| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
По разделу |
733417 | 1985 |
17 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
130 |
1 |
11 |
5 |
5 |
5 |
4 |
3 |
6 |
8 |
5 |
8 |
7 |
11 |
5 |
6 |
5 |
7 |
6 |
7 |
4 |
7 |
5 |
5 |
10 |
4 |
18 |
4 |
4 |
4 |
5 |
4 |
4 |
4 |
6 |
7 |
8 |
5 |
9 |
4 |
3 |
3 |
4 |
3 |
6 |
4 |
4 |
6 |
4 |
5 |
9 |
3 |
4 |
4 |
5 |
6 |
5 |
6 |
5 |
4 |
4 |
4 |
4 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2985 | 1200 |
6 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
90 |
0 |
3 |
3 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
4 |
0 |
1 |
2 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
4 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
4 |
1 |
3 |
3 |
4 |
2 |
2 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29553 | 1176 |
4 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
67 |
0 |
4 |
0 |
5 |
5 |
2 |
1 |
6 |
8 |
4 |
8 |
7 |
11 |
4 |
6 |
3 |
7 |
1 |
3 |
3 |
7 |
1 |
5 |
7 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
1 |
3 |
4 |
1 |
3 |
3 |
4 |
2 |
2 |
3 |
1 |
1 |
2 |
6 |
2 |
2 |
0 |
2 |
1 |
Поэтика абсурда. Часть 1 |
3053 | 620 |
8 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
40 |
0 |
3 |
5 |
1 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
5 |
2 |
5 |
5 |
2 |
4 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
2 |
5 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
4 |
0 |
3 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
2 |
Метод приведения к абсурду в школьной классике |
1876 | 596 |
6 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
38 |
0 |
5 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
3 |
3 |
1 |
2 |
1 |
В чем философский смысл фильма "Остров проклятых" |
1115 | 525 |
4 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
30 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
5 |
1 |
2 |
0 |
0 |
Гипербола и Гиперборея Маяковского |
1041 | 498 |
5 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
32 |
0 |
5 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
4 |
0 |
4 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
5 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
3 |
4 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
Мертвые души: хозяйственная бесхозяйственность |
2164 | 482 |
4 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
26 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
Внутренний монолог |
1009 | 463 |
5 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
28 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
3 |
2 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
3 |
1 |
4 |
0 |
4 |
0 |
4 |
0 |
2 |
4 |
0 |
Автобиографизм и автопсихологизм |
767 | 398 |
6 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
23 |
0 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
2 |
2 |
1 |
4 |
0 |
Печорин и декабристы - бесславие героев времени |
1371 | 396 |
2 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
26 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5833 | 375 |
7 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
18 |
0 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
Интерьер в "Капитанской дочке" |
1390 | 370 |
6 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
51 |
0 |
5 |
1 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2884 | 360 |
3 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
24 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
Полифония Блока |
1502 | 349 |
4 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
31 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Антитеза |
555 | 339 |
4 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
27 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Кто убил старуху процентщицу? |
2052 | 335 |
3 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
31 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
3 |
0 |
1 |
0 |
Дуэль Онегина и Ленского |
1272 | 334 |
3 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
19 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
Михаил Гарцев. История внутри нас |
4455 | 330 |
3 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
24 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
935 | 324 |
3 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
28 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Шукшин ли "Хозяин бани и огорода"? |
2031 | 322 |
7 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
21 |
0 |
6 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Смертная казнь как эротика государственного самоубийства |
7602 | 315 |
3 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
14 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
Елена Чудинова. Мечеть Парижской Богоматери |
11757 | 304 |
1 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
23 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
Я играю вместе с мамой |
9677 | 301 |
3 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
24 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
Энтропия.net |
6099 | 300 |
4 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
26 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
Можно ли назвать Печорина фаталистом |
783 | 296 |
2 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
16 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
Образ России в арт-среде Интернета |
2595 | 295 |
4 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
19 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
Древесная лирика Хельги Ольшванг |
3726 | 281 |
4 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
13 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
4 |
4 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
Кот Васька в своей квартире |
7853 | 280 |
4 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
31 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Каждый знает |
6683 | 273 |
4 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
22 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
План анализа стихотворения |
571 | 270 |
5 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
25 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
"История Рода Толстых - история России". Фоторепортаж |
5624 | 270 |
6 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
26 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Замятин "Мы". Конспект урока |
927 | 268 |
6 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
20 |
0 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5671 | 266 |
3 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
19 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
Комментариии к статье А.Виноградова о сетевой литературе |
4023 | 266 |
1 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
23 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
Медвежонок |
8985 | 264 |
3 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
17 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
Кто как кричит |
4486 | 263 |
4 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
19 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
Пестрый дятел |
4652 | 262 |
3 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
19 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
Сказка о гейзере на Стихире |
2959 | 261 |
4 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
27 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
Волчонок |
4194 | 258 |
6 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
25 |
1 |
5 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
920 | 257 |
4 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
25 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
К вопросу о Фрейде и православии |
3088 | 256 |
3 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
25 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
Ведение в чтение Гоголя |
1096 | 256 |
4 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
31 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
Что на небе |
8074 | 255 |
1 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
20 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
Александр Кушнер. Аполлон в траве |
4565 | 255 |
5 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
23 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Поэтика абсурда и образ Святой Земли |
3505 | 254 |
2 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
22 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
Почему поэзия должна быть глуповата |
3127 | 253 |
4 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
25 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
Михаил Гарцев и сетевое письмо |
4486 | 252 |
5 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
16 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
Маяковский и его философия |
1408 | 252 |
4 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
17 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
887 | 251 |
5 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
15 |
0 |
5 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
Учимся мыслить логически |
3678 | 251 |
7 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
23 |
0 |
5 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
Ирония и автоирония |
453 | 251 |
2 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
21 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
816 | 250 |
3 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
19 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
Ослик |
8353 | 249 |
5 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
18 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
О любви к правителям и поэтам |
1197 | 249 |
4 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
25 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
Потомки "Метрополя" |
5792 | 247 |
4 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
18 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
Достоевский и конец истории |
3475 | 247 |
4 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
19 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
Карнавал и декарнавализация |
4098 | 246 |
1 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
Избранница народного слова |
2420 | 245 |
5 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
20 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
Зеркало |
2895 | 245 |
1 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
19 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
5 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
В защиту массовой литературы |
5614 | 244 |
5 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
23 |
0 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
Пушкинские и лермонтовские мотивы у Некрасова |
811 | 243 |
6 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
20 |
0 |
6 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
Почему в Прибалтике не проходит русский бунт |
2581 | 243 |
8 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
16 |
1 |
6 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
Автопортрет, оксюморон |
717 | 242 |
3 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
22 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
Информация о владельце раздела |
3290 | 242 |
4 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
18 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
Психология - наука рабов |
6733 | 241 |
3 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
15 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
2 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1578 | 241 |
3 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
23 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
Гегельянство в России |
1055 | 241 |
4 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
22 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
Язык и генетика |
4468 | 241 |
2 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
21 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3286 | 240 |
3 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
22 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
Сюжет: событие, действие, мотив |
504 | 239 |
5 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
25 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Фотомастерская Вадима Месяца |
2923 | 239 |
8 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
25 |
0 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Натюрморт (Гоголь, Бродский, Есенин) |
887 | 239 |
2 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
16 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Ботинок |
4009 | 238 |
4 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
28 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
0 |
3 |
Пейзаж в поэме Лермонтова |
759 | 238 |
5 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
20 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
Пьер и Андрей |
1162 | 238 |
5 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
21 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
Про что поэзия Барто? - да все про то! |
5804 | 237 |
2 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
19 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
Стихи для детей |
5440 | 237 |
5 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
18 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
С кем я познакомилась на Си |
3458 | 236 |
4 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
26 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
9 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
Сон как нонсенс в "Войне и мире" |
609 | 236 |
3 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
18 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Рифма к городу |
3531 | 236 |
7 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
18 |
0 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
Островский о романтической ипостаси русской литературы |
1194 | 236 |
3 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
16 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
В поисках смысла сетевой литературы |
2664 | 236 |
4 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
21 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
Поэтика абсурда при свете совести |
2737 | 235 |
3 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
18 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Средства художественной изобразительности |
1537 | 234 |
7 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
13 |
12 |
0 |
6 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
О "Медном всаднике" |
1103 | 233 |
4 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
22 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Три пальмы |
1248 | 233 |
2 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
20 |
30 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
Самоубийство разума |
3084 | 233 |
4 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
21 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
598 | 232 |
2 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
14 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1042 | 232 |
5 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
14 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Достоевский как оптимальная точка видения |
2960 | 231 |
2 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
21 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
Эмоции |
1030 | 231 |
3 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
22 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
Возвращение |
3301 | 231 |
4 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
18 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
Вирус абсурда в истории человеческой культуры |
2290 | 230 |
3 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
19 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
Липки |
2786 | 230 |
3 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
21 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
Буддистский колобок |
2748 | 230 |
4 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
20 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
Кирилл Юрьевич отбывает в Канаду |
3118 | 230 |
4 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
21 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
Юрий Поляков. Грибной царь |
3618 | 230 |
4 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
16 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1407 | 229 |
5 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
14 |
22 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Об одном фильме |
1344 | 229 |
2 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
20 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Какой плод у дерева |
3011 | 229 |
2 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
16 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
1038 | 229 |
3 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
23 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
637 | 229 |
5 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
18 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Галич и Мандельштам вокруг образа вождя |
462 | 228 |
5 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
17 |
0 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
Снова по поводу "Тихого Дона" |
1123 | 228 |
5 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
19 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
Поэтика абсурда Маяковского |
1490 | 228 |
1 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Ницше, ценности и Гегель |
3074 | 227 |
4 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
17 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Автометафора |
614 | 227 |
4 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
14 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
631 | 227 |
4 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
15 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
Утенок |
4528 | 227 |
4 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
18 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
Алексиевич. Чернобыль |
1098 | 226 |
2 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
16 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
3 |
2 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
572 | 225 |
3 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
10 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
Интервью с Игорем Панариным |
2502 | 225 |
3 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
15 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
718 | 225 |
5 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
19 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
О курсе реформ и курсе литературы |
954 | 224 |
3 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
7 |
17 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1624 | 224 |
4 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
17 |
19 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
493 | 224 |
2 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
17 |
22 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
6 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
Андрей Болконский - Дон Кихот |
675 | 224 |
4 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
13 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
Манифест |
2620 | 223 |
3 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
15 |
18 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
Евгений Водолазкин и поэтика абсурда |
1188 | 223 |
2 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
16 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Anti-Dan |
3197 | 222 |
3 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
17 |
19 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
Памятник Румянцеву в "Капитанской дочке" |
789 | 222 |
4 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
15 |
17 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Образы русской природы в лирике Рубцова |
638 | 222 |
4 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
19 |
17 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
Иду, а к ногам моим падает вдруг кипятильник |
2348 | 222 |
2 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
16 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
"Коршун" Тютчева - материализм и идеализм |
634 | 222 |
7 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
18 |
0 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
Лирика |
3148 | 222 |
3 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
24 |
16 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
Самосознание сетевой литературы |
3960 | 221 |
5 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
11 |
19 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
Форум в контексте книги |
3038 | 221 |
6 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
14 |
17 |
1 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
Что в имени мне твоем |
2944 | 221 |
4 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
15 |
20 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Введение в чтение Гоголя. Хлестаков |
632 | 220 |
6 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
19 |
13 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
883 | 220 |
4 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
15 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
Этапы эволюции вируса абсурда в России |
3268 | 219 |
2 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
18 |
17 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
Проклятое место, проклятые вопросы |
3108 | 219 |
3 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
8 |
20 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
Анализ прозы |
461 | 219 |
5 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
18 |
22 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
Ушки, ножки, рожки |
6469 | 218 |
5 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
10 |
15 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
Двуединство добра |
2791 | 218 |
3 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
11 |
21 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
Ферапонтово. Коллекция |
1953 | 218 |
3 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
22 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
Трагический герой |
498 | 218 |
6 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
15 |
18 |
0 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Бунт против Гегеля |
3151 | 218 |
3 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
6 |
15 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
Конечный смысл страдания |
2450 | 218 |
2 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
14 |
18 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Монтаж у Гоголя и Алексиевич |
740 | 218 |
5 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
13 |
13 |
0 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2371 | 218 |
2 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
17 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
Демократия как искусство для искусства |
2806 | 218 |
3 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
20 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
Кто в окошке. Сказочные звери |
3795 | 217 |
4 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
21 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
Короля делает свита |
2249 | 217 |
5 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
16 |
12 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
Отчуждение |
1150 | 217 |
3 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
10 |
18 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
Горе от ума или ум от горя. Перевертыши |
840 | 217 |
3 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
15 |
16 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1588 | 217 |
1 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Художник у Христа за пазухой |
2654 | 216 |
6 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
19 |
0 |
5 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Где же новая поэзия |
2421 | 216 |
4 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
14 |
17 |
0 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4067 | 216 |
4 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
19 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
Вмешиваясь в разговор с богом |
3298 | 216 |
3 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
14 |
15 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Нам много миллионов лет. Каждому |
840 | 215 |
5 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
18 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
Чужая сказка |
2465 | 215 |
4 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
15 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
По поводу некоторых неточностей Евгения Клюева |
2363 | 215 |
2 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
18 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
Введение в чтение Гоголя. Нос |
670 | 215 |
3 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
16 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Ведьмостиший больше не будет |
2958 | 214 |
3 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
17 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
Ведение в чтение Гоголя |
851 | 214 |
5 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
16 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
Достоевский и риторические вопросы (диатриба) |
616 | 213 |
4 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
18 |
17 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
668 | 213 |
3 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
28 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Страсть и поэзия |
1892 | 209 |
4 |
30 |
19 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
15 |
15 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
Пространство в живописи текста у Гоголя |
715 | 209 |
5 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
20 |
14 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Реминисценция |
521 | 209 |
5 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
13 |
19 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
Государство и общество: бюрократизм и свобода от бюрократии |
3267 | 208 |
5 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
8 |
14 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
Социальные болезни Стихи.ру |
6987 | 208 |
2 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
9 |
19 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
Печорин как писатель |
957 | 208 |
4 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
12 |
14 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
Монтажная композиция |
507 | 207 |
3 |
16 |
22 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
23 |
22 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
Лисенок в курятнике Стихи.ру |
5976 | 207 |
2 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
14 |
14 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
Миф о времени |
2370 | 207 |
5 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
9 |
21 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
Сексуальность Гоголя |
705 | 207 |
4 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
14 |
19 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
1 |
0 |
3 |
0 |
О чем поют сферы Гоголя |
876 | 207 |
4 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
9 |
19 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
Легенда о великом инквизиторе |
1020 | 207 |
7 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
11 |
18 |
0 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
Байрон - предтеча русского реализма |
747 | 207 |
5 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
12 |
18 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Онегин - лицеист? |
644 | 207 |
3 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
11 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1132 | 206 |
4 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
15 |
15 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
441 | 206 |
3 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
14 |
16 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
Возвращение блудного Чацкого |
838 | 206 |
5 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
10 |
17 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
Дан прислал |
905 | 206 |
2 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
17 |
18 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
Крочечка Хаврошечка |
708 | 206 |
2 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
12 |
17 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
Отражение. Две рецензии на стихи Феликса Когана |
3371 | 206 |
6 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
17 |
13 |
0 |
5 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
От финских хладных скал... |
3093 | 205 |
3 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
12 |
18 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
Абсурдизм |
3683 | 205 |
3 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
15 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
Мысль изреченная |
2579 | 205 |
4 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
14 |
15 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
Модель романа-эпопеи |
928 | 205 |
3 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
13 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
Постновогодний синдром |
590 | 205 |
4 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
13 |
16 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
Джулиан Барнс в защиту критики |
2626 | 204 |
3 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
10 |
14 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Обломов и реализм |
600 | 204 |
3 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
19 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Паломничество убогой |
2703 | 204 |
3 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
9 |
15 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Монтажная композиция |
420 | 204 |
3 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
20 |
16 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
О романе "Обратная Перспектива А.Столярова |
1360 | 203 |
5 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
11 |
16 |
0 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
"Хлыстовская богородица" Маяковского |
1300 | 203 |
4 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
16 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
Лимерик |
2271 | 203 |
4 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
14 |
14 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Собрание обратных цитат о любви |
2947 | 202 |
3 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
15 |
15 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
Лампа Мафусаила |
1591 | 202 |
2 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
15 |
16 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
Методология работы критика над текстом |
2447 | 202 |
4 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
12 |
15 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
Воинство Сергия Радонежского |
4359 | 202 |
2 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
11 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
Доказательство несовершенства Бога |
2593 | 202 |
3 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
8 |
18 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
Чудачество и донкихотство. Шукшин и Сервантес |
1349 | 202 |
2 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
18 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Сальери как образец |
1156 | 202 |
4 |
13 |
21 |
17 |
16 |
10 |
25 |
19 |
13 |
27 |
17 |
20 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
Невозможность гения эпохи |
534 | 202 |
2 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
17 |
18 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Романтизм |
459 | 197 |
1 |
27 |
18 |
16 |
11 |
13 |
21 |
15 |
20 |
26 |
14 |
15 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
"Добрый Филя" и проекция собеседника |
693 | 197 |
2 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
14 |
18 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
Ангел в круге десятом |
729 | 197 |
3 |
19 |
21 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
12 |
14 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
Пушкин |
5983 | 197 |
3 |
20 |
21 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
15 |
15 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
Государство и общество: свобода и необходимость |
4919 | 196 |
3 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
9 |
14 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
Темное вещество, абсолютный дух и человеческая цивилизация |
913 | 196 |
4 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
18 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
Как в "Превращении" Кафки выражена идея торжества разума |
809 | 196 |
3 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
19 |
18 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
Неравный брак (лунное) |
823 | 196 |
2 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
9 |
18 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Ленин как поэт Серебряного века |
1310 | 196 |
2 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
13 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
История одной столицы |
547 | 196 |
3 |
24 |
15 |
17 |
20 |
15 |
20 |
17 |
17 |
20 |
13 |
15 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
Популярные стили в изображении Гоголя |
382 | 196 |
2 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
14 |
13 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Литературоведение - наука или "Humanities and Arts"... |
2410 | 196 |
2 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
9 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Как работает поэтика абсурда |
4398 | 196 |
3 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
16 |
10 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3381 | 195 |
3 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
10 |
19 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
Киев старый и новый |
2272 | 195 |
5 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
10 |
20 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Кто виноват и что делать? Проклятые вопросы в |
414 | 195 |
5 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
12 |
18 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
Форма абсолютной сути созидаемого |
784 | 195 |
5 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
9 |
18 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
Технические болезни Стихиры |
2521 | 195 |
3 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
14 |
13 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
Рубцов и формальный метод |
2563 | 194 |
3 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
12 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Сила детской публицистики |
1338 | 194 |
2 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
11 |
17 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Паломничество убогой (2 редакция) |
473 | 190 |
3 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
20 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
Суздаль |
1793 | 190 |
2 |
14 |
24 |
22 |
15 |
12 |
13 |
19 |
18 |
20 |
15 |
16 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
Онтологическое обоснование гения эпохи |
1195 | 190 |
4 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
13 |
13 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
Введение в философию сказок |
644 | 190 |
5 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
13 |
14 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Честь как главная жизненная ценность у Достоевского |
546 | 189 |
5 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
15 |
15 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
Теософия и поэзия |
1009 | 189 |
3 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
15 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
Долой ыгэ! |
594 | 189 |
3 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
12 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
Бог как конечное воплощение жажды славы |
2073 | 189 |
3 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
16 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
Эпилог |
352 | 189 |
3 |
16 |
23 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
14 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
Проблематика произведений. Богатство и бедность |
544 | 189 |
4 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
14 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Инструкция создателям искусственного разума |
3035 | 188 |
4 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
18 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
Блок и его мэоническая легенда |
692 | 188 |
2 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
15 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
Становление гения |
2401 | 187 |
2 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
9 |
16 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
532 | 187 |
1 |
11 |
21 |
12 |
18 |
16 |
22 |
14 |
16 |
21 |
19 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
Инструкция создателям искусственного разума |
2426 | 187 |
2 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
15 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Ну и реклама сейчас у Проханова |
2034 | 186 |
4 |
13 |
23 |
12 |
15 |
24 |
19 |
18 |
8 |
23 |
14 |
13 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
Каким должен быть правитель |
482 | 186 |
4 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
18 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
Возможен ли герой нашего времени? |
592 | 185 |
2 |
9 |
24 |
15 |
13 |
24 |
20 |
16 |
13 |
23 |
7 |
19 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
Что есть человек |
1245 | 185 |
1 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
Бегемотик |
3301 | 185 |
3 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
5 |
18 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
Белая ворона |
2323 | 185 |
2 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
11 |
16 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Я начинаю обретать себя |
2365 | 185 |
3 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
9 |
14 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
Удача и капуста |
2368 | 185 |
4 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
8 |
15 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
Искушение как психологический прием |
2828 | 185 |
3 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
15 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
2084 | 185 |
4 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
11 |
15 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Исход |
2150 | 184 |
3 |
24 |
19 |
16 |
16 |
11 |
18 |
15 |
12 |
24 |
10 |
16 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
Введение в чтение Лермонтова. Система отражений |
519 | 184 |
3 |
16 |
21 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
12 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
Незабудки |
184 | 184 |
6 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Убийственная преданность. Введение в чтение Пушкина |
679 | 184 |
2 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
14 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
К проблеме Израиля |
1301 | 183 |
6 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
11 |
12 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2405 | 183 |
4 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
7 |
12 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
Литературные пейзажи Толстого |
1191 | 182 |
2 |
12 |
15 |
10 |
13 |
15 |
27 |
16 |
21 |
21 |
18 |
12 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Грамматика абсурдиста |
2134 | 181 |
2 |
20 |
20 |
14 |
15 |
10 |
22 |
15 |
15 |
18 |
11 |
19 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
Смех без причины |
2604 | 181 |
3 |
17 |
21 |
6 |
18 |
11 |
17 |
19 |
20 |
31 |
5 |
13 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
О Бродском - Имперский поэт? |
818 | 181 |
4 |
22 |
20 |
11 |
16 |
13 |
22 |
15 |
12 |
22 |
10 |
14 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
Совет- не любовь |
2587 | 181 |
5 |
15 |
20 |
11 |
19 |
9 |
19 |
18 |
10 |
24 |
12 |
19 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Хельга Ольшванг в новом веке |
845 | 180 |
2 |
17 |
18 |
12 |
15 |
18 |
16 |
20 |
12 |
19 |
18 |
13 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Велика ли дань Пушкина мифологии |
3150 | 180 |
3 |
17 |
17 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
9 |
14 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Бы да кабы |
810 | 180 |
4 |
22 |
18 |
11 |
16 |
17 |
19 |
15 |
18 |
18 |
11 |
11 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2131 | 180 |
6 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
9 |
11 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |