| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
По разделу |
697610 | 1724 |
200 |
201 |
206 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
1 |
7 |
4 |
6 |
10 |
5 |
6 |
8 |
4 |
5 |
4 |
8 |
6 |
12 |
13 |
11 |
6 |
9 |
5 |
5 |
7 |
9 |
20 |
7 |
6 |
5 |
5 |
6 |
6 |
5 |
3 |
6 |
5 |
4 |
3 |
4 |
5 |
4 |
6 |
6 |
4 |
6 |
15 |
6 |
4 |
6 |
11 |
10 |
15 |
11 |
7 |
4 |
4 |
4 |
7 |
8 |
10 |
5 |
7 |
7 |
7 |
10 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2606 | 1045 |
115 |
147 |
174 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
0 |
2 |
4 |
4 |
5 |
5 |
2 |
5 |
1 |
5 |
1 |
4 |
2 |
12 |
2 |
7 |
3 |
9 |
5 |
5 |
4 |
2 |
1 |
7 |
2 |
5 |
5 |
6 |
6 |
4 |
3 |
2 |
3 |
3 |
0 |
4 |
1 |
4 |
6 |
4 |
4 |
6 |
4 |
2 |
0 |
4 |
11 |
10 |
15 |
11 |
7 |
1 |
2 |
4 |
5 |
8 |
9 |
2 |
2 |
7 |
5 |
10 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29012 | 1029 |
113 |
107 |
138 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
0 |
6 |
4 |
3 |
10 |
2 |
6 |
2 |
4 |
1 |
4 |
8 |
6 |
5 |
3 |
3 |
6 |
2 |
3 |
3 |
6 |
4 |
3 |
5 |
5 |
3 |
2 |
4 |
3 |
5 |
3 |
6 |
5 |
0 |
2 |
1 |
3 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
6 |
5 |
5 |
3 |
3 |
1 |
4 |
1 |
4 |
7 |
5 |
10 |
3 |
6 |
6 |
7 |
7 |
Метод приведения к абсурду в школьной классике |
1582 | 444 |
54 |
60 |
37 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
0 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
4 |
4 |
0 |
1 |
4 |
2 |
3 |
1 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
5 |
0 |
5 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
4 |
2 |
2 |
5 |
1 |
3 |
0 |
3 |
Поэтика абсурда. Часть 1 |
2726 | 423 |
77 |
55 |
40 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
0 |
7 |
1 |
4 |
3 |
4 |
2 |
3 |
1 |
4 |
4 |
4 |
2 |
2 |
7 |
1 |
5 |
2 |
2 |
3 |
1 |
2 |
2 |
3 |
3 |
0 |
2 |
3 |
6 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
6 |
1 |
3 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
Гипербола и Гиперборея Маяковского |
801 | 418 |
48 |
37 |
43 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
0 |
3 |
0 |
0 |
3 |
3 |
3 |
0 |
2 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
1 |
5 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
6 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
2 |
2 |
3 |
В чем философский смысл фильма "Остров проклятых" |
856 | 390 |
52 |
62 |
49 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
0 |
3 |
0 |
2 |
3 |
1 |
1 |
5 |
2 |
1 |
3 |
1 |
1 |
3 |
3 |
2 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
3 |
2 |
4 |
0 |
1 |
4 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
6 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
4 |
4 |
3 |
2 |
4 |
4 |
4 |
2 |
Мертвые души: хозяйственная бесхозяйственность |
1927 | 384 |
58 |
43 |
41 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
0 |
3 |
0 |
6 |
1 |
4 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
5 |
2 |
2 |
3 |
2 |
4 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
Внутренний монолог |
777 | 371 |
49 |
31 |
40 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
3 |
0 |
4 |
2 |
0 |
5 |
0 |
3 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
Печорин и декабристы - бесславие героев времени |
1229 | 352 |
40 |
47 |
47 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
6 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
2 |
4 |
1 |
3 |
3 |
4 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
4 |
6 |
1 |
1 |
1 |
2 |
2 |
0 |
Интерьер в "Капитанской дочке" |
1265 | 346 |
32 |
31 |
32 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
3 |
3 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
793 | 303 |
38 |
35 |
28 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
4 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
3 |
0 |
4 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
Полифония Блока |
1358 | 303 |
28 |
35 |
38 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Смертная казнь как эротика государственного самоубийства |
7479 | 299 |
25 |
42 |
36 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
4 |
2 |
5 |
5 |
1 |
0 |
4 |
1 |
2 |
1 |
План анализа стихотворения |
460 | 297 |
19 |
30 |
23 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
Елена Чудинова. Мечеть Парижской Богоматери |
11621 | 294 |
32 |
41 |
19 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
Кто убил старуху процентщицу? |
1914 | 294 |
35 |
29 |
29 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
0 |
Дуэль Онегина и Ленского |
1144 | 291 |
33 |
37 |
39 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
4 |
5 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
4 |
3 |
4 |
0 |
1 |
2 |
Антитеза |
421 | 287 |
36 |
39 |
35 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
7 |
2 |
3 |
5 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
7 |
1 |
3 |
5 |
Шукшин ли "Хозяин бани и огорода"? |
1882 | 264 |
32 |
48 |
23 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
4 |
4 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
12 |
4 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Михаил Гарцев. История внутри нас |
4306 | 262 |
32 |
24 |
27 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
4 |
6 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
1 |
3 |
1 |
Энтропия.net |
5955 | 260 |
30 |
27 |
23 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
5 |
3 |
0 |
2 |
1 |
0 |
0 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5624 | 258 |
45 |
22 |
32 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
5 |
1 |
2 |
0 |
3 |
0 |
3 |
2 |
4 |
10 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
Учимся мыслить логически |
3559 | 255 |
19 |
26 |
21 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
Три пальмы |
1149 | 250 |
20 |
18 |
19 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
Сюжет: событие, действие, мотив |
408 | 246 |
10 |
27 |
24 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
Автобиографизм и автопсихологизм |
553 | 246 |
41 |
30 |
30 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
0 |
3 |
0 |
0 |
5 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
3 |
0 |
3 |
1 |
Я играю вместе с мамой |
9539 | 246 |
26 |
24 |
38 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
"История Рода Толстых - история России". Фоторепортаж |
5501 | 244 |
22 |
28 |
21 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
1 |
Образ России в арт-среде Интернета |
2476 | 243 |
53 |
29 |
24 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
9 |
20 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
1 |
3 |
4 |
1 |
2 |
6 |
Можно ли назвать Печорина фаталистом |
656 | 238 |
28 |
35 |
34 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
Ведение в чтение Гоголя |
982 | 235 |
24 |
18 |
17 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
Древесная лирика Хельги Ольшванг |
3610 | 233 |
18 |
36 |
30 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
6 |
4 |
1 |
3 |
3 |
0 |
3 |
0 |
Кот Васька в своей квартире |
7727 | 233 |
25 |
28 |
25 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
Пестрый дятел |
4521 | 231 |
29 |
24 |
22 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
4 |
1 |
1 |
Кто как кричит |
4365 | 228 |
25 |
28 |
26 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2674 | 223 |
30 |
23 |
26 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
0 |
4 |
0 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
823 | 222 |
27 |
24 |
18 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
Карнавал и декарнавализация |
3995 | 217 |
34 |
28 |
25 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
3 |
5 |
1 |
Достоевский и конец истории |
3375 | 216 |
41 |
27 |
19 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
11 |
4 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Ослик |
8232 | 216 |
23 |
18 |
22 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
Медвежонок |
8856 | 214 |
24 |
18 |
25 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
Что на небе |
7966 | 212 |
20 |
29 |
31 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
К вопросу о Фрейде и православии |
2970 | 212 |
17 |
27 |
18 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
4 |
1 |
1 |
1 |
Анализ прозы |
361 | 209 |
23 |
17 |
16 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
Поэтика абсурда Маяковского |
1392 | 206 |
25 |
20 |
20 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
4 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
Самосознание сетевой литературы |
3872 | 206 |
32 |
25 |
22 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
5 |
9 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Сказка о гейзере на Стихире |
2850 | 205 |
21 |
25 |
20 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
Натюрморт (Гоголь, Бродский, Есенин) |
790 | 205 |
31 |
19 |
21 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
7 |
8 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
Комментариии к статье А.Виноградова о сетевой литературе |
3893 | 204 |
20 |
31 |
21 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
Поэтика абсурда и образ Святой Земли |
3389 | 204 |
20 |
24 |
22 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
2 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5546 | 201 |
30 |
25 |
15 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
11 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
1 |
Об одном фильме |
1257 | 200 |
38 |
25 |
19 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
4 |
9 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
В защиту массовой литературы |
5511 | 199 |
32 |
28 |
17 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
7 |
8 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
3 |
3 |
0 |
1 |
0 |
Маяковский и его философия |
1280 | 199 |
24 |
22 |
18 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
1 |
Александр Кушнер. Аполлон в траве |
4447 | 198 |
20 |
21 |
27 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
Психология - наука рабов |
6620 | 198 |
32 |
23 |
17 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
18 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
9 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
Волчонок |
4074 | 197 |
19 |
20 |
22 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
Стихи для детей |
5328 | 197 |
33 |
23 |
17 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
21 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
9 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
Язык и генетика |
4356 | 197 |
20 |
23 |
19 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
3 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
623 | 196 |
27 |
16 |
22 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
Гегельянство в России |
955 | 196 |
29 |
29 |
20 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
11 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1312 | 195 |
21 |
27 |
17 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
Юрий Поляков. Грибной царь |
3507 | 195 |
23 |
20 |
14 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
4 |
1 |
0 |
2 |
0 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
693 | 194 |
24 |
23 |
17 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
Расширит ли виртуальная реальность возможности познания истины |
3179 | 193 |
23 |
30 |
19 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
Зеркало |
2783 | 192 |
22 |
20 |
23 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
Пейзаж в поэме Лермонтова |
653 | 191 |
24 |
19 |
21 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
Сальери как образец |
1073 | 191 |
23 |
19 |
13 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
Поэтика абсурда при свете совести |
2639 | 189 |
25 |
26 |
21 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
4 |
1 |
Замятин "Мы". Конспект урока |
793 | 189 |
21 |
21 |
19 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
768 | 188 |
30 |
18 |
21 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
Ирония и автоирония |
351 | 188 |
23 |
29 |
24 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
1 |
Михаил Гарцев и сетевое письмо |
4359 | 188 |
17 |
23 |
20 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
Ботинок |
3901 | 188 |
14 |
25 |
21 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
Про что поэзия Барто? - да все про то! |
5698 | 187 |
30 |
22 |
21 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
8 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
933 | 187 |
21 |
20 |
24 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
Пьер и Андрей |
1052 | 187 |
24 |
21 |
15 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
14 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
Воспитание гениев |
872 | 186 |
23 |
24 |
19 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
18 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
Реминисценция |
433 | 186 |
19 |
21 |
18 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
15 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Потомки "Метрополя" |
5668 | 185 |
19 |
21 |
19 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1470 | 185 |
21 |
30 |
21 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
1 |
2 |
0 |
2 |
2 |
Эмоции |
941 | 185 |
21 |
20 |
24 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
О любви к правителям и поэтам |
1072 | 185 |
25 |
19 |
18 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
15 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
Фотомастерская Вадима Месяца |
2814 | 184 |
16 |
28 |
21 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
2 |
1 |
Ницше, ценности и Гегель |
2979 | 183 |
29 |
25 |
14 |
36 |
11 |
17 |
5 |
9 |
5 |
10 |
11 |
11 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
6 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
Вирус абсурда в истории человеческой культуры |
2197 | 183 |
30 |
19 |
15 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
10 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
Письмо Ольги Пушкину |
1070 | 182 |
21 |
22 |
15 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
16 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
4 |
2 |
0 |
2 |
1 |
1 |
Алексиевич. Чернобыль |
997 | 182 |
27 |
25 |
19 |
23 |
15 |
16 |
10 |
5 |
11 |
4 |
10 |
17 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
Пушкинские и лермонтовские мотивы у Некрасова |
694 | 182 |
37 |
15 |
12 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
8 |
2 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Почему поэзия должна быть глуповата |
3009 | 182 |
17 |
20 |
19 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
Anti-Dan |
3101 | 182 |
16 |
28 |
19 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
Памятник Румянцеву в "Капитанской дочке" |
692 | 182 |
27 |
21 |
21 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
11 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
О "Медном всаднике" |
996 | 181 |
19 |
17 |
24 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
493 | 181 |
21 |
24 |
18 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
Рифма к городу |
3411 | 181 |
21 |
19 |
19 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
19 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
3 |
1 |
Какой плод у дерева |
2907 | 181 |
33 |
17 |
22 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
8 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
Информация о владельце раздела |
3175 | 181 |
19 |
21 |
25 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
Евгений Водолазкин и поэтика абсурда |
1096 | 181 |
16 |
23 |
23 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
3 |
0 |
Абсурдизм |
3590 | 180 |
18 |
24 |
22 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
14 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
В поисках смысла сетевой литературы |
2553 | 180 |
20 |
21 |
16 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
4 |
0 |
2 |
0 |
0 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
583 | 179 |
14 |
22 |
19 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
Липки |
2688 | 179 |
32 |
19 |
17 |
30 |
13 |
21 |
10 |
6 |
5 |
6 |
9 |
11 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
7 |
9 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
Трагический герой |
401 | 179 |
21 |
24 |
15 |
28 |
15 |
18 |
7 |
9 |
6 |
12 |
11 |
13 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
То было двух бесов изображенье |
396 | 178 |
19 |
20 |
20 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
12 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
530 | 178 |
22 |
25 |
16 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
3974 | 177 |
27 |
18 |
18 |
23 |
18 |
19 |
14 |
7 |
3 |
7 |
9 |
14 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
1 |
1 |
Каждый знает |
6536 | 177 |
22 |
19 |
16 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
С кем я познакомилась на Си |
3341 | 176 |
17 |
27 |
15 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
Этапы эволюции вируса абсурда в России |
3172 | 176 |
22 |
19 |
17 |
30 |
18 |
17 |
8 |
6 |
2 |
8 |
16 |
13 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
526 | 176 |
24 |
23 |
15 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
Что в имени мне твоем |
2851 | 176 |
31 |
25 |
13 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
10 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
8 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
6 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
Вмешиваясь в разговор с богом |
3196 | 175 |
26 |
21 |
17 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
9 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
Возвращение |
3191 | 175 |
21 |
14 |
23 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
14 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
Ушки, ножки, рожки |
6373 | 174 |
35 |
15 |
19 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
11 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
Галич и Мандельштам вокруг образа вождя |
366 | 174 |
35 |
19 |
19 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
12 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
Образы русской природы в лирике Рубцова |
538 | 174 |
24 |
19 |
17 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
Иду, а к ногам моим падает вдруг кипятильник |
2247 | 174 |
17 |
21 |
20 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
17 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
3 |
0 |
Монтажная композиция |
343 | 174 |
28 |
22 |
12 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
12 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
9 |
1 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
Монтажная композиция |
423 | 173 |
13 |
26 |
20 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Манифест |
2518 | 173 |
21 |
19 |
21 |
27 |
15 |
18 |
8 |
7 |
6 |
8 |
9 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
Ферапонтово. Коллекция |
1860 | 173 |
23 |
18 |
17 |
28 |
17 |
22 |
5 |
4 |
6 |
5 |
13 |
15 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
Почему в Прибалтике не проходит русский бунт |
2461 | 173 |
17 |
30 |
30 |
18 |
12 |
16 |
5 |
6 |
3 |
7 |
11 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
2 |
3 |
3 |
Искушение как психологический прием |
2755 | 173 |
31 |
17 |
16 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
10 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
Кирилл Юрьевич отбывает в Канаду |
3011 | 172 |
19 |
23 |
22 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
10 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
Автометафора |
506 | 171 |
15 |
22 |
24 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
Автопортрет, оксюморон |
610 | 171 |
17 |
28 |
24 |
24 |
20 |
22 |
5 |
4 |
4 |
7 |
4 |
12 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
Чудачество и донкихотство. Шукшин и Сервантес |
1260 | 171 |
16 |
23 |
19 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
Достоевский как оптимальная точка видения |
2850 | 170 |
19 |
18 |
21 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
926 | 170 |
22 |
22 |
15 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
Сон как нонсенс в "Войне и мире" |
498 | 169 |
23 |
24 |
17 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
10 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
Горе от ума или ум от горя. Перевертыши |
739 | 169 |
24 |
20 |
19 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
Введение в чтение Гоголя. Хлестаков |
539 | 169 |
33 |
16 |
16 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
11 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
Островский о романтической ипостаси русской литературы |
1082 | 169 |
25 |
21 |
20 |
28 |
14 |
16 |
9 |
8 |
4 |
6 |
6 |
12 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
Символизм |
357 | 169 |
14 |
22 |
15 |
30 |
12 |
20 |
12 |
15 |
4 |
8 |
3 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
Буддистский колобок |
2648 | 167 |
34 |
13 |
19 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
10 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
4 |
2 |
Самоубийство разума |
2960 | 167 |
17 |
18 |
14 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
Невозможность гения эпохи |
460 | 166 |
38 |
19 |
13 |
23 |
17 |
18 |
7 |
2 |
2 |
6 |
9 |
12 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
11 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
Снова по поводу "Тихого Дона" |
1016 | 165 |
25 |
24 |
17 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
2 |
1 |
Бессмертие и спасение |
2512 | 165 |
21 |
27 |
25 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Печорин как писатель |
863 | 165 |
21 |
19 |
21 |
27 |
12 |
14 |
10 |
6 |
4 |
10 |
11 |
10 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
Лирика |
3045 | 165 |
19 |
18 |
15 |
27 |
24 |
16 |
8 |
2 |
6 |
8 |
9 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
6 |
2 |
2 |
0 |
1 |
1 |
1 |
Теория диссоциаций и Булгаков |
1159 | 164 |
20 |
26 |
18 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
2 |
0 |
1 |
Избранница народного слова |
2295 | 164 |
18 |
22 |
17 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
13 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
2 |
1 |
Лампа Мафусаила |
1503 | 164 |
19 |
20 |
19 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
13 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
Паломничество убогой |
2599 | 164 |
15 |
23 |
14 |
24 |
9 |
15 |
5 |
2 |
22 |
13 |
11 |
11 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
1 |
Бунт против Гегеля |
3057 | 164 |
34 |
20 |
23 |
26 |
6 |
15 |
6 |
5 |
3 |
5 |
10 |
11 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
9 |
4 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
389 | 164 |
21 |
22 |
16 |
22 |
17 |
22 |
8 |
7 |
2 |
7 |
9 |
11 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
Вот и обсудили! |
2519 | 164 |
19 |
22 |
16 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
Двуединство добра |
2699 | 163 |
31 |
19 |
23 |
21 |
11 |
21 |
6 |
5 |
3 |
7 |
6 |
10 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
5 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
Ведьмостиший больше не будет |
2862 | 163 |
30 |
16 |
18 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
7 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
Возвращение блудного Чацкого |
739 | 163 |
24 |
20 |
17 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
Джулиан Барнс в защиту критики |
2543 | 163 |
22 |
31 |
21 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
10 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
5 |
2 |
0 |
2 |
Компьютер и сексуальная революция писателя |
2712 | 163 |
30 |
16 |
11 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
8 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1485 | 163 |
17 |
23 |
18 |
31 |
11 |
14 |
8 |
15 |
5 |
5 |
6 |
10 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
Демократия как искусство для искусства |
2707 | 163 |
24 |
25 |
16 |
25 |
9 |
20 |
3 |
8 |
3 |
6 |
7 |
17 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
О курсе реформ и курсе литературы |
862 | 162 |
34 |
29 |
21 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
9 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
11 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
5 |
2 |
2 |
3 |
2 |
1 |
3 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1519 | 162 |
20 |
24 |
14 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
13 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
Как в "Превращении" Кафки выражена идея торжества разума |
724 | 162 |
16 |
22 |
15 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
11 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
Символика цвета |
263 | 162 |
16 |
27 |
19 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
"Коршун" Тютчева - материализм и идеализм |
527 | 162 |
19 |
18 |
16 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
Дан прислал |
813 | 161 |
20 |
24 |
15 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2268 | 161 |
15 |
21 |
24 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
0 |
4 |
2 |
4 |
2 |
Мысль изреченная |
2480 | 161 |
17 |
17 |
22 |
21 |
14 |
15 |
9 |
6 |
8 |
10 |
7 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
0 |
0 |
0 |
2 |
1 |
Андрей Болконский - Дон Кихот |
567 | 161 |
16 |
20 |
20 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
Художник у Христа за пазухой |
2547 | 160 |
16 |
17 |
13 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
14 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
353 | 160 |
20 |
16 |
22 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
15 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
Мир как книга |
841 | 160 |
23 |
19 |
15 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
785 | 160 |
35 |
15 |
16 |
24 |
17 |
15 |
6 |
4 |
2 |
8 |
6 |
12 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
8 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
Кто в окошке. Сказочные звери |
3691 | 159 |
16 |
14 |
18 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
Страсть и поэзия |
1799 | 159 |
20 |
21 |
21 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
11 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
Пространство в живописи текста у Гоголя |
622 | 159 |
19 |
21 |
16 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
Интервью с Игорем Панариным |
2396 | 159 |
29 |
21 |
15 |
25 |
14 |
15 |
4 |
6 |
4 |
8 |
9 |
9 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
10 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
О чем поют сферы Гоголя |
782 | 159 |
28 |
15 |
16 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Короля делает свита |
2151 | 158 |
32 |
17 |
17 |
25 |
16 |
12 |
8 |
3 |
3 |
9 |
3 |
13 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
9 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
Собрание обратных цитат о любви |
2857 | 158 |
21 |
17 |
12 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
15 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
Темное вещество, абсолютный дух и человеческая цивилизация |
830 | 158 |
16 |
27 |
14 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
452 | 158 |
21 |
14 |
16 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
Все по Салтыкову-Щедрину! |
4172 | 158 |
18 |
24 |
16 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
Достоевский и риторические вопросы (диатриба) |
522 | 157 |
19 |
20 |
20 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Я начинаю обретать себя |
2289 | 157 |
33 |
13 |
12 |
28 |
9 |
14 |
7 |
6 |
3 |
8 |
8 |
16 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
11 |
1 |
5 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
Литературоведение - наука или "Humanities and Arts"... |
2323 | 157 |
27 |
18 |
17 |
24 |
9 |
14 |
9 |
6 |
2 |
11 |
7 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
10 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
Совенок |
3556 | 157 |
14 |
19 |
15 |
30 |
7 |
18 |
10 |
6 |
4 |
10 |
9 |
15 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
726 | 156 |
18 |
19 |
15 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
Инструкция создателям искусственного разума |
2349 | 156 |
28 |
19 |
15 |
24 |
9 |
15 |
5 |
3 |
3 |
4 |
18 |
13 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
8 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
Как работает поэтика абсурда |
4304 | 156 |
17 |
19 |
18 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
5 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
3 |
1 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1032 | 155 |
21 |
17 |
16 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
Дурное общество |
855 | 155 |
28 |
13 |
17 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
11 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Государство и общество: бюрократизм и свобода от бюрократии |
3167 | 155 |
32 |
17 |
10 |
27 |
8 |
14 |
6 |
6 |
3 |
6 |
7 |
19 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
7 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
Средства художественной изобразительности |
1414 | 155 |
16 |
19 |
24 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
Проблематика произведений. Богатство и бедность |
471 | 155 |
20 |
17 |
22 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
Смысл и убеждение |
2132 | 155 |
34 |
16 |
18 |
26 |
9 |
14 |
6 |
5 |
2 |
8 |
6 |
11 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
5 |
11 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
Социальные болезни Стихи.ру |
6882 | 155 |
16 |
19 |
14 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
Маркетинг науки, или Научный маркетинг |
2898 | 155 |
15 |
20 |
17 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
12 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
4 |
1 |
0 |
2 |
1 |
Методология работы критика над текстом |
2348 | 154 |
19 |
18 |
17 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
12 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
Лимерик |
2186 | 154 |
32 |
20 |
13 |
25 |
14 |
14 |
5 |
4 |
4 |
5 |
5 |
13 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
5 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2268 | 154 |
18 |
23 |
16 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
Сила детской публицистики |
1253 | 154 |
22 |
17 |
16 |
26 |
11 |
17 |
6 |
8 |
7 |
8 |
6 |
10 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
Заголовок |
276 | 154 |
19 |
22 |
19 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
Проклятое место, проклятые вопросы |
2999 | 154 |
20 |
24 |
16 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
14 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Долой ыгэ! |
517 | 150 |
13 |
31 |
17 |
20 |
19 |
12 |
3 |
4 |
3 |
6 |
8 |
14 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
Байрон - предтеча русского реализма |
654 | 150 |
22 |
22 |
14 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
12 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3296 | 149 |
18 |
20 |
15 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
Письмо Татьяны. Общие места - романтизмы |
533 | 149 |
18 |
16 |
14 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
Теософия и поэзия |
924 | 149 |
17 |
14 |
25 |
20 |
13 |
15 |
7 |
7 |
5 |
7 |
5 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
Лисенок в курятнике Стихи.ру |
5872 | 149 |
17 |
22 |
15 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
3 |
0 |
0 |
1 |
3 |
0 |
"Хлыстовская богородица" Маяковского |
1204 | 149 |
20 |
19 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
5 |
11 |
10 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
Реформы Путина и моя им гегельянская поддержка |
2628 | 149 |
19 |
20 |
16 |
25 |
8 |
19 |
5 |
5 |
2 |
12 |
6 |
12 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
Белая ворона |
2237 | 149 |
14 |
15 |
15 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
Ленин как поэт Серебряного века |
1215 | 149 |
15 |
19 |
15 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
Воинство Сергия Радонежского |
4261 | 149 |
16 |
21 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
11 |
10 |
11 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
Сеть и чудаки |
2812 | 149 |
19 |
21 |
12 |
22 |
12 |
21 |
8 |
4 |
4 |
4 |
9 |
13 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
2 |
0 |
Каким должен быть правитель |
393 | 148 |
15 |
20 |
10 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
+7 |
2044 | 148 |
26 |
16 |
16 |
19 |
11 |
18 |
9 |
8 |
3 |
5 |
6 |
11 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
2 |
0 |
Миф о времени |
2270 | 148 |
17 |
19 |
20 |
21 |
9 |
21 |
5 |
4 |
4 |
6 |
9 |
13 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
Мастер и Маргарита. Кто написал притчу? |
976 | 148 |
20 |
18 |
19 |
21 |
14 |
16 |
5 |
8 |
2 |
9 |
7 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1218 | 148 |
17 |
16 |
22 |
21 |
13 |
15 |
11 |
4 |
1 |
9 |
9 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
Пушкин |
5890 | 148 |
15 |
24 |
13 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
Атрибуты беса |
2961 | 147 |
17 |
16 |
18 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
Смех без причины |
2526 | 147 |
15 |
19 |
20 |
31 |
5 |
13 |
6 |
3 |
7 |
6 |
7 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2253 | 130 |
13 |
12 |
16 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
16 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
"Детство" и уход из Ясной поляны |
286 | 130 |
21 |
16 |
14 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
Возможен ли герой нашего времени? |
503 | 129 |
18 |
16 |
13 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
Ну и реклама сейчас у Проханова |
1942 | 129 |
18 |
18 |
8 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
7 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
Государыня Россия |
2200 | 129 |
19 |
16 |
15 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
10 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
Онтологическое обоснование гения эпохи |
1100 | 129 |
17 |
11 |
21 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
"Добрый Филя" и проекция собеседника |
593 | 128 |
15 |
14 |
14 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
Менеджеры и профессионалы |
2136 | 128 |
27 |
18 |
16 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
5 |
6 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
Бы да кабы |
720 | 127 |
17 |
15 |
18 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
12 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
К проблеме Израиля |
1208 | 127 |
13 |
16 |
13 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
Преодоление расы |
1281 | 126 |
13 |
16 |
10 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
13 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
1 |
0 |
0 |
"Шиповник цветет" - не сжигай |
541 | 125 |
17 |
16 |
14 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
9 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
Деление на невозможность |
1947 | 124 |
13 |
16 |
13 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
"Сретенье " Бродского как трансляция |
420 | 124 |
15 |
14 |
17 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
Удача и капуста |
2268 | 123 |
15 |
17 |
11 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
9 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
День 7 ноября |
789 | 122 |
15 |
18 |
10 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
Литературоведение, рабство и пенсионная реформа |
934 | 122 |
19 |
15 |
15 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
13 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
Радио Свобода, Цру и великая русская литература |
2305 | 120 |
18 |
12 |
17 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
Незабудки |
73 | 73 |
73 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
2 |
5 |
8 |
1 |
5 |
4 |
6 |
3 |
6 |
13 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |