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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
| По разделу | 99037 | 3111 | 199 | 212 | 168 | 142 | 174 | 437 | 245 | 530 | 485 | 255 | 181 | 83 | 1 | 6 | 5 | 10 | 10 | 4 | 4 | 3 | 5 | 3 | 7 | 13 | 8 | 13 | 18 | 29 | 6 | 4 | 5 | 4 | 5 | 6 | 8 | 6 | 5 | 7 | 4 | 5 | 5 | 5 | 10 | 8 | 3 | 4 | 5 | 4 | 5 | 3 | 5 | 5 | 5 | 4 | 5 | 5 | 10 | 5 | 4 | 5 | 5 | 8 | 5 | 12 | 8 | 6 | 7 | 28 | 23 | 3 | 4 | 4 | 5 | 5 |
| Сингулярность, Бессмертные Химеры и Прочие Издержки Неожиданных, Непредсказуемых и Утраченных Технологий | 669 | 669 | 28 | 29 | 34 | 32 | 20 | 28 | 34 | 464 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 |
| Tilapia as a Sacred Symbol | 2367 | 596 | 65 | 57 | 67 | 59 | 49 | 51 | 51 | 44 | 47 | 44 | 32 | 30 | 0 | 3 | 3 | 2 | 7 | 2 | 3 | 0 | 4 | 1 | 0 | 3 | 1 | 4 | 0 | 2 | 1 | 1 | 5 | 1 | 4 | 2 | 4 | 3 | 4 | 3 | 2 | 5 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 4 | 0 | 4 | 2 | 2 | 0 | 4 | 1 | 1 | 0 | 5 | 2 | 3 | 3 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 0 | 2 | 3 |
| Der Yuppie-Blues (written with the help of artificial intelligence) | 587 | 587 | 34 | 25 | 30 | 25 | 25 | 316 | 132 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 4 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 5 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 3 |
| Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4562 | 478 | 45 | 61 | 41 | 39 | 33 | 35 | 37 | 39 | 36 | 53 | 29 | 30 | 0 | 0 | 1 | 1 | 6 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 3 | 3 | 4 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 3 | 3 | 1 | 2 | 0 | 10 | 4 | 3 | 5 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 4 | 1 | 1 | 0 | 4 | 2 |
| Попытки возрождения древнейших засекреченных технологий | 450 | 450 | 28 | 30 | 37 | 27 | 17 | 51 | 26 | 36 | 198 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 5 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 5 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 2 |
| "Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 436 | 436 | 39 | 30 | 28 | 26 | 18 | 31 | 25 | 29 | 41 | 47 | 122 | 0 | 0 | 1 | 2 | 4 | 5 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 4 | 0 | 3 | 6 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 3 |
| Эти методы самоомоложения изначально открыты магом Абрахамом фон Вормсом | 425 | 425 | 32 | 27 | 29 | 28 | 26 | 31 | 29 | 39 | 184 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 7 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 2 |
| Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 539 | 420 | 40 | 28 | 37 | 26 | 60 | 38 | 41 | 38 | 38 | 30 | 26 | 18 | 0 | 0 | 1 | 3 | 5 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 7 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 |
| Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 682 | 418 | 37 | 26 | 41 | 27 | 29 | 52 | 34 | 53 | 36 | 42 | 28 | 13 | 0 | 3 | 0 | 3 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 |
| Wünsche und Metamorphosen | 411 | 411 | 56 | 37 | 29 | 23 | 19 | 25 | 30 | 44 | 34 | 114 | 0 | 0 | 0 | 0 | 0 | 5 | 4 | 3 | 2 | 2 | 3 | 2 | 2 | 6 | 0 | 0 | 5 | 0 | 3 | 1 | 1 | 0 | 5 | 3 | 2 | 2 | 0 | 4 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 |
| Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 847 | 405 | 46 | 48 | 44 | 51 | 27 | 39 | 19 | 41 | 28 | 28 | 18 | 16 | 0 | 0 | 2 | 4 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 5 | 3 | 1 | 2 | 4 | 0 | 2 | 0 | 3 | 1 | 8 | 0 | 2 | 1 | 3 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 1 |
| Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1793 | 398 | 35 | 37 | 37 | 30 | 23 | 34 | 31 | 49 | 42 | 33 | 20 | 27 | 0 | 1 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 3 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 3 |
| Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2953 | 397 | 32 | 29 | 39 | 28 | 29 | 22 | 42 | 40 | 40 | 42 | 25 | 29 | 0 | 1 | 2 | 2 | 5 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 4 | 0 | 1 | 1 | 0 | 4 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 |
| Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1960 | 391 | 44 | 33 | 43 | 41 | 13 | 52 | 20 | 39 | 38 | 33 | 18 | 17 | 0 | 1 | 1 | 4 | 6 | 3 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 3 | 2 | 2 | 1 | 4 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 3 | 1 | 1 | 4 | 3 | 2 |
| Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 1245 | 380 | 50 | 36 | 41 | 33 | 18 | 35 | 29 | 36 | 35 | 33 | 25 | 9 | 0 | 1 | 3 | 3 | 2 | 3 | 2 | 2 | 0 | 0 | 2 | 3 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 2 | 4 | 2 | 3 | 2 | 4 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 1 |
| So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 567 | 371 | 56 | 45 | 38 | 43 | 21 | 17 | 19 | 39 | 27 | 29 | 21 | 16 | 0 | 1 | 2 | 5 | 3 | 3 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 2 | 2 | 3 | 4 | 1 | 0 | 2 | 1 | 2 | 6 | 3 | 3 | 2 | 1 | 2 | 1 | 6 | 0 | 0 | 4 | 2 | 2 | 5 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 2 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 2 |
| Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 398 | 362 | 45 | 38 | 33 | 29 | 24 | 39 | 19 | 37 | 25 | 29 | 22 | 22 | 0 | 1 | 1 | 3 | 5 | 2 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 3 | 3 | 3 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 2 | 1 | 4 | 3 | 2 | 0 | 1 | 0 | 3 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 3 | 0 |
| Kandinsky | 1664 | 361 | 41 | 41 | 34 | 41 | 18 | 25 | 20 | 34 | 35 | 31 | 22 | 19 | 0 | 3 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 6 | 1 | 5 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 4 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 3 | 0 | 0 | 5 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 3 |
| Unguentum Morphosis | 358 | 358 | 33 | 26 | 26 | 39 | 20 | 18 | 21 | 37 | 138 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 2 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
| Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 977 | 355 | 44 | 48 | 28 | 31 | 24 | 31 | 22 | 27 | 30 | 32 | 18 | 20 | 0 | 0 | 1 | 5 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 4 | 0 | 3 | 3 | 1 | 5 | 2 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 5 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 0 |
| La Pasiega Cave | 1378 | 350 | 34 | 30 | 31 | 36 | 15 | 31 | 31 | 32 | 41 | 36 | 20 | 13 | 0 | 1 | 0 | 4 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 4 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 3 |
| Секреты мага фон Вормса, доктора Хартлиба и доктора Видеманна или колдовская мазь "unguentum morphosis" | 449 | 344 | 32 | 25 | 29 | 28 | 21 | 49 | 22 | 39 | 36 | 24 | 20 | 19 | 0 | 3 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 5 | 1 | 3 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 |
| 2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 743 | 343 | 45 | 28 | 28 | 29 | 20 | 31 | 34 | 33 | 27 | 31 | 20 | 17 | 0 | 0 | 0 | 2 | 5 | 1 | 3 | 0 | 1 | 2 | 3 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 5 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 |
| Geheimnisse der weißen Magie und Hexereitechnologien: unguentum morphosis | 548 | 342 | 48 | 38 | 30 | 30 | 17 | 34 | 24 | 31 | 35 | 23 | 21 | 11 | 0 | 2 | 0 | 4 | 4 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 2 | 1 | 2 | 2 | 4 | 0 | 1 | 1 | 1 | 2 | 2 | 5 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 0 | 2 | 3 | 4 | 3 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 4 |
| Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 2287 | 342 | 43 | 32 | 29 | 32 | 19 | 45 | 29 | 37 | 34 | 19 | 14 | 9 | 0 | 4 | 1 | 2 | 6 | 3 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 4 | 1 | 1 | 5 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 1 |
| "Голос Вселенной" - подражание Кандинскому | 1680 | 341 | 40 | 34 | 29 | 32 | 17 | 29 | 49 | 30 | 25 | 29 | 16 | 11 | 0 | 1 | 1 | 2 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 3 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 |
| Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 842 | 336 | 32 | 25 | 29 | 29 | 17 | 34 | 23 | 36 | 55 | 24 | 19 | 13 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 |
| Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 702 | 336 | 25 | 36 | 29 | 38 | 23 | 40 | 41 | 31 | 22 | 20 | 23 | 8 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 1 |
| The topic of white magic sessions in the 15th century is completely classified | 400 | 334 | 37 | 41 | 30 | 27 | 23 | 30 | 35 | 33 | 25 | 30 | 17 | 6 | 0 | 2 | 0 | 4 | 5 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 3 |
| Doktor Hartlieb | 439 | 334 | 43 | 38 | 22 | 29 | 17 | 30 | 22 | 33 | 31 | 27 | 31 | 11 | 0 | 0 | 1 | 4 | 4 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 5 | 3 | 3 | 1 | 1 | 3 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 |
| От Абстракционизма (Беспредметности) к Панпсихореализму | 1147 | 333 | 34 | 23 | 23 | 34 | 19 | 48 | 17 | 34 | 36 | 33 | 19 | 13 | 0 | 2 | 2 | 4 | 3 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 3 | 0 |
| "Кандинский" / "Kandinsky" | 1316 | 332 | 30 | 39 | 30 | 33 | 24 | 31 | 20 | 30 | 22 | 36 | 27 | 10 | 0 | 1 | 3 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 3 | 3 |
| Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 715 | 331 | 38 | 37 | 35 | 27 | 19 | 38 | 22 | 22 | 26 | 34 | 16 | 17 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 2 | 3 | 2 | 2 | 5 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 4 | 0 | 0 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 5 | 0 | 2 | 0 | 0 | 4 |
| Агрегатор Панпсихизма | 1194 | 329 | 34 | 29 | 28 | 35 | 25 | 41 | 20 | 29 | 25 | 33 | 21 | 9 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 2 |
| Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 822 | 328 | 52 | 40 | 23 | 32 | 18 | 27 | 24 | 33 | 30 | 19 | 18 | 12 | 0 | 3 | 1 | 3 | 1 | 2 | 1 | 3 | 3 | 2 | 2 | 2 | 1 | 0 | 3 | 0 | 2 | 2 | 2 | 1 | 2 | 5 | 1 | 4 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 3 |
| Философия панпсихореализма и панпсихореалистическая культура | 690 | 327 | 35 | 18 | 38 | 27 | 16 | 40 | 15 | 30 | 50 | 31 | 16 | 11 | 0 | 4 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 3 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 5 | 2 |
| Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 591 | 327 | 45 | 29 | 28 | 37 | 17 | 45 | 30 | 22 | 26 | 18 | 19 | 11 | 0 | 2 | 0 | 5 | 3 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 4 | 2 | 1 | 2 | 5 | 4 | 1 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 1 |
| Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 1133 | 326 | 43 | 38 | 27 | 37 | 24 | 31 | 21 | 28 | 24 | 25 | 19 | 9 | 0 | 0 | 0 | 2 | 5 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 6 | 2 | 2 | 0 | 4 | 3 | 1 | 3 | 4 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 0 | 3 | 3 |
| Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 563 | 326 | 30 | 37 | 28 | 39 | 17 | 47 | 26 | 26 | 25 | 28 | 15 | 8 | 0 | 0 | 0 | 1 | 3 | 4 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 5 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 3 | 2 | 0 | 0 | 4 | 1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
| Вода | 1164 | 325 | 32 | 27 | 34 | 24 | 24 | 33 | 23 | 37 | 27 | 33 | 21 | 10 | 0 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 4 | 3 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 5 | 3 |
| От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 1195 | 325 | 30 | 31 | 36 | 32 | 29 | 28 | 26 | 31 | 24 | 23 | 23 | 12 | 0 | 0 | 1 | 5 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 4 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 3 |
| Художник-Панпсихореалист Александр Амелькин | 1080 | 324 | 30 | 24 | 28 | 31 | 23 | 48 | 26 | 29 | 31 | 25 | 18 | 11 | 0 | 3 | 0 | 4 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 3 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 3 |
| Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1358 | 323 | 35 | 27 | 32 | 33 | 25 | 31 | 38 | 27 | 20 | 26 | 16 | 13 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 3 | 2 |
| Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 985 | 322 | 36 | 24 | 28 | 33 | 26 | 36 | 17 | 36 | 29 | 22 | 17 | 18 | 0 | 0 | 1 | 3 | 4 | 0 | 1 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 0 | 5 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 5 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 |
| Сюжет (синопсис) фильма "Hartlieb" | 479 | 322 | 37 | 29 | 43 | 33 | 21 | 25 | 25 | 26 | 33 | 16 | 23 | 11 | 0 | 1 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 3 | 3 | 2 | 0 | 5 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 4 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 |
| Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1329 | 320 | 40 | 37 | 34 | 34 | 13 | 39 | 24 | 23 | 22 | 25 | 16 | 13 | 0 | 2 | 1 | 1 | 3 | 3 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 4 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 4 |
| Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1662 | 317 | 32 | 23 | 27 | 21 | 23 | 45 | 29 | 30 | 23 | 30 | 21 | 13 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 3 |
| Панпсихореализм / Panpsychorealism | 992 | 317 | 35 | 28 | 31 | 30 | 19 | 27 | 38 | 24 | 24 | 27 | 15 | 19 | 0 | 2 | 2 | 3 | 4 | 0 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 2 | 0 | 4 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 2 |
| Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 860 | 316 | 42 | 35 | 31 | 28 | 30 | 21 | 24 | 29 | 24 | 27 | 18 | 7 | 0 | 0 | 3 | 6 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 4 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 |
| Вода | 1068 | 312 | 31 | 25 | 29 | 31 | 16 | 35 | 28 | 31 | 26 | 33 | 20 | 7 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 3 |
| Манускрипт Войнича написал Абрахам Вормсский | 439 | 312 | 35 | 34 | 24 | 24 | 20 | 27 | 41 | 26 | 32 | 23 | 17 | 9 | 0 | 6 | 3 | 3 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 3 | 0 | 1 | 4 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 |
| Die Geschichte präsentiert eine Zusammenfassung von drei mysteriösen Manuskripten | 311 | 311 | 45 | 26 | 25 | 21 | 17 | 23 | 21 | 30 | 37 | 66 | 0 | 0 | 0 | 3 | 0 | 6 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 0 | 6 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 2 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 1 |
| Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 1252 | 309 | 30 | 52 | 27 | 29 | 19 | 25 | 23 | 35 | 18 | 24 | 16 | 11 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 4 | 2 | 2 | 0 | 2 | 4 | 5 | 10 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 1 | 1 | 1 | 3 | 2 |
| Утренний Кофе для Карманной Чёрной Дыры | 2237 | 309 | 39 | 37 | 28 | 30 | 14 | 37 | 24 | 27 | 20 | 25 | 21 | 7 | 0 | 3 | 0 | 1 | 5 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 1 |
| Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 470 | 307 | 33 | 20 | 29 | 25 | 22 | 16 | 17 | 32 | 30 | 26 | 35 | 22 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 5 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 3 |
| Предпатентный Отчёт | 1068 | 306 | 33 | 30 | 33 | 43 | 15 | 41 | 16 | 25 | 23 | 22 | 11 | 14 | 0 | 4 | 2 | 0 | 6 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 1 | 3 | 2 | 2 |
| Настройка механизма исполнения желаний | 306 | 306 | 32 | 19 | 26 | 22 | 15 | 32 | 20 | 29 | 42 | 69 | 0 | 0 | 0 | 2 | 2 | 0 | 5 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 |
| Hoax | 381 | 305 | 51 | 41 | 29 | 23 | 14 | 26 | 20 | 29 | 24 | 22 | 15 | 11 | 0 | 1 | 2 | 3 | 4 | 0 | 3 | 0 | 3 | 2 | 3 | 1 | 0 | 2 | 3 | 0 | 2 | 3 | 1 | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 2 | 0 | 2 |
| Wish ist the Essence of Life / Wunsch kann alles bewirken: Wunsch ist Essenz des Lebens | 303 | 303 | 27 | 22 | 21 | 29 | 19 | 21 | 115 | 49 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
| In Secret Archives there are several Voynich Manuscripts | 376 | 303 | 40 | 37 | 27 | 22 | 20 | 20 | 25 | 33 | 26 | 25 | 14 | 14 | 0 | 0 | 1 | 3 | 4 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 4 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 2 |
| Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 971 | 302 | 27 | 33 | 31 | 22 | 18 | 38 | 25 | 36 | 30 | 17 | 16 | 9 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 3 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 3 |
| Радио Войнич М - Radio Voynich M | 527 | 302 | 29 | 28 | 28 | 29 | 16 | 28 | 24 | 29 | 31 | 29 | 14 | 17 | 0 | 2 | 0 | 2 | 4 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 4 |
| Предупреждение: карается законом! | 344 | 301 | 31 | 24 | 26 | 21 | 16 | 37 | 23 | 47 | 28 | 19 | 15 | 14 | 0 | 0 | 1 | 3 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 2 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 |
| Тот самый шоколад из детства, тот самый чарующий аромат! | 1037 | 301 | 30 | 29 | 30 | 30 | 26 | 27 | 19 | 32 | 27 | 22 | 19 | 10 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 4 |
| Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 997 | 299 | 36 | 36 | 30 | 27 | 20 | 35 | 20 | 30 | 19 | 22 | 13 | 11 | 0 | 0 | 0 | 5 | 3 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 4 | 0 | 0 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 3 | 0 | 1 |
| Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 1021 | 298 | 40 | 26 | 37 | 44 | 17 | 25 | 19 | 28 | 15 | 24 | 13 | 10 | 0 | 1 | 1 | 2 | 4 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 3 | 4 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 3 |
| Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 877 | 297 | 35 | 28 | 23 | 31 | 18 | 38 | 23 | 28 | 25 | 21 | 21 | 6 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 5 | 3 | 2 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 |
| Василий Васильевич Кандинский (Wassily Kandinsky) | 1328 | 296 | 30 | 34 | 29 | 31 | 21 | 20 | 20 | 26 | 23 | 25 | 24 | 13 | 0 | 2 | 0 | 2 | 2 | 4 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 2 |
| Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 773 | 296 | 31 | 15 | 24 | 42 | 17 | 32 | 24 | 33 | 28 | 25 | 15 | 10 | 0 | 1 | 0 | 2 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 |
| Неандертало-Препротобаскская Водная Цивилизация и Современность | 1041 | 295 | 32 | 24 | 23 | 34 | 21 | 27 | 20 | 25 | 34 | 31 | 13 | 11 | 0 | 1 | 1 | 3 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 5 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 |
| Der Yuppie-Blues | 942 | 293 | 38 | 27 | 31 | 29 | 16 | 34 | 21 | 27 | 26 | 20 | 15 | 9 | 0 | 0 | 0 | 6 | 6 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 2 | 4 | 2 |
| Машуня | 1376 | 292 | 28 | 29 | 26 | 29 | 26 | 28 | 20 | 33 | 22 | 21 | 16 | 14 | 0 | 0 | 1 | 2 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 3 |
| Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 418 | 291 | 34 | 22 | 26 | 31 | 14 | 22 | 26 | 30 | 25 | 29 | 19 | 13 | 0 | 1 | 2 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 4 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 |
| Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2380 | 291 | 34 | 27 | 29 | 28 | 17 | 35 | 22 | 26 | 22 | 24 | 14 | 13 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 0 | 3 | 2 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 2 |
| Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 299 | 289 | 31 | 21 | 24 | 34 | 15 | 31 | 22 | 29 | 20 | 23 | 22 | 17 | 0 | 1 | 2 | 5 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 3 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 |
| К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 289 | 289 | 40 | 25 | 25 | 22 | 14 | 31 | 20 | 32 | 18 | 39 | 23 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 4 | 4 | 1 | 4 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 |
| Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 380 | 287 | 33 | 33 | 39 | 24 | 12 | 23 | 22 | 28 | 19 | 25 | 18 | 11 | 0 | 0 | 0 | 3 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 3 | 3 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 3 | 4 |
| Сильное Желание Улучшает Генетику! | 323 | 286 | 28 | 33 | 25 | 26 | 21 | 26 | 21 | 33 | 25 | 17 | 20 | 11 | 0 | 1 | 0 | 3 | 4 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 5 | 2 | 3 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 |
| Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 596 | 284 | 43 | 28 | 25 | 31 | 15 | 21 | 21 | 24 | 20 | 31 | 17 | 8 | 0 | 3 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 3 | 1 | 2 | 2 | 7 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
| The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 1091 | 282 | 35 | 33 | 26 | 23 | 11 | 36 | 18 | 23 | 24 | 29 | 15 | 9 | 0 | 1 | 0 | 4 | 4 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 4 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 3 |
| Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 326 | 282 | 25 | 22 | 28 | 26 | 22 | 30 | 25 | 28 | 21 | 22 | 19 | 14 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 3 |
| Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 281 | 281 | 30 | 26 | 33 | 18 | 18 | 32 | 15 | 28 | 30 | 51 | 0 | 0 | 0 | 0 | 1 | 2 | 5 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 |
| В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 1139 | 281 | 36 | 23 | 25 | 24 | 19 | 29 | 25 | 25 | 23 | 26 | 16 | 10 | 0 | 1 | 1 | 4 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 4 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 3 |
| Изгнание из Рая | 656 | 280 | 25 | 22 | 21 | 29 | 23 | 38 | 18 | 31 | 22 | 25 | 20 | 6 | 0 | 2 | 1 | 3 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 |
| В начале был Образ... | 793 | 280 | 28 | 21 | 25 | 30 | 22 | 30 | 21 | 25 | 24 | 29 | 13 | 12 | 0 | 2 | 0 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 3 |
| Системный подход в искусстве и истории | 407 | 280 | 28 | 23 | 29 | 20 | 13 | 36 | 33 | 25 | 20 | 21 | 22 | 10 | 0 | 1 | 1 | 5 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 1 |
| Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 865 | 279 | 37 | 35 | 29 | 25 | 16 | 24 | 19 | 25 | 20 | 24 | 17 | 8 | 0 | 2 | 0 | 3 | 5 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 3 | 2 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 2 | 2 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 1 | 2 | 2 | 2 | 1 |
| Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 303 | 279 | 33 | 23 | 26 | 25 | 14 | 29 | 24 | 29 | 23 | 29 | 16 | 8 | 0 | 2 | 0 | 3 | 3 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 5 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 3 | 0 |
| Тайна Рукописи Войнича раскрыта | 391 | 278 | 24 | 24 | 25 | 32 | 18 | 32 | 17 | 30 | 22 | 28 | 14 | 12 | 0 | 2 | 0 | 1 | 5 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 2 |
| Проект Спасения Человечества | 1321 | 278 | 36 | 26 | 24 | 26 | 18 | 21 | 23 | 30 | 19 | 30 | 15 | 10 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 3 | 4 | 2 | 3 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 4 |
| Das Voynich-Manuskript | 351 | 272 | 39 | 37 | 25 | 28 | 14 | 20 | 18 | 25 | 23 | 18 | 17 | 8 | 0 | 2 | 0 | 3 | 4 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 3 | 3 | 3 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 4 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 5 |
| Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 751 | 269 | 28 | 15 | 30 | 25 | 22 | 36 | 21 | 25 | 16 | 25 | 15 | 11 | 0 | 2 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 2 |
| Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 966 | 268 | 35 | 25 | 25 | 19 | 14 | 27 | 19 | 28 | 22 | 26 | 21 | 7 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 3 |
| "Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 1037 | 268 | 35 | 19 | 30 | 25 | 15 | 12 | 27 | 29 | 22 | 23 | 18 | 13 | 0 | 1 | 0 | 3 | 6 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 3 | 2 |
| Различные формы нло (ufo) с точки зрения панпсихореализма | 831 | 266 | 39 | 17 | 28 | 23 | 15 | 22 | 23 | 26 | 25 | 20 | 17 | 11 | 0 | 0 | 2 | 3 | 4 | 2 | 3 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 4 | 1 |
| Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 860 | 266 | 23 | 17 | 27 | 29 | 17 | 26 | 18 | 33 | 30 | 18 | 19 | 9 | 0 | 1 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 |
| Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1501 | 255 | 29 | 22 | 28 | 32 | 17 | 18 | 18 | 22 | 22 | 22 | 14 | 11 | 0 | 2 | 1 | 1 | 5 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 5 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 2 | 1 |
| К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 563 | 255 | 37 | 23 | 23 | 27 | 15 | 24 | 20 | 18 | 17 | 24 | 16 | 11 | 0 | 3 | 1 | 2 | 4 | 0 | 0 | 1 | 5 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 5 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 2 |
| Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 293 | 253 | 24 | 20 | 20 | 26 | 18 | 26 | 16 | 33 | 21 | 23 | 14 | 12 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
| Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 759 | 251 | 28 | 20 | 28 | 21 | 14 | 29 | 17 | 25 | 18 | 26 | 12 | 13 | 0 | 3 | 1 | 3 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 2 |
| Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 568 | 249 | 27 | 20 | 26 | 26 | 17 | 21 | 22 | 26 | 26 | 18 | 14 | 6 | 0 | 0 | 0 | 4 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 3 | 1 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 3 |
| "Панпсихореализм" / "Panpsychorealismus" | 1012 | 246 | 19 | 22 | 28 | 23 | 21 | 17 | 19 | 26 | 21 | 22 | 24 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 |
| Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 926 | 242 | 27 | 24 | 24 | 24 | 13 | 26 | 16 | 27 | 21 | 19 | 13 | 8 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 1 | 0 | 2 | 3 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 3 | 0 | 3 | 2 |
| Der Yuppie-Blues 2025 | 234 | 234 | 35 | 30 | 33 | 28 | 13 | 95 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 5 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 1 | 3 | 2 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 3 |
| Информация о владельце раздела | 2404 | 227 | 27 | 19 | 24 | 23 | 17 | 11 | 22 | 20 | 23 | 17 | 16 | 8 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 5 | 1 |
| "Essenz" - произведение, сочетающее литературные, музыкальные и философские элементы, основанное на концепции Panpsychorealismus (панпсихореализм) | 218 | 218 | 31 | 18 | 27 | 28 | 85 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 |
| Radio | 185 | 185 | 43 | 43 | 61 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 6 | 5 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 8 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 3 | 5 | 1 | 1 | 0 | 2 | 2 | 6 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 2 | 3 | 2 |
| Kulturelle Trends im Jahr 2030 (Kunst, Musik, Mode) / Ich habe den Schmerzen-Blues endlich fertiggestellt | 184 | 184 | 23 | 26 | 30 | 39 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 4 | 5 |
| The basis of changes in the body is desire (wish), reinforced by anti-desire (anti-wish) | 175 | 175 | 31 | 27 | 29 | 24 | 12 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 3 |
| Film Project About The Object 3i/atlas | 151 | 151 | 44 | 50 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 5 | 4 | 1 | 1 | 4 | 1 | 3 | 2 | 2 | 1 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 3 | 3 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 3 | 4 | 1 | 5 | 4 |
| 3i/atlas | 150 | 150 | 43 | 107 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 6 | 3 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 6 | 1 | 2 | 3 | 2 | 2 | 2 | 3 | 0 | 1 | 2 | 2 | 5 | 3 | 1 | 1 | 2 | 2 | 3 | 0 | 4 | 0 | 2 | 4 | 0 | 3 | 2 | 2 | 5 | 12 | 5 | 6 | 5 | 28 | 0 | 0 | 0 | 0 | 0 | 0 |
| 3i/atlas "a threat to humanity"? Why the planetary defense team is tracking the interstellar object? | 133 | 133 | 133 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 5 | 10 | 10 | 2 | 4 | 3 | 4 | 3 | 7 | 13 | 8 | 13 | 18 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Viral Song & Viral Photo ( #3iatlas ) | 129 | 129 | 42 | 87 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 5 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 0 | 5 | 4 | 1 | 2 | 3 | 6 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 3 | 1 | 2 | 3 | 5 | 1 | 4 | 5 | 4 | 3 | 3 | 8 | 5 | 4 | 8 | 5 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| История одной переписки | 127 | 127 | 34 | 46 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 4 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 2 | 3 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 4 | 4 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 4 | 7 | 0 | 0 | 3 | 3 | 1 |
| Essenz | 101 | 101 | 26 | 40 | 35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 4 | 0 | 1 | 3 | 0 | 1 |
| Дисклеймер ко всем моим произведениям | 92 | 92 | 30 | 62 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 2 | 3 | 3 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 2 | 3 | 6 | 23 | 0 | 0 | 0 | 0 | 0 |