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Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
По разделу | 693392 | 1582 | 58 | 201 | 206 | 196 | 187 | 130 | 105 | 103 | 90 | 90 | 98 | 118 | 0 | 9 | 20 | 7 | 6 | 5 | 5 | 6 | 6 | 5 | 3 | 6 | 5 | 4 | 3 | 4 | 5 | 4 | 6 | 6 | 4 | 6 | 15 | 6 | 4 | 6 | 11 | 10 | 15 | 11 | 7 | 4 | 4 | 4 | 7 | 8 | 10 | 5 | 7 | 7 | 7 | 10 | 12 | 7 | 6 | 5 | 6 | 7 | 9 | 7 | 7 | 11 | 5 | 8 | 6 | 9 | 7 | 9 | 5 | 9 | 5 | 6 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя | 2519 | 958 | 28 | 147 | 174 | 137 | 158 | 90 | 42 | 48 | 34 | 33 | 28 | 39 | 0 | 2 | 1 | 7 | 2 | 5 | 5 | 6 | 6 | 4 | 3 | 2 | 3 | 3 | 0 | 4 | 1 | 4 | 6 | 4 | 4 | 6 | 4 | 2 | 0 | 4 | 11 | 10 | 15 | 11 | 7 | 1 | 2 | 4 | 5 | 8 | 9 | 2 | 2 | 7 | 5 | 10 | 12 | 7 | 3 | 4 | 6 | 1 | 9 | 5 | 3 | 11 | 2 | 5 | 6 | 9 | 7 | 9 | 2 | 9 | 5 | 4 |
Поэтика абсурда в аспекте литературно-художественной методологии | 28925 | 942 | 26 | 107 | 138 | 116 | 94 | 67 | 70 | 73 | 53 | 52 | 69 | 77 | 0 | 4 | 3 | 5 | 5 | 3 | 2 | 4 | 3 | 5 | 3 | 6 | 5 | 0 | 2 | 1 | 3 | 1 | 3 | 3 | 1 | 2 | 3 | 2 | 1 | 6 | 5 | 5 | 3 | 3 | 1 | 4 | 1 | 4 | 7 | 5 | 10 | 3 | 6 | 6 | 7 | 7 | 7 | 2 | 4 | 3 | 2 | 7 | 6 | 7 | 7 | 4 | 2 | 8 | 4 | 7 | 6 | 4 | 5 | 6 | 4 | 3 |
Метод приведения к абсурду в школьной классике | 1544 | 406 | 16 | 60 | 37 | 71 | 42 | 38 | 21 | 33 | 20 | 14 | 19 | 35 | 0 | 2 | 3 | 1 | 5 | 0 | 3 | 2 | 2 | 2 | 1 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 5 | 0 | 5 | 1 | 0 | 3 | 1 | 3 | 4 | 2 | 3 | 4 | 2 | 2 | 5 | 1 | 3 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 |
Гипербола и Гиперборея Маяковского | 769 | 386 | 16 | 37 | 43 | 61 | 37 | 32 | 25 | 27 | 25 | 23 | 31 | 29 | 0 | 4 | 2 | 3 | 0 | 1 | 5 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 6 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 4 | 2 | 3 | 0 | 2 | 2 | 2 | 3 | 5 | 4 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 3 |
Поэтика абсурда. Часть 1 | 2664 | 361 | 15 | 55 | 40 | 46 | 35 | 40 | 24 | 19 | 19 | 19 | 25 | 24 | 0 | 2 | 2 | 3 | 3 | 0 | 2 | 3 | 6 | 1 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 4 | 6 | 1 | 3 | 5 | 2 | 0 | 1 | 0 | 1 | 3 | 3 | 3 | 0 | 2 | 0 | 3 | 4 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 2 |
В чем философский смысл фильма "Остров проклятых" | 816 | 350 | 12 | 62 | 49 | 44 | 29 | 30 | 19 | 22 | 17 | 19 | 17 | 30 | 0 | 0 | 2 | 3 | 2 | 4 | 0 | 1 | 4 | 2 | 0 | 1 | 4 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 6 | 0 | 1 | 4 | 1 | 1 | 1 | 2 | 1 | 3 | 3 | 0 | 1 | 4 | 4 | 3 | 2 | 4 | 4 | 4 | 2 | 3 | 4 | 4 | 3 | 1 | 0 | 3 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
Мертвые души: хозяйственная бесхозяйственность | 1882 | 339 | 13 | 43 | 41 | 45 | 32 | 26 | 28 | 19 | 23 | 24 | 22 | 23 | 0 | 2 | 1 | 3 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 4 | 3 | 1 | 1 | 3 | 1 | 2 | 0 | 3 | 3 | 0 | 3 | 0 | 0 | 5 | 0 | 0 | 1 | 4 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 3 |
Внутренний монолог | 741 | 335 | 13 | 31 | 40 | 53 | 30 | 28 | 25 | 25 | 14 | 20 | 23 | 33 | 0 | 1 | 1 | 3 | 2 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 2 |
Печорин и декабристы - бесславие героев времени | 1203 | 326 | 14 | 47 | 47 | 55 | 39 | 26 | 16 | 12 | 8 | 14 | 22 | 26 | 0 | 0 | 1 | 2 | 4 | 1 | 3 | 3 | 4 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 4 | 6 | 1 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 2 | 6 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 2 |
Интерьер в "Капитанской дочке" | 1242 | 323 | 9 | 31 | 32 | 54 | 45 | 51 | 39 | 13 | 9 | 9 | 17 | 14 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 3 | 3 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 1 | 3 | 4 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 |
План анализа стихотворения | 452 | 289 | 11 | 30 | 23 | 34 | 28 | 25 | 21 | 20 | 22 | 19 | 19 | 37 | 0 | 0 | 0 | 4 | 1 | 2 | 3 | 1 | 1 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 |
Полифония Блока | 1338 | 283 | 8 | 35 | 38 | 42 | 31 | 31 | 23 | 13 | 9 | 10 | 17 | 26 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 2 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 6 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 6 |
Смертная казнь как эротика государственного самоубийства | 7460 | 280 | 6 | 42 | 36 | 47 | 28 | 14 | 23 | 13 | 14 | 20 | 20 | 17 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 2 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 4 | 2 | 5 | 5 | 1 | 0 | 4 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 5 | 1 | 3 | 0 | 2 | 0 | 1 | 2 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" | 766 | 276 | 11 | 35 | 28 | 34 | 19 | 28 | 10 | 14 | 15 | 20 | 26 | 36 | 0 | 2 | 1 | 5 | 0 | 0 | 3 | 0 | 4 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 3 | 3 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 |
Елена Чудинова. Мечеть Парижской Богоматери | 11601 | 274 | 12 | 41 | 19 | 35 | 18 | 23 | 34 | 15 | 17 | 17 | 24 | 19 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 3 | 1 | 4 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 |
Дуэль Онегина и Ленского | 1125 | 272 | 14 | 37 | 39 | 56 | 22 | 19 | 21 | 10 | 12 | 15 | 12 | 15 | 0 | 1 | 1 | 2 | 0 | 1 | 4 | 5 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 4 | 3 | 4 | 0 | 1 | 2 | 4 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 4 |
Кто убил старуху процентщицу? | 1892 | 272 | 13 | 29 | 29 | 44 | 29 | 31 | 16 | 22 | 19 | 10 | 13 | 17 | 0 | 0 | 2 | 3 | 2 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 5 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 4 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 |
Антитеза | 400 | 266 | 15 | 39 | 35 | 40 | 28 | 27 | 12 | 11 | 7 | 7 | 26 | 19 | 0 | 2 | 3 | 5 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 2 | 1 | 2 | 7 | 1 | 3 | 5 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 |
Шукшин ли "Хозяин бани и огорода"? | 1865 | 247 | 15 | 48 | 23 | 30 | 19 | 21 | 12 | 18 | 14 | 13 | 11 | 23 | 0 | 1 | 0 | 4 | 4 | 1 | 0 | 5 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 12 | 4 | 0 | 0 | 2 | 2 | 1 | 4 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Михаил Гарцев. История внутри нас | 4290 | 246 | 16 | 24 | 27 | 45 | 29 | 24 | 18 | 10 | 8 | 12 | 16 | 17 | 0 | 0 | 1 | 2 | 3 | 0 | 4 | 6 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 5 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Учимся мыслить логически | 3546 | 242 | 6 | 26 | 21 | 29 | 14 | 23 | 11 | 7 | 20 | 32 | 35 | 18 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 |
Энтропия.net | 5936 | 241 | 11 | 27 | 23 | 33 | 17 | 26 | 18 | 17 | 14 | 14 | 22 | 19 | 0 | 1 | 1 | 1 | 4 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 5 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 |
Три пальмы | 1139 | 240 | 10 | 18 | 19 | 27 | 20 | 30 | 23 | 20 | 21 | 16 | 15 | 21 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Сюжет: событие, действие, мотив | 401 | 239 | 3 | 27 | 24 | 35 | 22 | 25 | 16 | 10 | 16 | 14 | 15 | 32 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 4 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича | 5600 | 234 | 21 | 22 | 32 | 32 | 17 | 18 | 17 | 12 | 11 | 18 | 9 | 25 | 0 | 4 | 10 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
"История Рода Толстых - история России". Фоторепортаж | 5489 | 232 | 10 | 28 | 21 | 34 | 16 | 26 | 22 | 14 | 10 | 20 | 16 | 15 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 4 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 5 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
Образ России в арт-среде Интернета | 2461 | 228 | 38 | 29 | 24 | 33 | 18 | 19 | 16 | 14 | 3 | 12 | 9 | 13 | 0 | 9 | 20 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 4 | 1 | 3 | 4 | 1 | 2 | 6 | 1 | 2 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Я играю вместе с мамой | 9521 | 228 | 8 | 24 | 38 | 33 | 18 | 24 | 20 | 10 | 6 | 19 | 13 | 15 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 |
Древесная лирика Хельги Ольшванг | 3598 | 221 | 6 | 36 | 30 | 40 | 28 | 13 | 17 | 8 | 5 | 11 | 11 | 16 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 6 | 4 | 1 | 3 | 3 | 0 | 3 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
Ведение в чтение Гоголя | 968 | 221 | 10 | 18 | 17 | 29 | 23 | 31 | 11 | 9 | 5 | 4 | 19 | 45 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Можно ли назвать Печорина фаталистом | 637 | 219 | 9 | 35 | 34 | 32 | 24 | 16 | 14 | 10 | 6 | 12 | 12 | 15 | 0 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 4 | 1 | 0 | 2 | 1 | 5 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 4 |
Кот Васька в своей квартире | 7711 | 217 | 9 | 28 | 25 | 29 | 16 | 31 | 11 | 9 | 12 | 15 | 16 | 16 | 0 | 0 | 0 | 4 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 4 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 |
Автобиографизм и автопсихологизм | 524 | 217 | 12 | 30 | 30 | 30 | 30 | 23 | 11 | 9 | 8 | 8 | 9 | 17 | 0 | 1 | 1 | 4 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 3 | 3 | 0 | 3 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 |
Пестрый дятел | 4506 | 216 | 14 | 24 | 22 | 23 | 14 | 19 | 11 | 12 | 6 | 21 | 14 | 36 | 0 | 2 | 2 | 1 | 3 | 2 | 0 | 4 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 3 | 1 | 0 | 4 | 1 | 1 | 0 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
Кто как кричит | 4350 | 213 | 10 | 28 | 26 | 29 | 15 | 19 | 13 | 8 | 9 | 12 | 18 | 26 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 5 | 3 | 2 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 |
Кто на самом деле ввходит в комнату к Юрию Живаго | 810 | 209 | 14 | 24 | 18 | 41 | 25 | 25 | 7 | 12 | 5 | 9 | 8 | 21 | 0 | 0 | 1 | 4 | 2 | 2 | 2 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 4 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Карнавал и декарнавализация | 3984 | 206 | 23 | 28 | 25 | 22 | 19 | 15 | 15 | 9 | 2 | 10 | 6 | 32 | 0 | 4 | 9 | 3 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 3 | 5 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург | 2653 | 202 | 9 | 23 | 26 | 35 | 12 | 24 | 15 | 5 | 13 | 12 | 9 | 19 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 3 | 0 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Достоевский и конец истории | 3360 | 201 | 26 | 27 | 19 | 29 | 12 | 19 | 9 | 5 | 8 | 13 | 16 | 18 | 0 | 4 | 11 | 4 | 3 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
К вопросу о Фрейде и православии | 2959 | 201 | 6 | 27 | 18 | 34 | 17 | 25 | 14 | 7 | 11 | 13 | 14 | 15 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 2 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
Что на небе | 7953 | 199 | 7 | 29 | 31 | 36 | 11 | 20 | 11 | 8 | 7 | 9 | 10 | 20 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 3 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Ослик | 8215 | 199 | 6 | 18 | 22 | 35 | 12 | 18 | 17 | 14 | 8 | 10 | 12 | 27 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 |
Медвежонок | 8840 | 198 | 8 | 18 | 25 | 27 | 24 | 17 | 17 | 8 | 11 | 10 | 12 | 21 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
Поэтика абсурда и образ Святой Земли | 3381 | 196 | 12 | 24 | 22 | 27 | 23 | 22 | 9 | 7 | 3 | 16 | 12 | 19 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Поэтика абсурда Маяковского | 1380 | 194 | 13 | 20 | 20 | 31 | 19 | 15 | 17 | 14 | 5 | 13 | 10 | 17 | 0 | 1 | 0 | 4 | 0 | 4 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 |
Комментариии к статье А.Виноградова о сетевой литературе | 3883 | 194 | 10 | 31 | 21 | 25 | 16 | 23 | 16 | 9 | 6 | 7 | 13 | 17 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 4 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
Самосознание сетевой литературы | 3860 | 194 | 20 | 25 | 22 | 24 | 11 | 19 | 14 | 13 | 7 | 13 | 14 | 12 | 0 | 5 | 9 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Сказка о гейзере на Стихире | 2839 | 194 | 10 | 25 | 20 | 38 | 21 | 27 | 9 | 8 | 8 | 7 | 5 | 16 | 0 | 0 | 1 | 5 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов | 5538 | 193 | 22 | 25 | 15 | 34 | 18 | 19 | 11 | 9 | 6 | 13 | 10 | 11 | 0 | 5 | 11 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
Анализ прозы | 345 | 193 | 7 | 17 | 16 | 23 | 18 | 22 | 18 | 8 | 8 | 11 | 9 | 36 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Натюрморт (Гоголь, Бродский, Есенин) | 777 | 192 | 18 | 19 | 21 | 30 | 25 | 16 | 9 | 15 | 4 | 8 | 11 | 16 | 0 | 7 | 8 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Александр Кушнер. Аполлон в траве | 4437 | 188 | 10 | 21 | 27 | 23 | 23 | 23 | 9 | 10 | 5 | 11 | 12 | 14 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 |
В защиту массовой литературы | 5500 | 188 | 21 | 28 | 17 | 33 | 8 | 23 | 8 | 7 | 4 | 10 | 11 | 18 | 0 | 7 | 8 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Юрий Поляков. Грибной царь | 3499 | 187 | 15 | 20 | 14 | 31 | 15 | 16 | 14 | 12 | 8 | 12 | 13 | 17 | 0 | 2 | 1 | 2 | 4 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 4 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Волчонок | 4064 | 187 | 9 | 20 | 22 | 38 | 14 | 25 | 11 | 9 | 3 | 7 | 12 | 17 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Язык и генетика | 4346 | 187 | 10 | 23 | 19 | 28 | 18 | 21 | 12 | 9 | 4 | 14 | 14 | 15 | 0 | 1 | 1 | 3 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? | 612 | 185 | 16 | 16 | 22 | 30 | 16 | 19 | 13 | 9 | 5 | 10 | 15 | 14 | 0 | 0 | 2 | 3 | 3 | 5 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
Психология - наука рабов | 6606 | 184 | 18 | 23 | 17 | 31 | 10 | 15 | 15 | 8 | 6 | 9 | 14 | 18 | 0 | 4 | 9 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
Расширит ли виртуальная реальность возможности познания истины | 3170 | 184 | 14 | 30 | 19 | 24 | 15 | 22 | 9 | 10 | 5 | 10 | 10 | 16 | 0 | 0 | 2 | 3 | 3 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Стихи для детей | 5315 | 184 | 20 | 23 | 17 | 22 | 12 | 18 | 9 | 10 | 9 | 13 | 10 | 21 | 0 | 4 | 9 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 5 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 |
Об одном фильме | 1240 | 183 | 21 | 25 | 19 | 24 | 16 | 20 | 12 | 8 | 8 | 6 | 14 | 10 | 0 | 4 | 9 | 1 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 |
Беженки белки в "Центральном парке" Хельги Ольшванг | 1299 | 182 | 8 | 27 | 17 | 33 | 14 | 22 | 6 | 10 | 4 | 11 | 12 | 18 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 5 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Маяковский и его философия | 1263 | 182 | 7 | 22 | 18 | 29 | 14 | 17 | 17 | 9 | 8 | 10 | 11 | 20 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
Сальери как образец | 1063 | 181 | 13 | 19 | 13 | 27 | 17 | 20 | 13 | 8 | 6 | 7 | 17 | 21 | 0 | 1 | 2 | 2 | 2 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Михаил Гарцев и сетевое письмо | 4351 | 180 | 9 | 23 | 20 | 32 | 17 | 16 | 14 | 6 | 5 | 9 | 10 | 19 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? | 678 | 179 | 9 | 23 | 17 | 29 | 15 | 19 | 8 | 6 | 7 | 10 | 16 | 20 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Ботинок | 3890 | 177 | 3 | 25 | 21 | 26 | 16 | 28 | 9 | 8 | 9 | 7 | 5 | 20 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 6 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
Зеркало | 2768 | 177 | 7 | 20 | 23 | 35 | 14 | 19 | 9 | 7 | 3 | 15 | 11 | 14 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Про что поэзия Барто? - да все про то! | 5687 | 176 | 19 | 22 | 21 | 24 | 15 | 19 | 8 | 11 | 3 | 11 | 14 | 9 | 0 | 4 | 8 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
Пейзаж в поэме Лермонтова | 638 | 176 | 9 | 19 | 21 | 31 | 17 | 20 | 8 | 9 | 3 | 10 | 15 | 14 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
Реминисценция | 422 | 175 | 8 | 21 | 18 | 31 | 13 | 19 | 12 | 13 | 7 | 9 | 9 | 15 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Поэтика абсурда при свете совести | 2625 | 175 | 11 | 26 | 21 | 29 | 18 | 18 | 7 | 5 | 5 | 10 | 9 | 16 | 0 | 1 | 1 | 2 | 1 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 0 | 0 | 2 | 4 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Пьер и Андрей | 1040 | 175 | 12 | 21 | 15 | 32 | 15 | 21 | 8 | 4 | 7 | 16 | 10 | 14 | 0 | 0 | 0 | 3 | 1 | 5 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 2 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Воспитание гениев | 860 | 174 | 11 | 24 | 19 | 29 | 12 | 24 | 8 | 8 | 4 | 6 | 11 | 18 | 0 | 0 | 1 | 2 | 1 | 4 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 5 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Потомки "Метрополя" | 5657 | 174 | 8 | 21 | 19 | 25 | 21 | 18 | 12 | 6 | 7 | 11 | 14 | 12 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" | 1459 | 174 | 10 | 30 | 21 | 19 | 19 | 23 | 7 | 6 | 7 | 10 | 10 | 12 | 0 | 0 | 1 | 1 | 4 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 6 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 |
Фотомастерская Вадима Месяца | 2804 | 174 | 6 | 28 | 21 | 25 | 15 | 25 | 17 | 8 | 5 | 5 | 11 | 8 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Евгений Водолазкин и поэтика абсурда | 1089 | 174 | 9 | 23 | 23 | 29 | 24 | 16 | 9 | 11 | 4 | 9 | 7 | 10 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 3 | 2 | 3 | 0 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 |
Ирония и автоирония | 336 | 173 | 8 | 29 | 24 | 28 | 24 | 21 | 7 | 6 | 2 | 6 | 5 | 13 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 2 | 5 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Ницше, ценности и Гегель | 2969 | 173 | 19 | 25 | 14 | 36 | 11 | 17 | 5 | 9 | 5 | 10 | 11 | 11 | 0 | 6 | 6 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Гегельянство в России | 932 | 173 | 6 | 29 | 20 | 24 | 17 | 22 | 7 | 6 | 4 | 11 | 16 | 11 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 3 | 2 | 0 | 1 | 0 | 2 | 2 | 4 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Anti-Dan | 3092 | 173 | 7 | 28 | 19 | 27 | 17 | 19 | 9 | 8 | 4 | 11 | 11 | 13 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Информация о владельце раздела | 3167 | 173 | 11 | 21 | 25 | 27 | 17 | 18 | 8 | 4 | 4 | 8 | 12 | 18 | 0 | 0 | 0 | 6 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 |
Замятин "Мы". Конспект урока | 777 | 173 | 5 | 21 | 19 | 28 | 25 | 20 | 13 | 7 | 3 | 9 | 6 | 17 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
О "Медном всаднике" | 987 | 172 | 10 | 17 | 24 | 21 | 23 | 22 | 15 | 6 | 5 | 7 | 7 | 15 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? | 576 | 172 | 7 | 22 | 19 | 26 | 19 | 28 | 5 | 5 | 5 | 11 | 12 | 13 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Почему поэзия должна быть глуповата | 2999 | 172 | 7 | 20 | 19 | 29 | 25 | 25 | 8 | 7 | 2 | 10 | 9 | 11 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 3 | 3 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Эмоции | 928 | 172 | 8 | 20 | 24 | 38 | 17 | 22 | 3 | 8 | 4 | 7 | 7 | 14 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Вирус абсурда в истории человеческой культуры | 2185 | 171 | 18 | 19 | 15 | 39 | 15 | 19 | 7 | 9 | 4 | 6 | 9 | 11 | 0 | 3 | 10 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Дискуссия о гениальности, Достоевском и социальном запросе | 917 | 171 | 5 | 20 | 24 | 29 | 7 | 23 | 9 | 8 | 6 | 7 | 16 | 17 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
О любви к правителям и поэтам | 1058 | 171 | 11 | 19 | 18 | 29 | 8 | 25 | 10 | 10 | 5 | 10 | 11 | 15 | 0 | 0 | 0 | 5 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Рифма к городу | 3400 | 170 | 10 | 19 | 19 | 27 | 12 | 18 | 11 | 8 | 8 | 9 | 10 | 19 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Липки | 2679 | 170 | 23 | 19 | 17 | 30 | 13 | 21 | 10 | 6 | 5 | 6 | 9 | 11 | 0 | 7 | 9 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
В поисках смысла сетевой литературы | 2543 | 170 | 10 | 21 | 16 | 29 | 18 | 21 | 10 | 7 | 7 | 8 | 9 | 14 | 0 | 0 | 0 | 3 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 5 | 1 | 4 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Письмо Ольги Пушкину | 1058 | 170 | 9 | 22 | 15 | 28 | 15 | 21 | 9 | 5 | 7 | 10 | 13 | 16 | 0 | 0 | 0 | 2 | 3 | 4 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 4 | 4 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? | 481 | 169 | 9 | 24 | 18 | 28 | 22 | 14 | 10 | 14 | 4 | 6 | 5 | 15 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Трагический герой | 391 | 169 | 11 | 24 | 15 | 28 | 15 | 18 | 7 | 9 | 6 | 12 | 11 | 13 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Абсурдизм | 3578 | 168 | 6 | 24 | 22 | 20 | 13 | 15 | 13 | 15 | 6 | 9 | 11 | 14 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
Монтажная композиция | 417 | 167 | 7 | 26 | 20 | 19 | 23 | 22 | 14 | 7 | 4 | 5 | 6 | 14 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Какой плод у дерева | 2893 | 167 | 19 | 17 | 22 | 27 | 10 | 16 | 9 | 6 | 10 | 8 | 9 | 14 | 0 | 3 | 8 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Памятник Румянцеву в "Капитанской дочке" | 677 | 167 | 12 | 21 | 21 | 24 | 15 | 17 | 14 | 12 | 6 | 6 | 8 | 11 | 0 | 0 | 1 | 3 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 3 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 |
С кем я познакомилась на Си | 3331 | 166 | 7 | 27 | 15 | 22 | 12 | 26 | 17 | 7 | 6 | 4 | 11 | 12 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты | 746 | 166 | 8 | 18 | 21 | 33 | 15 | 15 | 7 | 11 | 5 | 9 | 12 | 12 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Пушкинские и лермонтовские мотивы у Некрасова | 678 | 166 | 21 | 15 | 12 | 26 | 16 | 20 | 8 | 12 | 6 | 11 | 7 | 12 | 0 | 4 | 8 | 2 | 1 | 1 | 0 | 5 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
Этапы эволюции вируса абсурда в России | 3162 | 166 | 12 | 19 | 17 | 30 | 18 | 17 | 8 | 6 | 2 | 8 | 16 | 13 | 0 | 0 | 0 | 1 | 2 | 4 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Чудачество и донкихотство. Шукшин и Сервантес | 1255 | 166 | 11 | 23 | 19 | 24 | 13 | 18 | 9 | 10 | 4 | 8 | 16 | 11 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Иду, а к ногам моим падает вдруг кипятильник | 2239 | 166 | 9 | 21 | 20 | 29 | 18 | 16 | 9 | 6 | 6 | 8 | 7 | 17 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) | 518 | 166 | 10 | 25 | 16 | 25 | 16 | 18 | 8 | 6 | 4 | 10 | 13 | 15 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 3 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
То было двух бесов изображенье | 383 | 165 | 6 | 20 | 20 | 31 | 18 | 16 | 10 | 9 | 6 | 8 | 9 | 12 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Почему в Прибалтике не проходит русский бунт | 2453 | 165 | 9 | 30 | 30 | 18 | 12 | 16 | 5 | 6 | 3 | 7 | 11 | 18 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 3 | 1 | 5 | 2 | 3 | 3 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 |
Каждый знает | 6523 | 164 | 9 | 19 | 16 | 32 | 15 | 22 | 8 | 7 | 10 | 6 | 6 | 14 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Что в имени мне твоем | 2839 | 164 | 19 | 25 | 13 | 24 | 15 | 20 | 10 | 7 | 5 | 7 | 9 | 10 | 0 | 4 | 8 | 4 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 6 | 3 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
Символизм | 352 | 164 | 9 | 22 | 15 | 30 | 12 | 20 | 12 | 15 | 4 | 8 | 3 | 14 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Галич и Мандельштам вокруг образа вождя | 355 | 163 | 24 | 19 | 19 | 23 | 19 | 17 | 8 | 4 | 3 | 8 | 7 | 12 | 0 | 4 | 12 | 2 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
Автометафора | 498 | 163 | 7 | 22 | 24 | 28 | 16 | 14 | 7 | 4 | 6 | 6 | 15 | 14 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
Автопортрет, оксюморон | 602 | 163 | 9 | 28 | 24 | 24 | 20 | 22 | 5 | 4 | 4 | 7 | 4 | 12 | 0 | 0 | 0 | 2 | 0 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 4 | 2 | 2 | 1 | 3 | 1 | 2 | 1 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Возвращение | 3179 | 163 | 9 | 14 | 23 | 29 | 16 | 18 | 10 | 4 | 5 | 10 | 11 | 14 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Искушение как психологический прием | 2745 | 163 | 21 | 17 | 16 | 23 | 10 | 15 | 10 | 9 | 7 | 10 | 12 | 13 | 0 | 4 | 10 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
Алексиевич. Чернобыль | 977 | 162 | 7 | 25 | 19 | 23 | 15 | 16 | 10 | 5 | 11 | 4 | 10 | 17 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Монтажная композиция | 331 | 162 | 16 | 22 | 12 | 29 | 20 | 16 | 4 | 5 | 4 | 13 | 9 | 12 | 0 | 3 | 9 | 1 | 1 | 0 | 0 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Ушки, ножки, рожки | 6360 | 161 | 22 | 15 | 19 | 28 | 10 | 15 | 7 | 6 | 8 | 6 | 9 | 16 | 0 | 4 | 11 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Ферапонтово. Коллекция | 1848 | 161 | 11 | 18 | 17 | 28 | 17 | 22 | 5 | 4 | 6 | 5 | 13 | 15 | 0 | 0 | 1 | 2 | 3 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
Почему легенду о Данко можно назвать сказкой-обманкой? | 511 | 161 | 9 | 23 | 15 | 26 | 19 | 15 | 10 | 6 | 5 | 12 | 10 | 11 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
Достоевский как оптимальная точка видения | 2840 | 160 | 9 | 18 | 21 | 30 | 12 | 21 | 8 | 8 | 7 | 5 | 5 | 16 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский | 3957 | 160 | 10 | 18 | 18 | 23 | 18 | 19 | 14 | 7 | 3 | 7 | 9 | 14 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 5 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Кирилл Юрьевич отбывает в Канаду | 2999 | 160 | 7 | 23 | 22 | 25 | 13 | 21 | 11 | 5 | 5 | 8 | 10 | 10 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
Самоубийство разума | 2953 | 160 | 10 | 18 | 14 | 23 | 16 | 21 | 10 | 6 | 7 | 10 | 11 | 14 | 0 | 0 | 0 | 3 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 5 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 |
Образы русской природы в лирике Рубцова | 524 | 160 | 10 | 19 | 17 | 26 | 19 | 17 | 7 | 6 | 4 | 15 | 9 | 11 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Вмешиваясь в разговор с богом | 3181 | 160 | 11 | 21 | 17 | 21 | 14 | 15 | 11 | 10 | 11 | 11 | 9 | 9 | 0 | 0 | 0 | 5 | 2 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 3 | 2 | 0 | 3 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Манифест | 2503 | 158 | 6 | 19 | 21 | 27 | 15 | 18 | 8 | 7 | 6 | 8 | 9 | 14 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
Рецензия на "Лампу Мафусаила...." Пелевина | 1479 | 157 | 11 | 23 | 18 | 31 | 11 | 14 | 8 | 15 | 5 | 5 | 6 | 10 | 0 | 2 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 5 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 3 | 0 | 0 |
Введение в чтение Гоголя. Хлестаков | 526 | 156 | 20 | 16 | 16 | 30 | 19 | 13 | 7 | 5 | 3 | 7 | 6 | 14 | 0 | 3 | 11 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
Буддистский колобок | 2637 | 156 | 23 | 13 | 19 | 30 | 14 | 20 | 7 | 7 | 1 | 6 | 6 | 10 | 0 | 5 | 10 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 4 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Избранница народного слова | 2286 | 155 | 9 | 22 | 17 | 27 | 16 | 20 | 8 | 5 | 4 | 8 | 6 | 13 | 0 | 0 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 3 | 3 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
Джулиан Барнс в защиту критики | 2535 | 155 | 14 | 31 | 21 | 23 | 10 | 14 | 8 | 7 | 4 | 10 | 3 | 10 | 0 | 2 | 0 | 5 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 3 | 4 | 1 | 1 | 5 | 2 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 |
Паломничество убогой | 2590 | 155 | 6 | 23 | 14 | 24 | 9 | 15 | 5 | 2 | 22 | 13 | 11 | 11 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
По поводу некоторых неточностей Евгения Клюева | 2262 | 155 | 9 | 21 | 24 | 26 | 16 | 18 | 6 | 9 | 2 | 5 | 4 | 15 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 4 | 0 | 0 | 4 | 2 | 4 | 2 | 2 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
Сон как нонсенс в "Войне и мире" | 483 | 154 | 8 | 24 | 17 | 26 | 17 | 18 | 6 | 8 | 5 | 6 | 9 | 10 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 3 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Что общего между не любящими друг друга Раскольниковым и Лужиным | 910 | 154 | 6 | 22 | 15 | 25 | 18 | 14 | 10 | 8 | 5 | 8 | 10 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Лампа Мафусаила | 1493 | 154 | 9 | 20 | 19 | 25 | 15 | 16 | 7 | 8 | 3 | 9 | 10 | 13 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
Компьютер и сексуальная революция писателя | 2703 | 154 | 21 | 16 | 11 | 27 | 11 | 20 | 9 | 5 | 6 | 7 | 9 | 12 | 0 | 5 | 8 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Символика цвета | 255 | 154 | 8 | 27 | 19 | 24 | 16 | 18 | 7 | 7 | 6 | 5 | 5 | 12 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
Теория диссоциаций и Булгаков | 1148 | 153 | 9 | 26 | 18 | 23 | 15 | 21 | 6 | 5 | 3 | 4 | 10 | 13 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 4 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Бессмертие и спасение | 2500 | 153 | 9 | 27 | 25 | 31 | 8 | 17 | 7 | 4 | 1 | 6 | 5 | 13 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 3 | 3 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
Дан прислал | 805 | 153 | 12 | 24 | 15 | 20 | 17 | 18 | 9 | 4 | 6 | 7 | 10 | 11 | 0 | 1 | 3 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 3 | 0 | 2 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Как в "Превращении" Кафки выражена идея торжества разума | 715 | 153 | 7 | 22 | 15 | 21 | 19 | 18 | 4 | 7 | 11 | 8 | 10 | 11 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Вот и обсудили! | 2508 | 153 | 8 | 22 | 16 | 21 | 14 | 17 | 13 | 10 | 6 | 7 | 9 | 10 | 0 | 0 | 0 | 1 | 6 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 4 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Островский о романтической ипостаси русской литературы | 1066 | 153 | 9 | 21 | 20 | 28 | 14 | 16 | 9 | 8 | 4 | 6 | 6 | 12 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Печорин как писатель | 851 | 153 | 9 | 19 | 21 | 27 | 12 | 14 | 10 | 6 | 4 | 10 | 11 | 10 | 0 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Лирика | 3033 | 153 | 7 | 18 | 15 | 27 | 24 | 16 | 8 | 2 | 6 | 8 | 9 | 13 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 6 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 |
Ведьмостиший больше не будет | 2851 | 152 | 19 | 16 | 18 | 25 | 12 | 17 | 8 | 5 | 4 | 4 | 13 | 11 | 0 | 4 | 7 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Художник у Христа за пазухой | 2539 | 152 | 8 | 17 | 13 | 29 | 15 | 19 | 8 | 6 | 4 | 11 | 8 | 14 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
О курсе реформ и курсе литературы | 852 | 152 | 24 | 29 | 21 | 24 | 7 | 17 | 5 | 3 | 2 | 5 | 6 | 9 | 0 | 4 | 11 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 5 | 2 | 2 | 3 | 2 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 |
Горе от ума или ум от горя. Перевертыши | 722 | 152 | 7 | 20 | 19 | 22 | 15 | 16 | 6 | 8 | 4 | 13 | 12 | 10 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
Снова по поводу "Тихого Дона" | 1003 | 152 | 12 | 24 | 17 | 22 | 14 | 19 | 6 | 5 | 3 | 10 | 6 | 14 | 0 | 0 | 1 | 2 | 5 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 5 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" | 1509 | 152 | 10 | 24 | 14 | 25 | 17 | 19 | 6 | 8 | 4 | 6 | 6 | 13 | 0 | 1 | 0 | 3 | 4 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 4 | 2 | 0 | 3 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Бунт против Гегеля | 3044 | 151 | 21 | 20 | 23 | 26 | 6 | 15 | 6 | 5 | 3 | 5 | 10 | 11 | 0 | 3 | 9 | 4 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" | 376 | 151 | 8 | 22 | 16 | 22 | 17 | 22 | 8 | 7 | 2 | 7 | 9 | 11 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
Литературоведение - наука или "Humanities and Arts"... | 2317 | 151 | 21 | 18 | 17 | 24 | 9 | 14 | 9 | 6 | 2 | 11 | 7 | 13 | 0 | 2 | 10 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Возвращение блудного Чацкого | 726 | 150 | 11 | 20 | 17 | 19 | 10 | 17 | 9 | 10 | 4 | 8 | 6 | 19 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
Темное вещество, абсолютный дух и человеческая цивилизация | 822 | 150 | 8 | 27 | 14 | 26 | 12 | 18 | 8 | 5 | 4 | 6 | 9 | 13 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Я начинаю обретать себя | 2282 | 150 | 26 | 13 | 12 | 28 | 9 | 14 | 7 | 6 | 3 | 8 | 8 | 16 | 0 | 4 | 11 | 1 | 5 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Мысль изреченная | 2469 | 150 | 6 | 17 | 22 | 21 | 14 | 15 | 9 | 6 | 8 | 10 | 7 | 15 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 6 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Невозможность гения эпохи | 444 | 150 | 22 | 19 | 13 | 23 | 17 | 18 | 7 | 2 | 2 | 6 | 9 | 12 | 0 | 4 | 11 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Андрей Болконский - Дон Кихот | 555 | 149 | 4 | 20 | 20 | 28 | 19 | 13 | 7 | 4 | 3 | 13 | 7 | 11 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 |
Как работает поэтика абсурда | 4297 | 149 | 10 | 19 | 18 | 22 | 16 | 10 | 12 | 7 | 4 | 8 | 8 | 15 | 0 | 0 | 0 | 3 | 0 | 5 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 |
"Коршун" Тютчева - материализм и идеализм | 514 | 149 | 6 | 18 | 16 | 29 | 15 | 18 | 9 | 6 | 6 | 5 | 8 | 13 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Кто в окошке. Сказочные звери | 3681 | 149 | 6 | 14 | 18 | 33 | 11 | 21 | 11 | 4 | 5 | 9 | 7 | 10 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Собрание обратных цитат о любви | 2847 | 148 | 11 | 17 | 12 | 32 | 15 | 15 | 7 | 3 | 4 | 7 | 10 | 15 | 0 | 0 | 0 | 4 | 2 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Страсть и поэзия | 1788 | 148 | 9 | 21 | 21 | 24 | 15 | 15 | 7 | 6 | 4 | 7 | 8 | 11 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Пространство в живописи текста у Гоголя | 611 | 148 | 8 | 21 | 16 | 26 | 20 | 14 | 7 | 8 | 5 | 4 | 8 | 11 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Интервью с Игорем Панариным | 2385 | 148 | 18 | 21 | 15 | 25 | 14 | 15 | 4 | 6 | 4 | 8 | 9 | 9 | 0 | 4 | 10 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Инструкция создателям искусственного разума | 2341 | 148 | 20 | 19 | 15 | 24 | 9 | 15 | 5 | 3 | 3 | 4 | 18 | 13 | 0 | 4 | 8 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
Демократия как искусство для искусства | 2692 | 148 | 9 | 25 | 16 | 25 | 9 | 20 | 3 | 8 | 3 | 6 | 7 | 17 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Совенок | 3547 | 148 | 5 | 19 | 15 | 30 | 7 | 18 | 10 | 6 | 4 | 10 | 9 | 15 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 |
Все по Салтыкову-Щедрину! | 4162 | 148 | 8 | 24 | 16 | 26 | 7 | 20 | 7 | 5 | 8 | 6 | 8 | 13 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
Короля делает свита | 2140 | 147 | 21 | 17 | 17 | 25 | 16 | 12 | 8 | 3 | 3 | 9 | 3 | 13 | 0 | 6 | 9 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 |
Литературные пейзажи Толстого | 1119 | 147 | 22 | 16 | 21 | 21 | 18 | 12 | 5 | 8 | 0 | 9 | 5 | 10 | 0 | 4 | 11 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? | 717 | 147 | 9 | 19 | 15 | 21 | 13 | 20 | 7 | 5 | 6 | 6 | 8 | 18 | 0 | 3 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Классицизм | 358 | 147 | 9 | 14 | 18 | 27 | 14 | 17 | 8 | 4 | 4 | 9 | 8 | 15 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 |
Мир как книга | 828 | 147 | 10 | 19 | 15 | 28 | 10 | 15 | 9 | 10 | 4 | 6 | 7 | 14 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Был ли влюблен Иван Васильевич в Вареньку? | 441 | 147 | 10 | 14 | 16 | 21 | 19 | 16 | 9 | 7 | 2 | 9 | 8 | 16 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Маркетинг науки, или Научный маркетинг | 2890 | 147 | 7 | 20 | 17 | 27 | 19 | 13 | 5 | 5 | 4 | 9 | 9 | 12 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 4 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Дурное общество | 846 | 146 | 19 | 13 | 17 | 29 | 16 | 15 | 7 | 2 | 2 | 8 | 8 | 10 | 0 | 4 | 11 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок | 339 | 146 | 6 | 16 | 22 | 30 | 14 | 16 | 7 | 6 | 2 | 7 | 5 | 15 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 |
Средства художественной изобразительности | 1405 | 146 | 7 | 19 | 24 | 27 | 13 | 12 | 7 | 4 | 3 | 8 | 11 | 11 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Базаров | 824 | 146 | 9 | 26 | 14 | 25 | 18 | 15 | 7 | 6 | 1 | 7 | 8 | 10 | 0 | 0 | 0 | 4 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 4 | 3 | 0 | 4 | 4 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
Социальные болезни Стихи.ру | 6873 | 146 | 7 | 19 | 14 | 26 | 9 | 19 | 9 | 5 | 3 | 9 | 11 | 15 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 |
Двуединство добра | 2681 | 145 | 13 | 19 | 23 | 21 | 11 | 21 | 6 | 5 | 3 | 7 | 6 | 10 | 0 | 1 | 0 | 1 | 2 | 0 | 5 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Достоевский и риторические вопросы (диатриба) | 510 | 145 | 7 | 20 | 20 | 25 | 18 | 17 | 5 | 8 | 3 | 5 | 4 | 13 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
О чем поют сферы Гоголя | 768 | 145 | 14 | 15 | 16 | 26 | 9 | 19 | 10 | 5 | 4 | 6 | 8 | 13 | 0 | 1 | 1 | 3 | 3 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Заголовок | 267 | 145 | 10 | 22 | 19 | 28 | 15 | 15 | 6 | 4 | 3 | 6 | 5 | 12 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 6 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Государство и общество: бюрократизм и свобода от бюрократии | 3156 | 144 | 21 | 17 | 10 | 27 | 8 | 14 | 6 | 6 | 3 | 6 | 7 | 19 | 0 | 5 | 7 | 3 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Проблематика произведений. Богатство и бедность | 460 | 144 | 9 | 17 | 22 | 28 | 15 | 14 | 7 | 4 | 4 | 5 | 6 | 13 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 |
Смысл и убеждение | 2121 | 144 | 23 | 16 | 18 | 26 | 9 | 14 | 6 | 5 | 2 | 8 | 6 | 11 | 0 | 5 | 11 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Методология работы критика над текстом | 2338 | 144 | 9 | 18 | 17 | 22 | 12 | 15 | 9 | 8 | 4 | 9 | 9 | 12 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
Популярные стили в изображении Гоголя | 292 | 144 | 19 | 17 | 16 | 27 | 14 | 13 | 5 | 4 | 2 | 6 | 5 | 16 | 0 | 3 | 10 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Лимерик | 2176 | 144 | 22 | 20 | 13 | 25 | 14 | 14 | 5 | 4 | 4 | 5 | 5 | 13 | 0 | 4 | 9 | 3 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 5 | 3 | 2 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Отражение. Две рецензии на стихи Феликса Когана | 3262 | 144 | 8 | 17 | 19 | 23 | 17 | 13 | 6 | 6 | 4 | 10 | 7 | 14 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 2 | 1 | 4 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" | 769 | 144 | 19 | 15 | 16 | 24 | 17 | 15 | 6 | 4 | 2 | 8 | 6 | 12 | 0 | 4 | 8 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Советы | 2260 | 143 | 6 | 21 | 15 | 25 | 14 | 16 | 7 | 6 | 4 | 7 | 12 | 10 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 |
Долой ыгэ! | 510 | 143 | 6 | 31 | 17 | 20 | 19 | 12 | 3 | 4 | 3 | 6 | 8 | 14 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Чужая сказка | 2360 | 143 | 16 | 16 | 16 | 33 | 14 | 15 | 6 | 6 | 3 | 7 | 3 | 8 | 0 | 4 | 8 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Белая ворона | 2231 | 143 | 8 | 15 | 15 | 28 | 11 | 16 | 2 | 6 | 4 | 12 | 11 | 15 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Утенок | 4399 | 143 | 6 | 17 | 15 | 32 | 10 | 18 | 8 | 6 | 5 | 5 | 8 | 13 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия | 2257 | 143 | 7 | 23 | 16 | 26 | 15 | 17 | 5 | 4 | 4 | 7 | 5 | 14 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Проклятое место, проклятые вопросы | 2988 | 143 | 9 | 24 | 16 | 22 | 8 | 20 | 9 | 5 | 3 | 7 | 6 | 14 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Киев старый и новый | 2178 | 142 | 6 | 21 | 16 | 28 | 10 | 20 | 6 | 6 | 7 | 4 | 11 | 7 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" | 1019 | 142 | 8 | 17 | 16 | 22 | 15 | 15 | 6 | 12 | 5 | 11 | 5 | 10 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Хельга Ольшванг в новом веке | 759 | 142 | 12 | 20 | 12 | 19 | 18 | 13 | 9 | 2 | 4 | 5 | 11 | 17 | 0 | 0 | 0 | 4 | 2 | 0 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Эпилог | 266 | 142 | 6 | 23 | 19 | 25 | 16 | 14 | 6 | 5 | 3 | 6 | 6 | 13 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
Неравный брак (лунное) | 730 | 142 | 20 | 15 | 14 | 27 | 9 | 18 | 3 | 2 | 5 | 5 | 7 | 17 | 0 | 5 | 7 | 4 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 3 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 |
Ленин как поэт Серебряного века | 1208 | 142 | 8 | 19 | 15 | 27 | 13 | 12 | 5 | 6 | 4 | 10 | 12 | 11 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 |
Теософия и поэзия | 916 | 141 | 9 | 14 | 25 | 20 | 13 | 15 | 7 | 7 | 5 | 7 | 5 | 14 | 0 | 1 | 0 | 4 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 2 | 3 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 2 |
Хлестаков и Печорин | 1200 | 141 | 7 | 20 | 21 | 25 | 14 | 17 | 4 | 6 | 3 | 4 | 6 | 14 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 |
Пушкин | 5883 | 141 | 8 | 24 | 13 | 22 | 15 | 15 | 9 | 6 | 2 | 9 | 6 | 12 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 4 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Отчуждение | 1042 | 140 | 9 | 28 | 15 | 29 | 10 | 18 | 4 | 2 | 2 | 4 | 10 | 9 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 15 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
Каким должен быть правитель | 385 | 140 | 7 | 20 | 10 | 22 | 12 | 18 | 6 | 6 | 3 | 10 | 14 | 12 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Лисенок в курятнике Стихи.ру | 5863 | 140 | 8 | 22 | 15 | 21 | 14 | 14 | 9 | 7 | 5 | 5 | 13 | 7 | 0 | 0 | 0 | 4 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 4 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Паломничество убогой (2 редакция) | 381 | 140 | 7 | 25 | 13 | 25 | 8 | 20 | 5 | 6 | 3 | 7 | 12 | 9 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Сила детской публицистики | 1239 | 140 | 8 | 17 | 16 | 26 | 11 | 17 | 6 | 8 | 7 | 8 | 6 | 10 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 6 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
О чем умолчал в своем докладе доктор Борменталь | 538 | 139 | 6 | 20 | 15 | 18 | 13 | 19 | 7 | 7 | 5 | 7 | 10 | 12 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 4 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
Конек-горбунок | 856 | 139 | 8 | 18 | 15 | 27 | 16 | 16 | 9 | 3 | 4 | 5 | 5 | 13 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Диалектика пути | 2613 | 139 | 11 | 18 | 15 | 31 | 9 | 16 | 7 | 2 | 2 | 7 | 8 | 13 | 0 | 0 | 0 | 4 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Реформы Путина и моя им гегельянская поддержка | 2618 | 139 | 9 | 20 | 16 | 25 | 8 | 19 | 5 | 5 | 2 | 12 | 6 | 12 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Романтизм | 363 | 139 | 11 | 15 | 20 | 26 | 14 | 15 | 5 | 8 | 3 | 7 | 4 | 11 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
Воинство Сергия Радонежского | 4251 | 139 | 6 | 21 | 18 | 26 | 12 | 11 | 7 | 6 | 0 | 11 | 10 | 11 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 4 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
Сеть и чудаки | 2802 | 139 | 9 | 21 | 12 | 22 | 12 | 21 | 8 | 4 | 4 | 4 | 9 | 13 | 0 | 0 | 2 | 5 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане | 1209 | 139 | 8 | 16 | 22 | 21 | 13 | 15 | 11 | 4 | 1 | 9 | 9 | 10 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Смех без причины | 2517 | 138 | 6 | 19 | 20 | 31 | 5 | 13 | 6 | 3 | 7 | 6 | 7 | 15 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 |
Необходимое или цель - искусство? | 567 | 138 | 22 | 24 | 11 | 21 | 15 | 12 | 3 | 4 | 6 | 5 | 8 | 7 | 0 | 5 | 7 | 2 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Постновогодний синдром | 486 | 138 | 18 | 15 | 14 | 25 | 13 | 16 | 7 | 3 | 3 | 4 | 8 | 12 | 0 | 2 | 10 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 |
Убийственная преданность. Введение в чтение Пушкина | 593 | 138 | 6 | 21 | 17 | 27 | 13 | 14 | 6 | 6 | 2 | 9 | 6 | 11 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 |
Праздник Победы для кого-то пытаются сделать днем скорби | 3284 | 137 | 6 | 20 | 15 | 28 | 10 | 19 | 5 | 7 | 2 | 7 | 7 | 11 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Письмо Татьяны. Общие места - романтизмы | 521 | 137 | 6 | 16 | 14 | 25 | 17 | 18 | 7 | 6 | 4 | 4 | 8 | 12 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 |
Кто виноват и что делать? Проклятые вопросы в | 314 | 137 | 7 | 18 | 13 | 27 | 12 | 18 | 6 | 5 | 5 | 6 | 6 | 14 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
От финских хладных скал... | 2983 | 137 | 8 | 18 | 17 | 22 | 12 | 18 | 5 | 7 | 3 | 10 | 5 | 12 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 |
Миф о времени | 2259 | 137 | 6 | 19 | 20 | 21 | 9 | 21 | 5 | 4 | 4 | 6 | 9 | 13 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
"Хлыстовская богородица" Маяковского | 1192 | 137 | 8 | 19 | 18 | 21 | 13 | 16 | 9 | 7 | 0 | 5 | 11 | 10 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Чему нужно верить: словам персонажа или читательскому сердцу? | 336 | 137 | 5 | 21 | 17 | 22 | 16 | 14 | 7 | 7 | 1 | 9 | 4 | 14 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
Клопы от Фейербаха | 2983 | 137 | 9 | 17 | 19 | 20 | 5 | 22 | 10 | 4 | 4 | 7 | 10 | 10 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Молчание - литературная преемственность | 556 | 137 | 19 | 19 | 18 | 19 | 11 | 15 | 4 | 6 | 3 | 7 | 6 | 10 | 0 | 4 | 8 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 |
19 августа 1991 года | 2231 | 136 | 7 | 18 | 14 | 20 | 14 | 13 | 8 | 7 | 4 | 6 | 13 | 12 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 4 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Мастер и Маргарита. Кто написал притчу? | 964 | 136 | 8 | 18 | 19 | 21 | 14 | 16 | 5 | 8 | 2 | 9 | 7 | 9 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
Атрибуты беса | 2949 | 135 | 5 | 16 | 18 | 24 | 6 | 17 | 5 | 9 | 3 | 9 | 8 | 15 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Аллегория как эпитет | 1241 | 135 | 11 | 12 | 16 | 25 | 12 | 17 | 8 | 9 | 1 | 7 | 6 | 11 | 0 | 2 | 0 | 1 | 1 | 5 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
Сексуальность Гоголя | 588 | 135 | 8 | 14 | 15 | 20 | 14 | 19 | 7 | 5 | 2 | 8 | 9 | 14 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 |
Легенда о великом инквизиторе | 910 | 135 | 7 | 17 | 17 | 27 | 11 | 18 | 7 | 8 | 4 | 3 | 6 | 10 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 5 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Форум в контексте книги | 2911 | 135 | 7 | 18 | 20 | 18 | 14 | 17 | 6 | 5 | 3 | 7 | 8 | 12 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Монтаж у Гоголя и Алексиевич | 613 | 135 | 6 | 15 | 19 | 25 | 13 | 13 | 4 | 7 | 5 | 3 | 6 | 19 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Доказательство несовершенства Бога | 2490 | 135 | 9 | 19 | 11 | 34 | 8 | 18 | 4 | 3 | 1 | 8 | 6 | 14 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Ведение в чтение Гоголя. Шинель | 872 | 135 | 8 | 17 | 15 | 25 | 13 | 15 | 8 | 6 | 3 | 7 | 6 | 12 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
Совет- не любовь | 2496 | 135 | 7 | 18 | 10 | 24 | 12 | 19 | 5 | 5 | 6 | 10 | 7 | 12 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Государство и общество: свобода и необходимость | 4812 | 134 | 9 | 16 | 19 | 22 | 9 | 14 | 9 | 3 | 2 | 10 | 9 | 12 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
+7 | 2030 | 134 | 12 | 16 | 16 | 19 | 11 | 18 | 9 | 8 | 3 | 5 | 6 | 11 | 0 | 0 | 0 | 4 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Крочечка Хаврошечка | 598 | 134 | 8 | 17 | 11 | 31 | 12 | 17 | 8 | 3 | 3 | 6 | 8 | 10 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
Модель романа-эпопеи | 818 | 134 | 8 | 15 | 18 | 28 | 13 | 13 | 7 | 4 | 4 | 7 | 8 | 9 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
Национальность биографа | 2772 | 133 | 21 | 14 | 16 | 19 | 10 | 16 | 5 | 8 | 2 | 8 | 5 | 9 | 0 | 4 | 9 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 4 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Велика ли дань Пушкина мифологии | 3061 | 133 | 8 | 20 | 17 | 23 | 9 | 14 | 7 | 8 | 0 | 9 | 9 | 9 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Проклятые вопросы в | 321 | 133 | 8 | 17 | 18 | 26 | 16 | 15 | 6 | 4 | 3 | 5 | 4 | 11 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" | 362 | 133 | 10 | 16 | 18 | 22 | 17 | 12 | 4 | 5 | 1 | 8 | 8 | 12 | 0 | 0 | 0 | 5 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Байрон - предтеча русского реализма | 637 | 133 | 5 | 22 | 14 | 26 | 12 | 18 | 6 | 5 | 1 | 5 | 7 | 12 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Введение в чтение Гоголя. Нос | 553 | 133 | 7 | 18 | 13 | 28 | 16 | 16 | 7 | 5 | 0 | 6 | 6 | 11 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 4 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Молодежь и общество потребления | 3584 | 133 | 7 | 21 | 16 | 25 | 5 | 16 | 6 | 9 | 3 | 9 | 6 | 10 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 |
Ноосфера | 474 | 133 | 11 | 19 | 12 | 29 | 10 | 12 | 6 | 3 | 6 | 6 | 7 | 12 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 |
Исход | 2050 | 132 | 7 | 15 | 12 | 24 | 10 | 16 | 12 | 4 | 3 | 10 | 8 | 11 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
Где же новая поэзия | 2302 | 132 | 11 | 15 | 18 | 22 | 14 | 17 | 6 | 3 | 1 | 5 | 10 | 10 | 0 | 1 | 0 | 3 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
Ведение в чтение Гоголя | 731 | 132 | 6 | 13 | 16 | 29 | 14 | 16 | 7 | 3 | 3 | 9 | 3 | 13 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
О Мастере и деле врачей | 999 | 132 | 9 | 13 | 17 | 26 | 9 | 13 | 12 | 7 | 2 | 5 | 9 | 10 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
Инструкция создателям искусственного разума | 2939 | 131 | 10 | 16 | 15 | 22 | 11 | 18 | 8 | 5 | 2 | 3 | 10 | 11 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Технические болезни Стихиры | 2425 | 131 | 18 | 19 | 14 | 21 | 14 | 13 | 6 | 5 | 1 | 6 | 6 | 8 | 0 | 4 | 8 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Конечный смысл страдания | 2328 | 131 | 9 | 18 | 11 | 26 | 14 | 18 | 6 | 4 | 3 | 7 | 3 | 12 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Быков и Навальный | 520 | 131 | 10 | 18 | 14 | 21 | 11 | 16 | 5 | 6 | 4 | 4 | 11 | 11 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
О времени | 1030 | 131 | 13 | 14 | 15 | 22 | 13 | 16 | 5 | 3 | 4 | 6 | 7 | 13 | 0 | 1 | 0 | 4 | 2 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
Рубцов и формальный метод | 2468 | 131 | 23 | 15 | 15 | 26 | 8 | 12 | 7 | 3 | 1 | 7 | 4 | 10 | 0 | 6 | 8 | 2 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Миф о запахе | 2278 | 131 | 5 | 19 | 17 | 24 | 13 | 13 | 5 | 4 | 2 | 6 | 6 | 17 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 |
Миф о числах | 2450 | 130 | 9 | 14 | 15 | 23 | 12 | 15 | 5 | 5 | 7 | 9 | 2 | 14 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Введение в чтение Лермонтова. Система отражений | 428 | 130 | 9 | 14 | 15 | 24 | 19 | 12 | 8 | 4 | 1 | 7 | 6 | 11 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Бегемотик | 3200 | 130 | 6 | 21 | 15 | 19 | 5 | 18 | 5 | 7 | 6 | 9 | 4 | 15 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Суздаль | 1698 | 130 | 7 | 19 | 18 | 20 | 15 | 16 | 7 | 5 | 2 | 5 | 5 | 11 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 3 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Обломов и реализм | 495 | 130 | 8 | 18 | 14 | 24 | 16 | 19 | 4 | 4 | 2 | 7 | 5 | 9 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 |
То | 432 | 130 | 8 | 19 | 8 | 26 | 10 | 16 | 7 | 6 | 3 | 5 | 8 | 14 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Ангел в круге десятом | 628 | 130 | 7 | 20 | 20 | 23 | 12 | 14 | 4 | 3 | 4 | 6 | 8 | 9 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 |
Введение в философию сказок | 545 | 130 | 7 | 18 | 10 | 29 | 13 | 14 | 7 | 7 | 1 | 7 | 5 | 12 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? | 438 | 129 | 8 | 19 | 12 | 25 | 17 | 10 | 5 | 5 | 3 | 6 | 7 | 12 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Что есть человек | 1151 | 129 | 7 | 20 | 15 | 20 | 14 | 15 | 6 | 6 | 2 | 5 | 9 | 10 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Отчуждение. стадия Ад | 1114 | 129 | 8 | 15 | 15 | 24 | 9 | 17 | 6 | 4 | 2 | 6 | 10 | 13 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Становление гения | 2301 | 128 | 7 | 17 | 12 | 26 | 9 | 16 | 4 | 4 | 2 | 7 | 7 | 17 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Бог как конечное воплощение жажды славы | 1978 | 128 | 11 | 15 | 15 | 25 | 12 | 16 | 5 | 1 | 3 | 10 | 5 | 10 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 5 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) | 3023 | 128 | 9 | 20 | 11 | 20 | 9 | 13 | 5 | 6 | 4 | 7 | 5 | 19 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Недоросль в меняющемся мире | 509 | 128 | 4 | 18 | 15 | 23 | 15 | 16 | 6 | 2 | 4 | 7 | 8 | 10 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Между прошлым и будущим | 492 | 128 | 7 | 18 | 19 | 22 | 16 | 11 | 6 | 3 | 3 | 7 | 6 | 10 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
Премия "Поэзия" что хотят жюри | 1239 | 127 | 10 | 15 | 20 | 23 | 9 | 16 | 7 | 5 | 0 | 4 | 5 | 13 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
История одной столицы | 441 | 127 | 8 | 17 | 17 | 20 | 13 | 15 | 5 | 5 | 5 | 4 | 9 | 9 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Старость | 2174 | 127 | 5 | 17 | 10 | 26 | 13 | 17 | 8 | 2 | 2 | 5 | 9 | 13 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Государство Платона и Акунина | 780 | 127 | 7 | 17 | 16 | 28 | 11 | 14 | 7 | 5 | 4 | 5 | 5 | 8 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Шаров и его теодицея | 529 | 127 | 7 | 18 | 14 | 27 | 12 | 12 | 6 | 3 | 1 | 8 | 10 | 9 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Нам много миллионов лет. Каждому | 719 | 126 | 7 | 18 | 16 | 22 | 13 | 18 | 5 | 4 | 0 | 6 | 8 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 |
Детство после взросления | 936 | 126 | 6 | 12 | 15 | 25 | 14 | 17 | 6 | 4 | 4 | 6 | 7 | 10 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Почему Путин заинтересован в развитии гражданского общества | 2466 | 126 | 9 | 15 | 14 | 25 | 11 | 13 | 5 | 4 | 3 | 9 | 9 | 9 | 0 | 0 | 0 | 5 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Блок и его мэоническая легенда | 594 | 126 | 4 | 18 | 14 | 23 | 16 | 15 | 7 | 4 | 3 | 4 | 6 | 12 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
О Бродском - Имперский поэт? | 720 | 126 | 10 | 15 | 12 | 22 | 10 | 14 | 9 | 4 | 3 | 8 | 5 | 14 | 0 | 0 | 0 | 4 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Вирус абсурда в рамках боровской Дополнительности | 1991 | 126 | 7 | 16 | 16 | 27 | 11 | 15 | 6 | 4 | 1 | 4 | 8 | 11 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Золото партии | 1795 | 125 | 6 | 17 | 10 | 23 | 12 | 17 | 3 | 2 | 7 | 5 | 12 | 11 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Грамматика абсурдиста | 2043 | 124 | 12 | 15 | 15 | 18 | 11 | 19 | 5 | 4 | 1 | 10 | 8 | 6 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 3 | 3 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
О романе "Обратная Перспектива А.Столярова | 1248 | 124 | 7 | 16 | 16 | 25 | 11 | 16 | 6 | 4 | 1 | 6 | 6 | 10 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Введение в чтение Гоголя | 725 | 124 | 6 | 15 | 19 | 18 | 15 | 13 | 4 | 5 | 5 | 8 | 8 | 8 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
Форма абсолютной сути созидаемого | 679 | 124 | 10 | 13 | 20 | 20 | 9 | 18 | 3 | 5 | 3 | 4 | 6 | 13 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Пушкину миллиарды лет | 783 | 124 | 9 | 17 | 17 | 18 | 12 | 13 | 4 | 4 | 4 | 5 | 7 | 14 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Онегин - лицеист? | 524 | 124 | 8 | 21 | 16 | 18 | 13 | 11 | 4 | 5 | 2 | 8 | 5 | 13 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 |
Экфрасис "Мертвых душ" | 295 | 124 | 5 | 13 | 16 | 24 | 17 | 11 | 5 | 5 | 4 | 7 | 7 | 10 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Иллич или упадок марксизма | 671 | 123 | 8 | 17 | 11 | 28 | 13 | 11 | 6 | 6 | 2 | 5 | 4 | 12 | 0 | 0 | 0 | 2 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Возможен ли герой нашего времени? | 496 | 122 | 11 | 16 | 13 | 23 | 7 | 19 | 4 | 4 | 2 | 9 | 8 | 6 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
К проблеме Израиля | 1203 | 122 | 8 | 16 | 13 | 25 | 11 | 12 | 3 | 5 | 2 | 7 | 6 | 14 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Категории добра и зла | 289 | 122 | 8 | 16 | 15 | 21 | 11 | 17 | 8 | 4 | 1 | 7 | 5 | 9 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
Пушкинский пленник | 541 | 122 | 8 | 16 | 16 | 23 | 15 | 14 | 7 | 5 | 2 | 4 | 5 | 7 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 |
"Добрый Филя" и проекция собеседника | 587 | 122 | 9 | 14 | 14 | 22 | 14 | 18 | 4 | 4 | 2 | 4 | 6 | 11 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Эпос | 2066 | 121 | 5 | 19 | 12 | 25 | 8 | 11 | 9 | 4 | 2 | 7 | 7 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Рванет-не рванет | 518 | 121 | 8 | 15 | 14 | 25 | 8 | 17 | 9 | 5 | 2 | 4 | 5 | 9 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Преодоление расы | 1276 | 121 | 8 | 16 | 10 | 19 | 13 | 16 | 5 | 5 | 1 | 8 | 7 | 13 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 5 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Встреча этики с эстетикой в рамках поэтики абсурда | 2244 | 121 | 4 | 12 | 16 | 22 | 8 | 18 | 6 | 5 | 3 | 6 | 5 | 16 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Честь как главная жизненная ценность у Достоевского | 442 | 120 | 3 | 16 | 15 | 21 | 15 | 15 | 3 | 5 | 5 | 4 | 7 | 11 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
Время и правители | 1061 | 120 | 8 | 16 | 18 | 21 | 13 | 11 | 6 | 3 | 2 | 6 | 8 | 8 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Государыня Россия | 2191 | 120 | 10 | 16 | 15 | 21 | 11 | 8 | 6 | 5 | 3 | 7 | 8 | 10 | 0 | 1 | 0 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Онтологическое обоснование гения эпохи | 1091 | 120 | 8 | 11 | 21 | 20 | 13 | 13 | 5 | 6 | 3 | 7 | 6 | 7 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Ну и реклама сейчас у Проханова | 1932 | 119 | 8 | 18 | 8 | 23 | 14 | 13 | 3 | 4 | 6 | 7 | 8 | 7 | 0 | 0 | 1 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Бы да кабы | 712 | 119 | 9 | 15 | 18 | 18 | 11 | 11 | 4 | 5 | 4 | 7 | 5 | 12 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) | 2031 | 119 | 8 | 14 | 15 | 23 | 9 | 11 | 7 | 5 | 2 | 14 | 4 | 7 | 0 | 0 | 1 | 0 | 2 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 |
"Детство" и уход из Ясной поляны | 275 | 119 | 10 | 16 | 14 | 21 | 16 | 13 | 5 | 3 | 2 | 4 | 5 | 10 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Менеджеры и профессионалы | 2126 | 118 | 17 | 18 | 16 | 17 | 10 | 12 | 4 | 4 | 1 | 8 | 5 | 6 | 0 | 5 | 6 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Деление на невозможность | 1939 | 116 | 5 | 16 | 13 | 23 | 13 | 12 | 5 | 3 | 3 | 7 | 5 | 11 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
"Сретенье " Бродского как трансляция | 412 | 116 | 7 | 14 | 17 | 20 | 10 | 15 | 7 | 4 | 1 | 6 | 7 | 8 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
"Шиповник цветет" - не сжигай | 531 | 115 | 7 | 16 | 14 | 17 | 15 | 14 | 5 | 5 | 1 | 5 | 7 | 9 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
День 7 ноября | 782 | 115 | 8 | 18 | 10 | 22 | 12 | 11 | 6 | 3 | 1 | 9 | 5 | 10 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Удача и капуста | 2260 | 115 | 7 | 17 | 11 | 19 | 8 | 15 | 4 | 4 | 1 | 8 | 12 | 9 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Литературоведение, рабство и пенсионная реформа | 923 | 111 | 8 | 15 | 15 | 17 | 10 | 9 | 4 | 4 | 2 | 7 | 7 | 13 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Радио Свобода, Цру и великая русская литература | 2295 | 110 | 8 | 12 | 17 | 17 | 7 | 12 | 4 | 4 | 2 | 9 | 6 | 12 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"