| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
По разделу |
757772 | 2036 |
42 |
167 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
1 |
18 |
9 |
6 |
8 |
3 |
6 |
5 |
5 |
5 |
6 |
4 |
5 |
6 |
4 |
7 |
9 |
5 |
9 |
4 |
5 |
7 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
5 |
8 |
4 |
3 |
5 |
7 |
8 |
6 |
4 |
6 |
6 |
4 |
7 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
6 |
6 |
6 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29833 | 1295 |
30 |
132 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
0 |
18 |
3 |
5 |
4 |
3 |
4 |
1 |
3 |
4 |
6 |
2 |
0 |
6 |
4 |
5 |
9 |
4 |
9 |
2 |
5 |
5 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
2 |
7 |
4 |
2 |
4 |
6 |
8 |
4 |
4 |
4 |
2 |
4 |
7 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
5 |
3 |
6 |
4 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3138 | 1105 |
22 |
67 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
1 |
3 |
4 |
6 |
8 |
1 |
2 |
1 |
3 |
4 |
3 |
3 |
5 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
4 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
3 |
5 |
2 |
2 |
2 |
5 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
|
Поэтика абсурда. Часть 1 |
3238 | 730 |
19 |
82 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
0 |
4 |
9 |
0 |
6 |
1 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
3 |
2 |
7 |
2 |
2 |
3 |
2 |
4 |
2 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
0 |
6 |
3 |
1 |
5 |
2 |
1 |
5 |
4 |
2 |
2 |
0 |
6 |
0 |
3 |
|
Метод приведения к абсурду в школьной классике |
2002 | 642 |
11 |
57 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
0 |
3 |
3 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
3 |
2 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
2 |
3 |
4 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
|
Мертвые души: хозяйственная бесхозяйственность |
2311 | 571 |
12 |
76 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
0 |
5 |
2 |
3 |
2 |
0 |
4 |
4 |
4 |
5 |
3 |
0 |
4 |
1 |
4 |
2 |
0 |
4 |
0 |
4 |
1 |
5 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
0 |
3 |
2 |
2 |
4 |
4 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
|
Гипербола и Гиперборея Маяковского |
1175 | 563 |
8 |
60 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
0 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
4 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
4 |
1 |
1 |
3 |
1 |
7 |
2 |
5 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
1 |
|
Внутренний монолог |
1149 | 545 |
12 |
66 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
0 |
3 |
5 |
0 |
4 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
4 |
3 |
0 |
4 |
2 |
4 |
6 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
1 |
6 |
3 |
2 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
4 |
2 |
2 |
1 |
4 |
2 |
2 |
1 |
|
В чем философский смысл фильма "Остров проклятых" |
1188 | 539 |
4 |
31 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
|
Автобиографизм и автопсихологизм |
894 | 472 |
11 |
64 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
0 |
5 |
3 |
0 |
3 |
2 |
2 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
3 |
4 |
1 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
4 |
4 |
0 |
2 |
4 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5932 | 439 |
5 |
47 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
4 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
4 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
|
Печорин и декабристы - бесславие героев времени |
1454 | 414 |
11 |
34 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
0 |
2 |
3 |
3 |
3 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2972 | 412 |
6 |
41 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
|
Интерьер в "Капитанской дочке" |
1501 | 385 |
7 |
43 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
4 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
5 |
5 |
4 |
1 |
0 |
0 |
4 |
5 |
2 |
2 |
4 |
1 |
|
Полифония Блока |
1600 | 385 |
8 |
47 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
0 |
1 |
5 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
|
Дуэль Онегина и Ленского |
1353 | 374 |
10 |
37 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
0 |
4 |
2 |
1 |
3 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
|
Шукшин ли "Хозяин бани и огорода"? |
2121 | 372 |
12 |
42 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
0 |
2 |
4 |
2 |
4 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
|
Антитеза |
639 | 368 |
8 |
37 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
4 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
5 |
|
Михаил Гарцев. История внутри нас |
4537 | 359 |
8 |
37 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
0 |
1 |
5 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Смертная казнь как эротика государственного самоубийства |
7685 | 356 |
6 |
41 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
1 |
3 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Кто убил старуху процентщицу? |
2133 | 356 |
8 |
33 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
3 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1012 | 354 |
6 |
37 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11847 | 353 |
6 |
39 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
1 |
0 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
|
Энтропия.net |
6189 | 347 |
10 |
39 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
0 |
5 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
5 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
2 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
|
Я играю вместе с мамой |
9764 | 346 |
4 |
46 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
|
Пестрый дятел |
4760 | 337 |
11 |
45 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
0 |
4 |
4 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
2 |
1 |
4 |
2 |
6 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Образ России в арт-среде Интернета |
2674 | 337 |
3 |
37 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
|
"История Рода Толстых - история России". Фоторепортаж |
5722 | 326 |
10 |
52 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
0 |
4 |
2 |
1 |
3 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5766 | 324 |
9 |
42 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
5 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
6 |
|
Медвежонок |
9083 | 321 |
7 |
45 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
|
Можно ли назвать Печорина фаталистом |
847 | 320 |
5 |
29 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Древесная лирика Хельги Ольшванг |
3804 | 318 |
5 |
38 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
0 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Кот Васька в своей квартире |
7936 | 316 |
10 |
37 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
0 |
1 |
2 |
3 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
|
Кто как кричит |
4573 | 316 |
13 |
39 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
0 |
4 |
6 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
5 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
|
Что на небе |
8164 | 314 |
6 |
36 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Каждый знает |
6758 | 311 |
5 |
35 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1147 | 308 |
8 |
52 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
0 |
2 |
3 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
0 |
8 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
|
Учимся мыслить логически |
3769 | 305 |
9 |
43 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
0 |
3 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
0 |
5 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
3 |
3 |
|
Маяковский и его философия |
1491 | 304 |
8 |
41 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
900 | 300 |
11 |
40 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
0 |
5 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Михаил Гарцев и сетевое письмо |
4566 | 299 |
7 |
34 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
|
Александр Кушнер. Аполлон в траве |
4654 | 298 |
8 |
47 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
0 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4094 | 298 |
6 |
30 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
|
Замятин "Мы". Конспект урока |
1001 | 297 |
8 |
34 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
0 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
0 |
3 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
|
Ослик |
8431 | 297 |
5 |
37 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
|
К вопросу о Фрейде и православии |
3169 | 295 |
7 |
36 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
6 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
|
План анализа стихотворения |
647 | 293 |
6 |
40 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
|
Средства художественной изобразительности |
1619 | 291 |
8 |
43 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
7 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Карнавал и декарнавализация |
4176 | 290 |
9 |
28 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
0 |
2 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
|
Волчонок |
4265 | 290 |
8 |
35 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
|
Зеркало |
2973 | 290 |
6 |
37 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
|
Почему в Прибалтике не проходит русский бунт |
2655 | 289 |
5 |
32 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
6 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
|
Стихи для детей |
5522 | 289 |
10 |
38 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
0 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
5 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
|
Потомки "Метрополя" |
5871 | 287 |
7 |
33 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
4 |
|
Липки |
2877 | 287 |
9 |
36 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
0 |
4 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
|
О любви к правителям и поэтам |
1267 | 286 |
7 |
31 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
|
Поэтика абсурда и образ Святой Земли |
3581 | 285 |
6 |
40 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
|
Язык и генетика |
4551 | 285 |
5 |
38 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
950 | 284 |
6 |
28 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
|
Сон как нонсенс в "Войне и мире" |
692 | 284 |
9 |
35 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
0 |
2 |
5 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
4 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
В защиту массовой литературы |
5685 | 284 |
7 |
32 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1126 | 284 |
6 |
41 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
4 |
0 |
2 |
2 |
3 |
2 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
997 | 284 |
8 |
36 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
|
Психология - наука рабов |
6800 | 283 |
5 |
37 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
|
Рифма к городу |
3608 | 283 |
5 |
36 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
|
Возвращение |
3387 | 283 |
6 |
39 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
|
Избранница народного слова |
2493 | 282 |
6 |
37 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Кирилл Юрьевич отбывает в Канаду |
3204 | 282 |
8 |
44 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
0 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
1 |
1 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
|
Сказка о гейзере на Стихире |
3028 | 282 |
7 |
30 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Островский о романтической ипостаси русской литературы |
1268 | 280 |
10 |
31 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
0 |
1 |
7 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
|
Гегельянство в России |
1133 | 280 |
7 |
32 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
3 |
2 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
|
Ведение в чтение Гоголя |
1173 | 279 |
10 |
34 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
0 |
3 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Ирония и автоирония |
525 | 278 |
9 |
30 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
0 |
6 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
|
О курсе реформ и курсе литературы |
1032 | 278 |
6 |
34 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
|
Фотомастерская Вадима Месяца |
3002 | 278 |
14 |
35 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
0 |
3 |
7 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
|
Самоубийство разума |
3166 | 278 |
6 |
35 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
4 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
|
Информация о владельце раздела |
3361 | 278 |
5 |
38 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
5 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
881 | 277 |
9 |
31 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
0 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
|
Про что поэзия Барто? - да все про то! |
5878 | 277 |
5 |
36 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Достоевский и конец истории |
3536 | 277 |
4 |
31 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
966 | 277 |
6 |
30 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
|
Ушки, ножки, рожки |
6552 | 276 |
5 |
38 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
4 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
|
Монтаж у Гоголя и Алексиевич |
824 | 276 |
7 |
36 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
|
С кем я познакомилась на Си |
3534 | 274 |
6 |
39 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
0 |
1 |
1 |
3 |
1 |
1 |
4 |
0 |
1 |
2 |
5 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Достоевский как оптимальная точка видения |
3036 | 274 |
7 |
37 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
0 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2459 | 274 |
5 |
38 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
|
Ницше, ценности и Гегель |
3148 | 273 |
4 |
31 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
|
Алексиевич. Чернобыль |
1175 | 272 |
4 |
39 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
|
Ботинок |
4087 | 272 |
5 |
38 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
|
Пейзаж в поэме Лермонтова |
830 | 272 |
8 |
29 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
0 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Демократия как искусство для искусства |
2889 | 272 |
2 |
40 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
|
Какой плод у дерева |
3079 | 271 |
8 |
33 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
0 |
2 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
|
Сюжет: событие, действие, мотив |
583 | 271 |
6 |
40 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
|
В поисках смысла сетевой литературы |
2738 | 271 |
8 |
30 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
0 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
6 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
6 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Бунт против Гегеля |
3224 | 270 |
6 |
29 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
|
Пьер и Андрей |
1230 | 270 |
7 |
34 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
|
Введение в чтение Гоголя. Хлестаков |
713 | 269 |
10 |
38 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
3 |
3 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
|
Почему поэзия должна быть глуповата |
3193 | 269 |
6 |
27 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
|
О "Медном всаднике" |
1183 | 268 |
11 |
34 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
0 |
3 |
4 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
|
Автопортрет, оксюморон |
785 | 268 |
7 |
30 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Юрий Поляков. Грибной царь |
3687 | 268 |
6 |
35 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
669 | 267 |
7 |
32 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
0 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
|
Галич и Мандельштам вокруг образа вождя |
536 | 266 |
9 |
33 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Об одном фильме |
1417 | 266 |
1 |
34 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
|
Интервью с Игорем Панариным |
2571 | 265 |
5 |
24 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
|
Где же новая поэзия |
2501 | 265 |
9 |
39 |
36 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
0 |
1 |
5 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1644 | 265 |
5 |
29 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Андрей Болконский - Дон Кихот |
748 | 265 |
8 |
29 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
0 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
|
Расширит ли виртуальная реальность возможности познания истины |
3347 | 264 |
4 |
28 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
702 | 264 |
6 |
35 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
|
Памятник Румянцеву в "Капитанской дочке" |
863 | 264 |
12 |
30 |
36 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
0 |
6 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
|
Между прошлым и будущим |
690 | 264 |
8 |
35 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
0 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
|
Возвращение блудного Чацкого |
922 | 263 |
13 |
35 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
0 |
4 |
7 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
|
Самосознание сетевой литературы |
4032 | 263 |
7 |
34 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
0 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Социальные болезни Стихи.ру |
7070 | 263 |
8 |
42 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
0 |
1 |
3 |
0 |
4 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
|
Поэтика абсурда при свете совести |
2801 | 263 |
8 |
28 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
"Коршун" Тютчева - материализм и идеализм |
708 | 263 |
6 |
30 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
|
Нам много миллионов лет. Каждому |
918 | 262 |
5 |
40 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
|
Утенок |
4591 | 262 |
7 |
29 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
704 | 262 |
3 |
33 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Ведьмостиший больше не будет |
3034 | 261 |
8 |
32 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
6 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
|
Вирус абсурда в истории человеческой культуры |
2355 | 261 |
5 |
29 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
|
Буддистский колобок |
2813 | 261 |
4 |
28 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
0 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
1 |
0 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
|
Мир как книга |
1017 | 261 |
4 |
33 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
|
Короля делает свита |
2320 | 260 |
4 |
35 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Трагический герой |
573 | 260 |
8 |
31 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
0 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
|
Конечный смысл страдания |
2524 | 260 |
7 |
33 |
36 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
0 |
2 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1656 | 260 |
9 |
26 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
0 |
6 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
|
Ленин как поэт Серебряного века |
1397 | 258 |
7 |
35 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
3 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
|
Anti-Dan |
3269 | 258 |
6 |
37 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
|
Манифест |
2687 | 257 |
9 |
29 |
32 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
0 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
785 | 257 |
4 |
31 |
37 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
5 |
1 |
0 |
3 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
|
Этапы эволюции вируса абсурда в России |
3341 | 257 |
9 |
28 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
5 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
4 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
|
Образы русской природы в лирике Рубцова |
709 | 257 |
6 |
31 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1470 | 256 |
6 |
31 |
31 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Двуединство добра |
2861 | 256 |
5 |
28 |
40 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
630 | 256 |
4 |
25 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Бессмертие и спасение |
2664 | 256 |
3 |
30 |
42 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
6 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
|
Реформы Путина и моя им гегельянская поддержка |
2804 | 256 |
4 |
37 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
|
19 августа 1991 года |
2428 | 256 |
2 |
33 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
951 | 256 |
7 |
30 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
|
Государство и общество: свобода и необходимость |
5001 | 255 |
6 |
34 |
45 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
2 |
6 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
|
О романе "Обратная Перспектива А.Столярова |
1439 | 255 |
7 |
33 |
44 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
|
Необходимое или цель - искусство? |
744 | 255 |
5 |
33 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Проклятое место, проклятые вопросы |
3172 | 255 |
6 |
30 |
31 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Кто в окошке. Сказочные звери |
3864 | 254 |
6 |
34 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Снова по поводу "Тихого Дона" |
1182 | 254 |
3 |
26 |
35 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
|
Паломничество убогой |
2777 | 254 |
7 |
33 |
37 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1690 | 254 |
2 |
35 |
33 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Вот и обсудили! |
2695 | 254 |
5 |
33 |
39 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Эмоции |
1092 | 254 |
4 |
31 |
30 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2414 | 254 |
6 |
30 |
32 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
|
Отчуждение |
1214 | 253 |
4 |
29 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3334 | 253 |
6 |
33 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Мысль изреченная |
2656 | 253 |
5 |
34 |
42 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
1 |
0 |
3 |
3 |
4 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
|
Поэтика абсурда Маяковского |
1548 | 252 |
2 |
28 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
|
Клопы от Фейербаха |
3170 | 252 |
3 |
31 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Что в имени мне твоем |
3010 | 252 |
5 |
28 |
37 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
0 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
|
Символизм |
528 | 252 |
6 |
34 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Автометафора |
668 | 251 |
5 |
24 |
29 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Байрон - предтеча русского реализма |
821 | 251 |
8 |
36 |
35 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
0 |
1 |
6 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
|
Незабудки |
251 | 251 |
5 |
33 |
35 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Хлестаков и Печорин |
1378 | 251 |
6 |
32 |
36 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
5 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
|
Введение в чтение Гоголя. Нос |
737 | 250 |
7 |
32 |
31 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Евгений Водолазкин и поэтика абсурда |
1255 | 250 |
5 |
31 |
33 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
5 |
1 |
0 |
1 |
0 |
4 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
3 |
3 |
2 |
|
Ноосфера |
653 | 250 |
7 |
37 |
30 |
20 |
21 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
|
Три пальмы |
1314 | 249 |
5 |
32 |
31 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
|
Мастер и Маргарита. Кто написал притчу? |
1147 | 249 |
4 |
32 |
39 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
0 |
3 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
|
Форум в контексте книги |
3097 | 249 |
4 |
25 |
36 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Чужая сказка |
2527 | 248 |
4 |
28 |
34 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
|
Романтизм |
539 | 248 |
5 |
36 |
40 |
27 |
18 |
16 |
11 |
13 |
21 |
15 |
20 |
26 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
3 |
0 |
4 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
3 |
3 |
|
Премия "Поэзия" что хотят жюри |
1419 | 248 |
6 |
34 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Ангел в круге десятом |
806 | 248 |
7 |
27 |
46 |
19 |
21 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
3 |
5 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Вмешиваясь в разговор с богом |
3359 | 248 |
4 |
26 |
34 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
5 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
|
Теория диссоциаций и Булгаков |
1319 | 247 |
5 |
30 |
42 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
4 |
1 |
0 |
0 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
|
Художник у Христа за пазухой |
2719 | 247 |
6 |
29 |
36 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
+7 |
2214 | 247 |
5 |
27 |
37 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
|
Методология работы критика над текстом |
2519 | 247 |
11 |
32 |
33 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
0 |
5 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
|
Как работает поэтика абсурда |
4475 | 247 |
5 |
34 |
41 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
6 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
|
Страсть и поэзия |
1959 | 246 |
5 |
31 |
35 |
30 |
19 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
От финских хладных скал... |
3164 | 246 |
5 |
28 |
41 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
|
Горе от ума или ум от горя. Перевертыши |
900 | 246 |
5 |
25 |
33 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
2 |
3 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Диалектика пути |
2784 | 246 |
7 |
33 |
37 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Постновогодний синдром |
660 | 246 |
7 |
36 |
31 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3441 | 246 |
7 |
27 |
42 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
|
Лирика |
3212 | 246 |
6 |
29 |
32 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
6 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1201 | 245 |
7 |
32 |
34 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
|
Ферапонтово. Коллекция |
2019 | 245 |
2 |
35 |
32 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
|
По поводу некоторых неточностей Евгения Клюева |
2427 | 245 |
7 |
27 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
0 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Модель романа-эпопеи |
994 | 245 |
6 |
29 |
34 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
|
Воинство Сергия Радонежского |
4425 | 245 |
5 |
24 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Все по Салтыкову-Щедрину! |
4333 | 245 |
2 |
28 |
36 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Атрибуты беса |
3130 | 244 |
5 |
31 |
36 |
26 |
22 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Ведение в чтение Гоголя |
911 | 244 |
6 |
26 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
552 | 244 |
5 |
27 |
29 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
2 |
|
Онегин - лицеист? |
705 | 244 |
5 |
25 |
34 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
|
Молчание - литературная преемственность |
725 | 244 |
5 |
24 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Совенок |
3722 | 244 |
4 |
35 |
35 |
19 |
27 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
4 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Достоевский и риторические вопросы (диатриба) |
681 | 243 |
6 |
28 |
35 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
|
Лисенок в курятнике Стихи.ру |
6040 | 243 |
5 |
31 |
30 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Джулиан Барнс в защиту критики |
2689 | 243 |
4 |
27 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4131 | 243 |
3 |
32 |
33 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Технические болезни Стихиры |
2595 | 242 |
2 |
31 |
44 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
5 |
3 |
1 |
1 |
1 |
4 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
|
О чем поют сферы Гоголя |
939 | 242 |
3 |
31 |
33 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
|
Базаров |
992 | 242 |
5 |
31 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
|
Рубцов и формальный метод |
2631 | 242 |
4 |
31 |
36 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
988 | 241 |
6 |
36 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Рванет-не рванет |
697 | 241 |
3 |
36 |
40 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
5 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Государство Платона и Акунина |
953 | 241 |
8 |
28 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
|
Национальность биографа |
2942 | 240 |
7 |
35 |
27 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Дан прислал |
974 | 240 |
4 |
30 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
5 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
|
"Хлыстовская богородица" Маяковского |
1366 | 240 |
3 |
27 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
4 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
|
Легенда о великом инквизиторе |
1082 | 240 |
6 |
26 |
37 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
|
Недоросль в меняющемся мире |
689 | 240 |
3 |
32 |
39 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
5 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
|
Инструкция создателям искусственного разума |
2503 | 240 |
5 |
37 |
37 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3454 | 239 |
4 |
33 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
6 |
|
Быков и Навальный |
696 | 239 |
8 |
31 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3058 | 239 |
6 |
21 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Крочечка Хаврошечка |
769 | 238 |
2 |
29 |
32 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Печорин как писатель |
1013 | 238 |
8 |
21 |
31 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
5 |
2 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Молодежь и общество потребления |
3753 | 238 |
6 |
35 |
32 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Воспитание гениев |
1014 | 237 |
3 |
30 |
33 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
1 |
|
Собрание обратных цитат о любви |
3012 | 237 |
5 |
28 |
35 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
502 | 237 |
4 |
26 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
|
Лампа Мафусаила |
1657 | 237 |
7 |
27 |
34 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
|
Доказательство несовершенства Бога |
2654 | 237 |
3 |
25 |
36 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Абсурдизм |
3742 | 236 |
3 |
31 |
28 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
|
Сексуальность Гоголя |
767 | 236 |
5 |
29 |
32 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
|
Смысл и убеждение |
2274 | 236 |
2 |
27 |
33 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
|
Заголовок |
424 | 236 |
5 |
31 |
33 |
22 |
16 |
10 |
16 |
14 |
20 |
22 |
19 |
28 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
|
Введение в философию сказок |
717 | 236 |
6 |
34 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
2 |
|
Сеть и чудаки |
2973 | 235 |
7 |
36 |
34 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
|
Отчуждение. стадия Ад |
1287 | 235 |
4 |
29 |
33 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
|
То было двух бесов изображенье |
540 | 234 |
3 |
25 |
30 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
|
Пространство в живописи текста у Гоголя |
774 | 234 |
4 |
27 |
33 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Миф о времени |
2427 | 234 |
4 |
27 |
31 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1412 | 234 |
7 |
27 |
31 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
4 |
|
Невозможность гения эпохи |
601 | 234 |
4 |
29 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Шаров и его теодицея |
697 | 234 |
3 |
33 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Монтажная композиция |
486 | 234 |
6 |
27 |
36 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
0 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
5 |
4 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
"Шиповник цветет" - не сжигай |
710 | 233 |
4 |
39 |
32 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
529 | 233 |
6 |
25 |
35 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Удача и капуста |
2439 | 233 |
4 |
28 |
43 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
1 |
0 |
5 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
|
"Добрый Филя" и проекция собеседника |
761 | 233 |
3 |
29 |
38 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
|
Реминисценция |
576 | 232 |
5 |
26 |
29 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
503 | 232 |
5 |
18 |
40 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
4 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
882 | 232 |
6 |
31 |
39 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Литературоведение - наука или "Humanities and Arts"... |
2469 | 232 |
1 |
27 |
33 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1374 | 232 |
2 |
28 |
33 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
|
Киев старый и новый |
2338 | 231 |
1 |
36 |
34 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
|
Дурное общество |
999 | 231 |
5 |
31 |
30 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
|
Бог как конечное воплощение жажды славы |
2143 | 231 |
5 |
26 |
42 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
|
Почему Путин заинтересован в развитии гражданского общества |
2634 | 231 |
6 |
26 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
884 | 231 |
4 |
30 |
36 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
1 |
|
О времени |
1197 | 231 |
4 |
32 |
36 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
|
Анализ прозы |
513 | 231 |
5 |
24 |
28 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Письмо Ольги Пушкину |
1214 | 230 |
3 |
24 |
31 |
21 |
21 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
|
Компьютер и сексуальная революция писателя |
2858 | 230 |
6 |
28 |
33 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Неравный брак (лунное) |
884 | 230 |
2 |
29 |
32 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
|
Лимерик |
2326 | 230 |
1 |
29 |
29 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Искушение как психологический прием |
2898 | 230 |
7 |
30 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Монтажная композиция |
574 | 229 |
9 |
22 |
39 |
16 |
22 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
4 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
1 |
|
Введение в чтение Гоголя |
896 | 229 |
7 |
29 |
32 |
18 |
21 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
731 | 229 |
4 |
29 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
0 |
|
Обломов и реализм |
660 | 229 |
4 |
28 |
31 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Категории добра и зла |
458 | 229 |
4 |
25 |
39 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
|
Миф о запахе |
2442 | 229 |
2 |
31 |
30 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
0 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Кто виноват и что делать? Проклятые вопросы в |
477 | 228 |
12 |
25 |
31 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
0 |
2 |
6 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
|
Долой ыгэ! |
664 | 228 |
5 |
31 |
37 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
5 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
5 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Пушкинский пленник |
706 | 228 |
9 |
27 |
33 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
0 |
4 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
|
Сила детской публицистики |
1400 | 228 |
5 |
29 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Литературоведение, рабство и пенсионная реформа |
1096 | 228 |
4 |
34 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
|
Форма абсолютной сути созидаемого |
843 | 227 |
4 |
30 |
30 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
|
Конек-горбунок |
1015 | 227 |
4 |
30 |
27 |
21 |
17 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
|
Проблематика произведений. Богатство и бедность |
611 | 227 |
5 |
27 |
39 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Каким должен быть правитель |
552 | 226 |
6 |
33 |
35 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
6 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
1 |
2 |
5 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Инструкция создателям искусственного разума |
3102 | 226 |
5 |
30 |
36 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
0 |
3 |
2 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
|
Паломничество убогой (2 редакция) |
537 | 226 |
6 |
25 |
36 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Я начинаю обретать себя |
2429 | 226 |
2 |
32 |
33 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
|
Аллегория как эпитет |
1402 | 225 |
8 |
29 |
30 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
К проблеме Израиля |
1366 | 225 |
5 |
30 |
36 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
|
Бегемотик |
3364 | 225 |
5 |
26 |
35 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
5 |
0 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
|
Радио Свобода, Цру и великая русская литература |
2466 | 225 |
3 |
27 |
35 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
|
Онтологическое обоснование гения эпохи |
1256 | 225 |
4 |
29 |
32 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Письмо Татьяны. Общие места - романтизмы |
684 | 224 |
7 |
29 |
33 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2195 | 224 |
5 |
24 |
41 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Популярные стили в изображении Гоголя |
437 | 224 |
2 |
24 |
31 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
|
Пушкин |
6040 | 224 |
6 |
27 |
27 |
20 |
21 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Вирус абсурда в рамках боровской Дополнительности |
2149 | 224 |
4 |
27 |
38 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
|
Миф о числах |
2612 | 223 |
5 |
30 |
28 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Велика ли дань Пушкина мифологии |
3215 | 222 |
5 |
33 |
30 |
17 |
17 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Проклятые вопросы в |
474 | 222 |
4 |
20 |
36 |
16 |
17 |
20 |
15 |
12 |
21 |
17 |
18 |
26 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Белая ворона |
2387 | 222 |
4 |
29 |
33 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Советы |
2414 | 221 |
4 |
25 |
36 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
|
Становление гения |
2460 | 221 |
8 |
22 |
31 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
0 |
0 |
6 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Блок и его мэоническая легенда |
756 | 221 |
8 |
25 |
33 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
0 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
|
Убийственная преданность. Введение в чтение Пушкина |
743 | 221 |
3 |
30 |
33 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Честь как главная жизненная ценность у Достоевского |
607 | 220 |
4 |
28 |
34 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Теософия и поэзия |
1068 | 220 |
4 |
23 |
35 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Бы да кабы |
872 | 220 |
4 |
30 |
32 |
22 |
18 |
11 |
16 |
17 |
19 |
15 |
18 |
18 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
4 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |