| Итого | За последние 12 месяцев | Nov | Oct | Sep | 
 | Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 
| 
По разделу | 
10383 | 538 | 
10 | 
57 | 
39 | 
42 | 
37 | 
27 | 
87 | 
54 | 
60 | 
53 | 
42 | 
30 | 
0 | 
2 | 
4 | 
4 | 
2 | 
3 | 
5 | 
3 | 
4 | 
1 | 
1 | 
1 | 
1 | 
2 | 
3 | 
2 | 
1 | 
0 | 
3 | 
1 | 
1 | 
0 | 
1 | 
0 | 
1 | 
1 | 
2 | 
1 | 
2 | 
3 | 
3 | 
3 | 
2 | 
2 | 
2 | 
1 | 
1 | 
1 | 
1 | 
1 | 
1 | 
1 | 
1 | 
2 | 
0 | 
1 | 
3 | 
3 | 
2 | 
2 | 
2 | 
1 | 
1 | 
2 | 
0 | 
2 | 
0 | 
1 | 
1 | 
1 | 
1 | 
1 | 
| 
Олдос Хаксли и философия творчества | 
3990 | 354 | 
6 | 
38 | 
20 | 
29 | 
27 | 
20 | 
45 | 
42 | 
37 | 
36 | 
33 | 
21 | 
0 | 
0 | 
4 | 
2 | 
2 | 
1 | 
2 | 
3 | 
4 | 
0 | 
0 | 
1 | 
0 | 
1 | 
1 | 
2 | 
0 | 
0 | 
3 | 
1 | 
1 | 
0 | 
1 | 
0 | 
0 | 
1 | 
2 | 
1 | 
1 | 
3 | 
1 | 
2 | 
2 | 
2 | 
0 | 
1 | 
1 | 
0 | 
1 | 
1 | 
1 | 
0 | 
1 | 
1 | 
0 | 
0 | 
1 | 
1 | 
1 | 
2 | 
0 | 
0 | 
1 | 
1 | 
0 | 
2 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
| 
Сон как последнее прибежище экзистенциалиста | 
1312 | 221 | 
9 | 
26 | 
12 | 
16 | 
10 | 
3 | 
55 | 
19 | 
28 | 
22 | 
14 | 
7 | 
0 | 
1 | 
4 | 
4 | 
1 | 
3 | 
4 | 
1 | 
1 | 
0 | 
1 | 
0 | 
0 | 
1 | 
1 | 
1 | 
1 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
1 | 
1 | 
0 | 
2 | 
0 | 
1 | 
2 | 
0 | 
1 | 
2 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
1 | 
1 | 
0 | 
1 | 
1 | 
0 | 
0 | 
0 | 
2 | 
1 | 
0 | 
2 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
| 
Информация о владельце раздела | 
1482 | 212 | 
4 | 
26 | 
22 | 
13 | 
10 | 
11 | 
41 | 
20 | 
17 | 
25 | 
16 | 
7 | 
0 | 
2 | 
1 | 
1 | 
2 | 
0 | 
5 | 
1 | 
1 | 
1 | 
0 | 
1 | 
1 | 
2 | 
1 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
1 | 
1 | 
3 | 
1 | 
2 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
1 | 
1 | 
2 | 
0 | 
1 | 
3 | 
3 | 
2 | 
1 | 
0 | 
1 | 
0 | 
2 | 
0 | 
1 | 
0 | 
0 | 
1 | 
0 | 
1 | 
0 | 
| 
"Живое — не живое": читая Кена Кизи | 
1441 | 189 | 
4 | 
21 | 
11 | 
12 | 
7 | 
7 | 
49 | 
18 | 
18 | 
22 | 
14 | 
6 | 
0 | 
1 | 
2 | 
1 | 
2 | 
0 | 
3 | 
0 | 
1 | 
0 | 
1 | 
1 | 
0 | 
0 | 
3 | 
0 | 
0 | 
0 | 
2 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
1 | 
1 | 
0 | 
3 | 
0 | 
1 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
1 | 
1 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
1 | 
0 | 
1 | 
0 | 
1 | 
1 | 
0 | 
1 | 
0 | 
| 
Людоедский капитализм: критика чистого безумия | 
2158 | 175 | 
2 | 
19 | 
11 | 
11 | 
8 | 
6 | 
31 | 
18 | 
19 | 
22 | 
17 | 
11 | 
0 | 
0 | 
1 | 
1 | 
2 | 
0 | 
3 | 
0 | 
1 | 
1 | 
0 | 
0 | 
1 | 
0 | 
2 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
1 | 
0 | 
2 | 
1 | 
1 | 
1 | 
0 | 
1 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
2 | 
0 | 
2 | 
0 | 
1 | 
0 | 
0 | 
1 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 |