 |
15 |
16 |
10 |
5 |
11 |
4 |
10 |
17 |
7 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
Липки |
2638 | 142 |
1 |
17 |
30 |
13 |
21 |
10 |
6 |
5 |
6 |
9 |
11 |
13 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Мысль изреченная |
2447 | 142 |
1 |
22 |
21 |
14 |
15 |
9 |
6 |
8 |
10 |
7 |
15 |
14 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
Как в "Превращении" Кафки выражена идея торжества разума |
689 | 141 |
3 |
15 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
11 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
Почему в Прибалтике не проходит русский бунт |
2423 | 141 |
9 |
30 |
18 |
12 |
16 |
5 |
6 |
3 |
7 |
11 |
18 |
6 |
0 |
3 |
1 |
5 |
2 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
Совенок |
3526 | 141 |
3 |
15 |
30 |
7 |
18 |
10 |
6 |
4 |
10 |
9 |
15 |
14 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
319 | 140 |
2 |
22 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
15 |
14 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
Горе от ума или ум от горя. Перевертыши |
700 | 140 |
5 |
19 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
10 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
Лампа Мафусаила |
1466 | 140 |
2 |
19 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
13 |
13 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
351 | 140 |
5 |
16 |
22 |
17 |
22 |
8 |
7 |
2 |
7 |
9 |
11 |
14 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
"Коршун" Тютчева - материализм и идеализм |
494 | 140 |
4 |
16 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
13 |
11 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
886 | 139 |
4 |
15 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
Островский о романтической ипостаси русской литературы |
1038 | 139 |
2 |
20 |
28 |
14 |
16 |
9 |
8 |
4 |
6 |
6 |
12 |
14 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
Художник у Христа за пазухой |
2516 | 138 |
2 |
13 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
14 |
9 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Белая ворона |
2212 | 138 |
4 |
15 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
14 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1447 | 138 |
2 |
18 |
31 |
11 |
14 |
8 |
15 |
5 |
5 |
6 |
10 |
13 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
Маркетинг науки, или Научный маркетинг |
2868 | 138 |
5 |
17 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
12 |
13 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Искушение как психологический прием |
2709 | 138 |
2 |
16 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Все по Салтыкову-Щедрину! |
4137 | 138 |
7 |
16 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
15 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
Ушки, ножки, рожки |
6326 | 137 |
3 |
19 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
10 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1480 | 137 |
5 |
14 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
13 |
14 |
0 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Что в имени мне твоем |
2800 | 137 |
5 |
13 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
10 |
12 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
Собрание обратных цитат о любви |
2822 | 136 |
3 |
12 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
15 |
13 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
Буддистский колобок |
2606 | 136 |
5 |
19 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
10 |
11 |
0 |
1 |
3 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
По поводу некоторых неточностей Евгения Клюева |
2236 | 136 |
4 |
24 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
7 |
0 |
0 |
0 |
4 |
2 |
4 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Был ли влюблен Иван Васильевич в Вареньку? |
419 | 136 |
2 |
16 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
11 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
Монтажная композиция |
296 | 136 |
3 |
12 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
12 |
9 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
Советы |
2238 | 135 |
5 |
15 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
10 |
14 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
Ведьмостиший больше не будет |
2822 | 135 |
6 |
18 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
12 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
Средства художественной изобразительности |
1381 | 135 |
2 |
24 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
13 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
Ленин как поэт Серебряного века |
1186 | 135 |
5 |
15 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
15 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Хлестаков и Печорин |
1176 | 135 |
3 |
21 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
14 |
18 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
Введение в чтение Гоголя. Хлестаков |
494 | 134 |
4 |
16 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
10 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
Дан прислал |
775 | 134 |
6 |
15 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
11 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
Символика цвета |
225 | 134 |
5 |
19 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
10 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Утенок |
4379 | 134 |
3 |
15 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
13 |
11 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
Классицизм |
337 | 134 |
2 |
18 |
27 |
14 |
17 |
8 |
4 |
4 |
9 |
8 |
15 |
8 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
5 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
Вот и обсудили! |
2480 | 134 |
2 |
16 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
Андрей Болконский - Дон Кихот |
532 | 134 |
1 |
20 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
Достоевский и риторические вопросы (диатриба) |
485 | 133 |
2 |
20 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
13 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
Атрибуты беса |
2932 | 133 |
4 |
18 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
15 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
Галич и Мандельштам вокруг образа вождя |
316 | 133 |
4 |
19 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
9 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
Проблематика произведений. Богатство и бедность |
439 | 133 |
5 |
22 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
10 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
Как работает поэтика абсурда |
4272 | 133 |
4 |
18 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
9 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
Отражение. Две рецензии на стихи Феликса Когана |
3243 | 133 |
6 |
19 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
14 |
8 |
0 |
1 |
3 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
Киев старый и новый |
2154 | 132 |
3 |
16 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
7 |
14 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
996 | 132 |
2 |
16 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
Страсть и поэзия |
1762 | 132 |
4 |
21 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
11 |
10 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
Возвращение блудного Чацкого |
701 | 132 |
6 |
17 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
7 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
695 | 132 |
6 |
15 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
7 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
Социальные болезни Стихи.ру |
6849 | 132 |
2 |
14 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
10 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Письмо Татьяны. Общие места - романтизмы |
502 | 131 |
3 |
14 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Методология работы критика над текстом |
2314 | 131 |
3 |
17 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
12 |
11 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
Пространство в живописи текста у Гоголя |
583 | 130 |
1 |
16 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
10 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
Эпилог |
241 | 130 |
4 |
19 |
25 |
16 |
14 |
6 |
5 |
3 |
6 |
6 |
13 |
13 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
О чем поют сферы Гоголя |
742 | 130 |
3 |
16 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
11 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
Мир как книга |
802 | 130 |
3 |
15 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
9 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
Воинство Сергия Радонежского |
4230 | 130 |
6 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
11 |
10 |
11 |
12 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
Теория диссоциаций и Булгаков |
1116 | 129 |
3 |
18 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
8 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
Теософия и поэзия |
896 | 129 |
3 |
25 |
20 |
13 |
15 |
7 |
7 |
5 |
7 |
5 |
14 |
8 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
Лисенок в курятнике Стихи.ру |
5837 | 129 |
4 |
15 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
15 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
Бессмертие и спасение |
2467 | 129 |
3 |
25 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
13 |
9 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
Легенда о великом инквизиторе |
889 | 129 |
3 |
17 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
10 |
15 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
19 августа 1991 года |
2213 | 129 |
7 |
14 |
20 |
14 |
13 |
8 |
7 |
4 |
6 |
13 |
12 |
11 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3263 | 128 |
5 |
15 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
12 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
О чем умолчал в своем докладе доктор Борменталь |
515 | 128 |
3 |
15 |
18 |
13 |
19 |
7 |
7 |
5 |
7 |
10 |
12 |
12 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
Паломничество убогой (2 редакция) |
355 | 128 |
6 |
13 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
9 |
14 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
Миф о времени |
2236 | 128 |
2 |
20 |
21 |
9 |
21 |
5 |
4 |
4 |
6 |
9 |
13 |
14 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
Снова по поводу "Тихого Дона" |
970 | 128 |
3 |
17 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
9 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
314 | 128 |
4 |
17 |
22 |
16 |
14 |
7 |
7 |
1 |
9 |
4 |
14 |
13 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
4 |
Сексуальность Гоголя |
569 | 128 |
3 |
15 |
20 |
14 |
19 |
7 |
5 |
2 |
8 |
9 |
14 |
12 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Базаров |
797 | 128 |
8 |
14 |
25 |
18 |
15 |
7 |
6 |
1 |
7 |
8 |
10 |
9 |
0 |
0 |
4 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2231 | 128 |
4 |
16 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
11 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Литературоведение - наука или "Humanities and Arts"... |
2283 | 128 |
5 |
17 |
24 |
9 |
14 |
9 |
6 |
2 |
11 |
7 |
13 |
11 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
Заголовок |
240 | 128 |
5 |
19 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
12 |
10 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
Темное вещество, абсолютный дух и человеческая цивилизация |
790 | 127 |
3 |
14 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
Смех без причины |
2495 | 127 |
3 |
20 |
31 |
5 |
13 |
6 |
3 |
7 |
6 |
7 |
15 |
11 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
Ведение в чтение Гоголя. Шинель |
850 | 127 |
3 |
15 |
25 |
13 |
15 |
8 |
6 |
3 |
7 |
6 |
12 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1185 | 127 |
0 |
22 |
21 |
13 |
15 |
11 |
4 |
1 |
9 |
9 |
10 |
12 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Реформы Путина и моя им гегельянская поддержка |
2594 | 126 |
5 |
16 |
25 |
8 |
19 |
5 |
5 |
2 |
12 |
6 |
12 |
11 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
Демократия как искусство для искусства |
2664 | 126 |
6 |
16 |
25 |
9 |
20 |
3 |
8 |
3 |
6 |
7 |
17 |
6 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
Пушкин |
5854 | 126 |
3 |
13 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
14 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
Совет- не любовь |
2476 | 126 |
5 |
10 |
24 |
12 |
19 |
5 |
5 |
6 |
10 |
7 |
12 |
11 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Двуединство добра |
2651 | 125 |
2 |
23 |
21 |
11 |
21 |
6 |
5 |
3 |
7 |
6 |
10 |
10 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
Дурное общество |
816 | 125 |
2 |
17 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
10 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
Каким должен быть правитель |
363 | 125 |
5 |
10 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
7 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
Аллегория как эпитет |
1219 | 125 |
1 |
16 |
25 |
12 |
17 |
8 |
9 |
1 |
7 |
6 |
11 |
12 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
+7 |
2008 | 125 |
6 |
16 |
19 |
11 |
18 |
9 |
8 |
3 |
5 |
6 |
11 |
13 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
Джулиан Барнс в защиту критики |
2497 | 125 |
7 |
21 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
10 |
8 |
0 |
1 |
1 |
5 |
2 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
"Хлыстовская богородица" Маяковского |
1168 | 125 |
3 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
5 |
11 |
10 |
12 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
Романтизм |
341 | 125 |
4 |
20 |
26 |
14 |
15 |
5 |
8 |
3 |
7 |
4 |
11 |
8 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Компьютер и сексуальная революция писателя |
2669 | 125 |
3 |
11 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
5 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
Ведение в чтение Гоголя |
715 | 125 |
3 |
16 |
29 |
14 |
16 |
7 |
3 |
3 |
9 |
3 |
13 |
9 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
Крочечка Хаврошечка |
579 | 125 |
6 |
11 |
31 |
12 |
17 |
8 |
3 |
3 |
6 |
8 |
10 |
10 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
Сила детской публицистики |
1217 | 125 |
3 |
16 |
26 |
11 |
17 |
6 |
8 |
7 |
8 |
6 |
10 |
7 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Введение в чтение Гоголя. Нос |
535 | 124 |
7 |
13 |
28 |
16 |
16 |
7 |
5 |
0 |
6 |
6 |
11 |
9 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
Инструкция создателям искусственного разума |
2307 | 124 |
5 |
15 |
24 |
9 |
15 |
5 |
3 |
3 |
4 |
18 |
13 |
10 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
Проклятое место, проклятые вопросы |
2959 | 124 |
4 |
16 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
14 |
10 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
Конек-горбунок |
834 | 123 |
4 |
15 |
27 |
16 |
16 |
9 |
3 |
4 |
5 |
5 |
13 |
6 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
Введение в чтение Лермонтова. Система отражений |
409 | 123 |
4 |
15 |
24 |
19 |
12 |
8 |
4 |
1 |
7 |
6 |
11 |
12 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Мастер и Маргарита. Кто написал притчу? |
940 | 123 |
2 |
19 |
21 |
14 |
16 |
5 |
8 |
2 |
9 |
7 |
9 |
11 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
Невозможность гения эпохи |
406 | 123 |
3 |
13 |
23 |
17 |
18 |
7 |
2 |
2 |
6 |
9 |
12 |
11 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
740 | 123 |
5 |
16 |
24 |
17 |
15 |
6 |
4 |
2 |
8 |
6 |
12 |
8 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
Короля делает свита |
2107 | 122 |
5 |
17 |
25 |
16 |
12 |
8 |
3 |
3 |
9 |
3 |
13 |
8 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Интервью с Игорем Панариным |
2350 | 122 |
4 |
15 |
25 |
14 |
15 |
4 |
6 |
4 |
8 |
9 |
9 |
9 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
От финских хладных скал... |
2961 | 122 |
4 |
17 |
22 |
12 |
18 |
5 |
7 |
3 |
10 |
5 |
12 |
7 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
Чужая сказка |
2331 | 122 |
3 |
16 |
33 |
14 |
15 |
6 |
6 |
3 |
7 |
3 |
8 |
8 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
Я начинаю обретать себя |
2247 | 122 |
4 |
12 |
28 |
9 |
14 |
7 |
6 |
3 |
8 |
8 |
16 |
7 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
Форум в контексте книги |
2890 | 122 |
4 |
20 |
18 |
14 |
17 |
6 |
5 |
3 |
7 |
8 |
12 |
8 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
Клопы от Фейербаха |
2960 | 122 |
3 |
19 |
20 |
5 |
22 |
10 |
4 |
4 |
7 |
10 |
10 |
8 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
Молодежь и общество потребления |
3562 | 122 |
6 |
16 |
25 |
5 |
16 |
6 |
9 |
3 |
9 |
6 |
10 |
11 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
О времени |
1008 | 117 |
5 |
15 |
22 |
13 |
16 |
5 |
3 |
4 |
6 |
7 |
13 |
8 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Государство Платона и Акунина |
758 | 117 |
2 |
16 |
28 |
11 |
14 |
7 |
5 |
4 |
5 |
5 |
8 |
12 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Грамматика абсурдиста |
2023 | 116 |
7 |
15 |
18 |
11 |
19 |
5 |
4 |
1 |
10 |
8 |
6 |
12 |
0 |
3 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
Отчуждение |
1009 | 116 |
4 |
15 |
29 |
10 |
18 |
4 |
2 |
2 |
4 |
10 |
9 |
9 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
Нам много миллионов лет. Каждому |
700 | 116 |
6 |
16 |
22 |
13 |
18 |
5 |
4 |
0 |
6 |
8 |
9 |
9 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
Бегемотик |
3176 | 116 |
3 |
15 |
19 |
5 |
18 |
5 |
7 |
6 |
9 |
4 |
15 |
10 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
Смысл и убеждение |
2083 | 116 |
1 |
18 |
26 |
9 |
14 |
6 |
5 |
2 |
8 |
6 |
11 |
10 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
Ангел в круге десятом |
604 | 116 |
3 |
20 |
23 |
12 |
14 |
4 |
3 |
4 |
6 |
8 |
9 |
10 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
Золото партии |
1776 | 116 |
4 |
10 |
23 |
12 |
17 |
3 |
2 |
7 |
5 |
12 |
11 |
10 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
415 | 115 |
4 |
12 |
25 |
17 |
10 |
5 |
5 |
3 |
6 |
7 |
12 |
9 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2014 | 115 |
5 |
15 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
7 |
13 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
Бог как конечное воплощение жажды славы |
1954 | 115 |
2 |
15 |
25 |
12 |
16 |
5 |
1 |
3 |
10 |
5 |
10 |
11 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
Почему Путин заинтересован в развитии гражданского общества |
2446 | 115 |
4 |
14 |
25 |
11 |
13 |
5 |
4 |
3 |
9 |
9 |
9 |
9 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
Байрон - предтеча русского реализма |
612 | 115 |
2 |
14 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
12 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
Шаров и его теодицея |
508 | 115 |
4 |
14 |
27 |
12 |
12 |
6 |
3 |
1 |
8 |
10 |
9 |
9 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
Вирус абсурда в рамках боровской Дополнительности |
1972 | 115 |
4 |
16 |
27 |
11 |
15 |
6 |
4 |
1 |
4 |
8 |
11 |
8 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
Честь как главная жизненная ценность у Достоевского |
425 | 114 |
2 |
15 |
21 |
15 |
15 |
3 |
5 |
5 |
4 |
7 |
11 |
11 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
"Добрый Филя" и проекция собеседника |
570 | 114 |
6 |
14 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
11 |
9 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2229 | 114 |
1 |
16 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
16 |
8 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
Введение в философию сказок |
524 | 114 |
4 |
10 |
29 |
13 |
14 |
7 |
7 |
1 |
7 |
5 |
12 |
5 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
О романе "Обратная Перспектива А.Столярова |
1229 | 113 |
4 |
16 |
25 |
11 |
16 |
6 |
4 |
1 |
6 |
6 |
10 |
8 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
Недоросль в меняющемся мире |
490 | 113 |
3 |
15 |
23 |
15 |
16 |
6 |
2 |
4 |
7 |
8 |
10 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Быков и Навальный |
494 | 113 |
2 |
14 |
21 |
11 |
16 |
5 |
6 |
4 |
4 |
11 |
11 |
8 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
"Детство" и уход из Ясной поляны |
253 | 113 |
4 |
14 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
16 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
Между прошлым и будущим |
469 | 113 |
2 |
19 |
22 |
16 |
11 |
6 |
3 |
3 |
7 |
6 |
10 |
8 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
Возможен ли герой нашего времени? |
476 | 112 |
7 |
13 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
10 |
0 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
О курсе реформ и курсе литературы |
806 | 112 |
7 |
21 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
9 |
6 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3000 | 112 |
6 |
11 |
20 |
9 |
13 |
5 |
6 |
4 |
7 |
5 |
19 |
7 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
Введение в чтение Гоголя |
706 | 111 |
2 |
19 |
18 |
15 |
13 |
4 |
5 |
5 |
8 |
8 |
8 |
6 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Форма абсолютной сути созидаемого |
657 | 111 |
1 |
20 |
20 |
9 |
18 |
3 |
5 |
3 |
4 |
6 |
13 |
9 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Иллич или упадок марксизма |
650 | 111 |
4 |
11 |
28 |
13 |
11 |
6 |
6 |
2 |
5 |
4 |
12 |
9 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
Преодоление расы |
1256 | 111 |
4 |
10 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
13 |
10 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Молчание - литературная преемственность |
521 | 111 |
3 |
18 |
19 |
11 |
15 |
4 |
6 |
3 |
7 |
6 |
10 |
9 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
Онтологическое обоснование гения эпохи |
1073 | 111 |
1 |
21 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
9 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
О Бродском - Имперский поэт? |
699 | 111 |
4 |
12 |
22 |
10 |
14 |
9 |
4 |
3 |
8 |
5 |
14 |
6 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
Деление на невозможность |
1921 | 110 |
3 |
13 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
11 |
12 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
К проблеме Израиля |
1183 | 110 |
4 |
13 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
8 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Пушкину миллиарды лет |
760 | 110 |
3 |
17 |
18 |
12 |
13 |
4 |
4 |
4 |
5 |
7 |
14 |
9 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
Категории добра и зла |
266 | 110 |
1 |
15 |
21 |
11 |
17 |
8 |
4 |
1 |
7 |
5 |
9 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
Пушкинский пленник |
520 | 110 |
3 |
16 |
23 |
15 |
14 |
7 |
5 |
2 |
4 |
5 |
7 |
9 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Эпос |
2045 | 109 |
3 |
12 |
25 |
8 |
11 |
9 |
4 |
2 |
7 |
7 |
12 |
9 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
Национальность биографа |
2740 | 109 |
3 |
16 |
19 |
10 |
16 |
5 |
8 |
2 |
8 |
5 |
9 |
8 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
Рванет-не рванет |
498 | 109 |
3 |
14 |
25 |
8 |
17 |
9 |
5 |
2 |
4 |
5 |
9 |
8 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
Технические болезни Стихиры |
2391 | 109 |
3 |
14 |
21 |
14 |
13 |
6 |
5 |
1 |
6 |
6 |
8 |
12 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
Время и правители |
1041 | 108 |
4 |
18 |
21 |
13 |
11 |
6 |
3 |
2 |
6 |
8 |
8 |
8 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Онегин - лицеист? |
498 | 108 |
3 |
16 |
18 |
13 |
11 |
4 |
5 |
2 |
8 |
5 |
13 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
Необходимое или цель - искусство? |
525 | 108 |
4 |
11 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
7 |
12 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Ну и реклама сейчас у Проханова |
1912 | 107 |
6 |
8 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
7 |
8 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
"Шиповник цветет" - не сжигай |
513 | 107 |
5 |
14 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
9 |
10 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Государыня Россия |
2169 | 107 |
4 |
15 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
10 |
9 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
Удача и капуста |
2243 | 106 |
7 |
11 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
9 |
8 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
"Сретенье " Бродского как трансляция |
394 | 106 |
3 |
17 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
8 |
8 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
Рубцов и формальный метод |
2435 | 105 |
5 |
15 |
26 |
8 |
12 |
7 |
3 |
1 |
7 |
4 |
10 |
7 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
Бы да кабы |
692 | 104 |
4 |
18 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
12 |
5 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
День 7 ноября |
762 | 100 |
6 |
10 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
10 |
5 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
Радио Свобода, Цру и великая русская литература |
2277 | 98 |
2 |
17 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
12 |
6 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
Литературоведение, рабство и пенсионная реформа |
904 | 97 |
4 |
15 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
13 |
5 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
Менеджеры и профессионалы |
2094 | 97 |
3 |
16 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
6 |
11 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |